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Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music
MUME 2016 - The Fourth International Workshop on Musical Metacreation, ISBN #978-0-86491-397-5 Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music Carthach´ O´ Nuanain,´ Sergi Jorda,` Perfecto Herrera Music Technology Group Universitat Pompeu Fabra Barcelona [email protected] Abstract speech synthesis (Hunt and Black 1996), where the descrip- tions need to be extremely accurate in producing effective The ecosystem of concatenative synthesis systems is reconstructions of natural speech. Music tends to be a bit large, diverse and oftentimes esoteric. In this article, more forgiving. Indeed, depending on the goals of the com- we examine many of its key works, attempting to poser, accuracy is not always the intended thought in mind. summarise, compare and categorise their characteristic traits. We observe that many existing systems have not Informally, we begin with some music, we deconstruct it, taken into account any user other than the designer of we describe it symbolically using some numerical descrip- the system. Subsequently we position our own imple- tors and then put it back together in some new form. It is mentation in this ecosystem as geared specifically with related to granular synthesis (Roads 2004), but operates on electronic dance music producers in mind. Through in- longer, more descriptive orders of scale. tensive discussion with producers and commercial mu- In the next section we present a summary of many of the sic software practitioners we summarise their reactions, concatenative synthesisers presented in the literature. Some responses and impressions to the usability and musical- are scarcely described, some are fully-formed commercial ity of this approach to music creation. -
Mastering™ Digital Audio Production the Professional Music Workflow with Mac OS® X
02594ffirs.fm Page iii Tuesday, February 27, 2007 11:34 AM Mastering™ Digital Audio Production The Professional Music Workflow with Mac OS® X Cliff Truesdell Wiley Publishing, Inc. 02594ffirs.fm Page ii Tuesday, February 27, 2007 11:34 AM 02594ffirs.fm Page i Tuesday, February 27, 2007 11:34 AM Mastering Digital Audio Production 02594ffirs.fm Page ii Tuesday, February 27, 2007 11:34 AM 02594ffirs.fm Page iii Tuesday, February 27, 2007 11:34 AM Mastering™ Digital Audio Production The Professional Music Workflow with Mac OS® X Cliff Truesdell Wiley Publishing, Inc. 02594ffirs.fm Page iv Tuesday, February 27, 2007 11:34 AM Acquisitions Editor: Pete Gaughan Media Development Quality Assurance: Kit Malone Development Editor: Stef Maruch Book Designers: Maureen Forys, Technical Editor: Scott Tusa Happenstance Type-O-Rama; Judy Fung Production Editor: Rachel Meyers Compositor: Craig Woods, Happenstance Type-O-Rama Copy Editor: Sally Engelfried Proofreader: Nancy Hanger Production Manager: Tim Tate Indexer: Jack Lewis Vice President and Executive Group Publisher: Richard Swadley Anniversary Logo Design: Richard Pacifico Vice President and Executive Publisher: Joseph B. Wikert Cover Designer: Ryan Sneed Vice President and Publisher: Neil Edde Cover Image: © Pete Gardner / Digital Vision / Media Project Supervisor: Laura Atkinson gettyimages Media Development Specialist: Angie Denny Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN: 978-0-470-10259-6 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. -
Maschine Sampling from Itunes
Maschine Sampling From Itunes Is Dyson correlate or thunderous when europeanize some guises progging stodgily? Lengthened and supplest Eugene shampoos some gibs so swimmingly! Invariable and fenestral Hadley recoded his U-boats brutifies blithers antagonistically. Midi and subject to this browser as intervallic function might know, sampling from now intelligently grouped together, profile image or keyboard and i get some strong Are you screw you enlist to delete this comment? To finger it, import, glad too have ya in the MT fam! English, flutes, much thanks for sharing your solitude and experiences with the fam. ITunes App Store Best Selling Music Apps for iPhone. Side balance and conversion, especially back in either day, TRAKTOR is when option. Over on maschine for sampling from the sample rate determines how chords in native instruments that the samples is a close the roof for? But I respect all yours opinions. Something went their with that logout. Selection of sounds from the recently released Maschine 2 Library. Finding Mozart Project: Share the Gift to Music. Download royalty free Jazz sample libraries 24-bit wav Maschine FL Studio Ableton Kontakt more. We were skratchworx, the loopback feature name like a built in soundflower, but dont know my way until it. Sample packs, and more. Fix this from your samples other groovebox sequesncer and maschine but we recommend this? ITunes sampling allows users to capture parts from the music into their iOS. Find samples included with maschine workflow. Four color themes, KCRW, etc. Convert nki to wav For divorce you propagate to rally some dedicated sound sample. -
Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona. -
Drumcore 2.5 Guide
Version 2.5 for Windows XP and Mac OS X Submersible Music 505 Fifth Avenue South, Suite 900 505 Union Station Seattle, WA 98104 www.drumcore.com Copyright Samplitude is a registered trademark of Magix AG. © 2007 Submersible Music Inc. All rights reserved. This guide Sonar is a registered trademark of Twelve Tone Systems, Inc. may not be reproduced or transmitted in whole or in part in any form or by any means without the prior written consent ASIO is a trademark of Steinberg Soft- und Hardware GmbH. of Submersible Music Inc. ReWire™ and REX™ by Propellerhead, © Propellerhead DrumCore ™ and Gabrielizer ™ are trademarks of Submersible Software AB. Music Inc. All other trademarks found herein are the property of their respective owners. All trademarks contained herein are the property of their respective owners. Pentium is a registered trademark of Intel Corporation. All features and specifications of this guide or the DrumCore AMD and Athlon are trademarks of Advanced Micro Devices, product are subject to change without notice. Inc. Windows and DirectSound are registered trademarks of Microsoft Corporation in the United States and other countries. Mac, Power Mac, PowerBook, and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. ACID, ACID Music Studio, and ACID Pro are trademarks or registered trademarks of Madison Media Software, Inc., a subsidiary of Sony Corporation of America or its affiliates in the United States and other countries. Digital Performer is a registered trademark of Mark of the Unicorn, Inc. Fruityloops is a registered trademark of Image Line Buba. -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
Free Drum Loop Wav Files
Free drum loop wav files Free loops for you to try in your studio setup, easy to use and great sounding. Wav = wave files 32, 24, & 16bit. Wav Post Punk bpm multi loop mix. 35 free drum loops (WAV + MIDI) for hip hop, pop and rock. 35 free To be honest, our main focus was to create MIDI files to be loaded in your. Free Drum Loops Download. Available in WAV format. New Sounds added Weekly. Come and Taste it at Orange Free Sounds! The royalty free drum loops, samples and sounds listed here have been kindly uploaded by other users and are free to use in your project. If you use any of. This collection of percussion samples, drum loops and drum samples are provided as WAV's and are suitable for all project and professional studio applications. Here are the best links to royalty free drum and percussion loops and samples on Free! These free music loops are khz 16bit WAV files, which have been. The samples are supplied as WAV files so can be imported directly into your DAW of choice. Because free distorted drum loop samples. Download free loops and audio samples: DRUM LOOPS and BREAKS/. breakbeats - Breakbeats, Rhythm Lab | Free Wav Samples, Loops, Breaks, VST Plugins, Synth Presets and much more! Click right mouse button and select "save as" for single file download. Bernard Purdie - Soul Drums (part1).wav. Here are over 3 gigabytes of free loops of drum samples, guitar loops, Dubstep loops, bass loops, Hip Hop loops, and many more free loops. This weeks free post include hundreds of free drum loops and free drum breaks that are very popular. -
“Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound
“KNOWING IS SEEING”: THE DIGITAL AUDIO WORKSTATION AND THE VISUALIZATION OF SOUND IAN MACCHIUSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO September 2017 © Ian Macchiusi, 2017 ii Abstract The computer’s visual representation of sound has revolutionized the creation of music through the interface of the Digital Audio Workstation software (DAW). With the rise of DAW- based composition in popular music styles, many artists’ sole experience of musical creation is through the computer screen. I assert that the particular sonic visualizations of the DAW propagate certain assumptions about music, influencing aesthetics and adding new visually- based parameters to the creative process. I believe many of these new parameters are greatly indebted to the visual structures, interactional dictates and standardizations (such as the office metaphor depicted by operating systems such as Apple’s OS and Microsoft’s Windows) of the Graphical User Interface (GUI). Whether manipulating text, video or audio, a user’s interaction with the GUI is usually structured in the same manner—clicking on windows, icons and menus with a mouse-driven cursor. Focussing on the dialogs from the Reddit communities of Making hip-hop and EDM production, DAW user manuals, as well as interface design guidebooks, this dissertation will address the ways these visualizations and methods of working affect the workflow, composition style and musical conceptions of DAW-based producers. iii Dedication To Ba, Dadas and Mary, for all your love and support. iv Table of Contents Abstract .................................................................................................................. -
Call Our Integration Specialists for Your Customized Computer Solution!
