Brasileiras E Internacionais
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Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Discoteca Rádio UFSM Índice Completo Página 1
Discoteca Rádio UFSM índice completo Página 1 COD TITULO BANDA GRAVADORA ANO MIDIA 400.001 14 BIS II 14 BIS EMI-ODEON 1980 COMPACTO 400.002 EVERYTHING GOOD IS BAD 100 PROOF TOP TAPE 1972 COMPACTO 400.003 SOMEBODY'S BEEN SLEEPING 100 PROOF TOP TAPE 0 COMPACTO 400.004 BAILE DOS PASSARINHOS A TURMA DO CBS 1982 COMPACTO BALAO MAGICO 400.005 THE DAY BEFORE YOU CAME ABBA RCA VICTOR 1982 COMPACTO 400.006 QUEM AVISA ABILIO MANOEL SOM LIVRE 1975 COMPACTO 400.007 DOMINGO EN BUENOS AIRES ABRACADABRA CONTINENTAL 1970 COMPACTO 400.008 ANTMUSIC ADAM AND THE EPIC 1980 COMPACTO ANTS 400.009 O QUE ME IMPORTA ADRIANA ODEON 1972 COMPACTO 400.010 O MENINO E A ROSA ADRIANO SANTOS COPACABANA 1983 COMPACTO 400.011 SEPTEMBER IN THE RAIN AEROPLANE ONE WAY 1973 COMPACTO 400.012 MELÔ DA PIRANHA AFRIC SIMONE RCA BARCLAY 1977 COMPACTO 400.013 MUNDO BOM AGEPÊ CONTINENTAL 1977 COMPACTO 400.014 MUDANÇA DE VENTO AGEPÊ CONTINENTAL 1973 COMPACTO 400.015 A DANÇA DO MEU LUGAR AGEPÊ CONTINENTAL 1976 COMPACTO 400.016 JEITO DE FELICIDADE AGEPÊ CONTINENTAL 1977 COMPACTO 400.017 SEM VOCE AGNALDO RAYOL WM 1981 COMPACTO 400.018 LET'S STAY TOGETHER AL GREEN LONDON 1972 COMPACTO 400.019 ALAIDE COSTA ALAIDE COSTA ODEON 1972 COMPACTO 400.020 FIGLI DELLE STELLE ALAN SORRENTI EMI-ODEON 1978 COMPACTO 400.021 ALBERTO LUIZ ALBERTO LUIZ COPACABANA 1972 COMPACTO 400.022 UM SER DE LUZ ALCIONE RCA 1983 COMPACTO 400.023 QUEM DERA ALCIONE RCA VICTOR 1973 COMPACTO 400.024 QUASE MEIO-DIA ALINE RCA VICTOR 1973 COMPACTO 400.025 LET ME BE THE ONE ALLEN BROWN BLUE ROCK 1973 COMPACTO 400.026 ORAI POR -
Observations from a Series of National Case Studies
Governance of Online Intermediaries: Observations from a Series of National Case Studies The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Urs Gasser & Wolfgang Schulz, Governance of Online Intermediaries: Observations from a Series of National Case Studies (Berkman Center Research Publication No. 2015-5, Feb. 18, 2015). Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:16140636 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Research Publication No. 2015-5 February 18, 2015 Governance of Online Intermediaries Observations From a Series of National Case Studies Urs Gasser Wolfgang Schulz This paper can be downloaded without charge at: The Berkman Center for Internet & Society Research Publication Series: https://cyber.law.harvard.edu/publications/2015/online_intermediaries The Social Science Research Network Electronic Paper Collection: Available at SSRN: http://ssrn.com/abstract=2566364 23 Everett Street • Second Floor • Cambridge, Massachusetts 02138 +1 617.495.7547 • +1 617.495.7641 (fax) • http://cyber.law.harvard.edu • [email protected] Urs Gasser and Wolfgang Schulz GOVERNANCE OF ONLINE INTERMEDIARIES: OBSERVATIONS FROM A SERIES OF NATIONAL CASE STUDIES February 18, 2015 The Berkman Center for Internet & Society Research Publication Series WITHIN THE ACKNOWLEDGEMENTS This synthesis and case study series would not have been possible without the dedication and hard work of many contributors from the Network of Centers (NoC) and the Berkman Center. -
Park-School-Journal-V3-No1.Pdf
