Signature and Name of Invigilator OMR Sheet No. : ...... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. D 9815 PAPER - II (In words) Time : 1¼ hours] PERCUSSION INSTRUMENTS [Maximum Marks : 100 Number of Pages in this Booklet : 16 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ِÕÚU çÜç¹°Ð this page. 2. This paper consists of fifty multiple-choice type of questions. 2. §â ÂýàÙ-˜æ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð 3. At the commencement of examination, the question booklet 3. ÂÚUèÿææ ÂýæڐUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU will be given to you. In the first 5 minutes, you are requested ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çِÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð to open the booklet and compulsorily examine it as below : ÁæØð¢»ð, çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ (i) To have access to the Question Booklet, tear off the (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ÂéçSÌ·¤æ ÂÚU Ü»è ·¤æ»Á ·¤è âèÜ ·¤æð paper seal on the edge of this cover page. Do not accept ȤæǸ Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢UÐ a booklet without sticker-seal and do not accept an open booklet. (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è (ii) Tally the number of pages and number of questions in ⢁Øæ ·¤ô ¥‘ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂê‡æü ÂéçSÌ·¤æ the booklet with the information printed on the cover çÁÙ×ð¢ ÂëDU/ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ page. Faulty booklets due to pages/questions missing ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è ˜æéçÅUÂê‡æü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ or duplicate or not in serial order or any other ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ Üð discrepancy should be got replaced immediately by a Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù Ìô correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô ¥çÌçÚUQ¤ will be replaced nor any extra time will be given. â×Ø çÎØæ ÁæØð»æÐ (iii) After this verification is over, the Test Booklet Number (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤æ Ù´ÕÚU OMR ˜淤 ÂÚU ¥¢ç·¤Ì ·¤Úð¢U should be entered on the OMR Sheet and the OMR Sheet ¥UõÚU OMR ˜淤 ·¤æ Ù´ÕÚU §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU Îð¢Ð Number should be entered on this Test Booklet. 4. ÂýˆØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©žæÚU çß·¤Ë (1), (2), (3) ÌÍæ (4) çÎØð »Øð ãñ¢Ð 4. Each item has four alternative responses marked (1), (2), (3) ¥æ·¤ô âãè ©žæÚU ·ð¤ ßëžæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð and (4). You have to darken the circle as indicated below on the correct response against each item. çιæØæ »Øæ ãñÐ Example : where (3) is the correct response. ©ÎæãÚU‡æ Ñ ÁÕç·¤ (3) âãè ©žæÚU ãñÐ 5. Your responses to the items are to be indicated in the OMR 5. ÂýàÙæ𴠷𤠩žæÚU ·ð¤ßÜ ÂýàÙ ÂéçSÌ·¤æ ·ð¤ ¥‹ÎÚU çÎØð »Øð OMRU ˜淤 ÂÚU ãè Sheet given inside the Booklet only. If you mark your ¥´ç·¤Ì ·¤ÚUÙð ãñ´Ð ØçÎ ¥æ OMRU ˜淤 ÂÚU çÎØð »Øð ßëžæ ·ð¤ ¥Üæßæ ç·¤âè response at any place other than in the circle in the OMR ¥‹Ø SÍæÙ ÂÚU ©žæÚU 翋ãæ¢ç·¤Ì ·¤ÚUÌð ãñ´, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ Sheet, it will not be evaluated. 6. ¥‹ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ŠØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤“ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥ç‹Ì× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. If you write your Name, Roll Number, Phone Number or 8. ØçÎ ¥æ OMR ˜淤 ÂÚU çÙØÌ SÍæÙ ·ð¤ ¥Üæßæ ¥ÂÙæ Ùæ×, ÚUæðÜ ÙÕÚU, put any mark on any part of the OMR Sheet, except for the Ȥæð٠ِÕÚU Øæ ·¤æð§ü Öè °ðâæ ç¿q çÁââð ¥æ·¤è Âã¿æÙ ãæð â·ð¤, ¥´ç·¤Ì ·¤ÚUÌð space allotted for the relevant entries, which may disclose ãñ´ ¥Íßæ ¥ÖÎý Öæáæ ·¤æ ÂýØæð» ·¤ÚUÌð ãñ´, Øæ ·¤æð§ü ¥‹Ø ¥Ùéç¿Ì âæÏÙ ·¤æ your identity, or use abusive language or employ any other ÂýØæð» ·¤ÚUÌð ãñ´, Áñâð ç·¤ ¥´ç·¤Ì ç·¤Øð »Ø𠩞æÚU ·¤æð ç×ÅUæÙæ Øæ âÈð¤Î SØæãè âð unfair means, such as change of response by scratching or ÕÎÜÙæ Ìæð ÂÚUèÿææ ·ð¤ çÜØð ¥Øæð‚Ø ƒææðçáÌ ç·¤Øð Áæ â·¤Ìð ãñ´Ð using white fluid, you will render yourself liable to 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ×êÜ OMR ˜淤 çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ disqualification. ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ©âð ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU 9. You have to return the original OMR Sheet to the invigilators at the end of the examination compulsorily and must not Ù Üð·¤ÚU ÁæØð¢Ð ãæÜæ´ç·¤ ¥æ ÂÚUèÿææ â×æç# ÂÚU ×êÜ ÂýàÙ-ÂéçSÌ·¤æ ÌÍæ OMR carry it with you outside the Examination Hall. You are ˜淤 ·¤è ÇéUŒÜè·ð¤ÅU ÂýçÌ ¥ÂÙð âæÍ Üð Áæ â·¤Ìð ãñ´Ð however, allowed to carry original question booklet and 10. ·ð¤ßÜ ÙèÜð/·¤æÜð ÕæÜU Œßæ§ZÅU ÂðÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ duplicate copy of OMR Sheet on conclusion of examination. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻‡æ·¤ (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñÐ 11. Use of any calculator or log table etc., is prohibited. 12. There are no negative marks for incorrect answers. 12. »ÜÌ ©žæÚUæð´ ·ð¤ çÜ° ·¤æð§ü Ù·¤æÚUæˆ×·¤ ¥´·¤ Ùãè´ ãñ´Ð 13. In case of any discrepancy in the English and Hindi versions, 13. ØçÎ ¥´»ýðÁè Øæ çã´Îè çßßÚU‡æ ×ð´ ·¤æð§ü çßâ´»çÌ ãæð, Ìæð ¥´»ýðÁè çßßÚU‡æ ¥´çÌ× English version will be taken as final. ×æÙæ Áæ°»æÐ

