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T Art: and the thrill of performance! om Slaughte om r , Photos: Alexis Buatti–Ramos Alexis Photos: ,

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2 THE NEW 42ND STREET PRESENTS AT THE NEW VICTORY THEATER and Glyn Maxwell's

Based on the novel by

Co-produced by The Group and Opera North in association with ROH2 and Watford Palace Co-commissioned by The Opera Group and ROH2 Orchestra Partner Metropolis Ensemble u.s. premiere May 2 - 12, 2013

Composer Librettist DAVID BRUCE GLYN MAXWELL

Director Conductor JOHN FULLJAMES ANDREW CYR

Performers MARY BEVAN, JAMES LAING, AMAR MUCHHALA, WYN PENCARREG, ANDREW SLATER

Orchestration by Metropolis Ensemble DOUG BALLIETT, SARAH BEATY, OWEN DALBY, BRIDGET KIBBEY, DANIELLE KUHLMANN, BRITTON MATTHEWS, LUKE RINDERKNECHT, LANCE SUZUKI, STAS VENGLEVSKI

Puppetry by Indefinite Articles STEVE TIPLADY & SALLY TODD

Designer Lighting Designer DICK BIRD GUY HOARE

Assistant Director Choreographer HANNAH MULDER Victoria Newlyn

The New Victory Theater recognizes the generous support of American Express, corporate sponsor of The Firework Maker's Daughter.

The New Victory Theater is supported, in part, with public funds from the National Endowment for ; New York State Council on the Arts, a State agency; and from The New York City Department of Cultural Affairs, in partnership with the City Council. The Board of Directors, the New Vic Council, Friends of The New Victory and the theater’s dedicated patrons, corporate and foundation donors also provide essential contributions, helping to make possible programming of the highest quality. SYNOPSIS Lila—who lives in an imaginary land that brings to mind India, Thailand, China, Indonesia or some combination of all and none of those places—wants to be a firework maker like her father, Lalchand. Despite Lila’s natural talent, Lalchand believes this is an unsuitable job for a girl. Lila disagrees, and journeys to get Royal Sulphur from Razvani the Fire-Fiend at Mount Merapi, as all aspirant firework makers must do. To succeed in this quest, Lila must find protection from the Fire-Fiend's flames and bring Three Gifts to Razvani. Lila is unsure what these Three Gifts are.

Luckily for Lila, her friends Hamlet, a white elephant, and Chulak, an elephant scrubber, manage to obtain Enchanted Water from the Goddess of the Emerald Lake, which will protect her from the fire. To Lila's surprise, the Fire-Fiend doesn’t challenge her on the Three Gifts, but she is devastated when he laughs at her request for Royal Sulphur. He tells her Royal Sulphur is just an illusion.

On her return home, Lila learns that Lalchand has been imprisoned for the disappearance of Hamlet. To save his life, Lila and Lalchand must win the King’s Firework Competition against the best firework makers in the world.

Upon their victory, Lila learns what the Three Gifts are and that deep down, she has carried them with her throughout her journey.

The Firework Maker’s Daughter made its world premiere at Hull Truck in Yorkshire on March 23, 2013.

Light the match and spark the flame. Tell everyone you know about the show! #fireworkmaker @NewVic

A NOTE FROM THE COMPOSER Since my own childhood, I have thought of the theater as a colorful place of magic and fantasy, and as I've grown older, I am still attracted to those same aspects. For me there is not really a difference between children's theater and adult theater—as I see it, it's all "play" and we are all children.

Philip Pullman seems to share a similar enjoyment of the fun and color of the theater. For me—as I think for Pullman—there is a direct connection between the sense of fantasy that can be created in the theater and a sense of spiritual and moral questioning. In the theater, we allow ourselves to wonder—to ask "what if"—and the question can sometimes be absurd or comical in nature, but other times be something much more profound. In a largely secular society, the theater is one of the few places where we can still ask ourselves the big questions and still feel wonder in all its aspects. My instinct as an artist is to set those big questions in a context that allows us to laugh, smile and relax. And this is one of the things that attracts me most about Pullman's story—it contains both the absurd and fun elements that make theater such a delight—talking elephants, a fire-fiend in a grotto, etc.—whilst at the same time making some profound points about the creation of art and the need for self- expression, friendship, courage and love.

David Bruce, Composer, The Firework Maker’s Daughter

4 VISUALIZE THE VOICES Lila, Soprano Lila is a young girl who wants to be a firework maker just like her father. As she embarks on a quest across the land to become a firework maker, she learns all about herself and the inner strength she possesses. As a soprano, Lila is the highest female voice part in the production with a range similar to that of a violin. In opera, the soprano usually plays the heroine since a high bright voice traditionally suggests femininity and virtue.

Hamlet, Countertenor Hamlet is the King’s treasured, love-sick and talking White Elephant. The king constantly punishes his enemies by making them take care of Hamlet, as he can only sleep in the finest sheets and eat the classiest food. But all Hamlet really wants is to be with his love, the elephant at the zoo. Hamlet is a countertenor, a type of classical male singing voice, with a range similar to a contralto or mezzo- soprano. The countertenor has developed the falsetto in his voice with such strength that it has power similar to a full-voiced sound. Often these singers possess the ability to sing in a lower male voice type as well.

Chulak, Tenor Chulak is Lila’s friend and Hamlet’s caretaker. He hatches a plan to charge people to advertise on Hamlet, so the two of them can make enough money to run away. Along with Hamlet, he aids Lila in her quest to become a firework maker and remains her loyal friend. Chulak is a tenor, a high male voice part which sounds similar to a trumpet in range and tone. In opera, the tenor usually plays the young lover.

Lalchand, Baritone Lalchand is Lila’s father and renowned firework maker. He tells his daughter that she cannot follow in his footsteps because he thinks that the profession is unsuitable for a girl. However, when Lalchand is imprisoned for Hamlet’s disappearance, he and Lila must work together to win the King’s Firework Competition and save his life. Lalchand is a baritone, a lower male voice part which sounds similar to the French horn in range and tone.

