DOCSLIB.ORG

The Edible Monument: the Art of Food for Festivals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Edible Monument: the Art of Food for Festivals OBJECT LIST The Edible Monument: The Art of Food for Festivals Feasting in the Streets 1. Cuccagna Monument for the Name Day of Empress Elizabeth Christina Naples, 1722 Michelangelo De Blasio (Italian, fl. 1721–1750), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.14 2. Cuccagna Monument for the Birthday of Empress Elizabeth Christina Naples, 1728–1733 Domenico Antonio Vaccaro (Italian, 1678–1745), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.12 3. Cuccagna Monument for the 1757 Festival of the Chinea Rome, 1757 Giuseppe Palazzi (Italian, 1740–1810), draftsman Giuseppe Pozzi (Italian, 1723–1765), etcher Paolo Posi (Italian, 1708-1776), designer Etching P990004 4. Cuccagna Monument in front of the Palazzo Real in Naples Celebrating the Name Day of Emperor Charles VI Naples, 1724 Michelangelo De Blasio (Italian, fl. 1721–1750), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.13 5. Cuccagna Monument for the Birthday of Emperor Charles VI Naples, 1728 Domenico Antonio Vaccaro (Italian, 1678–1745), draftsman Francesco de Grado (Italian, 1663–ca. 1733), etcher Etching P910002.11 6. Cuccagna Monument in front of the Royal Palace Celebrating of the Entry of Carlo, Infante of Spain and Duke of Parma Livorno, 1732 Marcus Tuscher (German, 1705–1751) Ink and wash drawing 2001.M.12 7. Cuccagna Monument and Illuminated Temple for the Marriage of Archduke Ferdinand of Austria and Maria Beatrice of Modena Milan, ca. 1771 Giulio Cesare Bianchi (Italian, fl. ca. 1760–1771) Etching P910002.6 8. Cuccagna on the Square before the Royal Palace, for the Birth of Charles III’s First-Born Son, Philip Vincenzo dal Ré (Italian, died 1762), draftsman Giuseppe Vasi (Italian, 1710–1782), etcher Engraving and etching Vincenzo dal Re, Narrazione delle solenni reali feste . (Naples: s.n., 1749), pl. XI 84-B8196 9. A Modest Feast Bartolomeo de Tosi (Italian, fl. 1500s) Woodcut Cuccagna: capitolo nel qvale si descriuono le marauigliose cose, che si trouano nel paese di Cuccagna (Rome: Bartolomeo de Tosi, 1570), title page 1554-543 10. Cuccagna Arch of Bread, Cheese, and Suckling Pigs on the Feast of Saint John the Baptist Anonymous Woodcut Francisco Orilia, Il zodiaco (Naples: Ottavio Beltrano, 1630), p. 456 94-B11818 11. Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most Bassano, 1606 Anonymous Hand-colored etching 2014.PR.72 12. The Triumph of Carnival in the Land of Cockaigne Venice, ca. 1560s Ferdinando Bertelli (Italian, fl. 1563) Etching 2834-593 13. Feast of the Roast Pig Bologna, ca. 1716 Angelo Michele Mazza (Italian, died 1726) Etching P910002.7 14. Feast of the Roast Pig Bologna, ca. 1735 Giovanni Antonio Belmondo (Italian, 1696–1775) Etching P910002.10 15. Feast of the Roast Pig Bologna, ca. 1700 Anonymous Etching P910002.9 16. Feast of the Roast Pig Bologna, ca. 1724 Anonymous Etching P910002.15 17. Feast of the Roast Pig Bologna, 1687 Giuseppe Maria Mitelli (Italian, 1634–1718), etcher Etching P910002.16 18. The Destruction of Alba Longa Prospero Manzini (Italian, fl. 1641–1674), draftsman Etching La distruttione d’Alba : rappresentata in Bologna . in occasione della festa della porchetta (Bologna: Manolessi, 1673), after p. 12 2852-061 19. Procession of Pope Clement VII and the Emperor Charles V after the coronation at Bologna on the 24th February Nikolaus Hogenberg (Netherlandish, ca. 1500–1539) Hand-colored etchings on a scroll Divo et invicto Imperatori Carolo V. P. F . (Bologna: Hogenberg, 1535–1539), pls. 26-38 P910002.4 20. Pageant Wagon of Noah’s Ark in the Procession of the Vintners Gustave Spengler (Swiss, 1818–76), draftsman Hand-colored lithographs on a scroll Christian Gottlieb Steinlen, Fête des vignerons, 1833 (Vevey: G. Blanchaud, 1833), 1833), pl. 27 87-B10043 21. Procession of the