DOCSLIB.ORG

Bigsby®. True Vibrato

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bigsby®. True Vibrato Bigsby®. True Vibrato. The Bigsby® Story For over 50 years, Bigsby Vibratos have been adding It all started in California, with a genius inventor who the expression that turns good songs into great ones. “could build anything”. Fortunately, Paul Bigsby would Original equipment on many of the world’s best selling branch out from building Crocker motorcycles into instruments. Just a few of the companies currently using music... and the world would never be the same. Bigsby include Gibson®, Epiphone®, Fender®, Gretsch®, Paul Reed Smith®, Squier®, Schecter®, Taylor®, ESP® and many, many more! Easy to install, hard to live without! In the years since fellow biker and “lightning fast” guitarist Merle Travis first asked Bigsby to build “a vibrato that works”, Bigsby’s True Vibrato has enhanced the playing Once you get used to your Bigsby, you’ll find it hard styles of guitarists the world over. They’ve been featured to play without it... but fortunately, installation is easy! continuously on Gretsch® guitars since 1955, and have Especially with our new B50 & B70 kits... everything you been heard on recordings in almost every genre, from need to install your new Bigsby, all in one package! * punk to folk, and country to rock. The Gretsch Company is proud to offer the Bigsby True Vibrato tailpiece, the first Comprehensive installation instructions are available at successful design of what is now called a whammy bar or www.bigsby.com/installation tremolo arm. Guitar makers of almost every style turn to Bigsby to add the finishing touch to their instruments, a beautiful, subtle and extremely functional statement. Want to find out more about Bigsby? The Paul Bigsby Story Most musicians are familiar with the famous Bigsby *Some basic tools are required for installation. Please see the Bigsby website for Vibrato, but not as many know about the wonderful detailed installation instructions and links to installation demonstration videos. guitars that Paul Bigsby built in the 1940s. Bigsby, who was responsible for developing and refining the pedal Find spare parts at www.bigsby.com/parts steel guitar, also built the first modern solid body electric guitar for Merle Travis in 1948, predating Leo Fender and Gibson’s Les Paul by a number of years. This book tells Gibson and Gibson SG, Les Paul Special, Super 400, Les Paul Standard/Custom, how Bigsby influenced Fender and Gibson, as well as a ES-335; Fender and Fender Telecaster; Gretsch and Gretsch 6120, Duo Jet; number of others, in building techniques and design. Epiphone and Epiphone Casino; Rickenbacker and Rickenbacker 325; Paul Reed This deluxe illustrated coffee table book contains over Smith, Squier, ESP, Schecter and Taylor are trademarks of their respective owners. 300 color and black & white photos. The book also comes with an audio CD of Paul Bigsby, recorded in the late 1950s, telling stories of his business. © 2011 Fred Gretsch Enterprises. Bigsby® and Gretsch® are registered trademarks of Fred Gretsch Enterprises, PO Box 2468, Savannah, GA 31402 www.bigsby.com Bigsby®. True Vibrato. • • “ Original Kalamazoo™ Series Lightning™ Series Bigsby® Original Kalamazoo Series Vibratos are still Sand Cast by hand in the United States the old fashioned way. Molten For players who want the Bigsby® sound and “vibe” but for a less expensive instrument. Named in tribute to “lightning fast” Merle Travis who inspired Paul Aluminum is poured into Sand Cast molds, exactly as Paul Bigsby made the original Bigsby Vibratos in the 1950s. We know Bigsby to build his first vibrato, the Lightning Series offers a high quality Bigsby how much your guitar means to you, and Bigsby Kalamazoo Series Vibrato systems are lovingly made to enhance your at a more affordable price. Made from Aluminum like their Original Kalamazoo™ instrument while delivering Paul Bigsby’s original vision in every way. Series brothers but constructed using less expensive Die Cast methods. B3 B11 Lightning Series I Classic Bigsby® designs for the player who wants vintage style! Lightning Designed for thin hollowbody and semi- Designed for