Rambashi, Bass-Baritone Rambashi is Chulak's uncle and provides much of the comedic relief throughout the show, especially as he goes through various guises looking for a career. Rambashi is a bass-baritone, a voice part that has the low notes of the typical bass allied with the ability to sing in the low-lying baritone range. CAST Lila, Goddess, Young Girl...... Mary Bevan (Soprano) Hamlet, Pirate, Ghost, Firework 1...... James Laing (Countertenor) Chulak , Pirate, Ghost, Firework 2...... Amar Muchhala (Tenor) Lalchand, Sprite, Pirate, Razvani...... Wyn Pencarreg (Baritone) Rambashi, Keeper, Ghost, King...... Andrew Slater (Bass-Baritone) Violin...... Owen Dalby Harp...... Bridget Kibbey Bass...... Doug Balliett Accordion...... Stas Venglevski French Horn...... Danielle Kuhlmann Flute...... Lance Suzuki Clarinet...... Sarah Beaty Percussion...... Britton Matthews Percussion...... Luke Rinderknecht

CREATIVE AND PRODUCTION TEAM Composer...... David Bruce Librettist...... Glyn Maxwell Director...... John Fulljames Conductor...... Andrew Cyr Set and Costume Designer...... Dick Bird Direction...... Steve Tiplady and Sally Todd of Indefinite Articles Lighting Designer...... Guy Hoare Choreographer...... Victoria Newlyn Assistant Director...... Hannah Mulder Repetiteur...... John-Paul Gandy Production Manager...... Ben Payne, for Illuminate Design Ltd. Company Stage Manager...... Rupert Carlile Deputy Stage Manager...... Emily Thompson Costume Supervisor...... Kirsty Rowe Tour Religher...... Barry Abbotts Wardrobe Manager...... Alice Fitzgerald Orchestral Partner...... Metropolis Ensemble Conductor UK performances...... Geoffrey Paterson Orchestra UK performances...... CHROMA

MEET THE CAST Mary Bevan (Soprano), Lila Where are you from? London, United Kingdom A few of your career highlights include… my first ever stage role as a belly dancer in Bugsy Malone at school—my mum made my costume! After that, playing Cherubino in Mozart's The Marriage of Figaro at age 14 for my family opera company, with my mum and sister playing Countess and Susanna and, more recently, becoming a Harewood Young Artist for English National Opera and playing Yum-Yum in their Christmas production of Mikado. This year I'll be making my debut at House (London) playing Barbarina in Figaro. If I could create any firework, it would look like… huge crackling white sparkles covering the whole sky. The three gifts I possess are… my family (parents, seven siblings, two-year- old son and husband), doing a job that I love and my ambition and thirst for new experiences.

6 James Laing (Countertenor), Hamlet Where are you from? I'm from a little town north of London called Harpenden. A few of your career highlights include… my debut at the , singing the national anthems at the Rugby World Cup in Australia and, in fact, every show I've performed in has been a highlight. They all have something to teach me, which I hope makes my next performance all the better! If I could create any firework, it would look like… The fun starts with the fuse which, once lit, begins on a low rumbly note and gradually builds up to a whizzing noise just before shooting the rocket up into the sky. Then, when it eventually explodes, it shoots out eight colored streams of light around a big central core. For us watching, it'll look like a big spider (or octopus!) is about to land on our heads. But it doesn’t stop there… mixed in with the explosion of legs and body are little parachutes which gently carry presents to the spectators below. The three gifts I possess are… patience, equanimity and a zest for life.

Amar Muchhala (Tenor), Chulak Where are you from? India A few of your career highlights include… Babur in London with The Opera Group (London), Georg Die Weisse Dame at the Schloss Rheinsberg (Germany) and covering Essex in Gloriana at the Royal Opera House, Covent Garden (London). If I could create any firework, it would look like… a tiger. The three gifts I possess are… diplomacy, charm and the best gin and tonic you will ever taste!

Wyn Pencarreg (Baritone), Lalchand Where are you from? I'm from the small Principality of Wales, part of the United Kingdom. A few of your career highlights include… singing all over Britain and further afield including Rome, Jerusalem, St. Petersburg and Monte Carlo. If I could create any firework, it would look like… It would be so powerful that you could see it from space! The three gifts I possess are… friendliness, a love of music and a big, bald head!

Andrew Slater (Bass-Baritone), Rambashi Where are you from? I am from the north of England, a place of ruggedness and plain-speaking. Though as an international opera singer, I don't actually live in a back-to-back terrace house. A few of your career highlights include… I like sometimes playing title roles in including Falstaff for the English Touring Opera, Figaro's Wedding for BBC Televison and Noye's Fludde in the 50th anniversary movie, but mostly I am, like here, a king or a bad guy. If I could create any firework, it would look like… My personal firework would look like the smoke and steam coming from a locomotive funnel in billowing clouds. I like trains. The three gifts I possess are… I can play honky-tonk piano; I can sing high and low and loud (but not really quiet–I was away that day at opera school); and I get to observe the smile on my missus... MEET THE CREATIVE TEAM

David Bruce, Composer Where are you from? I was born in Stamford, Connecticut, but home now is just outside London in a town called St. Albans. Last year, I returned to Stamford for the first time since I was six-weeks-old and had my picture taken next to the train station sign. A few of your career highlights include… My first piece at the world famous Carnegie Hall. They picked me up in a limousine from the airport, which made me feel very important. In addition, the first opera I ever wrote was ten minutes long and featured a beetle, a spider and a caterpillar. The caterpillar was in love with the beetle, but he didn't like her, so he told the spider to eat her. A classic operatic love triangle. If I could create any firework, it would look like… The bigger the better. If I could make one that started right in the dead center of the sky and then spread out to fill the whole sky, that would be really cool. I also like a good sound, especially the ones that make a silly whizzing noise. I think we have a few of those in the opera. The three gifts I possess are… I definitely have determination, which you have to have to be a composer (it took me 20 years before I finally wrote a piece I was happy with—that's a long time.) Something that really does feel like a gift is that however bad the day has been, I will usually wake up the next morning with a new plan and a way through the problem. They call it being optimistic. I do quite like being grumpy too though sometimes! My third gift is that I can play a tune on any instrument I find—I must have about a hundred instruments at home. The latest one is the Irish (Uillean) pipes. It took me two days to make even a single noise, but with determination and optimism, I eventually managed to play the theme from Titanic! I know I've already had three, but I think as the composer I should be allowed one more. In The Firework Maker's Daughter, the third gift is “luck,” but if you think about the story, Lila's luck actually is that she has good friends who come to her rescue. However determined you are, it's important to have some friends who tell you when you're being a bit silly. I'm lucky to have that.