Bakers and Millers Dancers Depicting Parasites in the Vineyard Vevey: Säuberlin & Pfeiffer, 1955 Henri R. Fost (French, 1905–1970), designer Offset Fête des Vignerons, Vevey, 1955 (Vevey: Säuberlin & Pfeiffer, 1955) 2568-598 22. Vevey Wine Festival, 1977 Jean Monod (Swiss, b. 1941), artist Offset Henri Debluë, Cortège de la Fête des Vignerons, Vevey, 1977 (Vevey: Säuberlin & Pfeiffer, 1977) 2568-599 23. Pageant Wagon for Shrove Monday J. B. Lachmüller (German, fl. mid-1800s), lithographer Hand-colored lithograph Die grosse offentliche Maskerade . (Bamberg: J. B. Lachmüller, 1837), no. 7 1375-152.pl7 24. Pageant Wagon for Shrove Monday J. B. Lachmüller (German, fl. mid-1800s), lithographer Hand-colored lithograph Die grosse offentliche Maskerade (Bamberg: J. B. Lachmüller, 1837), no. 19 1375-152.pl19 25. A Tableau-Vivant of a Lascivious Banquet in ‘Venusberg’ Mounted for the Schembart Festival in 1518 Anonymous Pen and gouache on paper Schembard Büch (Nuremberg, 16th cen.), fol. 63r 2834-609 26. The Bride Wagon Augsburg, ca. 1760–1780 Franz Xaver Endres (German, fl. 1753–1780) Hand-colored woodcut 2007.PR.100 27. Peasants Wedding Andreas Benedictus Göbl (German, fl. 1765-1792) Munich, ca. 1765 Hand-colored etched playing cards with case 93-F106 Court and Civic Banquets 28. The Banquet of the Gods Mathäus Küsel (German, 1629–1681), etcher Lodovico Ottavio Burnacini (Italian, 1636–1707), draftsman Etching Antonio Cesti, Il pomo d’oro: Festa teatrale rappresentata in Vienna (Vienna: Matteo Cosmerovio, 1668), pl. 3 1375-410.c1.bw 29. Feast Given for Ernst August during His Visit to Piazzola Anonymous Etching Francesco Maria Piccioli, L’orologio del piacere (Piazzola: Nel Luoco delle vergini, 1685), pl. 4 1521-692 Royal Feast Celebrating the Coronation of Charles XI of Sweden David Klöcker Ehrenstrahl (Swedish, 1628–1698), draftsman Georg Christoph Eimmart the Younger (German, 1638– 1705), etcher Etching David Klöcker Ehrenstrahl, Das grosse Carrosel und prächtige Ring-Rännen . (Stockholm: Joh. G. Eberdt, 1685), pl. 62 88-B7784.pl62 30. The First Day: The Four Seasons with Pan and Diana Israël Silvestre the Younger (French, 1621–1691) Etching and engraving André Félibien, Les plaisirs de l’isle enchantée (Paris: Imprimerie royale, 1674), pl. 5 2015.PR.31.pl5 31. The First Day: Banquet for the King, and Queens, with Many Princesses and Ladies . Served by the Gods and the Four Seasons Israël Silvestre the Younger (French, 1621–1691) Etching and engraving André Félibien, Les plaisirs de l’isle enchantée (Paris: Imprimerie royale, 1674), pl. 6 2015.PR.31.pl6 32. Collation Given in the Small Park at Versailles, 1678 Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Relation de la feste de Versailles du 18. juillet mil six cens soixante-huit (Paris: Imprimerie royale, 1679), pl. 1 2015.PR.32.pl1 33. Feast Given in the Small Park at Versailles, 1678 Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Relation de la feste de Versailles (Paris: Imprimerie royale, 1679), pl. 3 2015.PR.32.pl3 34. Fireworks and Illuminations at the Gardens of Versailles Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Relation de la feste de Versailles (Paris: Imprimerie royale, 1679), pl. 5 2015.PR.32.pl5 35. The Fourth Day: Banquet around the Fountain of the Marble Court, Celebrating Louis XIV’s Conquest of Franche-Comté Jean Le Pautre (French, 1618–1682) Etching and engraving André Félibien, Les divertissemens de Versailles donnez par le roy (Paris: Imprimerie royale, 1676), after p. 18 2015.PR.33.