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Visual Wit and Social Critique Satire from Goya to Grosz

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Visual Wit and Social Critique Satire from Goya to Grosz Visual Wit and Social Critique Satire from Goya to Grosz. With an installation by Dan Perjovschi Museum der Moderne Salzburg Rupertinum July 30—November 20, 2016 Karl Arnold 1883 Neustadt bei Coburg, DE―1953 Munich, DE Kulturschwätzer, 1922 (Babbling about culture) Collage and opaque white on cardboard Sheet: 15.75 x 11.3 in. (40 x 28.7 cm) Museum der Moderne Salzburg BA 4764 Max Beckmann 1884 Leipzig, DE―1950 New York, US Irrenhaus, 1918 (Madhouse) From the series Gesichter (Faces) 1 from a portfolio of 19 drypoints Sheet: 14.41 x 51.8 in. (36.6 x 51.8 cm) Plate: 9.96 x 12.01 in. (25.3 x 30.5 cm) Publisher: Marées-Gesellschaft, R. Piper & Co, Munich Printer: Franz Hanfstaengel, Munich Edition: 3/80 Museum der Moderne Salzburg BA 10411 Frédéric Bouchot 1798―1860 Après le Carnaval. Allons bon les v’la déjà: elles n’ont pas l’œil ouvert qu’il leur faut leur petit café, vous allez voir qu’elles ne m’laisseront pas le temps de m’déshabiller, j’vas être obligé d’les servir dans mon costume d’Espagnol, 1840 (After the carnival. Here they are already. They’re still half-asleep. They need their little coffee. You’ll see that they won’t leave me the time to get changed. I’ll have to serve them in my Spanish costume.) Colored lithograph Sheet: 13.35 x 9.17 in. (33.9 x 23.3 cm) Stone: 7.87 x 5.71 in. (20 x 14.5 cm) Museum der Moderne Salzburg BA 14706_1–3_1 Contributions indirectes. Malheur à vous si vous connaissez un poète, il faut avaler ses petits vers, deux fois malheur si vous connaissez un vaudevilliste, mais trois fois malheur si c’est un romancier, il faut acheter et lire ses volumes. (C’est l’imper. Litteraire),, 1840 (Indirect contributions. Bad luck for you if you know a poet. You’ll have to put up with his little poems. Double bad luck if you know a vaudeville actor, and triple if he’s a novelist. You’ll have to read his books [C’est l’imper. Litteraire]) Colored lithograph 1/42 Werkliste Bildwitz und Zeitkritik. Von Goya bis Grosz, 30. Juli – 20. November 2016 Sheet: 13.35 x 9.92 in. (33.9 x 25.2 cm) Stone: 7.87 x 6.77 in. (20 x 17.2 cm) Museum der Moderne Salzburg BA 14706_1–3_2 Contributions indirectes. Suivant l’ouvreuse, il n’y a plus de places, vous prenez supplément sur supplément et vous finissez par reconnaître qu’un billet donné est souvent plus cher qu’un billet payé, 1840 (Indirect contributions. According to the usherette there are no more seats. You take one supplement after the other and end up realizing that the ticket you’re given is often more expensive than the one you paid for)) Colored lithograph Sheet: 13.35 x 9.53 in. (33.9 x 24.2 cm) Stone: 7.87 x 6.81 in. (20 x 17.3 cm) Museum der Moderne Salzburg BA 14706_1–3_3 Honoré Daumier 1808 Marseille, FR―1879 Valmondois, FR – Casmajou: Je crois que le moment est venu de réclamer pour prix de mon dévouement une redingote en gratification! – Ratapoil: Eh! bien, crois-tu donc que mes bottes ne laissent rien à désirer sous le rapport de la semelle! – (Tous deux en chœur): Ô ingratitude des Gouvernements! (– Casmajou: I think the moment has come to claim a new coat for my loyalty. – Ratapoil: The soles of my boots also leave something to be desired! – (Together): Oh ungrateful governments!) Published in Le Charivari on September 11, 1851 and Charivari Belge on September 16, 1851 Series: Actualités (News) Lithographe Sheet: 14.17 x 9.96 in. (36 x 25.3 cm) Stone: 9.06 x 9.84 in. (24.8 x 22.7 cm) Museum der Moderne Salzburg BA 13709 Les moucherons politiques (The political midges) Published in Le Charivari on June 03, 1850 Series: Actualités (News) Lithograph Sheet: 14.17 x 9.92 in. (36 x 25.2 cm) Stone: 8.43 x 10.98 in. (27.7 x 21.5 cm) Museum der Moderne Salzburg BA 13700 Mlle Etienne-Joconde-Cunégonde-Bécassine de Constitutionnel, indignée, suffoquée ebouriffée et rococofiée à la représentation d’Antony où ce polisson de Dumas a eu l’immoralité de se moquer de la noble famille Bécassine de Constitutionnel. (Miss Etienne-Jaconde-Cunégonde-Bécassine de Constitutionnel, indignant, choking, disheveled, and rococified at the performance of Antony in which the rascal Dumas had the indecency to scoff at the noble family Bécassine