GOOD MAN Through Ongoing Union Contract Negotiations
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Clones Stick Together
TVhome The Daily Home April 12 - 18, 2015 Clones Stick Together Sarah (Tatiana Maslany) is on a mission to find the 000208858R1 truth about the clones on season three of “Orphan Black,” premiering Saturday at 8 p.m. on BBC America. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 12, 2015 — Sat., April 18, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING Friday WBIQ 10 4 10 10 10 10 6 p.m. FS1 St. John’s Red Storm at Drag Racing WCIQ 7 10 4 Creighton Blue Jays (Live) WVTM 13 13 5 5 13 13 13 13 Sunday Saturday WTTO 21 8 9 9 8 21 21 21 7 p.m. ESPN2 Summitracing.com 12 p.m. ESPN2 Vanderbilt Com- WUOA 23 14 6 6 23 23 23 NHRA Nationals from The Strip at modores at South Carolina WEAC 24 24 Las Vegas Motor Speedway in Las Gamecocks (Live) WJSU 40 4 4 40 Vegas (Taped) 2 p.m. -
The Perpetuation of Historical Myths in New Orleans Tourism
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-31-2021 Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism Madeleine R. Roach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Oral History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Roach, Madeleine R., "Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism" (2021). University of New Orleans Theses and Dissertations. 2902. https://scholarworks.uno.edu/td/2902 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the in the requirements for the degree of Master of Arts in History Public History By Madeleine Roach B.A. -
BUSINESS of PLASTIC SURGERY Navigating a Successful Career Copyright © 2010 by World Scientific Publishing Co
World Scientific 7339tp.indd 2 5/6/10 4:37:46 PM Published by World Scientific Publishing Co. Pte. Ltd. 5 Toh Tuck Link, Singapore 596224 USA office: 27 Warren Street, Suite 401-402, Hackensack, NJ 07601 UK office: 57 Shelton Street, Covent Garden, London WC2H 9HE British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. THE BUSINESS OF PLASTIC SURGERY Navigating a Successful Career Copyright © 2010 by World Scientific Publishing Co. Pte. Ltd. All rights reserved. This book, or parts thereof, may not be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system now known or to be invented, without written permission from the Publisher. For photocopying of material in this volume, please pay a copying fee through the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA. In this case permission to photocopy is not required from the publisher. ISBN-13 978-981-4277-29-7 ISBN-10 981-4277-29-0 Illustrations by Heather Furnas Cover design by Max Jaime Korman and Jimmy Low Typeset by Stallion Press Email: [email protected] Printed in Singapore. Shelley - The Business of Plastic Surgery.pmd 1 8/2/2010, 6:17 PM May 6, 2010 13:42 SPI-B902 9in x 6in b902-fm We dedicate this book to all plastic surgeons who are committed to doing the very best for their patients. In today’s world, success is often determined by more than skill and hard work. -
Hollywood Representations of the Suburban Housewife, 1960-1975
Big Screen, Little Boxes: Hollywood Representations of the Suburban Housewife, 1960-1975 Kara Peruccio Wake Forest University 55 Following the post-World War II flight from the city to the suburbs, Hollywood frequently produced films representing life in the suburbs during the late 1950s and early 1960s. The female roles restricted actresses to play sweet, feminine housewives, often lacking interests outside the home. The publication of Betty Friedan’s The Feminine Mystique in 1963 provided at least one forum for a discussion of the middle-class housewife’s inner secrets: boredom, disappointment, and loneliness. Studios, however, ignored new gender developments in society until 1967 when some movies started to portray housewives rebelling against their suburban surroundings: women having affairs, seeking therapy (whether with a psychiatrist or a bottle of vodka), and experiencing mental breakdowns. Films attempted to articulate women’s frustrations but often failed to provide prescriptions for the housewives’ turmoil. These movies presented new views with women questioning their societal roles as opposed to following traditional models from the 1950s and early 1960s. By the mid-1970s, some movies openly discussed feminist goals and issues, presenting women’s concerns to a wide audience. These changes culminated in 1975 when The Stepford Wives infuriated feminists and signaled the decline of housewife-focused films. These suburban stories faded into the background of Hollywood despite enjoying financial and critical success. From 1960 to 1975, Hollywood belatedly tried to address the issues and concerns of the suburban housewife by breaking away from stereotypes perpetuated in earlier domestic humor roles, but ultimately forcing these women into suburban boxes. -
