DOCSLIB.ORG

Playworks Ink

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Playworks Ink Theatre Alberta and Alberta Playwrights’ Networkpresent PLAYWORKS INK October 22 – 25, 2009 GLENBOW MUSEUM, CALGARY FEATURING COLLEEN MURPHY www.theatrealberta.com Theatre Alberta and Alberta Playwrights’ Networkpresent PLAYWORKS INK ALBERTA’S THEATRE AND PLAYWRITinG CONFEREncE EVENT Colleen Murphy • Lynda Adams • Dennis Cahill • Jane Heather • Ron Jenkins • Jillian Keiley Stewart Lemoine • Conni Massing • Kevin McKendrick • Eric Rose • Roger Schultz Vicki Stroich • Cindy Vanden Enden Call: 780-422-8162 or 1-888-422-8160 (toll free in Alberta) www.theatrealberta.com ALBERTA PLAYWRIGHTS’ NETWORK WELCOME TO Alberta Playwrights’ Network (APN) is a not-for- PLAYWORKS INK 2009 profit arts organization and registered charity that WE FEAR IT. exists to nurture Alberta playwrights and to provide support for the development of their plays. Alberta WE FEAR THE UNKNOWN THINGS Playwrights’ Network seeks to increase awareness LURKING WITHIN IT. of Alberta playwrights and plays in the community WE TRY TO AVOID IT BUT ITS HOLD at large, help Alberta plays reach their full ON US GROWS STRONGER. potential, promote Alberta playwrights and plays DaRKNESS. to the theatre community (locally, nationally, and internationally), build and foster a community of What if we allow ourselves to be a little bit playwrights, and support and encourage an infinite vulnerable, a little bit brave? What if we explore the range of playwrights’ voices. shadowy cracks and crannies of humanity, society, and our identity? If we shine a light into those APN PROGRAMS AND SERVICES: corners we may be surprised by what is revealed… Alberta Playwrights’ Network offers a wide range of programs and services for members across the province, Illumination does not happen spontaneously. It including one-on-one dramaturgical support, script is the result of a process of awakening—unique to development workshops, public new play readings, every individual—that grows our humanity, our playwriting competitions, professional development artistry, and our community. Let PlayWorks Ink be workshops, playwriting circles, weekly e-bulletins, the catalyst for your own process of illumination. quarterly newsletters, reduced ticket prices to many Theatre Alberta and the Alberta Playwrights’ Albertan theatres, and a resource library. For further Network are thrilled to present Canadian award- information visit www.albertaplaywrights.com. winning playwright Colleen Murphy, renowned for creating work that braves dark questions and THEATRE ALBERTA kindles meaningful engagement with audiences. Theatre Alberta (TA) is a Provincial Arts Service Jillian Keiley of Artistic Fraud will lead a master Organization (PASO) committed to encouraging class in kaleidography and chorus. Alberta Theatre the growth of theatre in Alberta. Projects graciously sponsors our keynote address TA PROGRAMS AND SERVICES: and reception, and the Glenbow Museum’s Library – fully circulating with over 15,000 sponsorship and involvement with PlayWorks Ink playscripts and reference materials reaches exciting new heights. Artstrek – a residential program for teens Join us in Calgary for this inspiring weekend of Dramaworks – a workshop series for adults workshops, play readings, discussions, and socials. Workshops by Request for community theatres Be brave. Face your fears. Embrace the darkness. across the province “Art is a ripening, an evolution, an uplifting, Emerge – an annual audition event for graduating post-secondary actors which enables us to emerge from darkness into a blaze of light.” Safe Stages – a publication and seminar for occupational Health and Safety awareness and education -Grotowski Playbill – an annual poster of Alberta’s theatre season Marie Gynane-Willis, Executive Director, TheatreA lberta News – a triannual print magazine Theatre Alberta Theatre Buzz – a monthly electronic update Lora Brovold, Programmer, Theatre Alberta Publications including Playscript Catalogues, the Community Theatre Handbook, and the Theatre Johanne Deleeuw, Executive Director, Facility Handbook Alberta Playwrights’ Network Direct Support to Alberta Playwrights’ Network, CITT Alberta Section, and the Alberta High School Drama Festival Association Information and Advocacy on local, provincial, and national fronts BEING HUMAN PLAYWORKS INK 2009 with Colleen Murphy WEEKEND SCHEDULE OF