[pl4] 36. Centerpiece for the Banquet of Senator Francesco Ratta Giacomo-Maria Giovannini (Italian, 1667–1717), etcher Giovanni Battista Zaccarini Italian, fl. 1600s), sugar sculptor Marc’Antonio Chiarini (Italian, 1652–1730), draftsman Etching Disegni del convito fatto dall’illustrissimo signor senatore Francesco Ratta (Bologna: Per li Peri, 1693), frontispiece 1366-803 37. Credenza of Silverware in the Palazzo Vizzani in Bologna Giuseppe Mazza (Italian, 1653–1741) Giovanni Battista Zaccarini (Italian, fl. 1600s), sugar sculptor Etching Giuseppe Mazza, La custodia d’oro (Bologna: Per li Peri, 1693), pl.1 1521-694 38. Table with Crystal Marc’Antonio Chiarini (Italian, 1652–1730), draftsman Giacomo-Maria Giovannini (Italian, 1667–1717), etcher Etching (facsimile) Disegni del convito fatto dall’illustrissimo signor senatore Francesco Ratta (Bologna: Per li Peri, 1693), pl. 1 39. Triumph Giovanni Battista Zaccarini (Italian, fl. 1600s), sugar sculptor Marc’Antonio Chiarini (Italian, 1652–1730), draftsman Giacomo-Maria Giovannini (Italian, 1667–1717), etcher Etching (facsimile) Disegni del convito fatto dall’illustrissimo signor senatore Francesco Ratta (Bologna: Per li Peri, 1693), pl. 2 40. A Truly Pleasing Banquet Held by the signori Piacevoli [a hunting society], Dedicated to Their Patron, Prince Giovani Carlo de’ Medici Florence, 1627 Stefano Della Bella (Italian, 1610–1664) Etching P910002.8 41. Triumphs of Royal Virtues Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725), engraver Etching John Michael Wright, An Account of His Excellence Roger Earl of Castlemaine’s Embassy (London: Thomas Snowden for the author, 1688), pl. 13 85-B22893 42. Carriage Design Featuring Neptune and Cybele Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725), engraver Etching John Michael Wright, Raggvaglio della solenne comparsa (Rome: Domenico Antonio Ercole, 1687), pl. 4 83-B3076.c2 43. Triumphs of Cybele and Juno Giovanni Battista Lenardi (Italian, 1656–1704), draftsman Arnold van Westerhout (Flemish, 1651–1725),
Load more

Recommended publications
  • Spanish Chamber Music of the Eighteenth Century. Richard Xavier Sanchez Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1975 Spanish Chamber Music of the Eighteenth Century. Richard Xavier Sanchez Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Sanchez, Richard Xavier, "Spanish Chamber Music of the Eighteenth Century." (1975). LSU Historical Dissertations and Theses. 2893. https://digitalcommons.lsu.edu/gradschool_disstheses/2893 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and dius cause a blurred image.
    [Show full text]
  • Renaissance Quarterly Books Received, October–December 2013
    Renaissance Quarterly Books Received, October–December 2013 Ahnert, Ruth. The Rise of Prison Literature in the Sixteenth Century. Cambridge: Cambridge University Press, 2013. x + 222 pp. $90. ISBN: 978-1-107-04030-4. Allen, Gemma. The Cooke Sisters: Education, Piety and Politics in Early Modern England. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press, 2013. xi + 274 pp. $105. ISBN: 978-0-7190-8833-9. Amelang, James S. Parallel Histories: Muslims and Jews in Inquisitorial Spain. Baton Rouge: Louisiana State University Press, 2013. xi + 208 pp. $25.95. ISBN: 978-0-8071-5410-6. Areford, David. Art of Empathy: The Mother of Sorrows in Northern Renaissance Art and Devotion. Exh. Cat. Cummer Museum of Art & Gardens, 26 November 2013–16 February 2014. London: D. Giles Ltd, 2013. 64 pp. $17.95. ISBN: 978-1-907804-26-7. Aricò, Nicola. Architettura del tardo Rinascimento in Sicilia: Giovannangelo Montorsoli a Messina (1547-57). Biblioteca’“Archivum Romanicum” Serie 1: Storia, Letteratura, Paleografia 422. Florence: Leo S. Olschki, 2013. xiv + 224 pp. + 8 color pls. €28. ISBN: 978-88-222-6268- 4. Arner, Lynn. Chaucer, Gower, and the Vernacular Rising: Poetry and the Problem of the Populace After 1381. University Park: Pennsylvania State University Press, 2013. ix + 198 pp. $64.95. ISBN: 978-0-271-05893-1. Backscheider, Paula R. Elizabeth Singer Rowe and the Development of the English Novel. Baltimore: Johns Hopkins University Press, 2013. xiii + 304 pp. $50. ISBN: 978-1-4214-0842-2. Baker, Geoff. Reading and Politics in Early Modern England: The Mental World of a Seventeenth-Century Catholic Gentleman.