Automated Identification of Bias Inducing Words in News Articles
Information Processing and Management 58 (2021) 102505 Contents lists available at ScienceDirect Information Processing and Management journal homepage: www.elsevier.com/locate/ipm Automated identification of bias inducing words in news articles using linguistic and context-oriented features Timo Spinde a,b,<, Lada Rudnitckaia a, Jelena Mitrovi¢ c, Felix Hamborg a,e, Michael Granitzer c, Bela Gipp b,e, Karsten Donnay d,e,<< a University of Konstanz, Universitätsstraße 10, DE-78464 Konstanz, Germany b University of Wuppertal, Gaußstraße 20, DE-42119 Wuppertal, Germany c University of Passau, Innstraße 41, DE-94032 Passau, Germany d University of Zurich, Rämistrasse 71 CH-8006 Zürich, Switzerland e Heidelberg Academy of Sciences and Humanities, Germany ARTICLEINFO ABSTRACT MSC: Media has a substantial impact on public perception of events, and, accordingly, the way media 00-01 presents events can potentially alter the beliefs and views of the public. One of the ways in 99-00 which bias in news articles can be introduced is by altering word choice. Such a form of bias Keywords: is very challenging to identify automatically due to the high context-dependence and the lack Media bias of a large-scale gold-standard data set. In this paper, we present a prototypical yet robust and Feature engineering diverse data set for media bias research. It consists of 1,700 statements representing various Text analysis media bias instances and contains labels for media bias identification on the word and sentence Context analysis level. In contrast to existing research, our data incorporate background information on the News analysis Bias data set participants' demographics, political ideology, and their opinion about media in general. -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student. -
Less Than Exciting Behaviors Associated with Unneutered
1 c Less Than Exciting ASPCA Behaviors Associated With Unneutered Male Dogs! Periodic binges of household destruction, digging and scratching. Indoor restlessness/irritability. N ATIONAL Pacing, whining, unable to settle down or focus. Door dashing, fence jumping and assorted escape behaviors; wandering/roaming. Baying, howling, overbarking. Barking/lunging at passersby, fence fighting. Lunging/barking at and fighting with other male dogs. S HELTER Noncompliant, pushy and bossy attitude towards caretakers and strangers. Lack of cooperation. Resistant; an unwillingness to obey commands; refusal to come when called. Pulling/dragging of handler outdoors; excessive sniffing; licking female urine. O UTREACH Sexual frustration; excessive grooming of genital area. Sexual excitement when petted. Offensive growling, snapping, biting, mounting people and objects. Masturbation. A heightened sense of territoriality, marking with urine indoors. Excessive marking on outdoor scent posts. The behaviors described above can be attributed to unneutered male sexuality. The male horomone D testosterone acts as an accelerant making the dog more reactive. As a male puppy matures and enters o adolescence his primary social focus shifts from people to dogs; the human/canine bond becomes g secondary. The limited attention span will make any type of training difficult at best. C a If you are thinking about breeding your dog so he can experience sexual fulfillment ... don’t do it! This r will only let the dog ‘know what he’s missing’ and will elevate his level of frustration. If you have any of e the problems listed above, they will probably get worse; if you do not, their onset may be just around the corner. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
Words and Images Matter NETWORK RESPONSIBILITY INDEX TABLE of CONTENTS
