Pubs, Clubs and Restaurants the Impact of the New Licensing Act
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Ctif News International Association of Fire & Rescue
CTIF Extra News October 2015 NEWS C T I F INTERNATIONAL ASSOCIATION OF FIRE & RESCUE Extra Deadly Fire Roars through Romanian Nightclub killing at least 27 people From New York Times OCT. 30, 2015 “Fire tore through a nightclub in Romania on Friday night during a rock concert that promised a dazzling pyrotechnic show, killing at least 27 people and spreading confusion and panic throughout a central neighborhood of Bucharest, the capital, The Associated Press reported. At least 180 people were injured in the fire at the Colectiv nightclub, according to The Associated Press”. 1 CTIF Extra News October 2015 CTIF starts project to support the increase of safety in entertainment facilities “Information about the large fires always draws a lot of interest. This is especially true in the case when fire cause casualties what is unfortunately happening too often. According to available data, fire at Bucharest nightclub killed at least 27 people while another 180 were injured after pyrotechnic display sparked blaze during the rock concert. The media report that there were 300 to 400 people in the club when a fireworks display around the stage set nearby objects alights. It is difficult to judge what has really happened but as it seems there was a problem with evacuation routes, number of occupants and also people didn’t know whether the flame was a part of the scenario or not. Collected data and testimonials remind us on similar fires and events that happened previously. One of the first that came to the memory is the Station Night Club fire that happened 12 years ago. -
Dance 6 Before
And Then We Raved A REVIEW OF THE TBILISI NIGHTCLUB INDUSTRY 2019 TBILISI NIGHTCLUB INDUSTRY Tbilisi Nightclub industry Unlike Tbilisi itself, the city’s nightlife is not able to boast a long history. Yet, the city has achieved recognition as having one of Europe’s best underground scenes. In Georgia, clubbing is about more than just a wild night out. By dismantling stereotypes, Tbilisi underground movement is trying to modify the nation’s stodgy attitudes, which stem from the soviet regime. In this sense, Tbilisi’s clubs can be viewed as islands of free expression. The under- ground culture builds community and gathers like-minded people in one space. The search for new experiences has begun to define numerous sectors, and the nightclub industry is no exception. An unusual and authentic environment is now a crucial part of captivating an audience’s attention. That’s why club owners hunt for places that are guaranteed to create this kind of experience for ravers. In most cases, Tbilisi’s nightclubs are housed in old historical buildings, which adds an additional pull and creates an enigmatic atmosphere for ravers. This practice has been common in the EU for a long time already, especially in Berlin, where former factories and warehouses have been redesigned into clubs. New Trends These days, club owners are integrating the new concept by making night- club spaces available for artistic exhibitions and venues for multifunctional use. Category : c.8,500 80 events Renting price per sq m 10 - 40 GEL “ Tbilisi nightclubs have revived spaces in post-soviet buildings that Capacity per month from USD 2.4 to USD 9 Ticket price went unused for several years.” 02 03 Colliers International Georgia I 2019 TBILISITBILISI NIGHTCLUB HOSTEL INDUSTRY MARKET Nightclubs in Tbilisi Bassiani Khidi Mtkvarze Monohall Located in the underbelly of Dinamo Arena, Bassiani is Khidi, a former industrial space which reopened as a Mtkvarze, a soviet-era seafood restaurant transformed Monohall is a newly opened multifunctional space on renowned as one of the best clubs in Europe. -
Global Nomads: Techno and New Age As Transnational Countercultures
1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Disclaimer Statement for Nightclub/Bar
Disclaimer Statement for Nightclub/Bar This Packet Includes: 1. General Information 2. Instructions and Checklist 3. Disclaimer Statement for Nightclub/Bar General Information Disclaimer Statement for Nightclub/Bar This Disclaimer Statement for a Nightclub/Bar indemnifies a bar or nightclub from liability in the event of injury to an individual or property damage. This disclaimer sets out the services which the establishment promotes (i.e., live music, karaoke, live DJ or dancing), the inherent risks and that the services offered by nightclub are provided on an "as is" or "as available" basis. It also sets forth that patrons understand that the club, its employees or agents are not liable for any damages resulting from use the of the nightclub services. It is imperative that every nightclub and bar have a disclaimer displayed in a prominent area or location. A written Disclaimer Statement