Malpaso Dance Company, Osnel Delgado and Dancer Dunia Acosta

Total Page:16

File Type:pdf, Size:1020Kb

Malpaso Dance Company, Osnel Delgado and Dancer Dunia Acosta 24 Hours and a Dog, performed by Malpaso Dance Company, Osnel Delgado and dancer Dunia Acosta. Photo by Judy Ondrey. "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style. Which makes their unique expression of Cuban culture in all its profound and complex glory all the more special." - Kathleen Smith, NowMagazine Toronto MALPASO DANCE COMPANY 24 HOURS AND A DOG Educator Packet Digital Student Performance Friday, May 15, 2020 TABLE OF CONTENTS Overview 3 About the Company Malpaso Dance Company 3 About the Leadership 4 About the Repertoire 4 About the Creative Team Choreographer Osnel Delgado 4 & 5 Composer Arturo O’Farrill 5 Costume Designer Eric Grass 6 Lighting Designer Al Crawford 6 Assessment for Students 7 About The Music Center 8 THE MUSIC CENTER | PERFORMING ARTS CENTER OF LOS ANGELES COUNTY 2 Glorya Kaufman Presents Dance at the Music Center Digital Student Performance MALPASO DANCE COMPANY - 24 HOURS AND A DOG The Music Center is thrilled to be able to provide middle and high school students with a digital student performance. We hope that this will be an engaging and inspiring experience for you and your students, and we looK forward to when we can safely invite you and your students bacK to The Music Center! WHEN SPONSORED BY Friday, May 15, 2020 Center Dance Arts Anita Mann Kohl WHERE and Allen D Kohl www.musiccenter.org/tmc-offstage/digital-student-performance-malpaso/ ABOUT THE COMPANY MALPASO DANCE COMPANY www.malpasodance.com In less than five short years since its establishment in 2012, Malpaso Dance Company has already become one of the most sought after Cuban dance companies with a growing international profile. Emphasizing a collaborative creative process, Malpaso is committed to working with top international choreographers while also nurturing new voices in Cuban choreography. The company tours with 11 dancers and is led by its original three founders; resident choreographer and Artistic Director Osnel Delgado, Executive Director Fernando Sáez, and dancer and co- MALPASO Dance Company, Photo by Nir Arieli founder Daileidys Carrazana. An Associate Company of Joyce Theater Productions, Malpaso — together with The Joyce — has commissioned original works from a number of prominent North American choreographers including Ron K. Brown (Why You Follow), Trey McIntyre (Under Fire), and — most recently — acclaimed Canadian choreographer Aszure Barton. Touted as "totally engrossing" (Palm Beach Arts Paper), Barton's work Indomitable Waltz was supported with a production and touring grant from The National Dance Project and made its world premiere in Havana-Cuba in Fall 2016. The company has also recently premiered Dreaming of Lions, a new full-length commission choreographed by Osnel Delgado, featuring an original score composed by Grammy award-winning, Cuban-American composer Arturo O’Farrill, performed by the Afro Latin Jazz Ensemble. The work was inspired by the classic Hemingway novella "The Old Man and the Sea" and had its US premiere at Duke Performances in Durham-NC in Feb. 2017 followed by a NYC premiere at The Brooklyn Academy of Music’s Harvey Theater. Other active rep includes: 24 Hours and a Dog, also by Delgado and featuring music by O’Farrill, Bad Winter by Trey McIntyre and Face the Torrent, a new creation by Sonya Tayeh, commissioned by and set to premiere at Los Angeles Music Center in Dec. 2017. THE MUSIC CENTER | PERFORMING ARTS CENTER OF LOS ANGELES COUNTY 3 ABOUT THE LEADERSHIP Photo by Titus T.M. Rives Photo by Daile Carrazana Photo by Nir Arieli OSNEL DELGADO FERNANDO SÁEZ DAILEIDYS CARRAZANA Founder, Artistic Director, Founder and Founder, Associate Artistic Dancer, and Choreographer Executive Director Director and Dancer Osnel Delgado danced with Danza Fernando Sáez graduated from the Daileidys Carrazana graduated from Contemporanea de Cuba from 2003 School of