15 Days Ancient China Tour with Capitals Exploration
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17 August 2021 Aperto
AperTO - Archivio Istituzionale Open Access dell'Università di Torino Managing Cultural Heritage in China. A view from the outside This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/1632687 since 2017-05-08T15:31:29Z Published version: DOI:10.1017/S0305741012000434 Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 29 September 2021 File: Zanboninifinal.Doc, 10/03/2011 16.01.00 MANAGING CULTURAL HERITAGE IN CHINA. A VIEW FROM THE OUTSIDE Luca Zan and Sara Bonini Baraldi * Abstract The paper investigates change processes regarding the managerial aspects of organizing Cultural Heritage activities in China. The focus is not on the historical and artistic meanings of archeological discoveries in themselves; nor on the technical, scientific, and methodological repercussions of conservation and restoration; nor finally on the evolution of museology per se. Rather, the core of the analysis is on new managerial problems along the “archaeological chain” (archeological discoveries, restoration, museum definition and public access to cultural heritage) posed by new professional discourse and the overall evolution of the economic and political context. The paper is based on field research carried out in Luoyang, Henan province. The micro view adopted (managing practices more than policies), and the unusual access to data (including financial figures on individual entities) represent a unique opportunity for a sort of “journey” inside the Chinese public sector. -
07 Louis 1 Gold+Silver
CATALOGUE François Louis Gold and Silver François Louis Gold and Silver mong the most precious and unexpected dis- I. Vessels A coveries of the Belitung wreck are over thirty exquisitely manufactured gold and silver vessels. All of the seven gold vessels (nos 1–7), the gold leaf, These include one octagonal gold cup and three the gold bracelet (no. 9), and nine small silver boxes oblong, gold, drinking bowls (nos 1, 5–7), three (cf. nos 12–18) were discovered in 1998. Another gold dishes (nos 2–4), and two dozen richly deco- fourteen silver vessels, the gold bracelet fragments rated silver vessels. In addition, the divers recovered (no. 8 a, b), and additional silver vessel fragments eighteen silver ingots (cf. no. 11 a, b), over two kilo- were salvaged in 1999 from a small area at the stern grams of gold foil, a small gold coin (no. 10), a gold and slightly to port. Three large silver bowls with bracelet (no. 9), and several fragments of various foot rings (cf. nos 19, 20) were found stacked on gold and silver items. In quality as well as in size, top of a fine white ceramic bowl of similar size and this find figures among the most important discov- shape (no. 106). Next to these bowls, fragments of eries of Tang gold and silver made to date. It is the two large platters (cf. figs 1,7 and p. 108, figs 11a, first such discovery outside of China. b) with three feet were recovered – presumably the platters had originally also been stacked on top of While the gold vessels have been entirely cleaned, each other. -
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Advances in Computer Science Research (ACSR), volume 83 8th International Conference on Mechatronics, Computer and Education Informationization (MCEI 2018) Construction and Application of Heluo Culture Big Data Platform Based on Basic Framework of Hadoop Hongsheng Xu1,2 a *, Ganglong Fan1,2 and Xiaokang Qin1,2 1Luoyang Normal University, Luoyang, 471934, China 2Henan key Laboratory for Big Data Processing & Analytics of Electronic Commerce, Luoyang, 471934, China [email protected] *The corresponding author Keywords: Heluo culture; Big data; Hadoop; VR; Animation production Abstract. Heluo culture is the core of Chinese culture and Yellow River culture and it is an important part of the Central Plains culture, and also the essence and mainstream of