D-9815 !D-9815-PAPER-II! 1 P.T.O. PERCUSSION INSTRUMENTS PAPER - II

Note : This paper contains fifty (50) objective type questions of two (2) marks each. All questions are compulsory.

1. How many Margas are described there in Natyashashtra ? (1) 2 (2) 3 (3) 4 (4) 5

2. According to Dash Pranas of Taal, how many kinds of Kriya is/are ? (1) 1 (2) 2 (3) 3 (4) 4

3. Which one taal is different from the others among the following taals ? (1) Pancham Sawari (2) Badi Sawari (3) Gaj-jhampa (4) Yatishikhar

4. The nick name of Laya Bhaskar Laxman Rao Parvatikar is : (1) Sapru Mama (2) Khapru Mama (3) Taal Samrat (4) Laya Vicharak

5. Name the tabla maestro who played tabla for the film “Jhanak Jhanak Payal Baje”. (1) Pt. Samta Prasad Mishra (2) Pt. Kishan Maharaj (3) Ustad Nizamuddin Khan (4) Ustad Alla Rakha Khan

6. Assertion (A) : Sharang dev has described five marg taalas and one hundred and twenty Deshi taalas in Sangeet Ratnakar. Reason (R) : It reflects that by medieval period Deshi sangeet had replaced the marg sangeet. Codes : (1) (A) is correct but (R) is wrong. (2) (A) is wrong (R) is correct. (3) (A) and (R) both are correct. (4) Both (A) and (R) are wrong.

D-9815 !D-9815-PAPER-II! 2 Paper-II ¥ßÙh ßæl ÂýàÙ˜æ - II

ÙæðÅU Ñ §â ÂýàÙ-˜æ ×ð´ ¿æâ (50) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð

1. ÙæÅ÷UØàææS˜æ ×ð´ ×æ»ü ·ð¤ ç·¤ÌÙð Âý·¤æÚU ßç‡æüÌ ãñ´? (1) 2 (2) 3 (3) 4 (4) 5

2. ÌæÜ ·ð¤ Îàæ Âýæ‡ææ𴠷𤠥ÙéâæÚU ç·ý¤Øæ ·ð¤ ç·¤ÌÙð Âý·¤æÚU ãñ´? (1) 1 (2) 2 (3) 3 (4) 4

3. çِ٠ÌæÜæð´ ×ð´ ·¤æñÙ âæ ÂëÍ·¤ ÌæÜ ãñ? (1) ´¿× âßæÚUè (2) ÕǸè âßæÚUè (3) »ÁÛæÂæ (4) ØçÌçàæ¹ÚU

4. ÜØ ÖæS·¤ÚU Üÿׇæ ÚUæß ÂßüÌè·¤ÚU ·¤æ ©ÂÙæ× ãñ Ñ (1) âÂýé ×æ×æ (2) ¹æÂýé ×æ×æ (3) ÌæÜ â×ýæÅU (4) ÜØ çß¿æÚU·¤