Performing Arts at the the National Ballet School in Havana in to 2011, before founding Malpaso. Superior Institute of Arts (ISA) in Havana 2003. She was a member of Danza He has worked with choreographers Mats in 1988. He is also a founder and actor Contemporanea de Cuba from 2003 to Ek, Rafael Bonachela, Kenneth Kvarnström, of Estudio Teatral de Santa Clara, was 2011, before founding Malpaso with Ja Linkens, Itzik Galili, Samir Akika, Pedro the head of the sociocultural Osnel Delgado. Daile has worked with Ruiz, Isidro Rolando and George Cespedes, development project in Las Terrazas, choreographers such as Mats Ek, Jan among others. Delgado has created works Pinar del Rio from 1993 to 1997, and Linkens, Samir Akika, Pedro Ruiz and for DCC, Rakatan and Ebony Dance of Cuba. has served on the staff of the Ludwig Isidro Rolando, among others. Delgado is a 2003 graduate of the National Foundation of Cuba since 1998. He is Dance School of Havana, where he is also a also a member of the Foundation’s professor of dance studies. Board of Directors. ABOUT THE REPERTOIRE - 24 HOURS AND A DOG "Inspired by the daily life of dancers in Havana, the work is a non-stop barrage of fluid movement, supported by admirable technique and an easy musicality." - Kathleen Smith, NowMagazine Toronto CHOREOGRAPHER: Osnel Delgado, in collaboration with dancers MUSIC: Arturo O’Farrill, recorded by the Afro Latin Jazz Orchestra COSTUME DESIGN: Eric Grass LIGHTING DESIGN: Al Crawford FULL PIECE: 45 minutes (selections for the digital student performance will be 23 minutes in length). IMAGE GALLERY: www.malpasodance.com VIDEO CLIPS: www.malpasodance.com/repertoire MALPASO DanCe Company danCers Maria Karla Araujo & Manuel Durán. Photo by Nir Arieli. THE MUSIC CENTER | PERFORMING ARTS CENTER OF LOS ANGELES COUNTY 4 ABOUT THE CHOREOGRAPHER OSNEL DELGADO Founder, Artistic Director, Dancer, and Choreographer “[Osnel] Delgado studied tuition-free at the National School of Dance, as did both his parents and as do most professional modern dancers in Cuba, unless they train at one of the island’s excellent ballet schools. After he graduated, he joined Danza Contemporánea de Cuba, the country’s foremost modern dance troupe, founded by Mr. Guerra in 1959. In 2011, the company made its first United States tour. Mr. Delgado’s performance at the Joyce Theater in New York was a moment of triumph, but at 25 he had already decided to break off on his own as a choreographer. Everyone told him he was making the wrong move…It’s called Malpaso, which in Spanish means “misstep.” His wrong move came at the right time.” - Brian Seibert, TheNewYorkTimes "[Mr. Delgado's] finely kneaded movement, which almost makes you want to grab it in fistfuls, buoys into and out of the ground with delectable ease." Photo by Alex Boerner - Siobhan Burke, TheNewYorkTimes ABOUT THE COMPOSER ARTURO O’FARRILL AND THE AFRO LATIN JAZZ ORCHESTRA The GRAMMY award winning Afro Latin Jazz Orchestra (ALJO), led by pianist, composer, and director Arturo O’Farrill, brings together the drama of big band jazz, the culture of Latin music, and the virtuosity of eighteen of the world’s most accomplished solo musicians. Twelve years of critically acclaimed performances internationally, have firmly established the ALJO as the standard-bearer for creative interpretation of Latin jazz greats such as Bio and Photo from arturoofarrill.Com Tito Puente, Frank “Machito” Grillo, and Chico O’Farrill, as well as the driving force behind new commissions from Latin music’s most talented composers and arrangers. Presenting programs that range from the very best in dance music sure to bring audiences to their feet, to repertoire that pushes the genre forward, the ALJO commissions and performs innovative compositions and big band arrangements by Vijay Iyer, Miguel Zenón, Dafnis Prieto, Guillermo Klein, Pablo Mayor, Arturo O’Farrill, Michele Rosewoman, Emilio Solla, Papo Vazquez, and many others. The orchestra’s debut album Una Noche Inolvidable was a 2006 GRAMMY nominee and their