    [Show full text]
  • Naples, 1781-1785 New Evidence of Queenship at Court
    QUEENSHIP AND POWER THE DIARY OF QUEEN MARIA CAROLINA OF NAPLES, 1781-1785 New Evidence of Queenship at Court Cinzia Recca Queenship and Power Series Editors Charles Beem University of North Carolina, Pembroke Pembroke , USA Carole Levin University of Nebraska-Lincoln Lincoln , USA Aims of the Series This series focuses on works specializing in gender analysis, women's studies, literary interpretation, and cultural, political, constitutional, and diplomatic history. It aims to broaden our understanding of the strategies that queens-both consorts and regnants, as well as female regents-pursued in order to wield political power within the structures of male-dominant societies. The works describe queenship in Europe as well as many other parts of the world, including East Asia, Sub-Saharan Africa, and Islamic civilization. More information about this series at http://www.springer.com/series/14523 Cinzia Recca The Diary of Queen Maria Carolina of Naples, 1781–1785 New Evidence of Queenship at Court Cinzia Recca University of Catania Catania , Italy Queenship and Power ISBN 978-3-319-31986-5 ISBN 978-3-319-31987-2 (eBook) DOI 10.1007/978-3-319-31987-2 Library of Congress Control Number: 2016947974 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
    [Show full text]
  • Exhibition Leaflet / English Version INFORMATION ABOUT the WORKS on VIEW Please Return After Use
    Exhibition leaflet / English version INFORMATION ABOUT THE WORKS ON VIEW Please return after use (Detail) Charles III, Giovanni Francesco Pieri. c. 1735. Museo Lázaro Galdiano (Madrid). SPAIN AND ITALY. INTERNATIONAL RELATIONS AND INTERESTS (1716–59) Over his sumptuous dress coat the king sports Máximo Rodríguez during the second expedi- the insignia of the Order of the Golden Fleece, the tion to this Polynesian island. crimson sash of the Neapolitan Order of Saint Jan- Crafted in black dolerite, it comes from the uarius and the blue sash of the French Order of the marae or Taputapuatea temple in Punaavia. Holy Spirit. The Order of Saint Januarius was estab- lished on 3 July 1738 to celebrate his wedding to Princess Maria Amalia of Saxony. 1. Jean Ranc (Montpellier, France, 1674 – 4. Francesco Solimena (Canale di Serino, Madrid, 1735). The Family of Philip V. Italy, 1657 – Naples, 1747). 1722. Oil on canvas. 44 x 65 cm. Don Carlos de Borbón at the Battle of Gaeta. Museo Nacional del Prado (Madrid). n.d. [First half of the 18th century, c. 1735]. [Cat. no.: P2376]. Oil on canvas. 144 x 185 cm. Reggia di Caserta (Italy). 97. Gorget. Tahiti. 1701–1800. Mother of pearl, plant fibres and wood. 44 x 75 cm. Museo de América (Madrid). [Inv. no.: 13801]. 5. Juan Ruiz (active from 1732). View of Chiaia (Naples). c. 1738. Oil on canvas. 52 x 155 cm. Museo Nacional del Prado (Madrid). 7. Giuseppe Bonito (Castellammare di Stabia, 2. Miguel Jacinto Meléndez (Oviedo, 1679 – [Cat. no.: P03836]. Naples, 1707 – Naples, 1789). Madrid, 1734). Don Carlos de Borbón.