5. ÒÒÛæÙ·¤-ÛæÙ·¤ ÂæØÜ ÕæÁðÓÓ çȤË× ×ð´ ÌÕÜæ-ßæÎÙ ·¤ÚUÙð ßæÜð ·¤Üæ·¤æÚU ãñ Ñ (1) ´. âæÌæ ÂýâæÎ çןæ (2) ´. ç·¤àæÙ ×ãæÚUæÁ (3) ©. çÙÁæ×éÎ÷ÎèÙ ¹æ¡ (4) ©. ¥ËÜæÚU¹æ ¹æ¡

6. ¥çÖ·¤ÍÙ (A) : â´»èÌ ÚUˆÙæ·¤ÚU ×ð´ àææXü Îðß Ùð Âæ´¿ ×æ»ü ÌæÜ ¥æñÚU °·¤ âæñ Õèâ Îðàæè ÌæÜæð´ ·¤æ ߇æüÙ ç·¤Øæ ãñÐ ·¤æÚU‡æ (R) : §ââð Øã ÂýÌèÌ ãæðÌæ ãñ ç·¤ ׊ط¤æÜ Ì·¤ ×æ»ü â´»èÌ ·¤æ SÍæÙ Îðàæè â´»èÌ Ùð Üð çÜØæ ÍæÐ ·ê¤ÅU Ñ (1) (A) âãè ãñ ç·´¤Ìé (R) $»ÜÌ ãñÐ (2) (A) $»ÜÌ ãñ (R) âãè ãñÐ (3) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñ´Ð (4) (A) ÌÍæ (R) ÎæðÙæð´ $»ÜÌ ãñ´Ð

D-9815 !D-9815-PAPER-II! 3 Paper-II 7. In which Taal one Palla (part) of Farmaishi Chakkardar of Teen Taal is played sam to sam :

(1) Ek Taal (2) Jay Taal (3) Jhap Taal (4) Dhamar

8. Which treatise mentions Chitra, Vaartik and Dakshina Maarg ?

(1) Natyashashtra (2) Swarmel Kalanidhi

(3) Sangeet Sudha Kalash (4) Sangeetarnv

9. First tabla player who received Padmavibhushan :

(1) Pt. Kishan Maharaj (2) Pt. Gudai Maharaj

(3) Ut. Zakir Hussain (4) Ut. Allah Khan

10. Total Matras of Sankirna Jaati roopak taal are :

(1) 7 (2) 9 (3) 11 (4) 13

11. Who is the writer of ‘Tabla Mridang Vadan Paddhati’ ?

(1) Gurudev Patvardhan (2) Munshi Mahendra Nath Verma

(3) Manu-ji Mridangacharya (4) Pt. Sakharamji

12. Which among the following is symbol of Guru ?

(1) 0 (2) 1 (3) 1 (4) S

13. ‘Atit’ and ‘Anagat’ are the sub-division of which ‘Graha’ ?

(1) Sam (2) Visham (3) Taal (4) Theka

14. Value of Demi-semi quaver in Indian Matras :

(1) 1 Matra (2) 1 Matra (3) 1 Matra (4) 1 Matra 4 8 16 2

D-9815 !D-9815-PAPER-II! 4 Paper-II 7. ÌèÙ ÌæÜ ·ð¤ ȤÚU×æ§üàæè ¿€·¤ÚUÎæÚU ·ð¤ °·¤ ÂËÜð ·¤æð ç·¤â ÌæÜ ×ð´ â× âð â× Ì·¤ ÕÁæØæ Áæ â·¤Ìæ ãñ?

(1) °·¤ÌæÜ (2) ÁØÌæÜ (3) ÛæÂÌæÜ (4) Ï×æÚU

8. 翘ææ, ßæçÌü·¤ ß Îçÿæ‡æ ×æ»ü ·¤æ ߇æü٠緤⠻ý‹Í ×ð´ ç×ÜÌæ ãñ?

(1) ÙæÅ÷UØàææS˜æ (2) SßÚU×ðÜ ·¤ÜæçÙçÏ

(3) â´»èÌ âéÏæ ·¤Üàæ (4) â´»èÌæ‡æüß

9. ÂÎ÷×çßÖêá‡æ ÂýæŒÌ ÂýÍ× ÌÕÜæ ßæη¤ ãñ Ñ

(1) ´. ç·¤àæÙ ×ãæÚUæÁ (2) ´. »éΧü ×ãæÚUæÁ

(3) ©. Áæç·¤ÚU ãéâñÙ (4) ©. ¥ËÜæ ¹æ¡

10. â´·¤è‡æü ÁæçÌ M¤Â·¤ ÌæÜ ·¤è ·é¤Ü ×æ˜ææØð´ Ñ

(1) 7 (2) 9 (3) 11 (4) 13

11. ÌÕÜæ ×ëδ» ßæÎÙ ÂhçÌ »ý‹Í ·ð¤ Üð¹·¤ ãñ´ Ñ

(1) »éL¤Îðß ÂÅUßÏüÙ (2) ×é‹àæè ×ãð‹ÎýÙæÍ ß×æü

(3) ×Ùê Áè ×ëδ»æ¿æØü (4) ´. â¹æÚUæ×Áè

12. »éL¤ ·¤æ 翋㠀Øæ ãñ?