second; Song for Chico (ZOHO) won the Grammy for Best Latin Jazz Album of the Year in 2008. ALJO’s third album, 40 Acres and a Burro, (ZOHO) was a 2012 Grammy nominee for Best Large Jazz Ensemble Album. ALJO’s latest release, The Offense of the Drum (Motéma) won the group’s second Grammy Award for Best Latin Jazz Album of the Year in 2014. The ALJO has thrilled audiences at Midsummer Night Swing at Lincoln Center, Lincoln Center Out of Doors, The Kennedy Center for the Performing Arts, Boston Symphony Hall, Celebrate Brooklyn Festival, the Newport Jazz Festival, the Litchfield Jazz Festival (Kent, CT), The Joyce Theater (with Ballet Hispánico), Rialto Center for the Performing Arts (Atlanta, GA), Mahalia Jackson Theater – with Ballet Hispánico (New Orleans) Megaron Concert Hall (Athens, Greece), and the Taichung Jazz Festival (Taiwan), among countless other venues. Their newest release, Cuba: The Conversation Continues, was recorded in December of 2014 during the historic reestablishment of diplomatic ties between the United States and Cuba. It was released on August 21st, 2015, on Motéma. The Afro Latin Jazz Orchestra had been formerly an artist-in-residence at the Harlem School of the Arts and is the resident headliner Sunday night at the Birdland Jazz Club. VIDEO CLIPS: www.youtube.com/user/AfroLatinJazzNY THE MUSIC CENTER | PERFORMING ARTS CENTER OF LOS ANGELES COUNTY 5 COSTUME DESIGN BY ERIC GRASS Photo by Robert Torres ABOUT THE LIGHTING DESIGNER AL CRAWFORD Al Crawford has been the Lighting Director of the world-renowned Alvin Ailey American Dance Theater since 1998. Now in his 19th season with the famed dance company, he has produced the lighting for Ailey in virtually every major theater, performing arts center and opera house on the planet having toured to 48 states and over 60 countries. A huge believer in cross genre design, Al founded Arc3design, a lighting design group dedicated to merging his theatrical aesthetic into all areas of art, architecture, dance, live music, theater, television, and live event production.
Recommended publications
  • NAME AFFILIATION MUSIC Arcos, Betto KPFK, Latin Music Expert
    SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION MUSIC Arcos, Betto KPFK, latin music expert Barnes, Micah Bentley, Jason KCRW music program host; SM Downs, LeRoy KJAZ Eliel, Ruth Colburn Foundation Fernandez, Paul SM Music Center Fleischmann, Martin Music producer Franzen, Dale Performing arts producer Gallegos, Geoff "Double G" Jazz arranger/player/music director Gross, Allen Robert Artistic Director/Conductor, SM Symphony Guerrero, Tony Tony Guerrero Quartet Jain, Susan Pertel Producer, Chinese cultural expert Jones, O-Lan Composer, producer Karlin, Jan Levine, Iris Dr. Vox Femina Marshall, Anindo Director, Adaawe Maynard, Denise KJAZ Mosiman, Marnie singer Pourafar, Pirayeh Musician, teacher Pourmehdi, Houman Musician, teacher Cal Arts, Lian Ensemble Roden , Steve (also Visual Art) Visual artist/sound composer (Glow 2010) Scott, Patrick Artistic Director, Jacaranda music series, SM Smith, Dr. James SM College Sullivan, Cary Producer/Afro Funke Night Club PERFORMANCE ART Davidson, Lloyd Keegan & Lloyd Fabb, Rochelle Performance artist Fleck, John Performance Artist Froot, Dan Performance artist Gaitan, Maria Elena Performance Artist, Musician, Linguist, Educator Hartman, Lauren Crazy Space Kearns, Michael Writer/performer Keegan, Tom Keegan & Lloyd Kuida, Jennifer Great Leap Kuiland-Nazario, Marcus Curator, Performance artist Malpede, John LAPD Marcotte, Kendis Former Director, Virginia Avenue Project Miller, Tim Performance Artist/ Former Director Highways Palacios, Monica Performance artist Sakamoto, Michael Performance artist Werner, Nicole Dance, performance, theater Wong, Kristina SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION Woodbury, Heather Performance artist Zaloom, Paul Performance artist THEATER Abatemarco, Tony Skylight Theater Almos, Carolyn Loyola, Burglers of Hamm Almos, Matt Playwright, producer, Disney Corp.
