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Renaissance Quarterly Books Received, October–December 2013 Ahnert, Ruth. The Rise of Prison Literature in the Sixteenth Century. Cambridge: Cambridge University Press, 2013. x + 222 pp. $90. ISBN: 978-1-107-04030-4. Allen, Gemma. The Cooke Sisters: Education, Piety and Politics in Early Modern England. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press, 2013. xi + 274 pp. $105. ISBN: 978-0-7190-8833-9. Amelang, James S. Parallel Histories: Muslims and Jews in Inquisitorial Spain. Baton Rouge: Louisiana State University Press, 2013. xi + 208 pp. $25.95. ISBN: 978-0-8071-5410-6. Areford, David. Art of Empathy: The Mother of Sorrows in Northern Renaissance Art and Devotion. Exh. Cat. Cummer Museum of Art & Gardens, 26 November 2013–16 February 2014. London: D. Giles Ltd, 2013. 64 pp. $17.95. ISBN: 978-1-907804-26-7. Aricò, Nicola. Architettura del tardo Rinascimento in Sicilia: Giovannangelo Montorsoli a Messina (1547-57). Biblioteca’“Archivum Romanicum” Serie 1: Storia, Letteratura, Paleografia 422. Florence: Leo S. Olschki, 2013. xiv + 224 pp. + 8 color pls. €28. ISBN: 978-88-222-6268- 4. Arner, Lynn. Chaucer, Gower, and the Vernacular Rising: Poetry and the Problem of the Populace After 1381. University Park: Pennsylvania State University Press, 2013. ix + 198 pp. $64.95. ISBN: 978-0-271-05893-1. Backscheider, Paula R. Elizabeth Singer Rowe and the Development of the English Novel. Baltimore: Johns Hopkins University Press, 2013. xiii + 304 pp. $50. ISBN: 978-1-4214-0842-2. Baker, Geoff. Reading and Politics in Early Modern England: The Mental World of a Seventeenth-Century Catholic Gentleman. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press, 2013. xiii + 236 pp. €14.99. ISBN: 978-0-7190-9124- 7. Baker, Nicholas Scott. The Fruit of Liberty: Political Culture in the Florentine Renaissance, 1480–1550. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xi + 368 pp. $49.95. ISBN: 978-0-674-72452-5. Banker, James R. Documenti fondamentali per la conoscenza della vita e dell’arte di Piero della Francesca. Istituzione Culturale Biblioteca Museo Archivi Storici Città di Sansepolcro. Selci- Lama: Editrice Pliniana, 2013. xvii + 238 pp. np. ISBN: 978-88-97830-16-0. Barber, Tabitha, and Stacy Boldrick, eds. Art Under Attack: Histories of British Iconoclasm. Exh. Cat. London: Tate Britain. London: Tate Publishing, 2013. 192 pp. £24.99. ISBN: 978-1- 84976-030-0. Barbour, Reid. Sir Thomas Browne: A Life. Oxford: Oxford University Press, 2013. xiv + 534 pp. £70. ISBN: 978-0-19-967988-1. Barclay, John. Icon Animorum or the Mirror of Minds. Ed. Mark Riley. Trans. Thomas May (1631). Bibliotheca Latinitatis Novae. Leuven: Leuven University Press, 2013. x + 368 pp. €75. ISBN: 978-90-5867-945-1. Bell, Robert H. Shakespeare’s Great Stage of Fools. New York: Palgrave Macmillan, 2013. x + 186 pp. $28. ISBN: 978-1-137-34675-9. Du Bellay, Joachim. Oeuvres complètes: Tome III, 1551–1553. Eds. Marie-Dominique Legrand, Michel Magnien, Daniel Ménager, and Olivier Millet. Textes de la Renaissance 187. Paris: Classiques Garnier, 2013. 536 pp. €45. ISBN: 978-2-8124-1142-7. Bistué, Belén. Collaborative Translation and Multi-Version Texts in Early Modern Europe. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2013. xii + 184 pp. £60. ISBN: 978-1-4724-1158-7. Black, Jeremy. The Power of Knowledge: How Information and Technology Made the Modern World. New Haven: Yale University Press, 2014. xii + 492 pp. $40. ISBN: 978-0300-16795-5. Black, Robert. Machiavelli. New York: Routledge, 2013. xxvii + 376 pp. $39.95. ISBN: 978-0- 582-78406-2. Bodin, Jean. Methodus ad facilem historiarum cognitionem. Ed. Sara Miglietti. Testi e Commenti 15. Pisa: Edizioni della Normale, 2013. 792 pp. €70. ISBN: 978-88-7642-459-5. Boes, Maria R. Crime and Punishment in Early Modern Germany: Courts and Adjudicatory Practices in Frankfurt Am Main, 1562–1696. Farnham: Ashgate Publishing Limited, 2013. xi + 280 pp. $119.95. ISBN: 978-1-4094-3147-3. Boucheron, Patrick, and Claudio Giorgione, eds. Leonardo da Vinci: Vorbild Natur — Zeichnungen und Modelle. Munich: Hirmer Verlag, 2013. 208 pp. €29.90. ISBN: 978-3-7774- 2090-5. Bridgeman, Jane, ed. A Renaissance Wedding: The Celebration at Pesaro for the Marriage of Costanzo Sforza & Camilla Marzano D’Aragona (26–30 May 1475). London: Harvey Miller Publishers, 2013. 