Glyn Maxwell, Librettist Where are you from? A town in England, not much older than me. A few of your career highlights include… Meeting a firework maker named , performing with a firework maker named Meryl Streep and having reasons to be in New York, which makes my kind of fireworks. If I could create any firework, it would look like… it's happy it got created. The three gifts I possess are… That I've never stopped wondering what pencils think of pens or what the hot and cold faucet chat about when I'm gone, that the people around me don’t mind if I spent my life wondering and that my daughter wonders too.

John Fulljames, Director Where are you from? London, United Kingdom A few of your career highlights include… The Enchanted Pig at The New Victory Theater and Street Scene at the Young Vic in London, and working at the Théâtre du Châtelet in Paris and Gran Teatre del Liceú in Barcelona. If I could create any firework, it would look like… it would be a burst of white light within which you saw the figure of a man running faster than Usain Bolt. The three gifts I possess are… patience, a smile and more patience.

8 Andrew Cyr, Conductor Where are you from? I'm from a very small town in northern Maine called Fort Kent. Its claim to fame, aside from the cold weather, is a battle in which not a shot was fired. A few of your career highlights include… Conducting a remix of “The Rite of Spring” for 10,000 people here in New York was definitely an unforgettable moment. I'm perhaps the most proud of receiving a Grammy Nomination in 2010 and one of my fondest memories is premiering a piece by David Bruce in 2008 in which I was instructed to bounce a tennis ball to the beat while directing the orchestra. If I could create any firework, it would look like… The Northern Lights. The three gifts I possess are… Passion about what I do, an ability to bring people together and seeing the gifts in others.

Dick Bird, Set and Costume Designer Where are you from? I come from Havant, home of the medieval parchment industry and an outbreak of poisonous oysters. A few of your career highlights include… A set made from 40 tons of salt and working with Eric Cantona. If I could create any firework, it would look like… my wife. The three gifts I possess are… accuracy with a scalpel, perseverance with an accordion and a cat.

Sally Todd and Steve Tiplady of Indefinite Articles, Where are you from? The shadows A few of your career highlights include… Working with trainee from Palestinian refugee camps in Lebanon and teaching shadows in Tunis soon after the Arab spring. If we could create any firework, it would look like… a dragon's dream. The three gifts we possess are… light, object and screen (all you need to tell a story).

Guy Hoare, Lighting Designer Where are you from? Everywhere and nowhere. I was born in Essex, United Kingdom, but have travelled around constantly ever since. A few of your career highlights include… I have designed lighting for opera, dance and plays from Hull to Halifax, from Syria to Singapore and from the United Kingdom to the United States. If I could create any firework, it would look like… a damp squib. I think it would be quite magical and special, but it would be unappreciated by all but a select few. The three gifts I possess are… patience, pedantry and poly-substantiation.

Victoria Newlyn, Choreographer Where are you from? Essex, England. A few of your career highlights include… Incorporating Gangnam Style into a production of Don Giovanni BEFORE it was famous, and getting a moonwalk into The Magic Flute. If I could create any firework, it would look like… Silver spangles which melt then disappear. The three gifts I possess are… energy, enthusiasm, and the ability in rehearsal to relate any dramatic moment to a) , b) Monty Python or c) Blackadder. About Philip Pullman Born in October, 1946 in Norwich, England, Philip Pullman is best known for the series of books entitled His Dark Materials, the award winning children’s literature consisting of Northern Lights, The Subtle Knife and The Amber Spyglass. He spent his early years following his father, who was in the Air Force, to numerous postings around the world. It was on a boat to South Africa in 1951 that he learned to read and he spent part of his early days in Australia, where he developed his love for writing. Pullman studied in London and Harlech, Wales. After completing his post-graduate degree at Oxford, he worked as a teacher and, in 1970, married Judith Speller. Together they have two grown sons.

ABOUT THE OPERA GROUP The Opera Group is an award-winning, nationally and internationally renowned opera company, specializing in commissioning and producing new operas. Our projects aim to merge the best of contemporary theatre and music.

Recent highlights include performances of The Opera Group/Young Vic's award-winning production of Kurt Weill's Street Scene at Théâtre du Châtelet in Paris and Gran Teatre del Liceu in Barcelona and a two-week run at the Linbury Studio, Royal Opera House with The Firework Maker's Daughter. The Opera Group brought The Enchanted Pig to The New Victory in 2010 and is thrilled to be returning for a second visit.

The company received the Evening Standard Best Musical Award for Street Scene and The Enchanted Pig was short listed for the Royal Philharmonic Society’s Best Opera and Music Theatre Award.

The Opera Group is based in the southeast of England and is a Creative Associate at Watford Palace Theatre, an Associate Artist at Oxford Playhouse and works regularly with the Young Vic, Royal Opera House and Opera North. The Opera Group is an artist-in-residence at King’s College London. ABOUT OPERA NORTH Opera North is England's national opera company in the North and a leading European arts organization. Acclaimed for its imaginative programming and innovative productions on the main stage, Opera North creates smaller-scale projects that bring together music, words and theater in new and surprising combinations. It also programs its own venue, the Howard Assembly Room in Leeds, with an enormous diversity of activities that make connections between the classical and the contemporary. The company’s core artistic ensembles, the Chorus and Orchestra of Opera North, are renowned for the consistent excellence of their work, and the Orchestra, under the inspired leadership of its Music Director Richard Farnes, also leads an energetic life on the concert platform and in the recording studio. Opera North Education takes the company into the heart of the community and demonstrates, year after year, the power of the arts in general and opera in particular to transform lives.

ABOUT LONDON'S ROYAL OPERA HOUSE Integral to the work of the Royal Opera House is its contemporary programming. ROH2 adds diversity to the Royal Opera House program and gives opportunities for performers and audiences to experiment and collaborate in vibrant, creative ways. ROH2 commissions and produces opera and dance for the Linbury Studio Theatre, the Clore Studio Upstairs and the Paul Hamlyn Hall, as well as a program of festivals and artist development initiatives. The Royal Opera continues to make a significant investment in artists and ideas and to develop works towards productions.

10 ABOUT WATFORD PALACE THEATRE Watford Palace Theatre is a local theater with a national reputation. As the creative hub at the heart of Watford, England, the Palace engages people through commissioning, creating and presenting high-quality theater and developing audiences, artists and communities through exciting opportunities to participate. Contributing to the identity of Watford and Hertfordshire, the Palace enriches people’s lives, increases pride in the town, and raises the profile of the area. The beautiful 600-seat Edwardian Palace Theatre is a Grade II listed building, busy with live performances and film screenings seven days a week, offering world- class art to the tens of thousands of people who visit each year.

