Caine Prize Annual Report 2016 Rev.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Caine Prize Annual Report 2016 Rev.Indd THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2016 Cover artwork adapted by B-Creative from Lusaka Punk book cover by Victor Ehikhamenor 2016 shortlisted writers in Oxford, UK, on 4th July (from le): Tope Folarin, Lidudumalingani, Lesley Nneka Arimah, Bongani Kona and Abdul Adan. The Caine Prize is supported by S R E A Other partners include: the British Council, the Wyfold Charitable Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. 1 Report on the 2016 Caine Prize and related activities 2016 changes to the Board e year saw important changes to the Board of Trustees of Africa 95. Dr Delia Jarrett-Macauley, who is a writer, academic and broadcaster of Sierra Leonian parentage, succeeded Jonathan Taylor as Chair of the Board and of the Caine Prize Council. Baroness Nicholson also retired from the Board of Trustees but remains President of the Council. Claire Whitaker resigned from the Board and Ed Robinson announced his intention to do so by the end of the calendar year. Further new Trustees elected were Dr Gus Casely-Hayford, cultural historian, Adam Freudenheim, publisher of Pushkin Press, Fiammetta Rocco, literary editor of e Economist, and Véronique Tadjo, author, academic and poet from Côte d’Ivoire. e Board welcomed the new members and warmly thanked those retiring. On retiring Jonathan said “I have been very glad and proud to have led the Caine Prize since its foundation. We have come a long way and the Prize has provided a launching pad for very many successful literary careers. I am delighted that Delia will be succeeding me. She is an accomplished writer, broadcaster, academic and consultant. Most recently she has chaired the panel of judges for the 2016 Caine Prize. Under her leadership the Prize will continue to develop and she will take it in exciting new directions.” Jonathan was Chairman of the Booker Prize Foundation from 2001 to 2015. He was also Chair of the Trustees of the International Prize of Arabic Fiction. Delia added “I am honoured and delighted to have been appointed as the Chair. I hope to push the boundaries of the Caine Prize: a venture that attracts the greatest literary talent from the African continent. I am looking forward to working with Lizzy Attree, our Director, and with the Board of Trustees and Council members.” 2016 Prize and Award Dinner Jonathan Taylor, receiving a painting by Rosemary Clunie “Africa’s most important literary award.” International Herald Tribune entitled: Everything Changes, anks to the support of Bodleian’s librarian Richard Ovenden, the 17th Caine with Emma Nicholson and Prize Award Dinner was once again held in Weston Hall, Oxford. e modern Ben Okri. venue is an outstanding location and we hope to return in 2018. In the meantime the School of Oriental and African Studies (SOAS) have o ered us the use of Beveridge Hall in Senate House for the 2017 Award dinner, as part of their centenary celebrations, so for one year only the Prize will be awarded in London. is year’s Prize was won by Lidudumalingani from South Africa, for ‘Memories We Lost’ published in Incredible Journey: Stories that Move You (Burnet Media, South Africa, 2015). e story tells the emotionally charged life of a girl who acts as protector of her sister, whose serious mental-health problems cause consternation in a South African village. Her situation deteriorates as her care is entrusted to Nkunzi, a local man who employs traditional techniques to rid people of their demons. Chair of judges, Delia Jarrett-Macauley praised the story, saying, “ e winning story explores a di cult subject – how traditional beliefs in a rural community are used to tackle schizophrenia. is is a troubling piece, depicting the great love between two young siblings in a beautifully drawn Eastern Cape. Multi-layered, and gracefully narrated, this short story leaves the reader full of sympathy and wonder at the plight of its protagonists.” e 2016 