EVENTS “What Shakespeare and the Greeks were able to do was radically question what it meant to be a human THursday, October 22 being.” – Edward Bond 6:30 PM: REGISTRATION, This hands-on workshop explores how the range GLENBOW LObbY of human impulses create fearless, often disturbing, Registration will run throughout the weekend. comedies and tragedies – or a combination of both. By applying the building blocks of drama—living 7:00 PM: ShOWCASE REAdiNG characters, character-driven action, earned conflict, #1, CONOCO-PHILLIPS THEATRE, and structure —it is possible to substantially enrich GLENBOW MUSEUM your play. Bring your curiosity, the urge to wrestle THE MURDER OF EDGAR ALLAN POE BY with your work, and a willingness to engage in STEphEN MASSICOTTE lively discussion. Co-presented by Alberta Playwrights’ Network, Ground Zero Theatre and Hit & Myth Productions Suitable for playwrights of all levels. IMAGINATION PLAYGROUND: INSpiRING During the last mad hours of Edgar Allan Poe’s AND DEVISING NEW WORK life, he repeatedly called out for a man named with Eric Rose Reynolds—a man whose identity has never been satisfactorily explained. What or who killed Edgar In collaboration with Allan Poe? Too much drink, too much creativity, or A dynamic workshop to inspire collaborative both? Perhaps the death of one of the most famous imagination; participants will be led into the writers that ever lived was caused by a more sinister unknown corners of creative possibility, exploring agent…an old and persistent friend. Warning— alternative approaches for devising original and madness, horror, and blood will flow! unlikely performance. As a source of inspiration, Stephen’s plays—The Oxford Roof Climber’s Rebellion, the workshop will use the Glenbow Museum’s A Farewell to Kings, Pervert and the popular Jedi exhibit of Ron Mueck’s internationally acclaimed Handbook series—have played for audiences sculptural work to fuel participants’ imaginative throughout Canada. Mary’s Wedding premiered at leap into new creative possibilities. ATP’s playRites Festival. It has won the 2000 Alberta Suitable for actors, directors, and playwrights who Playwriting Competition, the 2002 Betty Mitchell want to create unique performance outside the Award for Best New Play, and the 2003 Alberta Book traditional boundaries of playwriting. Award for Drama. 2:00 PM – 5:00 PM: AFTERNOON 9:00 PM: MIX ‘N’ MINGLE AT WORKSHOPS THE AUBURN LET THERE BE LighT! Hosted by Alberta Playwrights’ Network with Roger Schultz Join us at the Auburn Saloon following the reading In the artful hands of a lighting designer, history, for hors d’oeuvres & cocktails. biology, physics, colour theory, and mathematics combine with a script and imagination to become a Friday, October 23 highly sophisticated composition of light. The nuts and bolts of basic lighting can evolve beyond mere 1:30 PM: REGISTRATION, illumination to become another key player, full of GLENBOW MUSEUM LObbY character, informing each moment onstage. From 2:00 PM – 5:00 PM: TwO PART plugging in to the final blackout, this workshop will WORKSHOPS break down the building blocks of lighting design Continued on Sunday October 25, and provide you with a few tips on how you might 9:00 AM – 12:00 PM want to put it all back together. Suitable for novice and beginner lighting designers. HiddEN IMPULSES: UNLEASHING THE Saskatchewan Playwrights Centre’s Spring Festival. CREATIVE CORE His play, I Married a Dishrag, received a staged with Dennis Cahill reading at Lunchbox Theatre’s Petro-Canada Stage Do you have to work at creativity, or should it just One Festival. happen? Where does inspiration come from? Are 8:30 PM: PLAYWORKS INK SOCIAL, you looking for new ways to approach acting and AUBURN SALOON the rehearsal process? This workshop will focus on exercises designed to assist participants in finding a Sponsored by more spontaneous approach to the creative process. This theatre mixer brings participants, instructors, Discover hidden impulses, engage in playful and theatre professionals together in the warm experimentation, and find new ways to be inspired. ambiance of Calgary’s favorite theatre bar: the Suitable for performers, directors, educators, and Auburn Saloon. This evening promises theatre trivia anyone interested in the creative process. games, laughter, appetizers, and a nightcap…or two. DEMYSTIFYING THE WORKSHOP PROCESS Saturday, October 24 with Conni Massing & Vicki