(1) 0 (2) 1 (3) 1 (4) S

13. ¥ÌèÌ ß ¥Ùæ»Ì 緤⠻ý㠷𤠩ÂÖðÎ ãñ´?

(1) â× (2) çßá× (3) ÌæÜ (4) ÆðU·¤æ

14. ÇðU×è-âð×è €ßðßÚU ·¤æ ÖæÚUÌèØ ×æ˜ææ¥æð´ ×ð´ ×æÙ Ñ

(1) 1 ×æ˜ææ (2) 1 ×æ˜ææ (3) 1 ×æ˜ææ (4) 1 ×æ˜ææ 4 8 16 2

D-9815 !D-9815-PAPER-II! 5 Paper-II 15. Which is the correct sequence of Yatis of ancient time ? (1) Srotogata - Mridanga - Samayati (2) Mridanga - Samayati - Srotogata (3) Gopuccha - Samayati - Srotogata (4) Samayati - Srotogata - Gopuccha

16. Number of Yatis mentioned in Sangeet Ratnakar ______. (1) 2 (2) 3 (3) 4 (4) 6

17. In books Gatraj and Yantraj dhwanis has been called as vadya : (1) True (2) False (3) Can not be said (4) Doubtful

18. Which finger makes ‘nikas’ of ‘na’ in dhin - dhin ? (1) Index (2) Middle (3) Ring (4) Little

19. ‘Kdan’ is a : (1) Samyukta Varna (2) Asamyukta Varna (3) Mishrit Varna (4) Can not be said

20. Who among the following Mridanga player received the title of Mridangacharya from Sardar Vallabhbhai Patel ? (1) Sakharam (2) Nana Panse (3) Govindrao Burhanpurkar (4) Chhatrapati Singh

21. Number of Matras in Roop-Kada Taal (Rabindra Sangeet) are : (1) Seven (2) Six (3) Eight (4) Five

22. Who was the brother of famous Sarangi player Pt. Ram Narayan, a World famous tabla player ? (1) Pt. Brij Narayan (2) Pt. Sharat Narayan (3) Pt. Chatur Lal (4) Pt. V.K. Lal

23. Famous disciple of Babu Jodh Singh is : (1) Nana Saheb Panse (2) Pt. Parwat Singh (3) Govind Rao (4) Ramashish Pathak

24. Number of matras in one chakra (palla) of Chakkardar composition in Shikhar taal are : (1) 23 matras (2) 24 matras (3) 22 matras (4) 25 matras

D-9815 !D-9815-PAPER-II! 6 Paper-II 15. Âýæ¿èÙ ØçÌØæð´ ·¤æ âãè ·ý¤× ÕÌæ°´ Ñ (1) S˜ææðÌæð»Ìæ - ×ëδ»æ - â×æØçÌ (2) ×ëδ»æ - â×æØçÌ - S˜ææðÌæð»Ìæ (3) »æðÂé‘ÀUæ - â×æØçÌ - S˜ææðÌæð»Ìæ (4) â×æØçÌ - S˜ææðÌæð»Ìæ - »æðÂé‘ÀUæ

16. â´»èÌ ÚUˆÙæ·¤ÚU ×ð´ ç·¤ÌÙè ØçÌØæð´ ·¤æ ߇æüÙ ãñ´? (1) 2 (2) 3 (3) 4 (4) 6

17. »ý‹Íæð´ ×ð´ »æ˜æÁ ß Ø‹˜æÁ ŠßçÙØæð´ ·¤æð ßæl ·¤ãæ »Øæ ãñ Ñ (1) âãè (2) »ÜÌ (3) ·¤ãæ Ùãè´ Áæ â·¤Ìæ (4) â‹Îðã ãñ

18. çÏÙ-çÏÙ ×ð´ ÒÒÙÓÓ ·¤æ çÙ·¤æâ 緤⠩¡»Üè âð ãæðÌæ ãñ? (1) ÌÁüÙè (2) ׊Ø×æ (3) ¥Ùæç×·¤æ (4) ·¤çÙcÆUæ