ABOUT METROPOLIS ENSEMBLE Metropolis Ensemble is a professional chamber orchestra and ensemble, based in New York City, dedicated to making classical music in its most contemporary forms. Led by Grammy- nominated conductor, Andrew Cyr, Metropolis Ensemble gathers today's most outstanding emerging composers and young artists to produce unique, innovative concert experiences.

Founded in 2006, Metropolis Ensemble has commissioned over 80 works of music from a dynamic mix of primarily New York City-based composers and has been presented by The Wordless Music Series, Lincoln Center, Carnegie Hall's Weill Music Institute, (Le) Poisson Rouge, Celebrate Brooklyn!, BAM and The New Victory Theater. Metropolis Ensemble has established a reputation of presenting “new music played with the same kind of panache and bravura we usually experience only in performances of standard repertoire” (Esa-Pekka Salonen).

In 2010, Metropolis Ensemble was proud to receive a classical nomination in the 53rd Annual Grammy Awards for Avner Dorman's Mandolin Concerto. In 2011, Metropolis Ensemble made its Lincoln Center's Out of Doors Festival debut presenting the New York premiere of Tan Dun’s Martial Arts Trilogy. Later that fall, Metropolis Ensemble recorded the debut orchestral albums of two New York based composers: Timothy Andres (for Nonesuch) and Vivian Fung (for NAXOS) at Tanglewood's Ozawa Hall, which are set for release this season. In recent highlights, Metropolis Ensemble appeared on NBC’s “Late Night with Jimmy Fallon” with the multiple Grammy-winning hip-hop sensation The Roots and made its BAM debut last spring in two sold-out shows at the Howard Gilman Opera House with Questlove’s “Shuffle Culture” alongside Reggie Watts, Deerhoof and DD Jackson.

ABOUT INDEFINITE ARTICLES Indefinite Articles was formed in 1995 by sculptor Sally Todd and Steve Tiplady (Mouse Queen, New Vic 2005) to combine their passion for transforming the everyday and mundane into something sublime. To date, they have told stories with sand, oil, chalk, glass, a few drops of ink and a lot of clay.... plus a puppet, here and there. Productions include: Dust, a shadow performance based on The Odyssey, which won a Time Out Award for Innovation, The Magic Lamp, Claytime, The Chalk Giants and Pinocchio. The company has performed nationally and internationally including presentations at the Henson Puppet Festival (New York), Lutke Puppet Festival (Ljubljana, Slovenia), Porto Puppet Festival (Porto, Portugal), Hundesdag Festival (Halle, Germany), National Theatre Mexico, Theatralia Festival (Madrid, Spain) and Beirut Arab Puppet Theatre. THE NEW VICTORY THEATER IS... ®

GOOD STUFF ON STAGE

Welcome to The New Victory Theater—a place where storytellers reign alongside daredevils, , rock stars, break dancers and—most of all—kids. Since its opening in 1995, The New Victory has become a cultural rite of passage for the youngest of New Yorkers, earning us a special 2012 Drama Desk Award for “providing enchanting, sophisticated theater that appeals to the child in all of us, and for nurturing a love of theater in young people.”

JOBS FOR YOUNG PEOPLE

INSPIRATION, DISCOVERY The New Vic/New 42 Youth Corps & CREATIVITY IN THE is a job training program that CLASSROOM provides high school and college-age youth with paid employment and professional In addition to $2 tickets to the same NEW training. In addition to a wide VICTORY shows that are presented to the public, variety of responsibilities that the unique and award-winning NEW VICTORY Education Partnership Program offers free bring them into regular contact classroom workshops taught by highly-trained with audiences, artists and arts teaching artists. And through in-depth administrators, NEW VICTORY resources and professional development, apprentices and ushers experience The New Victory empowers teachers to a variety of shows from around incorporate the arts into their curriculum on the world, strengthening their a daily basis, elevating and enriching ongoing appreciation of and connection arts programs in New York City schools. to the performing arts.

Explore more about The New Victory and our shows at NewVictory.org and find us on:

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12 Dear Friends:

Philip Pullman was interviewed by Scholastic and said that “After nourishment, shelter and companionship, stories are the thing we need most in the world.” He probably never imagined that a theater in Times Square dedicated to works for New York City kids, their schoolmates and families would adopt his words; but then again, he probably didn’t think that one of his novels would become an opera performed on the stage of that very same theater either.

At The New Victory Theater, we love his statement and have incorporated it in a campaign of posters around town that feature a number of the productions that have been (or will be) performed on the New Vic stage this spring.

Therefore, we are particularly pleased to present The Firework Maker’s Daughter, based on the enchanting novel by Philip Pullman. This beautiful opera, so wonderfully produced and performed, tells Pullman’s story of a young girl who embarks on an epic quest to become a firework maker. We hope you will be swept away by the singing and the music, and that you will adore the story.

Warmest Regards, Cora Cahan,

President, The New 42nd Street

Cora Cahan, President of The New 42nd Street, with her grandsons Gus and Leo The New Victory Theater is a project of The New 42nd Street. In addition to The New Victory Theater, projects include: the New 42nd Street Studios, a state-of-the-art rehearsal studio/office/theater complex built in response to the need for well-designed, centrally-located and affordable rehearsal space in New York City for dance and theater companies, and The Duke on 42nd Street, a 200-seat black box theater in the New 42nd Street Studios building. JOIN THE FRIENDS PROGRAM Friends of The New Victory are valued partners of New York City’s first and only nonprofit theater dedicated to kids and families. With a tax-deductible gift of $75 or more, Friends enjoy invitations to insider events, VIP ticketing, and personalized service – all while supporting the New Vic’s world-class performing arts presentations, affordable ticket prices and award-winning Education programming that serves more than 32,000 students annually.

For more information or to join, please email [email protected] or call 646.223.3082.