Stroich 8:30 AM: REGISTRATION, GLENBOW MUSEUM LObbY Workshops. Necessary evil or TLC? This session is for playwrights who want to get the most out of Join us for coffee and morning snacks. play development workshops. Conni Massing and Vicki Stroich will address important questions: 9:00 AM – 4:00 PM: TwO DAY MASTER CLASS What kind of workshop do you need? When do you need it? What should you expect from Continued on Sunday 9:00 AM – 12:00 PM. the dramaturg and the director? How do you process feedback and move the play forward? KALEIDOGRAphY AND CHORUS: Methodologies and analysis of the workshop PATTERNS IN THEATRE process will yield a practical checklist for future play with Jillian Keiley development experiences. Participants in this master class will work to create a cohesive ensemble
Load more

Recommended publications
  • Armstrongs-War-Study-Guide.Pdf
    Toronto Premiere Canadian Rep Theatre presents by Colleen Murphy directed by Ken Gass “a thought-provoking theatrical gem” What’sOn, London (UK) featuring Alex McCulloch and Paolo Santalucia Armstrong’s War involves a chance encounter between a Nov 11 - Dec 6, 2015 plucky 12-year-old girl, a Pathfnder, wheelchair-bound as a result of an accident, and a 21-year old soldier in an Ottawa The Citadel, 304 Parliament St Rehab Hospital following a tour of duty in Afghanistan. Tickets online: www.canadianrep.ca From shared readings of Stephen Crane’s The Red Badge of Courage, what evolves is an unlikely friendship, as well as an Phone: 416.504.7529 emotional battleground over the value of a life. set design Marian Wihak lighting design Rebecca Picherack costume design Jung-Hye Kim original music & sound design Wayne Kelso stage management ??? 2 Presents ARMSTRONG’S WAR By Colleen Murphy CREATIVE TEAM – Director – Ken Gass Producer – Andre du Toit Set Designer – Marian Wihak Lighting Designer – Rebecca Picherack Costume Designer – Jung-Hye Kim Original Music & Sound Design – Wayne Kelso Movement Consultant – Laurence Lemieux CAST – Halley Armstrong – Alex McCulloch Corporal Michael Armstrong – Paolo Santalucia TABLE OF CONTENTS 3 About Canadian Rep Theatre 4 Notes from the Director, Ken Gass 5 About the playwright & production history 6 Synopsis 7 Historical & Social Context 8 Pre-Show Classroom Activities 11 Post-Show Classroom Activities 13 Additional Discussion Questions 15 Creative Team 16 References 18 ABOUT CANADIAN REP THEATRE 4 Canadian Rep Theatre was founded in 1983 by Ken Gass. The company operated out of a church space on Avenue Rd (since destroyed by arson) and there presented the first Robert LePage work outside of Quebec, Circulations.
    [Show full text]
  • Sweep Strike Me Silly
    -1-1- 17:11=1"T" Randy Hughson in THE FEELER SWEEP STRIKE ME Directed by Philip Hoffman and Sami Van Ingen, 1995, 32 min., 16mm SILLY One of Canada's most consistently Directed by Brett Bell, Big Dumb engaging and incisive experimental Films, Regina, 1995, 27 min„ 16mm filmmakers, Philip Hoffman's latest It's not Dwayne Axford's night. First, can be best described as an epis- his father gets sick; then he has the temological buddy picture/road mantle of managing the family bowl- movie. Made with Finnish filmmak- ing alley thrust upon him. This is no ing contemporary, Sami Van Ingen, mean feat at the Bolodrome, truly Sweep is also a hybridized updat- one of Canada's most bizarre bowl- ing of Hoffman's earlier films The ing establishments (that in itself is THE FEELER TENANTS AND Road Ended at the Beach (1983) no mean feat!). In addition to a and ?O, Zoo! The Making of a wisecracking assistant manager CanadianD Film'rect e""oCentre, 1995,ll"""""'LANDLORDS 25 min. Fiction Film (1986). They travel to and a decidedly disturbed clientele 16mm Directed by Cory Lussier, the northern Ontario, as Hoffman tells of cowboys, hairdressers and blind Long before the Exotica strip Winnipeg Film Group, 1994, 8 min., us, "to make a film about where accordion players, Dwayne's man- club opened its fictional doors, 16mm Sami's great-grandfather had agerial skills really get tested when Canadian cinema had been home Finally, a Canadian film that been." The great-grandfather's Satan himself arrives and chal- to legions of the lonely, the per- asks the eternal, transnational ques- name? Legendary Nanook of the lenges him to a Faustian winner- plexed, the troubled, the marginal- tion: "What do we need landlords North director, Robert Flaherty.