19. €ÇUæÙ÷ ãñ °·¤ Ñ (1) â´Øé€Ì ߇æü (2) ¥â´Øé€Ì ߇æü (3) ç×çŸæÌ ß‡æü (4) ·¤ãæ Ùãè´ Áæ â·¤Ìæ

20. âÚUÎæÚU ßËÜÖÖæ§ü ÂÅðUÜ Ùð ç·¤â ×ëδ» ßæη¤ ·¤æð ×ëδ»æ¿æØü ·¤è ©ÂæçÏ âð â×æçÙÌ ç·¤Øæ? (1) â¹æÚUæ× (2) ÙæÙæ ÂæÙâð (3) »æðçߋÎÚUæß ÕéÚUãæÙÂéÚU·¤ÚU (4) ÀU˜æÂçÌ çâ´ã

21. M¤Â·¤Ç¸æ ÌæÜ (ÚUçߋÎý â´»èÌ) ·¤è ×æ˜ææØð´ Ñ (1) âæÌ (2) ÀUã (3) ¥æÆU (4) Âæ¡¿

22. Âýçâh âæÚ´U»è ßæη¤ ´. ÚUæ×ÙæÚUæØ‡æ ·ð¤ Öæ§ü Áæð ç߁ØæÌ ÌÕÜæ-ßæη¤ Íð Ñ (1) ´. ÕëÁ ÙæÚUæ؇æ (2) ´. àæÚUÌ ÙæÚUæ؇æ (3) ´. ¿ÌéÚU ÜæÜ (4) ´. ßè.·ð¤. ÜæÜ

23. ÕæÕê ÁæðÏ çâ´ã ·ð¤ Âýçâh çàæcØ ãñ Ñ (1) ÙæÙæ âæãÕ ÂæÙâð (2) ´. ÂßüÌ çâ´ã (3) »æðçߋΠÚUæß (4) ÚUæ×æàæèá ÂæÆU·¤

24. çàæ¹ÚU ÌæÜ ×ð´ ¿€·¤ÚUÎæÚU ÚU¿Ùæ ·¤æ °·¤ ¿·ý¤ (ÂËÜæ) ç·¤ÌÙð ×æ˜ææ ·¤æ ãæð»æ? (1) 23 ×æ˜ææ (2) 24 ×æ˜ææ (3) 22 ×æ˜ææ (4) 25 ×æ˜ææ

D-9815 !D-9815-PAPER-II! 7 Paper-II 25. Who among the following is not a recipient of Padmashree Award ? (1) Pt. Suresh Talwalkar (2) Pt. Vijay Ghate (3) Pt. Anindo Chattarjee (4) Ut. Shafat Ahmed Khan

26. Which Layakari would be obtained when Pancham Sawari Taal is played in Ek-Taal from sam to sam ?

(1) 5 (2) 4 (3) 7 (4) 5 4 5 4 6

27. Which one of the following is different from other taals ? (1) Jhoomra (2) Farodast (3) Quaid Farodast (4) Deepchandi

28. Who was the artist playing tabla in film named “Teri Surat Meri Ankhein” ? (1) Pt. Kanhai Dutt (2) Pt. Chatur Lal (3) Pt. Gudai Maharaj (4) Pt. Badri Maharaj

29. Which Layakari will be created by playing Keharwa taal from sam to sam in ‘Aadachautaal’ ?

(1) 7 (2) 5 (3) 4 (4) 4 4 4 7 5

30. Match the father-son duo : (a) Pt. Anindo Chattarji (i) Shri Supreet (b) Pt. Suresh Talwalkar (ii) Shri Vikram (c) Pt. Shankar Ghosh (iii) Shri Satyajeet (d) Pt. Kiran Deshpande (iv) Shri Anuvrat Codes : (a) (b) (c) (d) (1) (i) (ii) (iii) (iv) (2) (iii) (ii) (i) (iv) (3) (iv) (iii) (i) (ii) (4) (iv) (iii) (ii) (i)

D-9815 !D-9815-PAPER-II! 8 Paper-II 25. çِ٠×ð´ âð ç·¤âð ÂÎ÷ןæè ÂéÚUS·¤æÚU ÂýæŒÌ Ùãè´ ãé¥æ ãñ?

(1) ´. âéÚðUàæ ÌÜßÜ·¤ÚU (2) ´. çßÁØ ƒææÅðU

(3) ´. ¥çًÎæð ¿ÅUÁèü (4) ©. àæȤæÌ ¥ã×Î ¹æ¡

26. °·¤ÌæÜ ×ð´ ´¿× âßæÚUè ÌæÜ ·¤æð â× âð â× Ì·¤ ÕÁæÙð ÂÚU ·¤æñÙ âè ÜØ·¤æÚUè ÕÙð»è?

(1) 5 (2) 4 (3) 7 (4) 5 4 5 4 6

27. çِ٠ÌæÜæð´ ×ð´ âð ·¤æñÙ ÂëÍ·¤ ÌæÜ ãñ?