198 pp. €75. ISBN: 978-1-905375-93-6. Bruno, Giordano. On the Heroic Frenzies: A Translation of De gli eroici furori (1585). Ed. Eugenio Canone. Trans. Ingrid D. Rowland. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2013. lxix + 396 pp. $95. ISBN: 978-1-4426-4389-5. Cadden, Joan. Nothing Natural Is Shameful: Sodomy and Science in Late Medieval Europe. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2013. 328 pp. $85. ISBN: 978-0-8122-4537-0. Calbi, Maurizio. Spectral Shakespeares: Media Adaptations in the Twenty-First Century. Reproducing Shakespeare: New Studies in Adaptation and Appropriation. New York: Palgrave Macmillan, 2013. xii + 236 pp. $85. ISBN: 978-0-230-33875-3. Cannon, Joanna. Religious Poverty, Visual Riches: Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries. New Haven: Yale University Press, 2013. xii + 444 pp. $85. ISBN: 978-0-300-18765-6. Carter, Tim, and Richard A. Goldthwaite. Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95. ISBN: 978-0-674- 72464-8. Las Casas, Bartolomé de. Brevísima relación de la destrucción de las Indias. Ed. José Miguel Martínez Torrejón. Biblioteca Clásica de la Real Academia Española 28. Madrid: Real Academia Española, 2013. xii + 364 pp. n.p. ISBN: 978-84-15863-01-4. Castelluccio, Stéphane. Collecting Chinese and Japanese Porcelain in Pre-Revolutionary Paris. Trans. Sharon Grevet. Los Angeles: J. Paul Getty Museum, 2013. 224 pp. $60. ISBN: 978-1- 60606-139-8. Christine de Pizan. Le Livre du duc des vrais amants. Eds. Dominique Demartini and Didier Lechat. Champion Classiques Série Moyen Âge. Paris: Honoré Champion Éditeur, 2013. 472 pp. €14. ISBN: 978-2-7453-2633-1. Cockram, Sarah D. P. Isabella d’Este and Francesco Gonzaga: Power Sharing at the Italian Renaissance Court. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2013. xvii + 256 pp. $119.95. ISBN: 978-1-4094-4831-0. Cooper, Richard. Roman Antiquities in Renaissance France, 1515–65. Farnham: Ashgate Publishing Limited, 2013. xiii + 436 pp. $144.95. ISBN: 978-1-4094-5265-2. Cristante, Nevio. Machiavellis Revivus: Slashing a Sword on the Western Classical Tradition. Newcastle upon Tyne: Cambridge Scholars, 2011. xx + 240 pp. $67.99. ISBN: 978-1-4438- 2892-5. Cummings, Brian. Mortal Thoughts: Religion, Secularity, & Identity in Shakespeare and Early Modern Culture. Oxford: Oxford University Press, 2013. xv + 368 pp. $80. ISBN: 978-0-19- 967771-9. Cursi, Marco. La scrittura e i libri di Giovanni Boccaccio. Scritture e libri del medioevo 13. Rome: Viella, 2313. xii + 172 pp. + 32 color pls. €40. ISBN: 978-88-6728-092-6. Dane, Joseph A. Blind Impressions: Methods and Mythologies in Book History. Material Texts. Philadelphia: University of Pennsylvania Press, 2013. viii + 220 pp. $65. ISBN: 978-0-8122- 4549-3. Darcy, Eamon. The Irish Rebellion of 1641 and the Wars of the Three Kingdoms. Royal Historical Society Studies in History. Woodbridge: Boydell Press, 2013. xiii + 212 pp. $90. ISBN: 978-0-86193-320-4. Daykin, Frank. Encyclopedia of French Art Song: Fauré, Debussy, Ravel, Poulenc. Vox Musicae: The Voice, Vocal Pedagogy, and Song 10. Hillsdale: Pendragon Press, 2013. vi + 740 pp. $96. ISBN: 978-157647210-1. Dickson, Vernon Guy. Emulation on the Shakespearean Stage. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. xx + 190 pp. $99.95. ISBN: 978-1- 4094-6928-5. Domínguez Torres, Mónica. Military Ethos and Visual Culture in Post-Conquest Mexico. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2013. xv + 284 pp. $99.95. ISBN: 978-0-7546-6671-4. Doublet, Jean. Élégies. Ed. Hélène Hôte. Textes de la Renaissance 183; République des Muses 1. Paris: Classiques Garnier, 2013. 258 pp. €29. ISBN: 978-2-8124-0948-6. Drosay, Jean de. Éléments de la grammaire quadrilingue, 1544–1554. Ed. Alberte Jacquetin- Gaudet. Textes de la Renaissance 185; Traités sur la langue française 17. Paris: Classiques Garnier, 2013. 424 pp. €39. ISBN: 978-2-8124-1144-1. Dunthorne, Hugh. Britain and the Dutch Revolt 1560–1700. Cambridge: Cambridge University Press, 2013. xxv + 264 pp. $99. ISBN: 978-0-521-83747-7. Dyson, Jessica. Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. x + 224 pp. $99.95. ISBN: 978-1-4094-3332-3. Erler, Mary C. Reading and Writing During the Dissolution: Monks, Friars and Nuns 1530– 1558. Cambridge: Cambridge University Press, 2013. xi + 204 pp. $90. ISBN: 978-1-107-03979- 7. Florio, John. A Worlde of Wordes. Ed. Hermann W. Haller. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2013. lxiii + 792 pp. $125. ISBN: 978-1-4426- 4580-6. Foard, Glenn, and Anne Curry. Bosworth 1485: A Battlefield Rediscovered. Oxford: Oxbow Books, 2013. xx + 220 pp. $65. ISBN: 978-1-78297-173-3. Frese, Tobias. Aktual- und Realpräsenz: Das eucharistische Christusbild von der Spätantike bis ins Mittelalter. Neue Frankfurter Forschungen zur Kunst 13. Berlin: Gebr. Mann Verlag, 2013. 290 pp. €59. ISBN: 978-3-7861-2693-5. Garber, Marjorie. Dream in Shakespeare: From Metaphor to Metamorphosis. New Haven: Yale University Press, 2013. xviii + 226 pp. $20. ISBN: 978-0-300-19543-9.
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    KNOW THYSELF The revised edition of the Part One Course originally written by Leon MacLaren 1 2 In this Work each of us can only begin from where we are, and proceed by steps. The steps by which we proceed are steps in understanding. We can only bring about change in ourselves by practice. Leon MacLaren 3 4 Contents: Foreword 1. Levels of consciousness 2. Attention 3. Observation and Ego 4. Worlds 5. The Three Intelligences 6. The Higher Powers and Sex 7. Know Thyself Epilogue 5 6 Foreword Leon MacLaren was born in Glasgow on 24th September 1910. He was the son of Andrew MacLaren, a Labour MP and a staunch advocate of Henry George, the American economist. His father was a great influence on his life and Leon followed him in his economic and political aspirations. Apart from his interests in Politics, Economics and the Law, he listened to the sound of his heart to start a ‘School’, not knowing what this meant, but something “in the manner of Socrates.” As a young man of sixteen he had made the following observation: “It became very clear to me that there was such a thing as Truth and there was such a thing as Justice and that they could be found and being found, could be taught. It seemed to me that that was the most valuable thing one could pursue.” He spent the rest of his life pursuing this aim. MacLaren began by giving public lectures on Economics, and together with a group of equally inspired friends and also the help of his father, the School of Economic Science was established in 1937.
  • Oriente Made in Italy Orient Made in Italy

    Oriente Made in Italy Orient Made in Italy

    TA-quinto 2015_Layout 1 15/06/15 10:53 Pagina 1 BLOODLINE A CAVALLO DENTRO L’ARTE / RIDING INTO ART Note per un viaggio nella rappre- sentazione artistica dell’animale più ritratto al mondo ORIENTE MADE IN ITALY Notes for a trip among the por- trayals of the world’s most frequen- ORIENT MADE IN ITALY tly sketched animal Il mito esotico dei pittori italiani The Exotic Myth of Italian Painting By MARIO BRUNETTI * - CLAUDIA GRISANTI * * Designer grafico e artista mul- * Ricercatrice e storica dell’arte, è consulente di case editrici specia- “Erano quarantacinque cavalli, compresi quelli della scorta; [...] i cavalli timediale. Con Hans Nagel e Monika Savier ha fondato l’as- lizzate in saggistica e cataloghi piccoli e di forme svelte come tutti i cavalli marocchini, e le mule robuste; sociazione Nawal Media che ha d’arte. Per Nawal Media ha curato le selle e i basti coperti di panno rosso: le staffe formate da una larga lastra lo scopo di divulgare la cultura l’editing della versione italiana di ferro ripiegata ai due lati, in maniera da sostenere ed abbracciare tutto del cavallo Arabo nel mondo. dell’ultimo libro di Hans Nagel. il piede e servir insieme da sprone”. English translation by Edmondo De Amicis, Marocco BETTINA BORST ella pittura orientalista della seconda metà dell'Ottocento si afferma un interesse di Ntipo “documentario”: all’Oriente “lontano” e selvaggio dei romantici, luogo mitico carico di passione incontrollata e di tensione verso l’ignoto, si affianca l’Oriente del quo- tidiano. L’interesse è ora concentrato sui costumi, sui luoghi, sulla vita della gente comune, il tutto raffigurato con incredibile chiarezza analitica e con un gusto che talvolta rasenta l’interesse etnografico.