    [Show full text]
  • All the Little Animals I Have Eaten Written & Directed by Karen Hines
    a nightwood theatre production in association with crow's Theatre All the Little animals I have eaten Written & Directed by Karen Hines livestream reading april 3, 2020 all the little animals i have eaten Written & Directed by karen hines starring Amanda Cordner, Belinda Corpuz, Lucy Hill, Amy Rutherford & Zorana Sadiq creative team Written and Directed by Karen Hines Set and Costume Design by Gillian Gallow Lighting Design by Bonnie Beecher Music & Sound Design by Richard Feren* Choreography by Tracey Power Production Dramaturgy by Guillermo Verdecchia Stage Management by Ken James Stewart Assistant Direction by Teiya Kasahara** Associate Sound Designer Maddie Bautista Head of Wardrobe Joyce Padua Co-Production Managers Pip Bradford & Ellen Brooker Accessibility Consultant Jess Watkin Song: Melody & Lyrics by Karen Hines; Arrangement by Richard Feren, Additional Harmonies by the Cast. *Roughly adapted for streamed experience **Made possible by the Canada Council for the arts For Company Bios and Headshots, visit nightwoodtheatre.net Cover photo of Amanda Cordner by Dahlia Katz a message from the artistic director When we had to make the heartbreaking decision to pull the plug on Karen Hines’ All the Little Animals I Have Eaten, we were about to go into tech. It was the reality of imagining the tech week process underscored by fear and uncertainty, imagining set pieces and lighting instruments abandoned in the theatre, and imagining folks travelling to work that made us make the call. My phone call to Karen was my first tear-filled conversation as an AD to an artist. I couldn’t imagine her heartbreak. Deep down she knew - we all (maybe) knew - that we were holding onto impossible hope and had to let go.
    [Show full text]
  • Away from Her, a Film by Sarah Polley, Starring Julie Christie, Gordon Pinsent and Olympia Dukakis
    presents AWAY FROM HER A Film By SARAH POLLEY Starring Julie Christie Gordon Pinsent Olympia Dukakis PRELIM PRESS NOTES **Downloadable Press Kit & Hi-Res Jpeg images** will be available at http://www.caprifilms.com/capri_pressmaterial.html By July 21st, 2006 Media Contacts: Distributor: Cynthia Amsden Robin Smith ROUNDSTONE CAPRI RELEASING INC. COMMUNICATIONS 259 Lakeshore Blvd. East T: 416.910.7740 2nd Floor F: 416.944.8140 Toronto, Ontario, M5A 3T7 [email protected] T: 416.535.1870 x 236 F: 416.535.3414 [email protected] AWAY FROM HER SYNOPSIS AWAY FROM HER is the lyrical screenplay adaptation of celebrated author Alice Munro’s short story “The Bear Came Over the Mountain”. AWAY FROM HER is a beautifully moving love story that deals with memory and the circuitous, unnamable paths of a long marriage. Married for 50 years, Grant (Gordon Pinsent) and Fiona’s (Julie Christie) commitment to each other appears unwavering, and their everyday life is full of tenderness and humour. This serenity is broken only by the occasional, carefully restrained reference to the past, giving a sense that this marriage may not always have been such a fairy tale. This tendency of Fiona’s to make such references, along with her increasingly evident memory loss, creates a tension that is usually brushed off casually by both of them. As the lapses become more obvious and dramatic, it is no longer possible for either of them to ignore the fact that Fiona is suffering from Alzheimer’s disease. Eventually, Fiona decides that it is time for her to enter into Meadowlake, a retirement home that specializes in the disease.