for Nightclub/Bar will prove invaluable in the event of accidents or damages suffered by the patrons of your establishment. Instructions and Checklist Disclaimer Statement for Nightclub/Bar The parties should read the document carefully. Insert all requested information in the spaces provided on the form. This form contains the basic terms and language that should be included in similar agreements. This form contains indemnification and disclaimer language and should be prominently displayed within your nightclub or bar. The parties should retain either an original or copy of this disclaimer statement. All legal documents should be kept in a safe location such as a fireproof safe or safe deposit box. DISCLAIMER: FindLegalForms, Inc. (“FLF”) is not a law firm and does not provide legal advice. -
Programming Nightclub & Lounge Controller
nightclub & lounge controller Part Number: MC1010 Disco Lighting Control Software is designed specifically for the club, lounge and DJ markets to fill the needs of Lighting Jockeys and DJ’s alike. The user interface is designed with a built in wizard system that makes creating looks a step-by-step process. Disco uses a revolutionary concept of building the looks one at a time and then “mixing” them together to produce an unlimited array of combinations for all your fixtures. Disco makes it easy to create an awesome light show, regardless of experience level. programming • Step by Step Wizard walks the user through creating • Password protection for User Only Mode a look or sequence • Copy/Paste scenes and sequences • Unlimited pages of buttons that trigger Still Looks, • LED Matrix engine and LED Macros Sequences, Multiple Buttons and Timeline schedules. • Printable Patch List • Multiple Views to arrange fixtures graphically in • Unlimited fixtures different rooms or areas • Fixture Groups • More advanced users can program looks step by step • Unique movement control making positioning without the wizard fixtures easier • Palettes are automatically created on Patching or can be made custom • Patch fixtures from a list of available profiles or create your own • Palettes presets is the foundation of the programming system • Up to 24 Universes (CPU and USB interface dependent) • Direct fader Control with virtual Wheel Controls • Shape Generator for movement with Offsets • Easy Backup and Restore of Entire Shows playback • Move any button -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
The Terror Attack on Bali, 2002
The Terror Attack on Bali, 2002 Kamedo-report 89 The National Board of Health and Welfare classifies its publications into various document types. This is a document produced by specialists. This means that it is based on science and well-tried experience. The documents are usually prepared by external specialists commissioned by the National Board of Health and Welfare or the Institute for Evidence- Based Social Work Practice (IMS). The authors are solely responsible for the content and conclusions. The National Board of Health and Welfare/IMS does not draw conclusions in the document. The specialists’ The Committee for Disaster Medicine Studies (KAMEDO) has been in existence since 1964. It started under the auspices of the Swedish Research Delegation for Defence Medicine, which, however, was reorganized in 1974 and KAMEDO was transferred to the Swedish Defense Research Agency (FOA). In 1988, KAMEDO was integrated into the Unit for Emergency Preparedness at Socialstyrelsen/The National Board of Health and Welfare. KAMEDO's main task is to send observers to disaster areas all over the world to study recent disasters, collect useful information and to get familiarized with the problems of disaster medicine. The observers are sent to disaster areas with short notice; they collect relevant information on a collegial basis from doctors and others, thereby pointing out that all information received is strictly for scientific use. Four main groups of interest that have been studied are medical, psychological, organizational and social aspects of disasters. The results of the studies are published in KAMEDO-reports. Since 1979 (report No. 34) they all include an English summary which, as of No. -
A Computational Study of the Station Nightclub Fire Accounting for Social Relationships