de Constitutionnel) Published in La Caricature on May 08, 1834 Lithograph 2/42 Werkliste Bildwitz und Zeitkritik. Von Goya bis Grosz, 30. Juli – 20. November 2016 Sheet: 13.54 x 10.12 in. (34.4 x 25.7 cm) Stone: 9.69 x 12.13 in. (30.3 x 24.5 cm) Museum der Moderne Salzburg BA 13682 Le cauchemar (The Nightmare), Published in La Caricature on February 23, 1832 Lithograph Sheet: 11.06 x 14.41 in. (28.1 x 36.6 cm) Stone: 11.57 x 9.17 in. (23.2 x 29.2 cm) Museum der Moderne Salzburg BA 13677 Plus je me rapproche du soleil, plus je grelotte ... décidément, cet astre-là ne mérite pas la réputation de chaleur qui lui a été faîte ... je comprends que mon cheval regrette la terre! (The closer I get to the sun, the more I shiver ... this star certainly doesn’t deserve its reputation for heat ... I can understand why my horse is missing the earth!) Published in the journal Le Charivari on October 07, 1852 Series: Actualités (News) Lithograph Sheet: 8.5 x 9.88 in. (36.5 x 25.3 cm) Stone: 8.5 x 9.88 in. (36.5 x 25.3 cm) Museum der Moderne Salzburg BA 13461_1–29_11 Les Mannequins Politiques. Ce jeu n’a duré que trois jours. (Political puppets: the game lasted only three days) Published in La Caricature on Novemver 20, 1834 Lithograph Sheet: 10.71 x 14.33 in. (27.2 x 36.4 cm) Stone: 10.47 x 8.74 in. (22.2 x 26.6 cm) Museum der Moderne Salzburg BA 13680 Le Moulin du Télégraphe (The windmill of the telegraph) Published in La Caricature on November 16, 1834 Lithograph Sheet: 14.57 x 11.02 in. (37 x 28 cm) Stone: 9.69 x 12.72 in. (32 x 24.5 cm) Museum der Moderne Salzburg BA 14726 Le Charenton Ministériel. Différentes monomanies des aliénés politiques. (The ministerial madhouse: the different obsessions of deranged politicians) Published in La Caricature on May 31, 1832 Series: La Caricature (The caricature) Colored lithograph Sheet: 13.54 x 21.85 in. (34.4 x 55.5 cm) Stone: 19.96 x 7.6 in. (19.4 x 50.9 cm) Museum der Moderne Salzburg BA 13679 3/42 Werkliste Bildwitz und Zeitkritik. Von Goya bis Grosz, 30. Juli – 20. November 2016 Messieurs et Dames! Les mines d’argent, les mines d’or, les mines de diamant ne sont que de la pot- Bouille, de la ratatouille en comparaison de ma houille ... Mais (que vous m’allez dire) tu vends alors les actions un million? Mes actions, Messieurs, je ne les vends pas je les donne pour 200 misérables francs j’en donne deux pour une, je donne une aiguille, un cure-oreille, un passe-lacet et je vous donne encore ma bénédiction par-dessus le marché. En avant la grosse caisse ! (Ladies and gentlemen! Silver mines, gold mines, diamond mines are only thin gruel and stale rolls in comparison with coal ... But even so, (you’re going to say), you’re selling your shares for a million?... I’m not selling my shares, gentlemen, I’m giving them away for 200 miserable francs, I’m giving two for every one, I’m giving away a needle, an ear-pick, a bodkin, and what’s more, I give you my blessing into the bargain. Beat the big drum!) Published in Le Charivari on July 10, 1836 Series: La Caricature (The caricature) Colored Lithograph Sheet: 14.02 x 10.39 in. (35.6 x 26.4 cm) Stone: 8.19 x 9.72 in. (24.6 x 20.5 cm) Museum der Moderne Salzburg BA 14730 Dis donc, mon vieux, tous les hommes qui passent m’ont l’air de tourner ... c’est donc l’quartier des hommes politiques par ici? (Tell me, my friend, all the men who pass by seem to turn in the wind... could it be that this is the political district?) Published in Le Charivari on August 22, 1850 Series: Tout ce qu'on voudra (Anything You want) Lithograph Sheet: 13.98 x 9.84 in. (35.5 x 25 cm) Stone: 7.99 x 10.28 in. (26.2 x 20 cm) Museum der Moderne Salzburg BA 15333 Bixio. Plus désintéressé encore que les grands hommes de Plutarque, Bixio n’a consenti à passer qu’une semaine dans le palais du Ministère du commerce; le huitième jour, ce nouveau Cincinnatus est retourné arroser ses laitues Romaines. (Being even more altruistic than all the great men of Plutarch, Bixio did not want to reside more than a week in the office of the Ministry of Trade; on the eighth day, this new Cincinnatus returned to watering his romaine lettuces.) Published in Le Charivari on January 15, 1849 Series: Les représentants représentés (Representing via representatives) Lithograph Sheet: 12.09 x 7.48 in. (30.7 x 19 cm) Stone: 7.48 x 10.43 in.
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