Chinese traditional culture. Through collecting, cleaning, analyzing, sharing, visual research and development of big data of Heluo culture, this paper improves the technical service ability and application development level of big data. The paper presents construction and application of Heluo Culture big data platform based on basic Framework of Hadoop. Big data sharing platform including Heluo culture digital museum, animation and visual cloud services. Introduction Heluo culture is the core of Chinese culture and Yellow River culture. It is extensive and profound and has a long history. It is an important part of the Central Plains culture and also the essence and mainstream of Chinese traditional culture. In view of this, the project application team bases on talents. Geographical location and other advantages of the selection of national characteristics of Heluo culture, the construction of big data heluo culture sharing platform, in order to provide reference for the construction of national culture big data sharing platform [1]. -
Chinese Extravaganza Package Starts From* 173,953
Chinese Extravaganza Package starts from* 173,953 11 Nights / 12 Days - Summer Dear customer, Greetings from ThomasCook.in!! Thank you for giving us the opportunity to let us plan and arrange your forthcoming holiday. Since more than 120 years, it has been our constant endeavour to delight our clients with the packages which are designed to best suit their needs. We, at Thomascook, are constantly striving to serve the best experience from all around the world. It’s our vision to not just serve you a holiday but serve you an experience of lifetime. We hope you enjoy this holiday specially crafted for your vacation. Tour Inclusions Flights Included* Places Covered 3 Nights 1 Night 1 Night 3 Nights 3 Nights Beijing Luoyang Xian Yangtze Shanghai River Cruise www.thomascook.in Daywise Itinerary Welcome to China - "The land of dragons and emperors". Arrive in Beijing, the Capital City of China! Welcome to China - "The land of dragons and emperors". On arrival at airport in Beijing, you will be greeted by the Thomas Cook Tour Day 1 Manager/local representative outside the baggage hall area. Proceed to the hotel and Check in (check in time after 15.00 hrs). Tonight enjoy a delicious Indian dinner at a local Indian restaurant. Today after Breakfast, visit the Jade Factory (Compulsory Government Stop). Later we proceed towards the UNESCO World heritage site, The Ming tombs the location of 13 imperial tombs or burial site chosen for its Feng-Shui in the arc-shaped valley at the foot of Jundu Mountains. Later experience local Chinese lunch. -
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INDEX Aodayixike Qingzhensi Baisha, 683–684 Abacus Museum (Linhai), (Ordaisnki Mosque; Baishui Tai (White Water 507 Kashgar), 334 Terraces), 692–693 Abakh Hoja Mosque (Xiang- Aolinpike Gongyuan (Olym- Baita (Chowan), 775 fei Mu; Kashgar), 333 pic Park; Beijing), 133–134 Bai Ta (White Dagoba) Abercrombie & Kent, 70 Apricot Altar (Xing Tan; Beijing, 134 Academic Travel Abroad, 67 Qufu), 380 Yangzhou, 414 Access America, 51 Aqua Spirit (Hong Kong), 601 Baiyang Gou (White Poplar Accommodations, 75–77 Arch Angel Antiques (Hong Gully), 325 best, 10–11 Kong), 596 Baiyun Guan (White Cloud Acrobatics Architecture, 27–29 Temple; Beijing), 132 Beijing, 144–145 Area and country codes, 806 Bama, 10, 632–638 Guilin, 622 The arts, 25–27 Bama Chang Shou Bo Wu Shanghai, 478 ATMs (automated teller Guan (Longevity Museum), Adventure and Wellness machines), 60, 74 634 Trips, 68 Bamboo Museum and Adventure Center, 70 Gardens (Anji), 491 AIDS, 63 ack Lakes, The (Shicha Hai; Bamboo Temple (Qiongzhu Air pollution, 31 B Beijing), 91 Si; Kunming), 658 Air travel, 51–54 accommodations, 106–108 Bangchui Dao (Dalian), 190 Aitiga’er Qingzhen Si (Idkah bars, 147 Banpo Bowuguan (Banpo Mosque; Kashgar), 333 restaurants, 117–120 Neolithic Village; Xi’an), Ali (Shiquan He), 331 walking tour, 137–140 279 Alien Travel Permit (ATP), 780 Ba Da Guan (Eight Passes; Baoding Shan (Dazu), 727, Altitude sickness, 63, 761 Qingdao), 389 728 Amchog (A’muquhu), 297 Bagua Ting (Pavilion of the Baofeng Hu (Baofeng Lake), American Express, emergency Eight Trigrams; Chengdu), 754 check -