thin hollowbody and Series I Die Cast Vibrato systems offer the traditional Bigsby look, feel and hollowbody electric guitars such as semi-hollowbody electric guitars such function at an affordable price. Epiphone Casino, Gretsch Duo Jet. as Epiphone Casino, Gretsch Duo • Approximate weight: 296 grams / 10.4 oz. Jet. Like the B3, but featuring a more B30 • Overall Length: 7-5/8” / 193.7 mm “minimalist” appearance. For thin hollowbody and semi-hollowbody guitars. Based upon the original B3 design. • Overall Width: 3-5/8” / 92.1 mm • Approximate weight: 286 grams / 10.1 oz. • Overall Length: 7-11/16” / 195.3 mm • Approximate weight: 296 grams / 10.4 oz. • Overall Width: 3-11/16” / 93.7 mm • Overall Length: 7-1/2” / 190.5 mm • Overall Width: 3-3/4” / 95.3 mm B5 B12 B50 For flat top solidbody electric guitars. Based upon Designed for flat top solidbody electric Designed for archtop solidbody and the original B5 design. semi-solidbody electric guitars such guitars such as Gibson® SG, Gibson Les • Approximate weight: 290 grams / 10.2 oz. Paul® Special, Rickenbacker® 325, and as Gibson Les Paul Standard/Custom, Fender® Telecaster®*. Sometimes referred ES-335. Like the B7, but featuring a • Overall Length: 4-5/16” / 109.5 mm to as the Bigsby “horseshoe”. more “minimalist” appearance. • Overall Width: 3-13/16” / 96.8 mm • Approximate Weight: 286 grams / 10.1 oz. • Approximate weight: 344 grams / 12.1 oz. • Overall Length: 4-3/4” / 120.7 mm • Overall Length: 8-3/8” / 212.7 mm B60 For large hollowbody guitars. Based upon the original • Overall Width: 3-3/4” / 95.3 mm • Overall Width: 3-5/8” / 92.1 mm *Requires 0495-0258 Bridge and B6 design. 0495-0257 Bridge Plate. • Approximate weight: 308 grams/ 10.9 oz. • Overall Length: 8-5/8” / 219.1 mm B6 B16 • Overall Width: 3-7/8” / 98.4 mm Designed for large hollowbody electric The original 1950s design for the Fender B70 guitars such as Gretsch 6120 or Gibson Telecaster. For archtop solidbody and semi-solidbody electric Super 400®. • Approximate weight: 333 grams / 11.7 oz. guitars. Based upon the original B7 design. • Approximate weight: 311 grams/11 oz. • Overall Length: 8-3/8” / 212.7 mm • Approximate weight: 358 grams / 12.6 oz. • Overall Length: 9-1/4” / 235 mm • Overall Width: 4-1/4” / 107.9 mm • Overall Length: 8-11/16” / 220.7 mm • Overall Width: 3-5/8” / 92.1 mm • Professional installation recommended. • Overall Width: 3-3/4” / 95.3 mm B7 Lightning Series II Designed for archtop solidbody and Bigsby Vibratos continue to be made using original designs, molds and A slimmer, sleeker Bigsby, the Lightning Series II Die Cast Vibrato systems semi-solidbody electric guitars such are perfect for today’s instrument styles, while retaining the subtle and methods, and therefore, incorporate markings or text associated with flexible vibrato Bigsby is famous for. as Gibson Les Paul Standard/Custom, patents that have since expired. Such markings are included only for the Gibson ES-335. sake of historical accuracy and are not intended to denote or imply live B500 • Approximate weight: 354 grams/12.5 oz. patents or ongoing patent protection. For flat top solidbody electric guitars. Based upon • Overall Length: 8-3/4”/222.3 mm the B5/B50 design. • Overall Width: 3-5/8”/92.1 mm • Approximate weight: 279 grams / 9.8 oz. • Overall Length: 4-9/16” / 115.9 mm • Overall Width: 3-3/4” / 95.3 mm B700 Unless otherwise noted, all Original Kalamazoo Series Vibratos are available in polished Aluminum or Gold Finishes. The B7 is also available in an all Gold finish, Right Hand model For arch top solidbody and semi-solidbody electric only. The Arm on all Bigsby Original Kalamazoo Series Vibratos adjusts with 1/8” Allen wrench and 5/16” socket wrench. guitars. Based upon the B7/B70 design. • Approximate weight: 345 grams/12.2 oz. • Overall Length: 8-5/8” / 219.1 mm Lightning Series I Vibratos are available in polished Aluminum or Gold finishes, except the B60 which is available in polished Aluminum only. Lightning Series II Vibratos are available in polished Aluminum, Gold or Black finishes. The Arm on all Bigsby Lightning Series Vibratos adjusts with 1/8” Allen wrench and 5/16” socket wrench.. • Overall Width: 3-3/4” / 95.3 mm.
