Caine Prize Annual Report 2016 Rev.Indd
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Journal of Mennonite Writing Mennonite Experience | Many Voices
Journal of Mennonite Writing Mennonite Experience | Many Voices VOLUME 9 JANUARY 2016 ISSUE 2 Journal of Mennonite Writing Mennonite Experience | Many Voices About The Journal of Mennonite Writing is a quarterly online journal devoted to literary, artistic, and cultural production. Each issue focuses on a particular theme, author, or genre within Mennonite Writing, and includes poetry, fiction, essays, and criticism. The Journal of Mennonite Writing is published by the Center for Men- nonite Writing, an online community hosted at MennoniteWriting.org. The Center (CMW) provides resources for the study of Anabaptist and Mennonite-related artistic, cultural, and intellectual thought. It also houses Ervin Beck’s bibliogra- phies of Mennonite literature—one for U.S. authors, and one, with Hildi Froese Tiessen, for Canadian authors—updated annually. Co-Editors Ann Hostetler, Professor of English, Goshen College, Goshen, IN Ervin Beck, Goshen College Professor Emeritus, Goshen, IN Advisory Board Beth Martin Birky, Goshen College, Indiana Jeff Gundy, Bluffton University, Ohio Julia Spicher Kasdorf, The Pennsylvania State University Robert J. Meyer-Lee, Agnes Scott College, Atlanta Paul Meyer Reimer, Goshen College Maurice Mierau, author, Winnipeg, Manitoba Barbara Nickel, author, Fraser Valley, BC John D. Roth, Goshen College Kyle Schlabach, Goshen College Duane Stoltzfus, Goshen College Hildi Froese Tiessen, Professor Emerita Conrad Grebel University College Submission Guidelines Address inquiries to Editor at [email protected] and include a biography that describes your connection to Mennonite faith, culture, heritage, or identity. Work should be submitted as a Word attachment. Our issues are thematic, as announced through the Center for Mennonite Writing at www.mennonitewriting. org, but we also accept submissions of poetry, fiction, memoir, and critical essays year round. -
Und Jugendliteratur]
TIckETS Kasse Haus der Berliner Festspiele Schaperstraße 24 10719 Berlin Mo–Sa 14.00–18.00 Uhr Abendkasse eine Stunde vor Vorstellungsbeginn Online www.berlinerfestspiele.de Gebühr 2 pro Bestellvorgang TelefOn 030. 25 48 91 00 Gebühr 3 pro Bestellvorgang Die hier angegebenen Ticketpreise gelten, sofern nicht unter der jeweiligen Veranstaltung ein abweichender Preis vermerkt ist. EINTRITTSPREISE normal ermäßigt Schüler Eröffnung 12,– 08,– 04,– Einzelkarte 08,– 06,– 04,– Tageskarte 18,– 12,– 08,– Gesamtkarte Festival 60,– 50,– 40,– Gesamt- und Tageskarten gelten für die Veranstaltungen im Haus der Berliner Festspiele [außer Vormittagsveranstaltungen der Kinder- und Jugendliteratur]. Es besteht kein Anspruch auf Einlass bei ausver- kauften Veranstaltungen. Karten für die Veranstaltungen an anderen Orten erhalten Sie im Haus der Berliner Festspiele und an den jewei- ligen Abendkassen. Das internationale literaturfestival berlin ist eine Veranstaltung der Peter-Weiss-Stiftung für Kunst und Politik e. V. Es wird ermöglicht aus Mitteln des Hauptstadtkulturfonds. Wir sorgen für Übersetzung! Unsere Veranstaltungen werden, falls nicht anders gekennzeichnet, ins Deutsche übersetzt. Veranstaltungen, die mit diesem Zeichen ge- kennzeichnet sind, werden simultan übersetzt Bitte vergewissern Sie sich vor der Veranstaltung, dass Sie Kopfhörer erhalten haben. 2 Gestaltung / Cover Banerjee Sunandini * Gestaltung / Programm [veruschkaT616 götz] mit Katrin Kassel und Dani Ziegan GRUSSwort FRaNk-walTER STEINmEIER Die Internationale Politik befindet sich heute permanent im Krisenmodus. Zahl und Intensität von Konflikten nehmen zu, und die Bedrohungen berühren unmittelbar unseren Alltag. Dennoch dürfen wir in dieser Lage großer Verunsicherung nicht an simple Lösungen glauben. Es macht mir Sorge, dass eine enge und engherzige Sicht auf die Dinge heute so populär scheint. Je komplizierter die Welt, je komplexer die Krisen, desto größer scheint das Bedürfnis nach einfachen Antwor- ten. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
Press Release LES LIAISONS DANGEREUSES
Press release LES LIAISONS DANGEREUSES by Christopher Hampton 11 December 2015 – 13 February 2016 Les Liaisons Dangereuses will be broadcast live in cinemas in partnership with National Theatre Live on 28 January 2016. PRESS NIGHT: Thursday 17 December Director: Josie Rourke Designer: Tom Scutt Lighting Designer: Mark Henderson Sound Designer: Carolyn Downing Composer: Michael Bruce Fight Director: Richard Ryan Cast includes: Adjoa Andoh, Alison Arnopp, Theo Barklem-Biggs, Elaine Cassidy, Morfydd Clark, Edward Holcroft, Janet McTeer, Thom Petty, Jennifer Saayeng, Una Stubbs, and Dominic West This production is supported by an anonymous donor Artistic Director Josie Rourke’s production of Les Liaisons Dangereuses, Christopher Hampton’s stage adaptation of Choderlos de Laclos’ 1782 