(1) Ûæê×ÚUæ (2) ȤÚUæðÎSÌ (3) ·ñ¤Î ȤÚUæðÎSÌ (4) Î迋Îè

28. ÒÒÌðÚUè âêÚUÌ ×ðÚUè ¥æ¡¹ð´ÓÓ çȤË× ×ð´ ÌÕÜæ-ßæÎÙ ·¤ÚUÙð ßæÜð ·¤Üæ·¤æÚU ãñ Ñ

(1) ´. ·¤‹ãæ§ü Ξæ (2) ´. ¿ÌéÚU ÜæÜ

(3) ´. »éΧü ×ãæÚUæÁ (4) ´. ÕÎýè ×ãæÚUæÁ

29. Ò¥æǸæ¿æñÌæÜÓ ×ð´ ·¤ãÚUßæ ÌæÜ ·¤æð â× âð â× Ì·¤ ÕÁæÙð ÂÚU ·¤æñÙ âè ÜØ·¤æÚUè ÕÙð»è?

(1) 7 (2) 5 (3) 4 (4) 4 4 4 7 5

30. çÂÌæ-Âé˜æ ·¤è ÁæðǸè âé×ðçÜÌ ·¤èçÁØð Ñ

(a) ´. ¥æçًÎæð ¿ÅUÁèü (i) Ÿæè âéÂýèÌ

(b) ´. âéÚðUàæ ÌÜßÜ·¤ÚU (ii) Ÿæè çß·ý¤×

(c) ´. àæ´·¤ÚU ƒææðá (iii) Ÿæè âˆØÁèÌ

(d) ´. ç·¤ÚU‡æ ÎðàæÂæ‡ÇðU (iv) Ÿæè ¥ÙéßýÌ ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (i) (ii) (iii) (iv) (2) (iii) (ii) (i) (iv) (3) (iv) (iii) (i) (ii) (4) (iv) (iii) (ii) (i)

D-9815 !D-9815-PAPER-II! 9 Paper-II 31. Who among the following is a Dholak Player ? (1) Ut. Dilawar Khan (2) Ut. Bafati Khan (3) Ut. Jahangir Khan (4) Ut. Mohammad Khan

32. One Palla (Part) of farmaishi chakkardar of Jai taal can be played from sam to sam in which taal ? (1) Roopak taal (2) Jhap taal (3) Basant taal (4) Rudra taal

33. Author of the “Mridanga Sagar’’ is : (1) Ghanshyam Das Pakhawaji (2) Purushottam Das Pakhawaji (3) Ayodhya Prasad (4) Pagal Das

34. The chapter for ‘Taal’ in Sangeet Ratnakar is : (1) 4th (2) 5th (3) 6th (4) 7th

35. Which Layakari will be created by playing Lakshmi taal from ‘Sam to Sam’ in Ektaal ?

(1) 3 (2) 2 (3) 3 (4) 4 2 3 4 3

36. “FARAD” is related to : (1) Quaida (2) Peshkara (3) Gat (4) Paran

37. The book written by Pt. Govind Rao Burhan Purkar is : (1) Mridang Tabla Vadan (2) Mridang Sagar (3) Mridang Manjari (4) Mridang Kaumudi

38. According to ‘Marifunnagamat’ by Raja Nawab Ali ‘Taal’ with 3 taalis and 3 khaalis is : (1) Dhamar (2) Aada - Pautaal (3) Ek Taal (4) Ekwai

39. The Avanaddha Vadya being used for accompaniment in Manipuri dance : (1) Maddalam (2) Shree khol (3) Dholak (4) Timila

D-9815 !D-9815-PAPER-II! 10 Paper-II 31. §Ù×ð´ âð ·¤æñÙ ÉUæðÜ·¤ ßæη¤ ãñ? (1) ©. çÎÜæßÚU ¹æ¡ (2) ©. ÕȤæÌè ¹æ¡ (3) ©. Áãæ¡»èÚU ¹æ¡ (4) ©. ×æðã×Î ¹æ¡

32. ÁØ ÌæÜ ·ð¤ ȤÚU×æ§üàæè ¿€·¤ÚUÎæÚU ·ð¤ °·¤ ÂËÜð ·¤æð ç·¤â ÌæÜ ×ð´ â× âð â× Ì·¤ ÕÁæØæ Áæ â·¤Ìæ ãñ? (1) M¤Â·¤ ÌæÜ (2) Ûæ ÌæÜ (3) Õâ‹Ì ÌæÜ (4) L¤Îý ÌæÜ