shortlist was selected from a record 166 eligible entries from 23 African countries and comprised Abdul Adan (Somalia/Kenya) for ‘ e Chair of judges, Dr Delia Lifebloom Gi ’ from e Gonjon Pin and Other Stories, the Caine Prize Jarrett-Macauley, at the anthology (New Internationalist, Oxford, 2014); Lesley Nneka Arimah 2016 award dinner. (Nigeria) for ‘What it Means When a Man Falls From the Sky’ from Catapult 2 Report on the 2016 Caine Prize and related activities (Catapult, USA, 2014); Tope Folarin (Nigeria) for ‘Genesis’ from Callaloo (John Hopkins University Press, USA, 2014); Bongani Kona (Zimbabwe) for ‘At Your Requiem’ from Incredible Journey: Stories that Move You (Burnet Media, South Africa, 2015); Lidudumalingani (South Africa) for ‘Memories We Lost’ from Incredible Journey (Burnet Media, South Africa, 2014). All these stories are available to read on our website. is is the second year that a former winner was nominated and the shortlist includes a former regional winner of the Commonwealth Short Story Prize. e shortlisted writers were awarded £500 in recognition of their achievement and for the third time, audio versions of all ve shortlisted stories were commissioned and made available via podcasts on our website. Four judges joined Delia Jarrett-Macauley on the panel including acclaimed e 2016 Caine Prize winner, lm, television and theatre actor Adjoa Andoh, Kenyan writer, Founder of the Lidudumalingani, with the bust Storymoja Collective and Director of the Storymoja Festival Muthoni Garland, of Sir Michael Caine. Associate Professor of English and African American Studies at the University of Georgetown Robert Patterson, and Mary Watson, the winner of the Caine Prize in 2006. is was the fourth time that a past Caine Prize winner took part in the judging. We thank them all warmly. At the dinner, Delia Jarrett-Macauley described the shortlist as, “an engrossing, well-craed and dauntless pack of stories. e high standard of the entries was clear throughout and particularly noteworthy was the increasing number of fantasy ctions [with] the sci- trend resonating in several excellent stories. My fellow judges commented on the pleasure of reading the stories, the gi of being exposed to the exciting short ctions being produced by African writers today and the general shi away from politics towards more intimate subjects – though recent topics such as the Ebola crisis were being wrestled with.” She added, “It was inspiring to note the amount of risk-taking in both subject matter and style, wild or lyrical voices matching the tempered measured prose writers, and stories tackling uneasy topics, ranging from an unsettling, unreliable narrator’s tale of airport scrutiny, to a science-ctional approach towards the measurement of grief, a young child’s coming to grips with family dysfunction, the big drama of rivalling siblings and the silent, numbing eects e 2016 judges at the Bodleian of loss. e panel is proud to have shortlisted writers from across the continent, Library in Oxford. From le nding stories that are compelling, well-craed and thought-provoking.” to right: Adjoa Andoh, Mary Lidudumalingani will be given the opportunity to visit Georgetown University, Watson, Dr Robert Patterson, as a Writer-in-Residence at the Lannan Center for Poetics and Social Practice Dr Delia Jarrett-Macauley and in April 2017. e award will cover all travel and living expenses. He has also Muthoni Garland. been invited to speak at the Library of Congress in Washington, which is now part of the winner’s Prize each year. Lidudumalingani took part in the Open Book Festival in Cape Town, the Mail & Guardian festival and other events in Johannesburg and Ake Arts and Book Festival in Abeokuta, Nigeria in November. Entries and shortlist analysis “A edgling generation of African writers, shortlisted for prizes, need readers all over the world to embrace their work” Erica Wagner, T2, e Times Vice President of the Caine To date 18 countries in Africa have been represented on the Caine Prize Prize, poet and novelist, shortlist. In addition to Anglophone writers, we have shortlisted authors in Ben Okri, speaking at the translation from 5 countries: Benin, Djibouti, Tunisia, Congo-Brazzaville and award dinner. 