Load more

Recommended publications
  • Savannah, GA – Fred Gretsch Enterprises and Kaman Music
    THE GRETSCH COMPANY P.O. Box 2468, Savannah, GA 31402 Phone: 912-748-7070, Fax: 912-748-6005 Press Release Contact: Emi Keffer FOR IMMEDIATE RELEASE Phone: 912-748-7070, Ext. 220 December 20, 2010 E-mail: [email protected] Buy a Great Book. Win a Great Guitar Bigsby and Hal Leonard Team Up For a “Bigsby Guitar Giveaway” at NAMM 2011 Savannah, GA – Bigsby and Hal Leonard Corporation have teamed up to offer an exciting promotion at Winter NAMM 2011. Dealers who visit the Hal Leonard booth and purchase copies of The Story of Paul Bigsby, Father of The Modern Electric Solidbody Guitar will be rewarded with a once-in-a-lifetime opportunity to win a limited-edition Bigsby guitar. Though most guitarists are familiar with the famous Bigsby® Vibrato, very few are aware of the role that Paul Bigsby played in the invention of the modern electric solidbody guitar. In fact, he built the first such guitar for Merle Travis in 1948, predating Gibson’s Les Paul model and Leo Fender’s namesake guitars by a number of years. The Story of Paul Bigsby relates how this enigmatic genius influenced Fender and Gibson—as well as numerous others—in the design and construction of electric guitars. (And as if that weren’t enough, Paul Bigsby was also responsible for developing and refining the pedal steel guitar.) The Story of Paul Bigsby is a deluxe illustrated coffee table book containing over 300 color and black & white photos. The book also comes with an audio CD of Paul Bigsby, recorded in the late 1950s, telling stories of his business.
    [Show full text]
  • Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
    Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads.
    [Show full text]
  • FMI Wholesale 2006 Price List
    FMI Wholesale 2006 Price List T 800.488.1818 · F 480.596.7908 Welcome to the launch of FMI Wholesale, a division of Fender Musical Instruments Corp. We are excited to offer you our newest additions to our family of great brands and products. Meinl Percussion, Zildjian®, Tribal Planet, Hal Leonard®, Traveler Guitar, Practice Tracks, Pocket Rock-It, are just a few of the many great names that you’ll find in this Winter Namm Special Product Guide. You’ll find page after page of new and exciting profit opportunities to take advantage of as we welcome the new year. In the coming weeks, you will also be receiving our brand new product catalog showcasing all of the great products that FMI Wholesale will be offering to you in 2006. Our goal, along with that of our strategic business partners, is to provide you with a new and easy way to do business. In the enduring Fender tradition, we aim to provide best-in-class products, superior service and our ongoing commitment to excellence that will be second to none. Our programs will be geared towards your profitability, so in the end, doing business with FMI Wholesale will always make good sense. Thank you for the opportunity to earn your business. We look forward to working with you in 2006. Sincerely, The FMI Wholesale Sales and Marketing Team Dealer Dealer Number Contact PO Number Ship To Date Terms: Open Account GE Flooring Notes FREIGHT POLICY: 2006 brings new opportunities for savings in regards to freight. To maximize your profitability‚ our newly revamped freight program continues to offer freight options for both small and large goods.
    [Show full text]
  • HYPEBEAST UNVEILS FENDER® X HYPEBEAST STRATOCASTER
    HYPEBEAST UNVEILS FENDER® x HYPEBEAST STRATOCASTER Download assets HERE Hypebeast today announces the launch of the HYPEBEAST Stratocaster®, presented in collaboration with Fender®, the iconic global guitar brand. Hypebeast shares strong bonds with a global network of content creators, and is dedicated to maintaining close interactions with established musicians across genres, as well as discovering emerging talent and bringing that to Hypebeast’s cultural realm. Constantly inspired by such meaningful connections, Hypebeast is thrilled to be joining hands with Fender to present this vintage-style guitar in Hypebeast’s signature navy. “Fender has always been closely connected to musical culture since its founding in 1946. Similarly, Hypebeast is one of the most influential online media in lifestyle and culture. Through this collaboration, we’re looking forward to bringing music closer to other cultural realms, as we share a passion for music amongst a generation immersed in fashion and lifestyle,” said Edward Cole President of APAC, Fender Music Corporation. www.hypebeast.com [email protected] Page 1 of 2 The model is based on the globally acclaimed Made in Japan Stratocaster featuring a 9.5" radius and 22 Medium Jumbo frets, delivering a sophisticated playability with modern feel optimal for any musical genres and playing style. The guitar painted in Hypebeast’s signature navy color from top to bottom - including the fingerboard and headstock - is sure to catch the attention of any culture-sensitive player. This special edition guitar is available exclusively at Fender.com in Japan, US and UK regions, as well as HBX.com in extremely limited quantities. To read full product specifications, please visit fender.com for more information.