    [Show full text]
  • «Fastes Et Grandeur Des Cours En Europe »
    PRESS KIT SUMMARY Introduction and practical information 3 Journey into the heart of the exhibition 6 Encounter with the curators 37 The scenographic itinerary 41 The “Must See” of the exhibition 45 The lenders 64 The Grimaldi Forum 66 The partners 68 2 ONCE UPON A TIME THERE WAS….. “The Magnificence and Grandeur of the Courts of Europe” Every year since the creation of the Grimaldi Forum in 2000, the Principality of Monaco has hosted a major exhibition of a patrimonial, artistic and historical nature. With its more than 2500 square meters, the Espace Ravel within Monaco’s cultural center provides a unique setting for a spectacular presentation. This year, the Grimaldi Forum Monaco’s summer exhibition coincides with an exceptional event: the marriage of HSH the prince Albert II with Mademoiselle Charlene Wittstock. As an echo of this great moment in the life of the Principality, the Grimaldi Forum has chosen as its summer exhibition theme The Magnificence and Grandeur of the Courts of Europe. The exhibition will be shown from July 11 to September 11. This genuine voyage back in time, from the 17th up to the 20th century, will enable visitors for the first time ever to enter into twenty European Courts, where they will encounter the great imperial and royal figures. During this splendid journey, a true “European tour,” visitors will meet: - The kings of Portugal, Joseph I, Louis I and Queen Maria Pia; - Philip V, grandson of Louis XIV, king of Spain, and Elisabeth, heir to the fabulous Farnese collections; - Napoleon and Josephine and the
    [Show full text]
  • Architectural Temperance: Spain and Rome, 1700-1759
    Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research.
    [Show full text]
  • 'The System of This Court': Elizabeth Farnese, the Count of Santiesteban
    The Court Historian ISSN: 1462-9712 (Print) 2056-3450 (Online) Journal homepage: https://www.tandfonline.com/loi/ycou20 ‘The System of This Court’: Elizabeth Farnese, the Count of Santiesteban and the Monarchy of the Two Sicilies, 1734–1738 PABLO VÁZQUEZ-GESTAL To cite this article: PABLO VÁZQUEZ-GESTAL (2009) ‘The System of This Court’: Elizabeth Farnese, the Count of Santiesteban and the Monarchy of the Two Sicilies, 1734–1738, The Court Historian, 14:1, 23-47, DOI: 10.1179/cou.2009.14.1.002 To link to this article: https://doi.org/10.1179/cou.2009.14.1.002 Published online: 03 Nov 2014. Submit your article to this journal Article views: 20 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ycou20 (The SysteITlof This Court': Elizabeth Farnese, the Count of Santiesteban and the Monarchy of the Two Sicilies, 1734-1738 BY PABLO VAZQUEZ-GESTALl The new kingdom of the Two Sicilies was set up in 1734 under the direct supervision of the Spanish crown, since the young Don Carlos, first-born son of Philip V and l Elizabeth Farnese, was thought to be too young to· rule it by himself. Before its conquest and subsequent independence in that year, the kingdom of Naples had belonged to the Spanish king for more than two centuries until. 1707, when the viceroyalty was conquered and ruled by the Emperor. However, the city of Naples was still one of the most significant capitals of eighteenth-century Europe and the new kingdom wasa distinct political territory that was strategically important to both the Italian peninsula and the wider Mediterranean.
    [Show full text]
  • Goya: a Portrait of the Artist
    © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. c ontents Color plates follow page 180 Main and Supporting Characters ix Acknowledgments xvii Introduction xxi PArt i. An Artist from ZArAGoZA 1 Early Years 3 2 First Trials 9 3 Italy 16 4 Triumphs of a Native Son 24 5 Settings for the Court of Carlos III 32 6 “Of my invention” 37 7 Goya Meets Velázquez 44 8 The Zaragoza Affair 54 PArt II. the PAth of A coUrt PAinter 9 Floridablanca 63 10 Don Luis 72 11 “The happiest man” 81 12 “God has distinguished us” 90 13 A Coronation under Darkening Skies 97 14 Changing Times 107 15 The Best of Times, the Worst of Times 117 For general queries, contact [email protected] © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. PArt III. Witness of A siLent WorLd 16 “There are no rules in painting” 129 17 Goya and the Duchess 141 18 Dreaming, Enlightened 152 19 Subir y bajar 161 20 “The king and queen are crazy about your friend” 170 21 The French Connection 180 22 Absences 188 23 Society High and Low 198 24 A Monarchy at Twilight 205 PArt IV. WAr And restorAtion 25 The Old Order Falls 213 26 In the Shadow of a New Regime 223 27 On the Home Front 236 28 The Spoils of War 244 29 Portraits of a New Order 254 PArt v.