3 Report on the 2016 Caine Prize and related activities Mozambique. Since the Prize was founded in 1999 we have received eligible submissions from over a thousand writers from 37 African countries. e countries we have received eligible entries from are: Algeria, Angola, Benin, Botswana, Cameroon, Comores, Congo, Djibouti, Egypt, Eritrea, Ethiopia, Gambia, Ghana, Ivory Coast, Kenya, Lesotho, Liberia, Libya, Madagascar, Malawi, Mali, Mauritius, Morocco, Mozambique, Namibia, Nigeria, Rwanda, Senegal, Sierra Leone, Somalia, South Africa, Sudan, Tanzania, Tunisia, Uganda, Zambia, Zimbabwe. The 2016 Workshop “A springboard for emerging writers to enter the world of mainstream publishing.” Sunday Independent, South Africa is year’s workshop, our 14th, was held in Zambia. We assembled 12 talented writers to compose short stories at Chaminuka Lodge near Lusaka. We are immensely grateful to the Carnegie Corporation of New York for providing the funding for the workshop and to Namwali Serpell for her useful advice Participants discuss their work and assistance. It was unprecedented that four of the writers who took part in progress. were past Caine Prize winners, Namwali Serpell (2015), Okwiri Oduor (2014), Tope Folarin (2013), NoViolet Bulawayo (2013); three participants were local Zambian writers, Chilufya Chilangwa, Bwanga ‘Benny Blow’ Kapumpa and Kafula Mwila; and the other writers hailed from: Kenya, Billy Kahora; Nigeria, Elnathan John; South Africa, Masande Ntshanga, and Malawi, Timwa Lipenga. Vimbai Shire attended the workshop while Lizzy Attree was on maternity leave, and during 12 days of peace and quiet the workshop participants were guided by the accomplished novelist, Jamal Mahjoub (Sudan) and award-winning editor, book critic and former Man Booker Prize judge, Ellah Wakatama Billy Kahora, Tope Folarin Allfrey (Zimbabwe).
Recommended publications
  • Journal of Mennonite Writing Mennonite Experience | Many Voices
    Journal of Mennonite Writing Mennonite Experience | Many Voices VOLUME 9 JANUARY 2016 ISSUE 2 Journal of Mennonite Writing Mennonite Experience | Many Voices About The Journal of Mennonite Writing is a quarterly online journal devoted to literary, artistic, and cultural production. Each issue focuses on a particular theme, author, or genre within Mennonite Writing, and includes poetry, fiction, essays, and criticism. The Journal of Mennonite Writing is published by the Center for Men- nonite Writing, an online community hosted at MennoniteWriting.org. The Center (CMW) provides resources for the study of Anabaptist and Mennonite-related artistic, cultural, and intellectual thought. It also houses Ervin Beck’s bibliogra- phies of Mennonite literature—one for U.S. authors, and one, with Hildi Froese Tiessen, for Canadian authors—updated annually. Co-Editors Ann Hostetler, Professor of English, Goshen College, Goshen, IN Ervin Beck, Goshen College Professor Emeritus, Goshen, IN Advisory Board Beth Martin Birky, Goshen College, Indiana Jeff Gundy, Bluffton University, Ohio Julia Spicher Kasdorf, The Pennsylvania State University Robert J. Meyer-Lee, Agnes Scott College, Atlanta Paul Meyer Reimer, Goshen College Maurice Mierau, author, Winnipeg, Manitoba Barbara Nickel, author, Fraser Valley, BC John D. Roth, Goshen College Kyle Schlabach, Goshen College Duane Stoltzfus, Goshen College Hildi Froese Tiessen, Professor Emerita Conrad Grebel University College Submission Guidelines Address inquiries to Editor at [email protected] and include a biography that describes your connection to Mennonite faith, culture, heritage, or identity. Work should be submitted as a Word attachment. Our issues are thematic, as announced through the Center for Mennonite Writing at www.mennonitewriting. org, but we also accept submissions of poetry, fiction, memoir, and critical essays year round.