◦ This is a collection of work done for classes at the Park School of Baltimore. These pieces of writing and art were recommended by teachers to an editorial board of students and teachers. This board considered all the submissions without knowing who made them. The only criteria the editors had were that the work be comprehensible and interesting to a general audience and, in some way, good. The rest of the decision making process was up to the tastes, whims, peculiar proclivities of the people involved. As the variety and volume of submissions continues to increase, and the editors faced the daunting task of having to accept less than half of what was recommended. The Winter 2017 edition is larger than the previous one, and we hope the Spring edition will be larger still. Many thanks to the teachers who made recommendations, to the students who agreed to share their work, to Principal Nancy Dickson and Dean of Students Traci Wright for supporting the idea, and to the Parent’s Association for giving the publication a welcome short-term boost, so it could be printed professionally. Also, I am grateful to those editors who agreed to spend their time reading, and carefully considering what could fit. The works you have here are all reproduced as they were submitted in class, without additional editing. Hope you enjoy them. Daniel Jacoby, History Department Last Words of a Peasant: An Enlightenment Essay King: Any last words? Peasant: Yes, actually, quite a few. First of all, you have no right to put me to death. -
Pipa Finalists Takeover 2020
FORT GANSEVOORT FINALISTS TAKEOVER 2020: RANDOLPHO LAMONIER OCTOBER 23, 2020 “Diários em combustão” [Burning Diaries], 2013, 35mm photography, 60 x 40 cm Do you want to know more works by Randolpho Lamonier, one of the four finalists of PIPA 2020? Are you curious to know what Randolpho produced this year? What are the artist’s future projects? Welcome to the Finalist takeover 2020! Each week, an artist opens its studio to the virtual audience of PIPA Prize, with videos, photos, and texts exclusively produced for the takeover. The idea of creating an online show arose because of this period when the exhibition of the finalists of PIPA 2020 would be on display at Paço Imperial, in Rio. From October 19 to November 13, the artists will fill our platforms and website with original content. We do not aim to replace the postponed exhibition due to the pandemic but to create a possible exchange between the PIPA finalists and the virtual public. From Monday to Saturday, Randolpho Lamonier occupies the website and PIPA Prize social networks with original content. Each day, new material will be made available, including videos, photos, and interviews. Keep an eye on and follow us on Instagram, Twitter, and Facebook platforms. Day 6: In the last day of the takeover, Randolpho shares “Wild heart”, critical text written by Júlia Rebouças. In the text, she writes about his formation and comments on some of his works. Read the full text below: Wild heart 5 Ninth Avenue, New York, NY, 10014 | [email protected] | (917) 639 - 3113 FORT GANSEVOORT Randolpho Lamonier rushes. -
Lobão 1982 42
http://www.baixemp3gratis.com.br/categoria/rock-nacional/page/15 http://www.4shared.com/dir/QZFVtqqe/sharing.html http://hotfile.com/dl/79397285/959e719/Coletanea_Pop_Rock_Brasil.rar.html Surf Adventures 1 - Warner Music Faixas 1. The Love I Need - Cajamanga 2. Me Deixa - O Rappa 3. Mulher De Fases - Raimundos 4. Falling In Love Again - Eagle Eye Cherry 5. Na Levada Do Brega - Chimbinha 6. Tudo Azul - Cajamanga 7. Punk And Bass - Black Alien 8. Não É Sério - Charlie Brown Jr. 9. The Gueto - Donny Hathaway 10. Na Balada Do Rio Salgado - Nação Zumbi 11. Ponta De Lança Africana - Jorge Benjor 12. Sorrir E Cantar Como Bahia - Baby Do Brasil 13. Eu Quero Ver O Ôco – Raimundos http://www.megaupload.com/?d=D9UWLKRR Surf Adventures 2 - Warner Music - 2009 1. A Flor – Los Hermanos 2. Jingo 3. Maracatu Atômico – Jorge Mautner 4. Tinindo Trincando – Os Novos Baianos 5. Meu Mar – Erasmo Carlos 6. Meiufiu – Moraes Moreira 7. Deixe-Se Acreditar – Mombojó 8. Meu Maracatu Pesa uma Tonelada – Nação Zumbi 9. In Memory of Elizabeth… – The Allman Brothers Band 10. Band If You Want Me to Say – Sly & The Family Stone 11. Música Política para Maradona Cantar – Hurtmold 12. Scarlet Begonias – The Grateful Dead http://www.4shared.com/file/ERZQ-pH6/SURF_Surf_Adventures_2.html http://hotfile.com/dl/52375544/b4d6434/Popnac.rar.html http://hotfile.com/dl/46102884/50c48c3/THBrasil10.rar.html http://rapidshare.com/files/349605868/E_Pop_-__SomLivre_2010_.rar EMI - 2005 - Pop - Meu Primeiro Hit 1. A Namorada - Carlinhos Brown 2. Encontrar Alguém - Jota Quest 3. Que nem maré - Jorge Vercilo 4. -