The New Victory thanks the many who have joined Friends of The New Victory in 2012-13. We proudly list the following for their generous support at the Player level and above. (List as of April 16, 2013)

LEADER Deborah Kaback Korn Laura and Kevin O’Donohue Georgie and Jamie Marley PLAYER Arielle Tepper Madover Gaby Basora BENEFACTOR Elizabeth and Isabel Wolter Herman Berliner James Browning Christopher and Sharon Davis Anonymous Girlie Chang Brenda Earl Melissa Doyle Joey and Mike Engling MANAGER Adelina Wong Ettelson David and Anita Massengill Boehm Family Foundation Rhonda Faulkner Margaret Munzer Loeb and David and Leigh Bishop Taub Catherine Gund Daniel Loeb Clare Bradshaw Samantha Kasowitz Elizabeth Columbo Carol Lyons Leisa Creo ANGEL Diana Son The Cullen Family Ellie Telzer Joyce Chang and David Robbins The Cory and Bob Donnalley Anonymous Amy and John Griffin Charitable Foundation Robert and Sally Huxley Jennifer Donnalley Kim and Greg Lippmann Bruce D. Forrest and Eva B. Schadeck Nicole Gagnon and Marco Caffuzzi PILLAR Patricia Garrett MaryAnne Gilmartin Ethan Berman and Fiona Hollands Lisabeth Grinberg Andy and Penelope Hort Peter Hammack Susan Jordan and Timothy Clifford Amy Kadomatsu Rachel and Jaideep Khanna Dana Lowey Luttway Wendi and Joe Rose The Perman Family Aaron Stein and Family Donna and Martin Rich Atoosa Rubenstein SPONSOR Julie Singer and Paul Kerwin Francee and Michael Tendler Jill Bokor and Sanford Smith Heidi Wilenius Be sure to RSVP Ralph Buultjens Kate Zuckerman and Simon Lipskar to a Working Yvonne Y.F. Chan Anonymous Rehearsal. CONTRIBUTORS to the All Friends are invited! NEW VICTORY ANNUAL CAMPAIGN The New Victory Theater is proud to acknowledge the following generous individuals, foundations, corporations and government agencies whose financial commitment enables the Theater to engage, educate and entertain more than 100,000 people of all ages each year. We sincerely thank those who make a fully tax-deductible donation in support of The New Victory Annual Campaign. (List as of Aptil 16, 2013) $100,000 and over National Endowment for the Arts Amy and John Griffin Bloomberg Philanthropies New York City Department of Youth The Heckscher Foundation for Children and Community Development Sarah Long Solomon and David Solomon Marian S. Heiskell May and Samuel Rudin Family New York City Department New York State Council on the Arts The Pinkerton Foundation Foundation, Inc. The Fan Fox and Leslie R. Samuels of Cultural Affairs The Shubert Foundation, Inc. Foundation Target $50,000 – $99,999 The Skirball Foundation Gerri and Andy Sommers Booth Ferris Foundation $25,000 – $49,999 Diane and Marc Spilker Anne and Joel Ehrenkranz American Express Company The Harold and Mimi Steinberg The Ford Foundation Lynne Biggar and Thom Gray Charitable Trust The Horace W. Goldsmith Foundation Emily and Len Blavatnik Thomson Reuters Fiona Howe Rudin and Eric Rudin Bloomberg L.P. Sian and Ed Torres The Pierre and Tana Matisse Brenda Earl Anonymous Foundation French-American Fund for Contemporary Theater, a program of FACE