    [Show full text]
  • Und Jugendliteratur]
    TIckETS Kasse Haus der Berliner Festspiele Schaperstraße 24 10719 Berlin Mo–Sa 14.00–18.00 Uhr Abendkasse eine Stunde vor Vorstellungsbeginn Online www.berlinerfestspiele.de Gebühr 2 pro Bestellvorgang TelefOn 030. 25 48 91 00 Gebühr 3 pro Bestellvorgang Die hier angegebenen Ticketpreise gelten, sofern nicht unter der jeweiligen Veranstaltung ein abweichender Preis vermerkt ist. EINTRITTSPREISE normal ermäßigt Schüler Eröffnung 12,– 08,– 04,– Einzelkarte 08,– 06,– 04,– Tageskarte 18,– 12,– 08,– Gesamtkarte Festival 60,– 50,– 40,– Gesamt- und Tageskarten gelten für die Veranstaltungen im Haus der Berliner Festspiele [außer Vormittagsveranstaltungen der Kinder- und Jugendliteratur]. Es besteht kein Anspruch auf Einlass bei ausver- kauften Veranstaltungen. Karten für die Veranstaltungen an anderen Orten erhalten Sie im Haus der Berliner Festspiele und an den jewei- ligen Abendkassen. Das internationale literaturfestival berlin ist eine Veranstaltung der Peter-Weiss-Stiftung für Kunst und Politik e. V. Es wird ermöglicht aus Mitteln des Hauptstadtkulturfonds. Wir sorgen für Übersetzung! Unsere Veranstaltungen werden, falls nicht anders gekennzeichnet, ins Deutsche übersetzt. Veranstaltungen, die mit diesem Zeichen ge- kennzeichnet sind, werden simultan übersetzt Bitte vergewissern Sie sich vor der Veranstaltung, dass Sie Kopfhörer erhalten haben. 2 Gestaltung / Cover Banerjee Sunandini * Gestaltung / Programm [veruschkaT616 götz] mit Katrin Kassel und Dani Ziegan GRUSSwort FRaNk-walTER STEINmEIER Die Internationale Politik befindet sich heute permanent im Krisenmodus. Zahl und Intensität von Konflikten nehmen zu, und die Bedrohungen berühren unmittelbar unseren Alltag. Dennoch dürfen wir in dieser Lage großer Verunsicherung nicht an simple Lösungen glauben. Es macht mir Sorge, dass eine enge und engherzige Sicht auf die Dinge heute so populär scheint. Je komplizierter die Welt, je komplexer die Krisen, desto größer scheint das Bedürfnis nach einfachen Antwor- ten.
    [Show full text]
  • Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
    Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape.
    [Show full text]
  • Press Release LES LIAISONS DANGEREUSES
    Press release LES LIAISONS DANGEREUSES by Christopher Hampton 11 December 2015 – 13 February 2016 Les Liaisons Dangereuses will be broadcast live in cinemas in partnership with National Theatre Live on 28 January 2016. PRESS NIGHT: Thursday 17 December Director: Josie Rourke Designer: Tom Scutt Lighting Designer: Mark Henderson Sound Designer: Carolyn Downing Composer: Michael Bruce Fight Director: Richard Ryan Cast includes: Adjoa Andoh, Alison Arnopp, Theo Barklem-Biggs, Elaine Cassidy, Morfydd Clark, Edward Holcroft, Janet McTeer, Thom Petty, Jennifer Saayeng, Una Stubbs, and Dominic West This production is supported by an anonymous donor Artistic Director Josie Rourke’s production of Les Liaisons Dangereuses, Christopher Hampton’s stage adaptation of Choderlos de Laclos’ 1782 novel start previews at the Donmar Warehouse from 11 December. The production will star Adjoa Andoh, Alison Arnopp, Theo Barklem-Biggs, Elaine Cassidy, Morfydd Clark, Edward Holcroft, Janet McTeer, Thom Petty, Jennifer Saayeng, Una Stubbs, and Dominic West. Les Liaisons Dangereuses, will be broadcast live in cinemas in partnership with National Theatre Live on 28 January 2016. For more information visit www.ntlive.com. In 1782, Choderlos de Laclos’ novel of sex, intrigue and betrayal in pre-revolutionary France scandalised the world. Two hundred years later, Christopher Hampton's irresistible adaptation swept the board, winning the Olivier and Evening Standard Awards for Best Play. Josie Rourke’s production will now mark the plays’ thirty-year revival. Former lovers, the Marquise de Merteuil and Vicomte de Valmont now compete in games of seduction and revenge. Merteuil incites Valmont to corrupt the innocent Cécile Volanges before her wedding night but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.