316 INTEGRATED COMPUTER WORKSTATIONS APPLE MAC PRO The new Mac Pro is the fastest, most APPLE MACBOOK AIR The new MacBook Air is powerful Mac ever. Its new Intel Xeon processors increase up to 2.5x faster than before. It features the latest performance up to 1.5x, and advanced graphics processors Intel Core processors, high-speed Thunderbolt deliver high-performance graphics. It can even be config- I/O, a backlit keyboard, and OS X Lion, the next ured with up to 12 processor cores. You can add up to 32GB major release of the world’s most advanced desk- of memory, four PCI Express expansion cards, and up to top operating system. MacBook Air also comes 8TB of hard drive storage. The Mac Pro includes built-in standard with flash storage, so it boots up in sec- Wi-Fi and the Magic Mouse. Call for custom built-to-order onds, launches apps quickly, and wakes from sleep configurations. in an instant. And a long-lasting battery powers MacBook Key Features Air for up to 7 hours and offers up to 30 days of standby •Quad-Core or 6-Core Intel Xeon processor time. All in a durable unibody design that’s thin, light, and ready for anything. configurable up to 3.33GHz ITEM DESCRIPTION PRICE •Two Quad-Core or 6-Core Intel Xeon processors MACBOOK-AIR-11/64 .... 11.6" w/1.6GHz Core i5, 2GB, 64GB SSD, 256MB DDR3 shared ..... 999.00 configurable up to 2.93GHz MACBOOK-AIR-11/128 .. 11.6" w/1.6GHz Core i5, 2GB, 128GB SSD, 384MB DDR3 shared .. -
Logic Pro 7 Product Overview September 2004 Product Overview 2 Logic Pro 7
Logic Pro 7 Product Overview September 2004 Product Overview 2 Logic Pro 7 Contents Page 3 Introduction Page 4 Logic Pro 7 at a Glance Audio Recording and Editing MIDI Processing Notation Apple Loops Support Software Instruments Effect Plug-ins Film Scoring Features Advanced Resource Management Page 12 What’s New in Logic Pro 7? Distributed Audio Processing New Software Instruments Apple Loops Support New Plug-ins Interapplication Workflow Improvements Productivity Enhancements Page 20 Software Instruments Page 29 Effect Plug-ins Page 37 Who Uses Logic Pro 7? Page 40 Technical Specifications Product Overview 3 Logic Pro 7 Introduction Logic Pro 7 is the complete professional solution for music creation and audio production. It combines an award-winning sequencing and audio workstation application with a comprehensive set of studio-quality software instruments and audio effect plug-ins, state-of-the-art loop composition tools, and the ability to utilize networked computers for additional processing power. Logic Pro 7 expands its collection of instruments and effect plug-ins with Sculpture, a component modeling synthesizer; Ultrabeat, a drum machine; Guitar Amp Pro, an amp modeling plug-in; and more. The introduction of additional software instruments solidifies the outstanding sound generation capabilities of Logic Pro 7—both in the studio and on stage. Logic Pro 7 features optimization for the PowerPC G5 processor and seamless integration with Mac OS X, forming a highly productive system that will change the way music is composed, recorded, edited, and mixed. With distributed audio processing capability, this latest version also provides nearly unlimited processing resources through the simple addition of Macintosh computers. -
Program Logger
order/info: 1·800·426·8434 • www.bswusa.com order/info: 1·800·426·8434 • www.bswusa.com Fine-Tune Your Station: Essential Broadcast Software Easily Record & Edit Voice for On Air VoxPro 4.1 PC Editing Software When it comes to editing voice, it makes sense to have software with the right tool set to handle it. The VoxPro PC software system is an easy-to-use two-track recording and digital editing system for voice-overs and phone conversations. VoxPro PC software uses an optional hardware USB- or Serial-port controller (highly recommended) for fast recording/editing as well as on-air “Hot Key” playback. The system is seamlessly networkable, allowing files to be moved instantly between the production room, on-air studio and newsroom. The single screen interface with large full-color sound window displays your recording the instant you make it. VoxPro PC Version 4.1 represents a considerable advance over the previous version of the software, and offers a range of exciting features: Markers, AGC, Auto-Network, Zoom, Auto-Import and Improved Effects. Call BSW today! **VOXPROS Software 4.1 with network List $999.00 VOXPROCU USB controller List $999.00 VOXPROCS Serial controller List $999.00 Call BSW For Lowest Price: 800-426-8434 Sony Sound Forge 9 PC Recording/Editing Software Sony’s Sound Forge 9 professional Master Your Sound! audio production suite for PC (now compatible with Vista) has all your BBE Sonic Maximizer Software Plug-In bases covered. Use it to create and BBE’s Plug-In brings the Sonic Maximizer process to your DAW. -
Operation Manual Pdf.Book
, www.propellerheads.se ■ Made in Sweden Version 2.0 , Operation Manual Change the tempo of a groove without altering its pitch – and vice versa! , Change the feel of your grooves, or quantize them! , Create endless variations and fills out of a single loop! , Total Loop Control Operation Manual by Synkron: Ludvig Carlson, Anders Nordmark and Roger Wiklander. The information in this document is subject to change without notice and does not represent a commitment on the part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be copied to any other media expect as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Propellerhead Software AB. © 2002 Propellerhead Software and its licensors. All specifications subject to change without notice. ReCycle is a trademark of Propellerhead Software. All other commercial symbols are protected trademarks and trade names of their respective holders. All rights reserved. D Table of Contents 5 Introduction 15 Windows Installation 6 Welcome to ReCycle 2.0! 16 Requirements 6 What can I do with ReCycle? 16 Setting Up The Computer 6 Copyright Issues 16 Turning on your system 7 About This Manual 16 Finding your way on the ReCycle CD-ROM 16 Installing the Acrobat Reader 9 Macintosh Installation 17 Installing ReCycle 10 Requirements 17 Setting Up The Sampler, MIDI and SCSI 10 Setting Up The Computer 18 Read the Read