novel start previews at the Donmar Warehouse from 11 December. The production will star Adjoa Andoh, Alison Arnopp, Theo Barklem-Biggs, Elaine Cassidy, Morfydd Clark, Edward Holcroft, Janet McTeer, Thom Petty, Jennifer Saayeng, Una Stubbs, and Dominic West. Les Liaisons Dangereuses, will be broadcast live in cinemas in partnership with National Theatre Live on 28 January 2016. For more information visit www.ntlive.com. In 1782, Choderlos de Laclos’ novel of sex, intrigue and betrayal in pre-revolutionary France scandalised the world. Two hundred years later, Christopher Hampton's irresistible adaptation swept the board, winning the Olivier and Evening Standard Awards for Best Play. Josie Rourke’s production will now mark the plays’ thirty-year revival. Former lovers, the Marquise de Merteuil and Vicomte de Valmont now compete in games of seduction and revenge. Merteuil incites Valmont to corrupt the innocent Cécile Volanges before her wedding night but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel. -
Representasi Berakhirnya Politik Apartheid Dalam Film Invictus Karya Sutradara Clint Eastwood
REPRESENTASI BERAKHIRNYA POLITIK APARTHEID DALAM FILM INVICTUS KARYA SUTRADARA CLINT EASTWOOD (Analisis Semiotika John Fiske Mengenai Representasi Berakhirnya Politik Apartheid Dalam Film Invictus Karya Sutradara Clint Eastwood ) ARTIKEL Oleh, IMAR SAVITRI NIM. 41809012 PROGRAM STUDI ILMU KOMUNIKASI KONSENTRASI HUMAS FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS KOMPUTER INDONESIA BANDUNG 2013 ABSTRACT THE REPRESENTATION THE END OF APARTHEID POLITICAL IN INVICTUS MOVIE DIRECTED BY CLINT EASTWOOD GUIDANCE : ADIYANA SLAMET, S.IP, M.SI IMAR SAVITRI INDONESIAN COMPUTER UNIVERSITY This research aims to know the representation The End of Apartheid Political in Invictus movie directed by Clint Eastwood. To achieve that goal then raised the question of how the level of reality, how the level of representation and how the level of ideology in Invictus movie directed by Clint Eastwood. This study used a qualitative approach to analysis of semiotics John Fiske for research methods. Data collection techniques used were the documentation. Technique used for take the category of sequences is using prop narrative function. The data analyze technique using The Codes of Television John Fiske. Result of this research shown that the political apartheid on the level of reality delivered through appereance codes, dress, make-up, environment, gesture, expression and sound. For the level of representation, the political apartheid delivered by camera, lighting, editting, music, character, action, dialogue and conflict. At the level of ideology, from the merger of the levels of reality and levels of representation on three sequence resulting the theory of ideological hegemony Antonio Gramsci is represented through the chacaracterizations Morgan Freeman as Nelson Mandela’s role a hegemonic character. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Caine Prize Annual Report 2015.Indd
THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Centre for New Writing, Bring a Host of International Literary Stars to Manchester to Discuss and Read from Their Work
LITERATURE LIVE: Centre SPRING 2018 These unique literature events, organised by The University of for New Manchester’s Centre for New Writing, bring a host of international literary stars to Manchester to discuss and read from their work. Writing Anniversary Season Throughout the 2017/2018 season we celebrate the Centre for New Writing’s tenth year anniversary. Danez Smith: Don’t Call Us Dead Venue International Part of Manchester Literature Festival Anthony Burgess Manchester Foundation Time & Date 7pm, Monday named as a Hong © David 22 January 2018 (doors open at 6.30pm) UNESCO Price City of Literature £7 / £5 The University of Manchester is proud to be part of the city-wide consortium that led the successful bid to join UNESCO’s worldwide Creative Cities network as a City of Literature. This is a cause for great celebration, which will help us to strengthen our university’s many partnerships with the city and its communities. Our staff and student writers know that Manchester is a City of Literature, a place whose graduates include Anthony Burgess and the war poet Alun Lewis, Jeanette Winterson, Booker winner Barry Unsworth and bestseller Sophie Hannah. We all benefit from the presence in Danez Smith the city of great publishers like Carcanet and Comma and from what this announcement We are thrilled to welcome to Manchester acclaimed American poet Danez Smith. recognises – the enormous array of literary events, festivals and opportunities for A founding member of the Dark Noise Collective, Danez is an electrifying performer engagement with new writing and new audiences which Manchester offers. -
RAS Annual Report for 2019