    [Show full text]
  • Representasi Berakhirnya Politik Apartheid Dalam Film Invictus Karya Sutradara Clint Eastwood
    REPRESENTASI BERAKHIRNYA POLITIK APARTHEID DALAM FILM INVICTUS KARYA SUTRADARA CLINT EASTWOOD (Analisis Semiotika John Fiske Mengenai Representasi Berakhirnya Politik Apartheid Dalam Film Invictus Karya Sutradara Clint Eastwood ) ARTIKEL Oleh, IMAR SAVITRI NIM. 41809012 PROGRAM STUDI ILMU KOMUNIKASI KONSENTRASI HUMAS FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS KOMPUTER INDONESIA BANDUNG 2013 ABSTRACT THE REPRESENTATION THE END OF APARTHEID POLITICAL IN INVICTUS MOVIE DIRECTED BY CLINT EASTWOOD GUIDANCE : ADIYANA SLAMET, S.IP, M.SI IMAR SAVITRI INDONESIAN COMPUTER UNIVERSITY This research aims to know the representation The End of Apartheid Political in Invictus movie directed by Clint Eastwood. To achieve that goal then raised the question of how the level of reality, how the level of representation and how the level of ideology in Invictus movie directed by Clint Eastwood. This study used a qualitative approach to analysis of semiotics John Fiske for research methods. Data collection techniques used were the documentation. Technique used for take the category of sequences is using prop narrative function. The data analyze technique using The Codes of Television John Fiske. Result of this research shown that the political apartheid on the level of reality delivered through appereance codes, dress, make-up, environment, gesture, expression and sound. For the level of representation, the political apartheid delivered by camera, lighting, editting, music, character, action, dialogue and conflict. At the level of ideology, from the merger of the levels of reality and levels of representation on three sequence resulting the theory of ideological hegemony Antonio Gramsci is represented through the chacaracterizations Morgan Freeman as Nelson Mandela’s role a hegemonic character.
    [Show full text]
  • Prizing African Literature: Awards and Cultural Value
    Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298).
    [Show full text]
  • Caine Prize Annual Report 2015.Indd
    THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre.
    [Show full text]
  • Julius Caesar
    BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc.
    [Show full text]
  • Centre for New Writing, Bring a Host of International Literary Stars to Manchester to Discuss and Read from Their Work
    LITERATURE LIVE: Centre SPRING 2018 These unique literature events, organised by The University of for New Manchester’s Centre for New Writing, bring a host of international literary stars to Manchester to discuss and read from their work. Writing Anniversary Season Throughout the 2017/2018 season we celebrate the Centre for New Writing’s tenth year anniversary. Danez Smith: Don’t Call Us Dead Venue International Part of Manchester Literature Festival Anthony Burgess Manchester Foundation Time & Date 7pm, Monday named as a Hong © David 22 January 2018 (doors open at 6.30pm) UNESCO Price City of Literature £7 / £5 The University of Manchester is proud to be part of the city-wide consortium that led the successful bid to join UNESCO’s worldwide Creative Cities network as a City of Literature. This is a cause for great celebration, which will help us to strengthen our university’s many partnerships with the city and its communities. Our staff and student writers know that Manchester is a City of Literature, a place whose graduates include Anthony Burgess and the war poet Alun Lewis, Jeanette Winterson, Booker winner Barry Unsworth and bestseller Sophie Hannah. We all benefit from the presence in Danez Smith the city of great publishers like Carcanet and Comma and from what this announcement We are thrilled to welcome to Manchester acclaimed American poet Danez Smith. recognises – the enormous array of literary events, festivals and opportunities for A founding member of the Dark Noise Collective, Danez is an electrifying performer engagement with new writing and new audiences which Manchester offers.
    [Show full text]
  • RAS Annual Report for 2019
    ANNUAL REPORT 2019 CONTENTS About Us 02 All Party Parliamentary Group for Africa 16 A Note from our Chair 03 Public Events and Annual Lecture 18 Director’s Report 04 Africa Writes 2019 20 Strategic Review 06 Film Africa Travel Grants 22 Our Audiences & Impact 08 Contemporary African Arts Report 23 Our Members 10 Education and Outreach 24 African Affairs 12 Honorary Treasurer’s Report 26 African Arguments 13 Financial Summary 27 ASAUK 14 Team and Council 28 Business Programme 15 Our Partners 29 Thanks and Acknowledgements 30 ABOUT US The Royal African Society is a membership organisation that provides opportunities for people to connect, celebrate and engage critically with a wide range of topics and ideas about Africa today. Through our events, publications and digital channels we share insight, instigate debate and facilitate mutual understanding between the UK and Africa. We amplify African voices and interests in academia, business, politics, the arts and education, reaching a network of more than one million people globally. Find out more: royalafricansociety.org facebook.com/royafrisoc twitter.com/royafrisoc Cover Image: Yinka Shonibare. Credit © Royal Academy of Arts, London. Photographer Marcus Leith 2014 2 A NOTE FROM OUR CHAIR Dear members, partners and friends – both old and new! I hope this finds you all in good health and high spirits. It is my absolute pleasure to write this welcome note as Chair of the Royal African Society for the sixth consecutive year. 2019 was another successful year for our small charity with the big mission of promoting and amplifying African voices and interests here in the UK and beyond.