14 $10,000 – $24,999 Yvonne Y.F. Chan Betsy Ross Shahara Ahmad-Llewellyn Joyce Chang and David Robbins Daryl and Steven Roth J.W. Corcoran Suzanne and Burton Rubin Stacy Bash-Polley Robert Couturier Brenda Sanchez Bob Boyett Anna E. Crouse Deborah and Paul Sankey Cushman & Wakefield, Inc. Jennie L. and Richard K. DeScherer Adrianne and Avi Shapira Jacqueline H. Dryfoos DeWitt Stern Group Charles Shorter and Suzanne Randolph The Durst Organization Diana and Joe DiMenna James L. Simon Jennifer Gundlach and Michael Greenspon Roxanne Donovan and Tom Scarangello Andrew Solomon and John Habich Solomon The Foundation Susan W. Dryfoos Jennifer and Jonathan Allan Soros Muna and Basem Hishmeh Foundation, Inc. Susan Edelstein Aaron Stein and Family Suzie and Bruce Kovner Dasha Epstein Christina Steinbrenner Lefkofsky Family Foundation Adelina Wong Ettelson and Bill Ettelson Judith Stern Peck The Margaret and Daniel Loeb-Third Point Everett Foundation Beth and Lee Stettner Foundation Edith Fassberg Jill and Alan Swerdloff The Ambrose Monell Foundation Sheri and Marc Feigen Theatrical Protective Union, Local One IATSE Alexia and Henry Fernandez Mary Ann Tighe and Dr. David Hidalgo Laura and Kevin O’Donohue Barbara G. Fleischman Lee Traub Pennsylvania Performing Arts on Tour (PennPAT) Una and Chris Fogarty Stephanie and Harry Wagner Mary Rodgers and Henry Guettel Frieda and Roy Furman Mary Wallach The Isabel Rose Foundation Heather and Andrew Georges Naomi Watts and Liev Schreiber Mara and Ricky Sandler Goldfarb & Fleece LLP Mrs. John L. Weinberg Adolph and Ruth Schnurmacher Ann Gottlieb Stacey and Gregg Weinstein Foundation, Inc. Jon and Mindy Gray Carl B. Weisbrod and Hon. Jody Adams The Peter Jay Sharp Foundation Jeanne Greenberg Rohatyn and Nicolas Rohatyn Amy and Tom Wolf Sarah and Howard Solomon Catherine Greenman and Richard d’Albert Elizabeth and Isabel Wolter The Thompson Family Foundation Bill Haber Elizabeth and Adam Zoia The Harkness Foundation for Dance Zubatkin Owner Representation, LLC Jane Harmon Anonymous $5,000 – $9,999 Amy Heilberg Dorothy L. Alpert and Morrey S. Halfon Darren Henault Boston Properties and Edwin A. Finn, Jr. $250 – $999 John and Gaily Beinecke Con Edison Herman Berliner Andrea Crane and Sam Hoffman Marlene Hess and James D. Zirin Helen and Robert Bernstein Crosswicks Foundation, Ltd. Louise Hirschfeld and Lewis B. Cullman Tama and Brad Bernstein Christopher and Sharon Davis Abigail and Steven Hoffman Boehm Family Foundation Cushman & Wakefield, Inc. Andy and Penelope Hort Jill Borst Deloitte Robert and Sally Huxley Allison Blinken Joey and Michael Engling Linda and Morton Janklow Anne and Russell Byers Susan Jordan and Timothy Clifford Joseph C. and Esther Foster Susan Cahn and Mario Batali Jujamcyn Theaters Margaret and Alex Chi Foundation, Inc. Deborah Kaback Korn Mr. and Mrs. Christopher A. Clark Clare and Vartan Gregorian Isabel and Craig Kallman Katherine and Tim Clifford Sharon and Richard Hurowitz Meredith J. Kane, Paul, Weiss, Rifkind, Wharton & Catherine and Jackson Collins KR Capital Partners, LLC Garrison LLP Mr. and Mrs. Brian Decker Thomas H. Lee and Ann Tenenbaum Nathalie Kaplan Cipa and Misha Dichter Mrs. Mortimer Levitt Erica and Michael Karsch Lili Fable Kim and Greg Lippmann Stefanie Katz-Rothman and James Rothman Jody Falco and Jeffrey Steinman Phyllis Mailman Rachel and Jaideep Khanna Karen Falk Stephanie and Andrew Falk Susan Martin and Alan Belzer Lisa Kohl and Ricardo Hornos Tyana and Scott Kurtz Marc and Mindy Feinberg David and Anita Massengill Jennifer Gilbert Simone and David W. Levinson The McGraw-Hill Companies Carol and John Harrison Kamie and Rich Lightburn Melani Nardone Alan Herbert Jennifer and Marc Lipschultz Office Resources Lea Paine Highet Holly and Jonathan Lipton Bill Irwin and Martha Roth Loren Pack and Rob Beyer Pamela Ludwick Kate and Brad Peck iWeiss Theatrical Solutions Lutz and Carr CPA’s Cindy and Steven Ketchum Rebecca Robertson and Byron Knief Robert Goldberg and Betsy MacIsaac Susan and David Liederman The Rodgers & Hammerstein Foundation The Honorable and Mrs. Earle I. Mack Giorgiana Magnolfi and Roberto Berardi Jacqueline and Mortimer D.A. Sackler Macquarie Group Foundation Rebecca Mai Phillip and Donna Satow Arielle Tepper Madover MBS Value Partners LLC Silver Mountain Foundation for the Arts Lenore and Sean Mahoney Deborah Melincoff and Hooman Yaghoobzadeh Structure Tone, Inc. Jamie and Georgie Marley Margot and Daniel Milberg Vance Thompson Erika and Peter Marsh David and Jennifer Millstone Eileen and Ted Wagner Rory and Janet McCreesh Renee Michelle Moreau Lisa O’Kelly Anonymous Teri Mendelsohn and Richard Lethin Ronay and Richard Menschel Liz and Augustus Oliver Mertz Gilmore Foundation Dean Palin $1,000 – $4,999 Gillian and Sylvester Miniter Katharine H. Parker / Proskauer Rose LLP Lawrence D. Ackman Lauren Mitchell and Michael David Betty and Carl Pforzheimer Kate and Christopher Allen Isaac Mizrahi and Arnold Germer Pittman Family Foundation Lisa Applebaum and George Haddad Mr. and Mrs. Lester S. Morse, Jr. Meryl Poster Allan Povol Jody and John Arnhold George B. and Elinor Bunin Munroe Stephen Shepard and Lynn Povich Axe-Houghton Foundation Daniel M. Neidich and Brooke Garber Foundation Amelia and Eliot Relles Barbara Bartlett Sloan Ilona Nemeth Susannah Robinson Ethan Berman and Fiona Hollands Donald E. Newhouse Abigail Scheuer Cathy and Marc J. Bern Newmark Knight Frank Mary Jo and Ted Shen Steffi and Robert Berne Daniel Nir and Jill Braufman Family Foundation Holly and David Sherr Jill and Darius Bikoff Ryan and Victoria O’Hara Dr. Ellen L. Sporn David and Leigh Bishop Taub Vicki Panzier Gross and Michael Gross Lucia Swanson Yildiz and Richard Blackstone Shirley Pechter Olga Votis Adele G. Block Charles A. and Joan M. Platt Elizabeth West and Oren Jacoby Jill Bokor and Sanford Smith Platt Byard Dovell White Architects Anonymous Donya and Scott Bommer Martin Riskin For information about giving opportunities, Louis and Barbara Borodinsky Risa and Michael Rohatyn Carlo Bronzini Vender and Tanya Traykovski Candice Bergen and Marshall Rose including ways to name a seat Ralph Buultjens Wendi and Joe Rose in The New Victory Theater, Cora Cahan and Bernard Gersten Seth and Elizabeth Rosen please call Deborah Ann Trimble, Capezio/Ballet Makers Dance Foundation, Inc. Lori and Steven Rosenfeld Vice President of Development, Carter, Ledyard & Milburn LLP Mrs. Arthur Ross at 646.223.3080 or visit NewVictory.org. SPECIAL PROJECT SUPPORT

THE NEW VICTORY THEATER PROUDLY SALUTES THE FOLLOWING SUPPORTERS FOR THEIR VISION AND UNSTINTING COMMITMENT TO QUALITY PROGRAMMING DEDICATED TO YOUNG PEOPLE.

The New Vic Education Partnership Program is New Victory Theater presentations are made possible by the New York State Council on the Arts generously supported by a leadership grant with the support of Governor Andrew Cuomo and the from Target. New York State Legislature.

The New 42nd Street proudly recognizes New Victory LabWorks Project is funded, in part, by a grant from the Bloomberg Philanthropies for its major support. New York State Council on the Arts.

Funding for New Victory dance presentations has been provided by The Harkness Foundation for Dance, and Capezio/Ballet Makers Dance Foundation, Inc. Thank you to Thomson Reuters for its leadership role as Gala Corporate Sponsor.

The has provided a special presentation grant in support of Ring A Ding Ding, The New 42nd Street thanks Booth Ferris Foundation for Dinosaur Zoo, Grug and Fragile. generously supporting the design and construction of the new website, NewVictory.org.