    [Show full text]
  • Giuseppe D'angelo
    Rapporto sulla genealogia di PROF. GIUSEPPE D'ANGELO creato il 1 giugno 2013 "The Complete Genealogy Reporter" CONTENUTO 1. INTRODUZIONE 2. ASCENDENZA PATERNA 3. ASCENDENZA MATERNA 4. DISCENDENTI 5. PARENTI DIRETTI 6. PARENTI INDIRETTI via MICHELINA DI LORENZO 7. PARENTI INDIRETTI via GIOVANNI BARONE 8. PARENTI INDIRETTI via LUIGI MARCIANO 9. PARENTI INDIRETTI via CARLO DE LUCA 10. PARENTI INDIRETTI via CLEMENTINA MASSA 11. PARENTI INDIRETTI via ROSARIA MARZANO 12. PARENTI INDIRETTI via CARLO ROSSI BUSSOLA 13. PARENTI INDIRETTI via ARTURO PROFUMI 14. PARENTI INDIRETTI via MARIA BAGNULO 15. PARENTI INDIRETTI via PAOLA DE LUCA 16. PARENTI INDIRETTI via GIANBATTISTA SELVAGGI 17. PARENTI INDIRETTI via VIRGINIA PERROT 18. PARENTI INDIRETTI via ORNELLA BERTONI 19. PARENTI INDIRETTI via GIOVANNI ROCCO 20. PARENTI INDIRETTI via ENRICO LANDOLFI 21. PARENTI INDIRETTI via EUGENIO SELVAGGI 22. PARENTI INDIRETTI via MARCO ROCCO 23. PARENTI INDIRETTI via BENEDETTO NOTARI 24. PARENTI INDIRETTI via TOMMASO BATTILORO 25. PARENTI INDIRETTI via FERDINANDO PIGNATELLI 26. PARENTI INDIRETTI via PASQUALE D'ELIA 27. PARENTI INDIRETTI via FEDERICO, ANTONIO RUSSO 28. PARENTI INDIRETTI via MARIA FRANCESCA IMPERIALE D'AFFLITTO 29. PARENTI INDIRETTI via MARINA SCARDI 30. PARENTI INDIRETTI via BARBARA TAGLIERI 31. PARENTI INDIRETTI via CESARE FERONE 32. PARENTI INDIRETTI via GHERARDO DE CIUTIIS DI SANTA PATRIZIA SR. - i - CONTENUTO (Continua) 33. PARENTI INDIRETTI via LUCIA SALVATORE DINO 34. PARENTI INDIRETTI via IRENE FREZZA 35. PARENTI INDIRETTI via LUISA RICCIARDI DI CAMALDOLI 36. PARENTI INDIRETTI via GIOVANNA SGUEGLIA DELLA MARRA 37. PARENTI INDIRETTI via CATERINA CARACCIOLO DI LAUREANA E PANNARANO 38. PARENTI INDIRETTI via FELICE SANTANGELO 39. PARENTI INDIRETTI via TERESA TOMMASI DI CASALICCHIO 40.