    [Show full text]
  • Top Attractions
    LOS ANGELES L.A. LIVE 901 West Olympic Boulevard, Los Angeles, CA 90015 COURTYARD | 213.443.9222 | Marriott.com.com/LAXLD RESIDENCE INN | 213.443.9200 | Marriott.com/LAXRI 5 ATTRACTIONS 34 1 Arts District (2.8 mi) BURBANK 2 Bunker Hill (1.3 mi) 3 Chinatown (2.8 mi) 4 Dodger Stadium 5 Dolby Theater (7.5 mi) 18 101 6 Financial District (0.7 mi) PASADENA 7 Griffith210 Observatory/LA Zoo (8.3 mi) 8 Hollywood Bowl (8.3mi) 22 9 LACMA (6.2 mi) 10 LA LIVE (1 minute walk) 101 STAPLEs Center (less than 5 minute walk) Microsoft Theater (less than 5 minute walk) 7 11 Grammy Museum (less than 5 minute walk) 12 Little Tokyo (2.8 mi) 21 13 Los Angeles Coliseum/LA Rams Stadium (3 mi) 14 Los Angeles Convention Center (0.7 mi, 14 minute walk) 8 Los Angeles Music Center (1.8 mi) HOLLYWOOD 2. BUNKER HILL Dorothy Chandler Pavilion (1.8 mi) 25 32 5 3. CHINATOWN Ahmanson Theater (1.8 mi) 5 6. FINANCIAL DISTRICT Mark Taper Forum (1.8 mi) BEVERLY HILLS 12. LITTLE TOKYO Walt Disney Concert Hall (1.8 mi) 17. OLIVERA STREET 15 Los Angeles Public Library (0.9 mi) 4 28. GRAND CENTRAL 10 30. THE BLOC/MACY’S 16 OUE Skyspace LA (1.1 mi) 9 3 35. 7TH ST/METRO CENTER STATION 17 Olivera Street (2.6 mi) 36 36. UNION STATION 18 Rose Bowl Stadium (11.5 mi) 20 17 28 19 Santa Monica Pier (15.2 mi) 6 30 12 20 The Broad (1.6 mi) 21 16 35 2 27 The Getty (14.7 mi) 22 Universal Studios Hollywood/Universal60 City Walk (10 mi) 10 L.A.
    [Show full text]
  • THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles
    experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama.
    [Show full text]
  • Los Angeles Music Center
    'A CONTEMPORARY EXPRESSION OF CLASSIC ARCHITECTURE' It is difficult for me to conceive of a great­ ARC H IT E C T' S EX P l A NAT' 0 N 0 F within and yet we wanted it to be contemp­ er personal thrill than the formal opening THE PAVILION'S FINE D;;SIGN orary and understated so that it would not of this building. Not only is it the most CONCEPTION, THE ACOUSTICS overpower people. We felt that many con­ complex architectural problem my firm temporary exterior amI interior desig~s AND LIGHTING, THE STAGE AND has ever attempted to solve, it is probably were too stark and unimaginative for this the single most important e I e men t in THE SEATING AS WELL AS THE type of building, so we studied the classical Southern California's culturJlI history, one KIND OF BUILDING MATERIALS ~oncepts of architecture as a point of de­ which many in the community have sought parture. Thus. since it is meant to become to secure for nearly 20 years. To be se­ Photography by Korob a living culturai symbol for future dec­ lected as architect for such a structure, ades, The Pavilion grew to be a contemp­ destined to be a landmark even before any opera, ballet and similar presentations re­ orary expression of classical architecture. architect was assigned, is a great honor. Quire a more intimate type of theater with Being at the crown of the Civic Center But to be chosen in one's own city to ac­ an amplified sound system.