Chinese Religious Art
Chinese Religious Art Chinese Religious Art Patricia Eichenbaum Karetzky LEXINGTON BOOKS Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Lexington Books A wholly owned subsidiary of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Karetzky, Patricia Eichenbaum, 1947– Chinese religious art / Patricia Eichenbaum Karetzky. pages cm Includes bibliographical references and index. ISBN 978-0-7391-8058-7 (cloth : alk. paper) — ISBN 978-0-7391-8059-4 (pbk. : alk. paper) — ISBN 978-0-7391-8060-0 (electronic) 1. Art, Chinese. 2. Confucian art—China. 3. Taoist art—China. 4. Buddhist art—China. I. Title. N8191.C6K37 2014 704.9'489951—dc23 2013036347 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Introduction 1 Part 1: The Beginnings of Chinese Religious Art Chapter 1 Neolithic Period to Shang Dynasty 11 Chapter 2 Ceremonial -
SHAOLIN TEMPLE + XI'an 8 Days (AIR CHINA) Departure Date: 04 Jun 2019
SHAOLIN TEMPLE + XI'AN 8 Days (AIR CHINA) Departure Date: 04 Jun 2019 Travel Highlight ZHENGZHOU - DENGFENG (SHAOLIN TEMPLE & KUNGFU SHOW) - LUOYANG (LONGMEN GROTTOES) Itinerary Hari 1: 04 Jun 2019 JAKARTA Malam ini para peserta berkumpul di Bandara International Soekarno - Hatta untuk penerbangan menuju ibukota China - Beijing. Bermalam di pesawat. Hari 2: 05 Jun 2019 D JAKARTA – BEIJING CA 978 CGK PEK 00.15 - 08.35 BEIJING – ZHENGZHOU BY BULLET TRAIN Setibanya di Beijing, Anda kami antar menuju Zhengzhou dengan bullet train untuk mengunjungi Zhengzhou CBD. Lalu Anda juga akan kami ajak photo stop dengan latar belakang Outlook of International Convention dan Exchibition Center, Arts Center dan melanjutkan menuju hotel untuk beristirahat. Hotel : Guangdong Hotel atau setaraf Hari 3: 06 Jun 2019 B, L, D ZHENGZHOU – DENGFENG BY BUS Acara tour hari ini menuju DENGFENG mengunjungi SHAOLIN TEMPLE (termasuk 1 way battery car) yang terkenal sebagai “Kuil nomor satu di bawah Surga” untuk mengunjungi TALIN. Lalu Anda juga diberikan kesempatan untuk menyaksikan Shaolin Kungfu show. Selesai makan malam, menuju hotel untuk beristirahat. Hotel : Chanwu Hotel atau setaraf Hari 4: 07 Jun 2019 B, L, D DENGFENG – LUOYANG BY BUS Dengan bus, Anda akan diajak city tour mengunjungi WHITE HORSE TEMPLE, LUOYANG MUSEUM yang terletak di pusat kota dimana terdapat peninggalan budaya dan LIJINGMEN (tidak naik ke atas). Anda juga diberikan waktu bebas selama di ANCIENT STREET. Bermalam di Luoyang. Hotel : Wudo Hotel atau setaraf Hari 5: 08 Jun 2019 B, L, D LUOYANG – XI'AN BY BULLET TRAIN Setelah makan pagi,diantar ke Luoyang. Tiba di Luoyang mengunjungi LONGMEN GROTTOES (termasuk 1x battery car) yang terletak disebelah Selatan provinsi Henan, yang terkenal dengan Patung Buddha yang sudah berumur ribuan tahun. -
Of the Chinese Bronze
READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R. -
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On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Xiaohan Du All Rights Reserved Abstract On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247- 1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, in particular the relationship between text and image, and its connection to the rise of ink monochrome landscape painting genre in 14th century Japan. This study fills a gap in the history of Chinese calligraphy, from which monk- calligraphers and their practices have received little attention. It also contributes to existing Japanese scholarship on bokuseki by relating Zen calligraphy to religious and political currents in Kamakura Japan. Furthermore, this study questions the validity of the “China influences Japan” model in the history of calligraphy and proposes a more fluid and nuanced model of synthesis between the wa and the kan (Japanese and Chinese) in examining cultural practices in East Asian culture. -