33. ÒÒ×ëδ»-âæ»ÚUÓÓ »ý‹Í ·ð¤ Üð¹·¤ Ñ (1) ƒæÙàØæ× Îæâ ¹æßÁè (2) ÂéL¤áæðžæ× Îæâ ¹æßÁè (3) ¥ØæðŠØæ ÂýâæÎ (4) Âæ»Ü Îæâ

34. â´»èÌ ÚUˆÙæ·¤ÚU ×ð´ ÌæÜ ·¤æ ¥ŠØæØ ãñ Ñ (1) ¿æñÍæ (2) Âæ´¿ßæ (3) ÀUÆUæ (4) âæÌßæ´

35. °·¤ÌæÜ ×ð´ Üÿ×è ÌæÜ ·¤æð â× âð â× Ì·¤ ÕÁæÙð ÂÚU ·¤æñÙ âè ÜØ·¤æÚUè ÕÙð»è ?

(1) 3 (2) 2 (3) 3 (4) 4 2 3 4 3

36. ÒÒȤÚUÎÓÓ ç·¤ââð âÕç‹ÏÌ ãñ? (1) ·¤æØÎæ (2) Âðàæ·¤æÚU (3) »Ì (4) ÂÚUÙ

37. ´. »æðçߋΠÚUæß ÕéÚUãæÙ ÂéÚU·¤ÚU mæÚUæ çÜç¹Ì ÂéSÌ·¤ ãñ Ñ (1) ×ëδ»-ÌÕÜæ ßæÎÙ (2) ×ëδ»-âæ»ÚU (3) ×ëδ» ×´ÁÚUè (4) ×ëδ» ·¤æñ×éÎè

38. ÚUæÁæ ÙßæÕ ¥Üè ·ë¤Ì ×æçÚUÈé¤óæ$»×æÌ ·ð¤ ¥ÙéâæÚU 3 ÌæÜè ß 3 ¹æÜè Øé€Ì ÌæÜ ãñ Ñ (1) Ï×æÚU (2) ¥æǸæ-ÂæñÌæÜ (3) °·¤ÌæÜ (4) §·¤ßæ§ü

39. ×ç‡æÂéÚUè ÙëˆØ ×ð´ â´»Ì ·ð¤ M¤Â ×ð´ ÂýØé€Ì ¥ßÙh ßæl Ñ (1) ×Î÷ÎÜ× (2) Ÿæè ¹æðÜ (3) ÉUæðÜ·¤ (4) çÌç×Üæ

D-9815 !D-9815-PAPER-II! 11 Paper-II 40. Which of the following is not a Awanadha instrument ? (1) Tabla (2) Pakhawaj (3) Ghatam (4) Dholak

41. Match the Guru-Shishyaa duo : (a) Ut. Amir Hussain Khan (i) Francis Sheperd (b) Dr. Munne Khan (ii) Yog Maya Shukla (c) Pt. Sharada Sahai (iii) Chitrangna Aagle (d) Pt. Chhatrapati Singh (iv) Aban E. Mistry Codes : (a) (b) (c) (d) (1) (iv) (ii) (i) (iii) (2) (iv) (ii) (iii) (i) (3) (iv) (iii) (ii) (i) (4) (i) (ii) (iii) (iv)

42. Famous Pakhawaj Player who died recently : (1) Pt. Purushottam Das (2) Pt. Ramakant Pathak (3) Pt. Ayodhya Prasad (4) Swamy Pagal Das

43. Correct sequence of Sashabd kriya is : (1) Aawap - Dhruva - Shamya - Taal (2) Dhruva - Shamya - Aawap - Nishkram (3) Dhruva - Shamya - Taal - Sannipat (4) Sannipat - Aawap - Nishkram - Taal

44. Pt. Swapn Chaudhry belongs to which Gharana of Tabla ? (1) Banaras (2) Punjab (3) Lucknow(4) Delhi

45. Which Taal is used with ‘Tappa Gayan’ Style ? (1) Dhamar (2) Deepchandi (3) Adhda (4) Chaanchar

D-9815 !D-9815-PAPER-II! 12 Paper-II 40. §Ù×ð´ âð ·¤æñÙ âæ ¥ßÙh ßæl Ùãè´ ãñ? (1) ÌÕÜæ (2) ¹æßÁ (3) ƒæÅ÷U×÷ (4) ÉUæðÜ·¤

41. »éL¤-çàæcØæ ·¤è ÁæðÇ¸è ·¤æð âé×ðçÜÌ ·¤èçÁ° Ñ (a) ©. ¥×èÚU ãéâñÙ ¹æ¡ (i) Èý¤æ´çââ àæðÂÇüU (b) ÇUæò. ×éóæð ¹æ¡ (ii) Øæð» ×æØæ àæé€Üæ (c) ´. àææÚUÎæ âãæØ (iii) 翘ææ´»Ùæ ¥æ»Üð (d) ´. ÀU˜æÂçÌ çâ´ã (iv) ¥æÕæÙ §ü. ç×S˜æè ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (iv) (ii) (i) (iii) (2) (iv) (ii) (iii) (i) (3) (iv) (iii) (ii) (i) (4) (i) (ii) (iii) (iv)