    [Show full text]
  • Ethics in Performance of Violence: on Controversy of Collen Murphy‟S Pig Girl
    International Journal of Languages, Literature and Linguistics, Vol. 5, No. 4, December 2019 Ethics in Performance of Violence: On Controversy of Collen Murphy‟s Pig Girl Changli Li persuading the cop to look for her sister, and the policeman, Abstract—Canadian playwright Colleen Murphy’s Pig Girl, bound by the justice system, have become narrow-minded prize-winning works of 2016 Governor General's Award and and refused to take any action. 2014 Carol Bolt Award, is based on a real criminal case and the The play receives positive and negative response at the increasing number of murdered and missing Native Canadian same time. The Governor General award‟s jury states, women. The play not only reveals a fact that women from indigenous communities in Canada are at high risk of violence, “Colleen Murphy weaves a masterfully structured but also exposes the indifference of police force and the whole examination of humanity within our most inhumane government. Despite the sympathy toward the deadly fate of moments. Pig Girl forces us to relentlessly bear witness to a aboriginal women, especially from a white playwright, the play single night of horror that echoes the silenced ongoing still arouses strong objections and boycott from the Native violence against women. Difficult and harrowing, it asks us communities. This contrasting reaction towards the play should to acknowledge our collective responsibility. Arresting. merit due attention. This paper, with a comparison with other artistic works dealing with similar violent theme created by Undeniable. Unforgettable.” [3] The play proves to be very First Nations artists, tends to identify the difference and take necessary to examine the worst part of human nature, which some hints for future works.
    [Show full text]
  • Study Guide October 30– November 15, 2014
    STUDY GUIDE OCTOBER 30– NOVEMBER 15, 2014 THEATRE FOR YOUNG AUDIENCES GENEROUSLY SUPPORTED BY This guide compiled by George Buri for Royal MTC, September 2014. Royal Manitoba Theatre Centre Presents By Colleen Murphy Director – Robb Paterson Set & Costume Designer – Jamie Plummer Lighting Designer – Larry Isacoff Sound Designer – Michael Wright Apprentice Director – Tatiana Carnevale Stage Manager – Kathryn Ball Apprentice Stage Manager – Airyn Lancaster THE CAST (IN ALPHABETICAL ORDER) Corporal Michael Armstrong – Justin Otto Halley Armstrong – Heather Russell 1 THEATRE ETIQUETTE “The theater is so endlessly fascinating because it's so accidental. It's so much like life.” – Arthur Miller Arrive Early: Latecomers may not be admitted to a performance. Please ensure you arrive with enough time to find your seat before the performance starts. Cell Phones and Other Electronic Devices: Please TURN OFF your cell phones/iPods/gaming systems/cameras. We have seen an increase in texting, surfing, and gaming during performances, which is very distracting for the performers and other audience members. The use of cameras and recording devices is strictly prohibited. Talking During the Performance: You can be heard (even when whispering!) by the actors onstage and the audience around you. Disruptive patrons will be removed from the theatre. Please wait to share your thoughts and opinions with others until after the performance. Food/Drinks: Food and hot drinks are not allowed in the theatre. Where there is an intermission, concessions may be open for purchase of snacks and drinks. There is complimentary water in the lobby. Dress: There is no dress code at the Royal Manitoba Theatre Centre, but we respectfully request that patrons refrain from wearing hats in the theatre.