Three Kingdoms Unveiling the Story: List of Works
Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated -
Empresses, Bhikṣuṇῑs, and Women of Pure Faith
EMPRESSES, BHIKṢUṆῙS, AND WOMEN OF PURE FAITH EMPRESSES, BHIKṢUṆῙS, AND WOMEN OF PURE FAITH: BUDDHISM AND THE POLITICS OF PATRONAGE IN THE NORTHERN WEI By STEPHANIE LYNN BALKWILL, B.A. (High Honours), M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy McMaster University © by Stephanie Lynn Balkwill, July 2015 McMaster University DOCTOR OF PHILOSOPHY (2015) Hamilton, Ontario (Religious Studies) TITLE: Empresses, Bhikṣuṇīs, and Women of Pure Faith: Buddhism and the Politics of Patronage in the Northern Wei AUTHOR: Stephanie Lynn Balkwill, B.A. (High Honours) (University of Regina), M.A. (McMaster University) SUPERVISOR: Dr. James Benn NUMBER OF PAGES: x, 410. ii ABSTRACT This dissertation is a study of the contributions that women made to the early development of Chinese Buddhism during the Northern Wei Dynasty 北魏 (386–534 CE). Working with the premise that Buddhism was patronized as a necessary, secondary arm of government during the Northern Wei, the argument put forth in this dissertation is that women were uniquely situated to play central roles in the development, expansion, and policing of this particular form of state-sponsored Buddhism due to their already high status as a religious elite in Northern Wei society. Furthermore, in acting as representatives and arbiters of this state-sponsored Buddhism, women of the Northern Wei not only significantly contributed to the spread of Buddhism throughout East Asia, but also, in so doing, they themselves gained increased social mobility and enhanced social status through their affiliation with the new, foreign, and wildly popular Buddhist tradition. -
Relational Authenticity and Reconstructed Heritage Space: a Balance of Heritage Preservation, Tourism, and Urban Renewal in Luoyang Silk Road Dingding Gate
sustainability Article Relational Authenticity and Reconstructed Heritage Space: A Balance of Heritage Preservation, Tourism, and Urban Renewal in Luoyang Silk Road Dingding Gate Xiaoyan Su 1,2, Gary Gordon Sigley 3 and Changqing Song 1,* 1 State Key Laboratory of Earth Surface Processes and Resource Ecology, Faculty of Geographical Science, Beijing Normal University, Beijing 100875, China; [email protected] 2 Central Plains Economic Zone Smart Tourism Cooperative Innovation Center in Henan Province, School of Land and Tourism, Luoyang Normal University, Luoyang 471934, China 3 School of Human Geography, Faculty of Geographical Science, Beijing Normal University, Beijing 100875, China; [email protected] * Correspondence: [email protected] Received: 16 June 2020; Accepted: 13 July 2020; Published: 20 July 2020 Abstract: Authenticity is a controversial concept in heritage studies. This is particularly the case where the reconstruction of heritage spaces is carried out to facilitate multiple objectives, namely, preservation, tourism development and improving the quality of life of local residents. Based on a qualitative methodology with a case study approach, this paper uses participant observation, in-depth interviews and textual analysis to explore the varying perceptions of authenticity for a reconstructed heritage site from the point of view of heritage experts, tourists and local residents. We identify a form of ‘relational authenticity’. Using the Dingding Gate, part of the Luoyang World Heritage section of the Silk Road, this paper highlights the phenomenon of ‘reconstructed heritage space’ with the relational authenticity of different actors in the Chinese context. We argue that relational authenticity is embedded in the networks between people, place, and (re)materialized space, which is the assemblage of excavated original objects and reconstructed buildings and spaces.