    [Show full text]
  • Early Modern Italy
    EARLY MODERN ITALY A comprehensive bibliography of works in English & French © Gregory Hanlon Baroque History Enterprises 5539 Columbus Place Halifax B3K 2G7 CANADA (902) 454-0566 4th Edition February 2002 DO NOT PHOTOCOPY! 1 Table of Contents Introduction p. 3 English 1 General studies & historiography p. 7 2 Travel & Historical Geography p. 10 3 Politics & Administration p. 13 4 Economy & Demography p. 28 5 Social stratification & Behaviour p. 40 6 Religion p. 51 7 Language arts & Erudition p. 71 8 Music & Spectacle p. 90 9 Beaux-Arts & Architecture p. 106 10 Science & Technology p. 132 French 1 General studies & historiography p. 150 2 Travel & Historical Geography p. 153 3 Politics & Administration p. 157 4 Economy & Demography p. 176 5 Social stratification & Behaviour p. 193 6 Religion p. 198 7 Language arts & Erudition p. 212 8 Music & Spectacle p. 225 9 Beaux-Arts & Architecture p. 230 10 Science & Technology p. 242 2 EARLY MODERN ITALY: A COMPREHENSIVE BIBLIOGRAPHY Gregory Hanlon (Dalhousie University, Halifax Canada) The aim of the bibliography compiled below is to refute, once and for all, the notion that the Early Modern period of Italian history has been “forgotten” by historians. Its very existence will allow scholars and students greater ease of consultation, and should stimulate the growth of a field now in full flower. Quite apart from the huge, and often excellent production of Italian scholars, the period has attracted the talent and energy of thousands of authors who have published their work in the two principal languages of the western world, English and French. It is through these languages that a new generation of students and scholars can be introduced to this long and central epoch of Italian and European history.
    [Show full text]
  • Marrying Cultures: Queens Consort and European Identities, 1500–1800
    Website Reviews 155 Figure 1. Quatrains in Mary Stuart’s Book of Hours: http://hri.newcastle.edu.au/ emwrn/da/index.php?content=hours. Marrying Cultures: Queens Consort and European Identities, 1500–1800 http://www.marryingcultures.eu/ The extremely attractive website for Marrying Cultures elegantly fulfills two key purposes of the academic website: it informs readers about the team’s research activities, events, and news, and, even more importantly, it provides a scholarly web resource in its own right. The project centers on early modern royal women and possesses several useful scholarly features. Marrying Cultures, a three-year project that concluded in 2016, analyzes the role of royal women as agents of cultural transfer in Europe from 1500 to 1800. Funded by the Humanities in the European Research Area (HERA), the project is a cooperative endeavor bringing together literary scholars, historians, an art historian, and a musicologist. Led by Helen Watanabe O’Kelly, Oxford University, as Principal Investigator (PI), its co-PIs included Jill Bepler, Herzog August Bibliothek, Wolfenbüttel; Almut Bues, German Historical Institute, Warsaw; and Svante Norrhem, Lund University. These senior members paired with postdoctoral scholars Ewa Kociszewska and Adam Morton (Oxford); Elise 156 EMWJ Vol. 11 No. 2 • Spring 2017 Website Reviews Dermineur (Lund); and doctoral researchers Maria Skiba (Wolfenbüttel) and Urszula Zachara-Zwianzek (Warsaw), thereby providing invaluable research experience to the next scholarly generation. The list of institutional partners is also impressive: Kensington Palace, the Livrustkammaren, the Victoria and Albert Museum, the National Portrait Gallery, and the Museum of Polish History. The range of competencies and collections distinguished the project in several respects; the collaboration of university scholars with researchers working at museums, archives, and libraries has been very productive, attaining a high standard of scholarly results that are interdisciplinary as well as comparative.
    [Show full text]
  • Annotations for Alexander Von Humboldt's Political Essay on The
    Annotations for Alexander von Humboldt’s Political Essay on the Kingdom of New Spain by Giorleny D. Altamirano Rayos, Tobias Kraft, and Vera M. Kutzinski Unless context made it more sensible to do otherwise, we have annotated a reference or allusion at its first occurrence. Entries in boldface refer back to a main entry. The page numbers that precede each entry refer to the pagination of Alexander von Humboldt’s 1826 French edition; those page numbers are are printed in the margins of our translation of the Political Essay on the Kingdom of New Spain. In that edition, the names and concepts that appear in SMALL CAPS in the annotations are marked with an ▼. Weights and Measures What follows are some of the most common weights and measures that Alexander von Humboldt regularly uses. This is not an exhaustive list. ACRE: an old English unit of surface area equivalent to 4,840 square yards (or about 4,046.85 square meters) in the USA and Canada. The standard unit of measurement for surface area in the UK, an acre in its earliest English uses was probably the amount of land that one yoke of oxen could plow in a day. Its value varied slightly in Ireland, Scotland, and England. In France, the size of the acre varied depending on region. Humboldt states that an acre is 4,029 square meters. 2 ARPENT: a unit either of length or of land area used in France, Québec, and Louisiana from the sixteenth to the eighteenth century. The main measurement for land throughout France (sometimes called the French acre), the arpent varied in value depending on region.
    [Show full text]