    [Show full text]
  • Parmalat External Ad Production Sponsor
    PICK UP FROM 9400 - 2017 House Program_G&D_BC_p29.pdf PARMALAT EXTERNAL AD PRODUCTION SPONSOR: SUPPORT FOR THE 2017 SEASON OF THE STUDIO THEATRE IS GENEROUSLY PROVIDED BY SANDRA & JIM PITBLADO PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY ESTHER & SAM SARICK 2 PICK UP FROM 9400 - 2017 House Program_G&D_BC_p29.pdf NATIONAL THEATRE LIVE EXTERNAL AD 3 NEW ART! ANTONI’S MESSAGE 1 PICK UP FROM 9400 - 2017 House Program_G&D_BC_p29.pdf 2017 SPONSORS 2 NEW ART! 2017 SPONSORS 3 RANDY HUGHSON RANDY PICK UP FROM 9400 - 2017 House Program_G&D_BC_p29.pdf RHEO THOMPSON CANDIES and VINTAGE HOTELS EXTERNAL ADS 4 RANDY HUGHSON RANDY A CONFLUENCE OF CULTURES AND SOULS BY KENN HARPER Colleen Murphy’s play script begins with an That shaman was Aua, a man from the epigraph from an Inuit shaman: western shores of Foxe Basin in farthest northern Hudson Bay. This was but one “The greatest peril of life lies in the fact piece of the wisdom that he imparted to that human food consists entirely of Knud Rasmussen, the Danish ethnologist souls. All the creatures that we have to and adventurer, himself part Inuit, who had kill and eat, all those that we have to arrived in this land in 1921. Rasmussen was strike down and destroy to make clothes intent on collecting the tales of the Inuit for ourselves, have souls, like we have, before they disappeared in a confusion souls that do not perish with the body, of cultures brought on by missionaries, and which must therefore be propitiated traders, police – the triumvirate of the lest they should avenge themselves on Qallunaat advance force that would us for taking away their bodies.” overwhelm Inuit beliefs.
    [Show full text]
  • Mongrel Media Presents
    Mongrel Media Presents Written and directed by Thom Fitzgerald 2002 Atlantic Film Festival Winner of 4 awards, including Best Canadian Feature and Best Direction Canada, 2002, 95 minutes Distribution 109 Melville Ave. Toronto, Ontario, Canada M6G 1Y3 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] Synopsis Set in the hauntingly beautiful city of Bucharest during a cull of stray dogs, The Wild Dogs weaves together a week in the lives of several of the city’s residents and visitors. Geordie (Thom Fitzgerald), a visiting Canadian pornographer, Bogdan (Mihai Calota), a reluctant city dog-catcher, and Nathalie (Alberta Watson), the lonely wife of a diplomat, each risks losing everything as they become embroiled in the struggles of Bucharest's abandoned children, gypsies, dogs and beggars. 2 Production Notes From the Director… “Why did I want to make a film about dogs? (furrows his brow to think, then)…I like dogs. Life has taught me that all men are dogs and all women are bitches. Not every day, of course. But often enough to make a good movie about it. When you strip away the luxuries of wealth and culture, and see people struggling to survive, it confirms that people are animals. And then if you look closer, even when they are rich and cultured, they’re still animals. I was working in Romania on a teen slasher movie. The Hollywood executives kept calling and asking for the pretty young actresses to wear tighter shirts and more make-up.
    [Show full text]
  • The December Man/L'homme De Décembre “The December Man/L'homme De Décembre) Is a Tragedy in Which the Humanity of the Characters Gives the Play a Surprising Buoyancy
    Press Information “In Their Place” A three month season of work by women playwrights Constructive Interference Theatre Company in association with Neil McPherson for the Finborough Theatre presents The European Premiere The December Man/L’homme de Décembre by Colleen Murphy Directed by Lavinia Hollands. Designed by Olivia Altaras. Lighting by Chris Withers. Costume Design by Geri Spencer. Sound by George Dennis. Cast: Michael Benz. Linda Broughton. Matthew Hendrickson. The European premiere of the winner of Canada’s most prestigious literary award – the Governor General's Literary Award for English Language Drama – Colleen Murphy’s The December Man/L’homme de Décembre opens at the Finborough Theatre for a limited run of six Sunday and Monday performances from Sunday, 6 March 2011 (Press Night: Monday, 7 March 2011) as part of “In Their Place”, a three month season of work by women playwrights. The three Sunday/Monday slots in the season are entirely devoted to introducing the UK to the work of one writer – multi-award- winning Canadian playwright, and our latest Playwright-in-Residence, Colleen Murphy – with a European premiere, a UK premiere and a world premiere of her work. This mini-season within a season marks Colleen’s UK debut. On 6 December 1989, a young man, 25-year-old Marc Lépine entered a college classroom at the The École Polytechnique, Montréal, Canada, carrying a gun. He separated the male and female students and claiming that he was "fighting feminism", shot all nine women in the room, killing six. He then moved through corridors, the cafeteria, and another classroom, specifically targeting women to shoot.