    [Show full text]
  • “Cosmology, Masculinity and Mental Health Take Centre Stage at Africa Writes 2019”
    FOR IMMEDIATE RELEASE 23 May 2019 “Cosmology, Masculinity and Mental Health take centre stage at Africa Writes 2019” Africa Writes, the UK’s biggest celebration of contemporary African writing brought to you by the Royal African Society, returns to The British Library from Friday 5 July to Sunday 7 July 2019 featuring three headline events and a packed festival weekend. Bringing together over 60 of the most influential African writers and thought leaders, this 8th festival edition covers over 20 countries and explores a cross-section of themes and critical ideas about African literature today. Following on from the likes of Chimamanda Ngozi Adichie and Ngugi wa Thiong’o, previous festival headliners, Man Booker shortlisted author Chigozie Obioma will headline this year’s Africa Writes. Closing the festival on Sunday, 7 July, Obioma will talk about his writing, Igbo cosmology and the blurred lines between myth and reality in his latest novel An Orchestra of Minorities. The event will open with an evocative staged reading of Obioma’s critically acclaimed debut novel, The Fishermen, followed by an in-conversation led by award-winning author and curator Irenosen Okojie. Chigozie Obioma says: “I'm really excited to be a part of this celebration of the written word and to be in company of a cohort of writers from Africa. I'm certain those three days will be like being at a concert in Lagos while in London.” Africa Writes 2019 will open on Friday, 5 July, with Our Bodies Speak Poetry, an evening of intergenerational poetry, story-telling and performance exploring the body as a site of power, possibilities and resistance.
    [Show full text]
  • Justin Butcher Writer
    Justin Butcher Writer Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Film Production Company Notes WALKING BACK TO The New Theatre, Justin Butcher's and Ahmed Masoud's film will be JERUSALEM Dublin streamed via The New Theatre, Dublin at 9:15pm 2021 from 23rd March - 30th March. Radio Production Company Notes THE DEVIL'S PASSION BBC Radio 3 Written by Justin Butcher 2017 Produced and Directed by Jonquil Panting for BBC Radio 4 Starring David Suchet as Satan, Amir El-Masry as Jesus and Lara Sawalha as Miriam. 33 AD. Jesus enters Jerusalem to fulfil his destiny. Satan ascends from Hell to stop him. The Devil's Passion offers an outrageously entertaining fresh perspective - as the ancient story is played out once more, in our modern world of security, surveillance and ideological warfare. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ESCAPE FROM GAZA BBC Radio 4 co-written with Palestinian writer Ahmed Masoud, 2011 telling of his perilous journey into Gaza in ‘09, for BBC Radio 4, dir. Jessica Dromgoole, broadcast Jan 13th ‘11 THE PATIENCE OF MR BBC Radio 4 BBC Radio 4, dir. Claire Grove, broadcast Aug ‘10, JOB featuring Jude Akuwudike & Adjoa Andoh; satirical 2010 update of Old Testament fable, set in fictitious West African country devastated by well-intentioned meddling of “development” agencies & climate-change related disasters Pick Of The Day in The Daily Telegraph & The Daily Mail “Nicely played and very funny satire by Justin Butcher.” (The Daily Telegraph) “Funny and deeply tragic.” (The Daily Mail) CHUKWUDEBELU - Big Heart co-written with Nigerian musician Ben Okafor for BBC PRESERVE OF GOD Media / BBC R4, dir.
    [Show full text]