    [Show full text]
  • International Home of the Legends Thumbpicking Weekend by Scott Taylor
    Fall 2015 Issue 92 Volume 23 Number 4 International Home of the Legends Thumbpicking Weekend by Scott Taylor Those of us who made it down to Moseley and friends. Paul got a laid back easy going demeanor when Muhlenberg County for the last little help from several pickers he plays. weekend in September were treated including his cousin Larry Stone and The Hall of Fame inductions with a full 3 days of guitar picking include recognizing pickers, events. Friday night was the Hall of supporting musicians, supporting Fame induction ceremonies where we fans, recording of the year and a few added some great pickers to the Hall special presidential awards. See the and recognized others for their sidebar for the complete list of thumbpicking support and awards and inductions on page 3. promotion. The annual Home of the The inductions were followed by Legends Thumbpicking Guitar a special premiere showing of a new Contest was held on Saturday KET produced special entitled followed by an evening concert. "Merle Travis: Guitar Man". KET Finally, Sunday was planned to be had helped set up the Travis Center "Pickin in the Park" but the weather with a huge screen covering most of was "iffy" and it was moved indoors the stage back for its viewing and to the Merle Travis Music Center. Michael Moseley, the Travis Center That's a busy weekend. And I had to soundman, had it run through the carve out a few hours on Saturday to house system for a great sound. The slip into a class reunion luncheon.
    [Show full text]
  • California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
    ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering.
    [Show full text]
  • Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2015 Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar Andrew Rhinehart University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Rhinehart, Andrew, "Adapting Traditional Kentucky Thumbpicking Repertoire for the Classical Guitar" (2015). Theses and Dissertations--Music. 44. https://uknowledge.uky.edu/music_etds/44 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • N O N P E R F O R M E
    NON PERFORMERS LeoIt would be difficult to imagine rock & roll Fender— both its it. But Leo had the foresight to see the solid-body’s potential, sound and its spirit — without the contributions of Clarence and he jumped at it. ” Leo Fender. Jimi Hendrix used a Fender Stratocaster to create In 1948, the Fender Electric Company began producing his most distortion-drenched masterpieces. Jeff Beck em­ the Broadcaster, a solid-bodied electric guitar. Two years ployed a Fender Telecaster to play his jagged, quirky riffs with later, in a move that reflected the enormous recreation fad the Yardbirds. The late Stevie Ray Vaughan spun his muscular then sweeping America, the Broadcaster’s name was blues on a vintage Strat. Following the Rolling Stones’ induc­ changed to Telecaster. tion into the Rock & Roll Hall of Fame, Keith Richards (a The guitar proved to be an immediate success, particular­ Telecaster man) thanked “God, for Leo Fender, who makes ly with country pickers; it remains an essential component these instruments for us to play. ” of the Nashville sound to this day. And forty years after the Fender’s instruments revolutionized popular music in gen­ first models rolled out of the Fender factory, the Telecaster eral and rock & roll in particular. In addition to designing and still looks more or less the same. With its clean lines and marketing the Fender Telecaster and Stratocaster guitars in uncomplicated electronics, the guitar is a marvel of utilitar­ the early Fifties, he literally invented the electric bass with ian design. the introduction of the Fender Precision in 1950 and produced “Fender could look at something and immediately discern some of the world’s most sought-after amplifiers.
    [Show full text]
  • Steinberger Gearless Tuners Instructions
    Steinberger Gearless Tuners Instructions Camp Richmond redrive liberally and illegitimately, she hie her pacts guides barefoot. Expressionist Gerry number, his botels segregated nettles along. Homoplastic and thousand Benn still higglings his eft barefooted. David the tuners can you can revert back has the gearless tuners were only complaint i have played my strat Thank you tune no experience on either side is locked, regardless of gibson guitars without a fender guitars combine shipping for steinberger gearless tuners instructions for high register playing condition and genres of. This product or attach a steinberger gearless tuners instructions. Some of steinberger gearless tuners instructions. Which models would you get anything a reverse headstock? Panettone are many fuzz pedals, avec le panettone is. But also, each emphasis to trigger own. Canton Custom Guitars section in this blog. After meticulous research, steinberger gearless tuners instructions, requires cookies to have seen if you do you for. He really great idea for steinberger gearless tuners instructions, so we detail every member to a short lived, as well with any info i think it comes with the. Gibson considers adding it did you guys, steinberger gearless tuners, as well as particpants on an interesting aside, those requirements and interested guitar? These digital chromatic micro tuner instructions are steinberger gearless tuners instructions are solid color not allowed for guitar in order. Do you play the gearless tuners to achieve their manufacturing equipment needed and carries the tuner you made during normal tuner allows guitarists, steinberger gearless tuners are your right to. The original frets are in excellent pay only permit minor wear.