Latin American Resource Center Lending Library Stone Center for Latin American Studies
Latin American Resource Center Lending Library Stone Center for Latin American Studies http://stonecenter.tulane.edu/ TITLE CALL # MEDIA DESCRIPTION LANGUAGE LENGTH TYPE 10 Days to Paint the GE PER 02 Film An international group of artists are in Peru & Ecuador to support English 82 min Forest VIDEO C 01 the rare Dry Forest with its many endemic birds, such as White- winged Guan and Amazilia Hummingbird. We not only watch them draw and paint, but also take a broad look at the Tumbes region, the scenery and the people from the reed boat fishermen to the cloud forest. 2004 13 Pueblos en IND MEX 04 Film In the future, wars will be fought over water. In the Mexican state Spanish with 1 hour, 3 defensa del agua el VIDEO C 01 of Morelos, this war has already begun. A documentary that English minutes aire y la tierra (13 contemplates Mexico’s destiny, 13 Peoples defending water, air subtitles Peoples defending and land tells the story of the struggle of Mexican indigenous water air and land) people to preserve their natural resources and their cultural identity. Finalist in the 2009 Latin American Environmental Media Festival. Directed by Atahualpa Caldera Sosa and Fernanda Robinson. filmed in Mexico. 1932: Scar of the HC ELS 11 Film January 22, 1932. An unprecedented peasant uprising erupts in English 47 Memory VIDEO C 02 western El Salvador, as a group of Ladino and indigenous minutes peasants cut army supply lines, attack a military garrison, and take control over several towns. Retribution is swift. After three days, the army and militias move in and, in some villages, slaughter all males over age 12. -
Carlos Pereira Goncalves.Pdf
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP Carlos Pereira Gonçalves CINEMA BRASILEIRO NA ESTRADA Identidade, Mitologia e Cultura Contemporânea no Gênero Road Movie (Anos 1990-2000) DOUTORADO EM CIÊNCIAS SOCIAIS SÃO PAULO 2011 2 Carlos Pereira Gonçalves CINEMA BRASILEIRO NA ESTRADA Identidade, Mitologia e Cultura Contemporânea no Gênero Road Movie (Anos 1990-2000) DOUTORADO EM CIÊNCIAS SOCIAIS Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Doutor em Ciências Sociais, área de concentração em Antropologia, sob a orientação da Profa. Doutora Silvia Helena Simões Borelli. SÃO PAULO 2011 3 Banca Examinadora ____________________________________ ____________________________________ ____________________________________ ____________________________________ ____________________________________ 4 À queridíssima mãe, exemplo maior da minha vida 5 AGRADECIMENTOS À minha orientadora Profa. Silvinha, pelo entusiasmo por este trabalho de jornada tão longa. Muito obrigado pelo carinho e dedicação! À minha namorada Adriana que me acompanhou com tanto amor e compreensão. Aos meus irmãos, Sílvia e Sérgio, pelo carinho de sempre. Aos professores da PUC, em especial, Edgard de Assis Carvalho e Carmen Junqueira, por tantos ensinamentos inesquecíveis. Aos professores da minha banca de qualificação, Bernadette Lyra e Edmilson Felipe, obrigado pela recepção positiva do trabalho e orientações tão valiosas. Aos colegas da PUC e UNISA, um abraço de agradecimento pela força e dicas sempre bem acolhidas. À minha família, Cris, Regina, Dona Bárbara, Débora, primos e tios, quanta vibração positiva! E a CAPES pelo apoio financeiro à pesquisa. 6 RESUMO Esta pesquisa analisou a significação social e cultural que o gênero narrativo road movie (filme de estrada) adquire na produção nacional Pós-Embrafilme (décadas de 1990-2000). -