The New Victory Theater is supported, in part, by public funds from the New York The New Victory Education Program and New Vic/New 42 City Department of Cultural Affairs, in Youth Corps are supported by the steadfast involvement of the partnership with the City Council. following:

Bloomberg L.P. The New Victory Theater’s presentations of The Con Edison Mark of Zorro, Grug, Intergalactic Nemesis and The Ford Foundation Firework Maker's Daughter are supported, in The Heckscher Foundation for Children part, by a grant from the National Endowment Muna and Basem Hishmeh Foundation, Inc. for the Arts. New York City Council Member Jessica S. Lappin The Pierre and Tana Matisse Foundation The McGraw-Hill Companies The New Vic Council Performances part of Ricochet-Arts for All New York City Department of Education Ages! are made possible with the support New York City Council Manhattan Delegation of Institut francais, the Cultural Services New York City Council Speaker Christine Quinn and the of the French Embassy, and the French- New York City Council American Fund for Contemporary Theater, New York City Council Member Domenic Recchia, Jr. a program of FACE. The Pinkerton Foundation May and Samuel Rudin Family Foundation, Inc. Adolph and Ruth Schnurmacher Foundation, Inc. The Peter Jay Sharp Foundation RHAW is partially supported by a grant from The Harold and Mimi Steinberg Charitable Trust Pennsylvania Performing Arts on Tour, a program The Thompson Family Foundation developed and funded by The Heinz Endowments; Anonymous the William Penn Foundation; the Pennsylvania Council on the Arts, a state agency; and The The fund for New Vic Partnerships with NYC Title I Schools Pew Charitable Trusts; and administered by Mid was launched with a generous grant Atlantic Arts Foundation. from Stacy and Douglas Polley.

The New Vic Council The New Victory Theater recognizes the generous support of American Express, The New Vic Council, launched in October 2008, is committed to corporate sponsor of The Firework initiating programs that can further enhance the award-winning, Maker's Daughter. model New Victory Education Program and New Vic/New 42 Youth Corps.

Co-Chairs: Fiona Howe Rudin and Sarah Long Solomon Members: Yildiz Blackstone, Molly Fowler, Additional support of the presentations of I, Malvolio, Grug, As You Jennifer A. Gundlach, Monica Halpert, Sharon Hurowitz, Like It and The Firework Maker's Daughter is provided by a grant from Lisa Jonas, Nathalie Kaplan, Stefanie Katz-Rothman, Richard Lethin, the Axe-Houghton Foundation. Simone Levinson, Nina Matza, Kate Peck, Susannah Robinson, Isabel Rose, Tracey Ryans, Mara Sandler, Donna Satow, James L. Simon, Vance Thompson, Sian Torres

Talk-Backs at The New Victory Theater are made possible by a generous grant in memory of Andrew Heiskell.