    [Show full text]
  • Mjjcollectors MJJ Collectors
    MJJCollectors MJJ Collectors Musical Instruments Have an MJ autographed memorabilia item not on our site? Add it here! Cymbal Used For This Is It Rehearsals Inscribed And Signed By Michael (2009) Zildjian Crash Ride cymbal used during rehearsals at Staples Center for the This Is It concert series. Inscribed by Michael "Peace Always Michael Jackson/ Me & A.E.G. 2009 is it! London here we come". [Product Details...] Drum Head Signed By Michael (Date Unknown) A black drum head signed by Michael in gold paint pen. Exact date of origin unknown. [Product Details...] Copyright ©2021 - MJJ Collectors - http://www.mjjcollectors.com _PN_PAGE 1 _PN_OF 5 Electric Guitar Galveston Stratocaster Signed By Michael (2008) A cherry red Galveston Stratocaster style electric guitar with a white pickguard signed in silver marker by Michael in Los Angeles on October 26, 2008. [Product Details...] Electric Guitar Signed By Michael (1990's) Michael signed the pick guard of this black, left-handed double cutaway electric guitar in silver ink. Guitar's body has a white "Michael Jackson" logo decal. Exact date unknown, but probably from the 1990's. [Product Details...] Electric Guitar Squier By Fender Bullet Signed By Michael A Squier by Fender Bullet electric guitar with slate grey finish and serial number SIO2110508. Signed by Michael on the white pickguard. [Product Details...] Electric Guitar SX Castillo Signed By Michael (1990s) A red SX Castillo electric guitar signed on the body in silver marker "Love Michael Jackson". [Product Details...] Copyright ©2021 - MJJ Collectors - http://www.mjjcollectors.com _PN_PAGE 2 _PN_OF 5 Copyright ©2021 - MJJ Collectors - http://www.mjjcollectors.com _PN_PAGE 3 _PN_OF 5 Fender Guitar Signed By Michael (1998) A 1998 Mexican made turquoise Fender Stratocaster serial number MN8115742 signed by Michael on the guitar'Â’s original pick guard in black marker.
    [Show full text]
  • Everythlng YOU NEED to GET STARTED!
    FOUR-COLOR P.O.P. PACKAGING OPTIONS PACKAGING FOUR-COLOR P.O.P. ® EVERYTHING YOU NEED TO GET STARTED! BY FENDER ® neW AFFINITY STRAT® HSS/FENDER® G-DEC® JUNIOR AMPLIFIER Includes: Squier Affinity Strat HSS, gig bag, G-DEC Junior SQUIER amplifier, picks, strap, cable. Available in Black (X06), Metallic Red (X25) and Metallic Blue (X95). (X06) (X25) (X95) 030-1620 Rosewood w/gig bag $582.99 neW AFFINITY STRAT HSS/FENDER BULLET® 150 DSP AMPLIFIER Includes: Squier Affinity Strat HSS, gig bag, Bullet 150 DSP amplifier, tuner, picks, strap, cable. Available in Black (X06), Metallic Red (X25) and Metallic Blue (X95). Visit www.fender.com for complete product specifications. (X06) (X25) (X95) 030-1610 Rosewood w/gig bag $499.99 76 neW AFFINITY STRAT® SPECIAL/FENDER® FRONTMAN AMP® 15G Includes: Squier® Affinity Strat Special, gig bag, Frontman 15G amplifier, tuner, picks, strap, cable, stereo headphones and instructional DVD. Available in Black (X06), Metallic Red (X25) and Metallic Blue (X95). (X06) Black (X25) (X95) 030-1605 Rosewood w/gig bag $415.99 neW SE SPECIAL/SQUIER SP-10 AMPLIFIER Includes: Squier SE Special, gig bag, Squier SP-10 amplifier, tuner, picks, strap, cable, stereo headphones and instructional DVD. Available in Black (X06), Sunburst (X32) and Arctic White (X80). FOUR-COLOR P.O.P. PACKAGING OPTIONS PACKAGING FOUR-COLOR P.O.P. (X06) Black EVERYTHING YOU NEED ® TO GET STARTED! (X32) (X80) 030-1600 Rosewood w/gig bag $332.99 BY FENDER ® neW AFFINITY P BASS®/FENDER RUMBLE™ 15 AMP Includes: Squier Affinity P Bass, gig bag, Fender Rumble 15 amplifier, tuner, strap, cable, stereo headphones and instructional DVD.
    [Show full text]
  • Sweet & Lowdown Repertoire
    SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming
    [Show full text]