42. ãæÜ ×ð´ ç·¤â ÂýØæÌ Â¹æßÁ ßæη¤ ·¤æ çÙÏÙ ãé¥æ ãñ´? (1) ´. ÂéL¤áæðžæ× Îæâ (2) ´. ÚU×æ·¤æ‹Ì ÂæÆU·¤ (3) ´. ¥ØæðŠØæ ÂýâæÎ (4) Sßæ×è Âæ»Ü Îæâ

43. âàæŽÎ ç·ý¤Øæ ·¤æð ·ý¤×æÙéâæÚU ÎèçÁØð Ñ (1) ¥æßæ - Ïýéßæ - àæØæ - ÌæÜ (2) Ïýéßæ - àæØæ - ¥æßæ - çÙc·ý¤æ× (3) Ïýéßæ - àæØæ - ÌæÜ - âçóæÂæÌ (4) âçóæÂæÌ - ¥æßæ - çÙc·ý¤æ× - ÌæÜ

44. ´. Sߌ٠¿æñÏÚUè ç·¤â ÌÕÜæ ƒæÚUæÙð âð ãñ´? (1) ÕÙæÚUâ (2) ´ÁæÕ (3) ܹ٪¤ (4) çÎËÜè

45. ÅUŒÂæ »æØÙ àæñÜè ·ð¤ âæÍ ·¤æñÙ âæ ÌæÜ ÂýØé€Ì ãæðÌæ ãñ? (1) Ï×æÚU (2) Î迋Îè (3) ¥ŠÎæ (4) ¿æ¡¿ÚU

D-9815 !D-9815-PAPER-II! 13 Paper-II 46. Originally ‘Khalifa’ word belong to which language ?

(1) Urdu (2) Arabic (3) Sanskrit (4) Persian

47. In which Century the Delhi Gharana was established ?

(1) Fifteenth century (2) Sixteenth century

(3) Seventeenth century (4) Eighteenth century

48. 5/8 timing of western music is treated as equal to which taal of north Indian music ?

(1) Roopak (2) Keharwa (3) Jhaptaal (4) Ektaal

49. The Parshvadev termed perception of taal hypothesis as :

(1) Manoga (2) Hastaga (3) Manobhaava (4) Tirobhaava

50. Kat is a :

(1) Samyukta Varna (2) Asamyukta Varna

(3) Mishrit Varna (4) Ardha Samyukta Varna

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D-9815 !D-9815-PAPER-II! 14 Paper-II 46. ÒÒ¹ÜèȤæÓÓ ×êÜÌÑ ç·¤â Öæáæ ·¤æ àæŽÎ ãñ ?

(1) ©Îêü (2) ¥ÚUÕè (3) â´S·ë¤Ì (4) ȤæÚUâè

47. çÎËÜè ƒæÚUæÙð ·¤è SÍæÂÙæ ç·¤â àæÌæŽÎè ×ð´ ãé§ü?

(1) ‹Îýãßè´ àæÌæŽÎè (2) âæðÜãßè´ àæÌæŽÎè

(3) â˜æãßè´ àæÌæŽÎè (4) ¥ÆUæÚUãßè´ àæÌæŽÎè

48. Âæà¿æˆØ â´»èÌ ·ð¤ 5/8 ÅUæ§ç×´» ·¤æ𠩞æÚU ÖæÚUÌèØ â´»èÌ ×ð´ ·¤æñÙ âð ÌæÜ ·ð¤ â×æÙ ×æÙæ ÁæØð»æ?

(1) M¤Â·¤ (2) ·¤ãÚUßæ (3) ÛæÂÌæÜ (4) °·¤ÌæÜ

49. ÌæÜ ÂçÚU·¤ËÂÙæ ·¤è ×æÙâæÙéÖêçÌ ·¤æð ÂæàßüÎðß Ùð €Øæ ·¤ãæ ãñ?

(1) ×Ùæð»æ (2) ãSÌ»æ (3) ×ÙæðÖæß (4) çÌÚUæðÖæß

50. ·¤Ì÷ ãñ °·¤ Ñ

(1) â´Øé€Ì ߇æü (2) ¥â´Øé€Ì ߇æü

(3) ç×çŸæÌ ß‡æü (4) ¥Ïü â´Øé€Ì ߇æü

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D-9815 !D-9815-PAPER-II! 15 Paper-II Space For Rough Work

D-9815 !D-9815-PAPER-II! 16 Paper-II