A COMPREHENSIVE ANALYSIS OF TELEVISION’S LESBIAN, GAY, BISEXUAL, AND TRANSGENDER IMAGES. words and images matter NETWORK RESPONSIBILITY INDEX TABLE OF CONTENTS • TABLE OF CONTENTS TK EXECUTIVE SUMMARY 3 ABC 8 CBS 10 CW 12 FOX 14 NBC 16 ABC FAMILY 18 FX 20 HBO 22 HISTORY 24 MTV 26 SHOWTIME 28 TBS 31 TLC 32 TNT 34 USA 36 MORE CABLE NETWORKS 38 BIOS 41 EXECUTIVE SUMMARY The GLAAD Network Responsibility Index (NRI) is an evaluation of the quantity and quality of images of lesbian, gay, bisexual and transgen- der (LGBT) people on television. It is intended to serve as a road map toward increasing fair, accurate, and inclusive LGBT media representations. GLAAD has seen time and again how images of multi-dimensional gay and transgender people on television have the power to change public percep- tions. The Pulse of Equality Survey, commissioned by GLAAD and conducted by Harris Interactive, confirmed a growing trend toward greater acceptance among the American public. Among the 19% who reported that their feelings toward gay and lesbian people have become more favorable over the past 5 years, 34% cited “seeing gay or lesbian characters on television” as a contrib- uting factor. In fact when Vice President Joe Biden endorsed marriage equality this year, he cited the NBC sitcom Will & Grace as one of the factors that led to a better understanding of the LGBT community by the American public. As diverse LGBT images in the media become more prevalent, the general public becomes exposed to the truth of the LGBT community: lesbian, gay, bisexual and transgender Americans are parents and teachers, law enforce- ment and soldiers, high school students and loving elderly couples. -
Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp
Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2015 Erin Elif Alp All rights reserved ABSTRACT Screen Cleaning: Moral Knowledge and the Politics of Cinema Censorship Erin Elif Alp This dissertation asks how the structure of moral authority and media viewership in America has changed over the course of the 20th century. In order to address this question, I examine the ways in which American films are, and have been, labeled inappropriate or appropriate for public viewership. I ask how censorship, regulation and rating systems work to create and manage moral ambiguity, and what types of ramifications moral ambiguity is thought to have on viewers. I also address the types of problems associated with American cinema over time, and propose several analytical dimensions to capture and unpack the processes of censoring cinema. This framework is built on the notions of filth and moral ambiguity, moral repercussion, a process of responsibilization, and the telos for cinema, all of which influences how an organization interacts with movies and morality. In lapses of symmetry between on- and off-screen worlds, moral ambiguity arises in ways that responsibilize either content controllers or audiences themselves. I show the links between these articulations and how the moral repercussions of exposure to cinema are defined. I also argue that where in the past moral ambiguity was commonly perceived as a dangerous aspect of cinema, especially by censors and Hollywood film production regulators, contemporary movie raters present a film’s moral ambiguity as a resource to the viewer. -
2020 Annual Report Democratic Republic of the Congo
2020 ANNUAL REPORT DEMOCRATIC REPUBLIC OF THE CONGO INTERNATIONAL MEDICAL CORPS 2020 ANNUAL REPORT 05 ANNUAL MESSAGE 07 ABOUT US Our Mission Our Approach Our Programs Training 16 INTERNATIONAL MEDICAL CORPS IN 2020 By the Numbers Where We Work In the Media Milestones Partnerships COVID-19 Response 34 LEADERSHIP 38 FINANCIALS 42 ANNUAL SUPPORT 62 HOW YOU CAN HELP INTERNATIONAL MEDICAL CORPS 2020 2 3 2020 INTERNATIONAL MEDICAL CORPS TO OUR SUPPORTERS: We are extremely proud to report on our accomplishments in 2020—one of the most intense and challenging years in our history, dominated by the COVID-19 pandemic. This worldwide public health emergency tested us at every level. Drawing on our extensive experience in more than needs for maternal and child healthcare, nutrition, 80 countries and supported by the unprecedented clean water, mental health—and so much more. generosity of our donors, we prepared early In the Democratic Republic of the Congo (DRC), and—despite worldwide shelter-in-place we helped end two separate Ebola outbreaks orders, travel bans and fast-closing borders— in 2020, including the world’s second-largest managed to provide lifesaving assistance and outbreak of the disease. Yet despite this victory, training to those in need on five continents. in the early months of 2021, we confronted further outbreaks of the deadly disease in the DRC and But in this year like no other, our biggest task was in West Africa. Our work clearly is not done. right here at home in the United States. We supported scores of hospitals, nursing homes, healthcare clinics In early August 2020, when a massive warehouse and community centers in nine states and Puerto explosion at the Port of Beirut ripped through the Rico, as the pandemic threatened to overwhelm Lebanese capital, killing more than 220, injuring major parts of our health system. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.