Filmes 1,99 – Um Supermercado Que Vende Palavras
Brasília – 2007 ' ( ) Índice Apresentação ................................................................................................................................................ 9 Filmes 1,99 – Um Supermercado Que Vende Palavras ....................................................................... 14 33 ......................................................................................................................................................... 16 500 Almas ...................................................................................................................................................... 18 À Margem da Imagem ........................................................................................................... 20 Benjamim .................................................................................................................................................... 22 Cama de Gato .............................................................................................................................. 24 A Cartomante ............................................................................................................................................ 26 Cazuza, O Tempo não Pára ................................................................................................ 28 Cinegibi, O Filme – Turma da Mônica ........................................................................................ 30 Como fazer um filme de amor ........................................................................................ -
O Revival Dos Anos 80 Música, Nostalgia E Memória
UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE CIÊNCIAS HUMANAS E FILOSOFIA ÁREA DE HISTÓRIA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA CHRISTIANO RANGEL DOS SANTOS O REVIVAL DOS ANOS 80 MÚSICA, NOSTALGIA E MEMÓRIA Niterói 2018 CHRISTIANO RANGEL DOS SANTOS O REVIVAL DOS ANOS 80: MÚSICA, NOSTALGIA E MEMÓRIA Tese apresentada ao Programa de Pós-Graduação em História da Universidade Federal Fluminense, como requisito parcial para a obtenção do título de Doutor em História. Orientadora: Profa. Dra. Giselle Martins Venancio Niterói 2018 CHRISTIANO RANGEL DOS SANTOS O REVIVAL DOS ANOS 80: MÚSICA, NOSTALGIA E MEMÓRIA BANCA EXAMINADORA Profa. Dra. Giselle Martins Venancio – Orientadora Universidade Federal Fluminense Prof. Dr. Micael Maiolino Herschmann – Arguidor Universidade Federal do Rio de Janeiro Prof. Dr. Eduardo Vicente – Arguidor Universidade de São Paulo Profa. Dra. Karla Guilherme Carloni – Arguidora Universidade Federal Fluminense Profa. Dra. Janaína Martins Cordeiro – Arguidora Universidade Federal Fluminense SUPLENTES Profa. Dra. Karoline Carula – Arguidora Universidade Estadual do Rio de Janeiro Prof. Dr. Norberto Osvaldo Ferreras – Arguidor Universidade Federal Fluminense Agradecimentos Muitas pessoas, de maneira mais direta ou não, foram importantes para a trajetória que me levou à entrada no e à conclusão do doutorado. Citar todas é praticamente impossível. Por isso, dirijo aqui meus agradecimentos aos com quem mantive uma relação mais próxima nos quatro anos de curso e aos profissionais da academia e do meio artístico que contribuíram para este trabalho de pesquisa. Sendo assim, gostaria de agradecer especialmente: Aos professores Micael Herschmann, Eduardo Vicente, Janaína Cordeiro e Karla Carloni, membros da banca de defesa, pelas críticas, dicas e sugestões que muito me ajudaram a pensar o objeto de pesquisa e vários aspectos importantes relacionados a ele.