ANNUAL REPORT 2019 CONTENTS About Us 02 All Party Parliamentary Group for Africa 16 A Note from our Chair 03 Public Events and Annual Lecture 18 Director’s Report 04 Africa Writes 2019 20 Strategic Review 06 Film Africa Travel Grants 22 Our Audiences & Impact 08 Contemporary African Arts Report 23 Our Members 10 Education and Outreach 24 African Affairs 12 Honorary Treasurer’s Report 26 African Arguments 13 Financial Summary 27 ASAUK 14 Team and Council 28 Business Programme 15 Our Partners 29 Thanks and Acknowledgements 30 ABOUT US The Royal African Society is a membership organisation that provides opportunities for people to connect, celebrate and engage critically with a wide range of topics and ideas about Africa today. Through our events, publications and digital channels we share insight, instigate debate and facilitate mutual understanding between the UK and Africa. We amplify African voices and interests in academia, business, politics, the arts and education, reaching a network of more than one million people globally. Find out more: royalafricansociety.org facebook.com/royafrisoc twitter.com/royafrisoc Cover Image: Yinka Shonibare. Credit © Royal Academy of Arts, London. Photographer Marcus Leith 2014 2 A NOTE FROM OUR CHAIR Dear members, partners and friends – both old and new! I hope this finds you all in good health and high spirits. It is my absolute pleasure to write this welcome note as Chair of the Royal African Society for the sixth consecutive year. 2019 was another successful year for our small charity with the big mission of promoting and amplifying African voices and interests here in the UK and beyond. -
“Cosmology, Masculinity and Mental Health Take Centre Stage at Africa Writes 2019”
FOR IMMEDIATE RELEASE 23 May 2019 “Cosmology, Masculinity and Mental Health take centre stage at Africa Writes 2019” Africa Writes, the UK’s biggest celebration of contemporary African writing brought to you by the Royal African Society, returns to The British Library from Friday 5 July to Sunday 7 July 2019 featuring three headline events and a packed festival weekend. Bringing together over 60 of the most influential African writers and thought leaders, this 8th festival edition covers over 20 countries and explores a cross-section of themes and critical ideas about African literature today. Following on from the likes of Chimamanda Ngozi Adichie and Ngugi wa Thiong’o, previous festival headliners, Man Booker shortlisted author Chigozie Obioma will headline this year’s Africa Writes. Closing the festival on Sunday, 7 July, Obioma will talk about his writing, Igbo cosmology and the blurred lines between myth and reality in his latest novel An Orchestra of Minorities. The event will open with an evocative staged reading of Obioma’s critically acclaimed debut novel, The Fishermen, followed by an in-conversation led by award-winning author and curator Irenosen Okojie. Chigozie Obioma says: “I'm really excited to be a part of this celebration of the written word and to be in company of a cohort of writers from Africa. I'm certain those three days will be like being at a concert in Lagos while in London.” Africa Writes 2019 will open on Friday, 5 July, with Our Bodies Speak Poetry, an evening of intergenerational poetry, story-telling and performance exploring the body as a site of power, possibilities and resistance. -
Justin Butcher Writer
Justin Butcher Writer Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Film Production Company Notes WALKING BACK TO The New Theatre, Justin Butcher's and Ahmed Masoud's film will be JERUSALEM Dublin streamed via The New Theatre, Dublin at 9:15pm 2021 from 23rd March - 30th March. Radio Production Company Notes THE DEVIL'S PASSION BBC Radio 3 Written by Justin Butcher 2017 Produced and Directed by Jonquil Panting for BBC Radio 4 Starring David Suchet as Satan, Amir El-Masry as Jesus and Lara Sawalha as Miriam. 33 AD. Jesus enters Jerusalem to fulfil his destiny. Satan ascends from Hell to stop him. The Devil's Passion offers an outrageously entertaining fresh perspective - as the ancient story is played out once more, in our modern world of security, surveillance and ideological warfare. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ESCAPE FROM GAZA BBC Radio 4 co-written with Palestinian writer Ahmed Masoud, 2011 telling of his perilous journey into Gaza in ‘09, for BBC Radio 4, dir. Jessica Dromgoole, broadcast Jan 13th ‘11 THE PATIENCE OF MR BBC Radio 4 BBC Radio 4, dir. Claire Grove, broadcast Aug ‘10, JOB featuring Jude Akuwudike & Adjoa Andoh; satirical 2010 update of Old Testament fable, set in fictitious West African country devastated by well-intentioned meddling of “development” agencies & climate-change related disasters Pick Of The Day in The Daily Telegraph & The Daily Mail “Nicely played and very funny satire by Justin Butcher.” (The Daily Telegraph) “Funny and deeply tragic.” (The Daily Mail) CHUKWUDEBELU - Big Heart co-written with Nigerian musician Ben Okafor for BBC PRESERVE OF GOD Media / BBC R4, dir.