    [Show full text]
  • Vascular Health in Southeastern Ontario 2012
    Vascular Health in Southeastern Ontario 2012 Vascular Health in Southeastern Ontario A Focus on Primary Care September 24, 2012 A report prepared for the Southeastern Ontario Health Collaborative Vascular Health in Southeastern Ontario 2012 Special thanks to: All the members from primary care organizations in Southeastern Ontario who participated in the Environmental Scan and the Primary Care Think Tanks The Southeastern Ontario Health Collaborative including Dr. Adam Steacie, Dr. Hugh Langley, Maureen McIntyre and Julie Gordon for their assistance with this review and active participation in the Primary Care Think Tanks The planning committee for the Primary Care Think Tanks: Dr. Jonathan Kerr, Marg Alden, Stafford Murphy, Lynne Poff, Mary Woodman, Colleen McMahon, Sherri Fournier-Hudson, Dr. Adam Steacie, Dr. Hugh Langley, Mike Bell and Ron Shore This report was prepared by: The Stroke Network of Southeastern Ontario For further information, please contact: Colleen Murphy, Regional Stroke Best Practice Coordinator ([email protected]) Vascular Health in Southeastern Ontario 2012 Table of Contents Executive Summary…………………………………................................................................................. 1 Introduction……………………………………………………………………………………………………..... 5 Environmental Scan……………………………………………………………………………………………. 9 Literature Review…………………………………………………………………………………..... 10 Internal Survey………………………………………………………………………………………... 15 External Questionnaire………………………………………………………………................... 15 Face-to-Face Visits…………………………………………………………………………………...
    [Show full text]
  • All Stages Magazine Theatre in Alberta | Winter 2013
    ALL STAGES MAGAZINE THEATRE IN ALBERTA | WINTER 2013 THIS ISSUE: WRIGHTING PLAYS The Craft of Play Creation in Alberta Zina Lee and Richard Lam in Concrete Theatre's Paper Song by Jared Matsunaga-Turnbull. Photo credit: Epic Photography. www.theatrealberta.com contents [7] [11] [14] ADAPTING TO CHANGE I WANT TO DO IT ALL Q2Q A primer on the elements of noteworthy Alberta Theatre Projects' current Playwright Scott Peters on 'harnessing' the technical adaptation for the stage by dramaturg in Residence Rebecca Northan on creating challenges in the world premiere of Colleen Shari Wattling. theatre, spontaneously. Murphy's Pig Girl. [1] Check in [3] Community Profile [4] 80 Years of New Play Production at Alberta’s “Nonprofessionalized” Theatres [6] Table Work [7] Adapting to Change [8] Sides [10] Foils [13] This Much I Know is True [14] Q2Q [16] Opinion Want to subscribe to All Stages? Become a member of Theatre Alberta at theatrealberta.com/membership and receive all three issues of our publication, plus access to our library, professional development programs and production resources! Publications Mail Agreement Number 40051164 Return undeliverable Canadian addresses to: Theatre Alberta Centre Page Percy 3rd Floor, 11759 Groat Road Edmonton, AB T5M 3K6 Theatre Alberta is a Provincial Arts Service Organization and registered Canadian charity committed to encouraging the growth of theatre in Alberta. All Stages Magazine is a publication of Theatre Alberta issued three times a year. The opinions and views expressed in All Stages Magazine are those of the writers and do not necessarily reflect those of Theatre Alberta. Subscribe to All Stages Magazine by becoming a member of Checkin Theatre Alberta at theatrealberta.com/membership.
    [Show full text]
  • Note to Users
    NOTE TO USERS This reproduction is the best copy available. UMI' ANTIMICROBIAL RESISTANCE, ANTIMICROBIAL USE AND INFECTION CONTROL IN COMMUNITY SMALL ANIMAL VETERINARY HOSPITALS IN SOUTHERN ONTARIO A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by COLLEEN P. MURPHY In partial fulfilment of requirements for the degree of Doctor of Philosophy March, 2010 © Colleen P. Murphy, 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-64536-9 Our file Notre reference ISBN: 978-0-494-64536-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'Internet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]