A Computational Study of the Station Nightclub Fire Accounting for Social Relationships Sherif El-Tawil1, Jieshi Fang2, Benigno Aguirre3, Eric Best4 1Civil and Environmental Engineering Department, University of Michigan, 2350 Hayward Ave., 2374 GGB Ann Arbor, 48109-2125, United States 2CITIC Agri Fund, Beijing City, China 3Disaster Research Center, University of Delaware, United States 4Center for Applied Demography & Survey Research, University of Delaware, 210 South College Ave., Newark, DE 19716, United States Correspondence should be addressed to [email protected] Journal of Artificial Societies and Social Simulation 20(4) 10, 2017 Doi: 10.18564/jasss.3519 Url: http://jasss.soc.surrey.ac.uk/20/4/10.html Received: 11-05-2017 Accepted: 24-07-2017 Published: 31-10-2017 Abstract: Using agent-based modeling, this study presents the results of a computational study of social rela- tionships among more than four hundreds evacuees in The Station Nightclub building in Rhode Island. The fire occurred on the night of February 20, 2003 and resulted in 100 fatalities. Aer summarizing and calibrating the computational method used, parametric studies are conducted to quantitatively investigate the influences of the presence of social relationships and familiarity of the building floor plan on the death and injury tolls. It is demonstrated that the proposed model has the ability to reasonably handle the complex social relationships and group behaviors present during egress. The simulations quantify how intimate social ailiations delay the overall egress process and show the extent by which lack of knowledge of a building floor plan limits exit choices and adversely aects the number of safe evacuations. -
THE BOOGIE! a NIGHTCLUB THAT DEFIED TRADITIONAL PROBLEM SOLVING EFFORTS Or When Jack Met SARA
THE BOOGIE! A NIGHTCLUB THAT DEFIED TRADITIONAL PROBLEM SOLVING EFFORTS or when Jack met SARA Anaheim Police Department South District Community Policing Team Tourist Oriented Policing Team District Commander, Lieutenant David Vangsness Summary The Boogie, a nightclub that operated in Anaheim for over 25 years, maintained a reputation as one of the most popular clubs in Southern California. It operated under various banners including: The Crescendo, The Cowboy, The Bandstand, The Cowboy- Boogie and finally The Boogie. Each change in name represented a change in both the music format and the clientele who patronized the club. What remained constant were the challenges the club created for the community. As is often the case, the police department would be the driving force in addressing these challenges. The Boogie brought all of the common problems expected of a large nightclub. As with any concentration of alcohol, high-energy music and young adults, the club’s problems included: fights, intoxicated patrons and parking and traffic congestion. Beyond these “traditional” problems, in later years The Boogie severely impacted surrounding businesses, forcing them to hire security, close their doors during peak hours, and endure ongoing customer complaints. As the club evolved into a Hip-Hop and Rap format, stabbings, shootings and firearms seizures became routine. Two homicides were committed by patrons leaving the club in its last year of operation, 2006. The Anaheim Police Department became stuck in a recurring loop while trying to solve the challenges in and around The Boogie. Scanning revealed a problem; analysis suggested a fix; responses were usually effective; but assessment often turned into a new round of response and assessment, as a problem recurred, or a new problem arose. -
AUSTRALIAN OFFICIAL JOURNAL of TRADE MARKS 17 September 2009
Vol: 23 , No. 36 17 September 2009 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 17 September 2009 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 11752 Registrations/Protected IRs Amended and Changed ................ 11753 Registrations Linked ............................... 11750 Applications for Extension of Time ...................... 11752 Applications for Amendment .......................... 11752 Applications/IRs Accepted for Registration/Protection .......... 11412 Applications/IRs Filed Nos 1316563 to 1317837 ............................. 11395 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 11755 Withdrawn..................................... 11756 Refused ...................................... 11756 Assignments,TransmittalsandTransfers.................. 11756 Cancellations of Entries in Register ...................... 11759 Notices....................................... -
Australian Official Journal Of
Vol: 23 , No. 20 28 May 2009 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 28 May 2009 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 6943 Registrations/Protected IRs Amended and Changed ................ 6944 Registrations Linked ............................... 6939 Applications for Extension of Time ...................... 6942 Applications for Amendment .......................... 6942 Applications/IRs Accepted for Registration/Protection .......... 6565 Applications/IRs Filed Nos 1297149 to 1298512 ............................. 6547 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 6945 Withdrawn..................................... 6946 Refused ...................................... 6946 Australian Competition and Consumer Commission Matters Decision Given by the ACCC ........................... 6949 Assignments,TransmittalsandTransfers.................