16 THE NEW 42ND STREET The New Victory theater/New 42nd Street Studios/the duke on 42nd street Administration Finance President, Cora Cahan Vice President, Finance, Kim Dobbie Neuer Executive Vice President, Lisa Lawer Post Controller, Alice Arias Vice President, Operations, Bill Lennon Finance Associates, Stephanie Mondestin, Sarah Walker Executive Assistant to the President, Susan Grushkin Human Resources Associate, Rick Brody Assistant to the Executive Vice President Finance Apprentice, Krenare Rexhaj and Vice President, Operations, Beth Baker Office Manager, Kristina Perry INFORMATION TECHNOLOGY Receptionist, Kristel La’Boy Director of Information Technology, Robert Cohn Systems Administrator, Peter Lima CURATORIAL/Programming Web Developer, Bryan Drenner Director of Artistic Programming, Mary Rose Lloyd Assistant Director of Programming, Carrie DuBois Shaw Marketing & Communications Programming Associate, Kali DiPippo Director of Marketing & Communications, Lauren P. Fitzgerald Programming Assistant, Olga Putilina Assistant Director of Marketing & Communications, Programming Apprentice, Jinny Kim Daniel Rech Marketing & Communications Associate, Christina Macchiarola Development Media & Graphic Designer, Alexis Buatti-Ramos Vice President, Development, Deborah Ann Trimble Graphic & Media Production Coordinator, Katie Diamond Director of Institutional Giving, Katherine Freedman Communications Apprentices, Shamilia McBean, Manager, Individual Giving, Melissa Kalt Kaitlin McCafferty Development Associate/Grant Writer, Michelle Elliott Development Associate/Data Manager, Catherine Cho Operations/the new victory theater Development Apprentice, Courtney Favini Director of Theater Operations, Melinda Berk Company Manager, Laura Hamilton DIGITAL SERVICES Operations Associate, Julia Putnam Director of Digital Services, Lilaia Kairis Front of House/Youth Corps Manager, Anthony D. Pound Senior Manager/Web & Digital Services, Jamie O'Brien Senior Associate House Manager, Anna M. Rivera Media Manager, Blake McCarty Associate House Manager, Brooke Smith Digital Media Apprentice, Kyle Scott Assistant House Manager, Siobhan Santini Theater Operations Apprentice, Sanam Emami Education Superintendent, Ernest Pelerin Director of Education/School Engagement, Facilities, Joseph Felicier, Roberto Garcia, Fernando Rosado Courtney J. Boddie Receptionists, Shaileen Aponte, Shiraz Biggie, Glenn Fleary, Director of Education/Public Engagement, Rebecca Knell Lindsey Buller Maliekel Ushers, Lucy Albert, Jasmin Ayala, Anthony Brown, Brandon Associate Director of Education/Creative Content, Camner, Gabriela Casas, Anthony Castillo, Vincent Chen, Camille Jonathan Shmidt Connor, Aron Crawford, Michael Cummings, Zoila de la Cruz, Education Programs Associate, Renata Melillo Emmanuel Delgado, Prisila Diaz, Sophia Fernandez, German Education Programs Associate, Erica Reinsch Flores, Gabriel Fortuna, George Gonzalez, Kaylena Gonzalez, Education Programs Associate, Carolyn Charpie-Fagan Rhonda Grant, Aliya Hajiyeva, Rayneil Hall, Joanne Harrison, Education Department Assistant, Erika Atkins Brandon Hutchinson, Kseniya Kosmina, Mateusz Kowalski, Leticia Interim Education Coordinator, Amy Sawyers Lemos, Alverneq Lindsay, Ciarra Livramento, Ashley Milutinovic, Education Apprentice, Benji Ashe Hemwanttie Narein, Amy Ortiz, Angelique Perez, Victoria Pugh, Teaching Artists, Gyana Arias, Carlo D'Amore, Justin Daniel, Jeremy Ramirez, Jillian Ramirez, Maritza Ramos, Andrew Robins, Neil Dawson, David DelGrosso, Mathilde Dratwa, Antonio Rodriguez, Jonathan Rodriguez, Oscar Rojas, Ginger Olney Edmondson, Margot Fitzsimmons, Nanya-Akuki Goodrich, Roman, Joshua Santiago, Simon Smithner, Marquise Waiters, Paul Signe Harriday, Rachael Holmes, Katie Issel Pitre, Lauren Jost, Williams, Natalia Wit Adrienne Kapstein, McKenna Kerrigan, Josh Landay, Retta Leaphart, Melana Lloyd, Michael Lopez, Spencer Lott, Production Marta MacRostie, Shelah Marie, Penelope McCourty, Director of Production, David Jensen Josh Matthews, Steven McIntosh, WT McRae, James Miles, Production Management Apprentice, Rachel Jacquin Annie Montgomery, Peter Musante, Heather Nicolson, Drew Petersen, Sarah Petersiel, Brad Raimondo, Jenny Sargent, Production/the new victory theater Therese Schorn, Billy Schultz, Will Seefried, Summer Shapiro, Technical Director, Robert Leach Lauren Sharpe, Ted Sod, Heidi Stallings, Skyler Sullivan, Production Coordinator, Colleen Davis Spica Wobbe, Vlada Yaneva, Anne Zuerner Associate Production Coordinator, Laura Been Master Technician, Robert Shepard Facilities Assistant Master Technician, Michael Di Marco Director of Facilities, Robert Saracena IATSE Apprentice, Alex Noerpel Facilities Department Coordinator, India Robertson Wardrobe, Cathy A. Gray-Carney THE NEW 42ND STREET The New Victory theater/New 42nd Street Studios/the duke on 42nd street Public Relations The New 42nd Street Director of Public Relations, Allison Mui Board of Directors Public Relations Associate, Arielle Katz OFFICERS Ticket Services Fiona Howe Rudin, Chairman Director of Ticket Operations, Robin Leeds New Vic Box Office Manager/Tessitura Specialist, Joseph Yoga Cora Cahan, President Duke Box Office Manager, Isaac Oliver Shahara Ahmad-Llewellyn, Vice Chair Duke Box Office Sales Assistant, Cristina Sanza Charles A. Platt, Secretary Ticket Services Manager, Matt Cleaver Dorothy L. Alpert, Treasurer Assistant Ticket Services Manager, Anastacia Vincent Group and Special Events Coordinator, Heather Levine DIRECTORS Ticket Services Associates, Sam Eckmann, Stacy Bash-Polley Crystal McCrary Sonya Freeman-Moss, Jillian Pastori, Vishal Vaidya Herman A. Berliner Terrence McNally operations/new 42nd street studios/ Lynne Biggar Laura O’Donohue the duke on 42nd street J. Corcoran Katherine Peck Director of Operations, Alma Malabanan-McGrath Anne B. Ehrenkranz Rebecca Robertson Assistant Director of Operations, Danielle Dybiec Lili Fable Isabel Rose Manager of Operations, Matthew Knowland Clare R. Gregorian Charles Shorter Technical Manager, Kevin Service Henry Guettel Andrew Sommers Technical Coordinator, Geoff Barnes Jennifer A. Gundlach Marc A. Spilker House Manager, Seth Diggs Assistant House Manager, Jessica C. Torres Marian S. Heiskell Christopher L. Staal Facilities Manager, Mark Sacks Bill Irwin Edward F. Torres Superintendent, Reynold Raymond Ming Cho Lee Theodore R. Wagner Assistant Superintendent, Derek Rawls Sarah Long Solomon Carl Weisbrod Working Supervisor, Bulbul Ahmed Facility Assistants, Jason Cordner, Aureo Jimenez, Aleski Lebron Honorary chair Maintenance Technician, Theodore Matthew Marian S. Heiskell Maintenance Staff, Carmen Forlong, Keith McKey, Shawn Ramos, Jean Rosa, Nelson Roque Studio Operations Apprentice, Audrey Frischman EX-OFFICIO Kate D. Levin SPECIAL SERVICES Seth W. Pinsky Accountants, Lutz and Carr/Donald Shaefitz Attorneys, Paul Weiss Rifkind Wharton & Garrison/ THE NEW VICTORY THEATER Meredith Kane, Carolyn J. Casselman; c/o The New 42nd Street Proskauer Rose LLP/ Katharine Parker, Joshua A. Stein 229 West 42nd Street, 10th Floor Insurance, DeWitt Stern/Peter Shoemaker, Jennifer Brown Original Season Artwork, Tom Slaughter New York, NY 10036-7299 Sign Language Interpreters, Hands On, Inc. 646.223.3020 • NewVictory.org

Guest Info Concessions are available in the lower Merchandise is located in the lower Video, Photography or Sound lobby during pre-show and intermission. lobby and is carefully selected to Recording is strictly prohibited without No food or beverages are permitted in encourage creative play for written permission of the management. the auditorium except for bottled water. you and your family. Electronic Devices should be in the Booster Seats and Lockers are Pre-Order Forms for concessions are off position prior to the start of each available free of charge in the lower available for shows with an intermission performance. so hungry kids won’t have to wait in line lobby for every performance (please see an usher). (see an usher to order). Lost and Found item inquiries can be made to our Stage Door receptionist Assisted Listening Devices are TV Monitors showing the current from 10am-6pm every day. Please call available free of charge at the performance are in the lower lobby 646.223.3020. so that you and your child won’t concession stand. Please have miss out on any of the action if a form of ID available as a deposit. you need to leave your seat.

18 EXPLORE FAMILY ACTIVITIES

New Vic Staff have created activities for you and your family to do together before or after you see a show! Available at NewVictory.org, these activities explore and celebrate the productions on our stages. While doing them together, your family will gain insight into the talent and hard work of the performers, perhaps learn something new about one another, and maybe even create lasting memories as a family.

Family Activities include crafts, games and physical challenges, and can be completed at home with household objects. All you need is each other and an adventurous spirit! Music, templates and instructions can all be found on our brand new website.

Family Activities are only one of the features on the new NewVictory.org. Click over to the Explore Tab of any production to watch additional video featuring the company behind the show, and to read blog entries from staff and visiting artists.

® NewVictory.org AT THE DUKE ON 42ND STREET

Theatre Lovett May 31 – June 9 For everyone 7+

“A truly humorous , emotive Redmond Patrick Photos: Tom Slaughter, Art: and explosively creative pi ece of drama” −Herald (Scotland)

NewVictory.org

® A NEW 42ND STREET ® PROJECT 646.223.3010

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