    [Show full text]
  • The Los Angeles Public Landscapes of Ralph Cornell Los Angeles, CA
    What’s Out There® The Los Angeles Public Landscapes of Ralph Cornell Los Angeles, CA Welcome to What’s Out There Los Angeles – The What’s Out There Los Angeles – The Public Landscapes Public Landscapes of Ralph Cornell, organized by of Ralph Cornell was accompanied by the development The Cultural Landscape Foundation (TCLF) with of an exhibit of his drawings, photographs, and personal support from local and national partners. effects. On view at the UCLA Charles E. Young Research The narratives and photographs in this guidebook describe Library, the installation was curated by Steven Keylon, Kelly thirteen sites, just a sampling of Cornell’s built legacy. The Comras, Sam Watters, and Genie Guerrard and introduced sites were featured in What’s Out There Weekend Los Angeles, with a lecture on Cornell’s legacy given by Brain Tichenor, which offered free, expert-led tours in November 2014. This professor of USC’s School of Architecture. The tours, What’s Out There Weekend—the eleventh in an on-going series exhibit, and lecture were attended by capacity crowds, of regionally-focused tour events increasing the public visibility demonstrating the overwhelming public interest to discover Franklin D. Murphy Sculpture Garden, photo by Matthew Traucht of designed landscapes, their designers, and their patrons—is more about this significant shaper of Southern California. TCLF’s first focused on the work of a single designer. This guidebook and the What’s are Out There Weekends In researching the extant public landscapes of Ralph Cornell dovetail with the Web-based What’s Out There, the nation’s we came to understand why he is called “the Olmsted most comprehensive, searchable database of our shared of Los Angeles.” A prolific designer, author, mentor, and landscape legacy.
    [Show full text]
  • Weekly Weekly Weekly Weekly Weekly
    • This year G&L Realty sues over two- rudy cole Page 6 • Page 2 and next Arraignment postponed, briefs briefs • Page 2 hour free parking initiative filing Christiansen taken into custody ALSO ON THE WEB Beverly Hills www.bhweekly.com WeeklySERVING BEVERLY HILLS • BEVERLYWOOD • LOS ANGELES Issue 587 • December 30 - January 5, 2010 briefs • Jimmy Delshad Sworn in sports • BHHS Girls’ Basketball rudy cole • as Beverly Hills Mayor Page 2 Team Loses In State Tournament Page 5 School Super Out Page 6 ALSO ON THE WEB Beverly Hills www.bhweekly.com • Heartless rudy cole Page 6 in Beverly • Corman, Egerman, OstromPage 4 Permit briefs • Inducted to BHHS Hall of Fame ALSO ON THE WEB Page 3 www.bhweekly.com city & schools WeeklySERVING BEVERLY HILLS • BEVERLYWOOD • LOS ANGELES Saga Continues Beverly Hills Issue 546 • March 18 - March 24, 2010 2010 - If You Build It, If You Build It, WeeklySERVING BEVERLY HILLS • BEVERLYWOOD • LOS ANGELES Issue 537 • January 14 - January 20, 2010 TheyThey WillWill ComeCome AA FarewellFarewell toto briefs • Kobor Files Lawsuit sports • BHHS Softball Team rudy cole • Food PParksarks Against City Page 3 Edges Inglewood Page 5 For Thought Page 6 BHHS Boys’ Soccer PageTeam 8 • ALSO ON THE WEB We Get sports • Wins League Opener Beverly Hills www.bhweekly.com rudy cole Page 6 Beverly High Grade-Change Mail ALSO ON THE WEB The Weekly’s interview briefs • Page 3 www.bhweekly.com Scandal Continues A Year in with Architectural Beverly Hills Commission Chair Zale Richard Rubins WeeklyZale RichardSERVING Rubins BEVERLY HILLS •
    [Show full text]
  • PANEL BIOGRAPHIES Panel 1
    Joint Committee on the Arts Senator Ben Allen, Chair Assemblymember Ian Calderon, Vice Chair Oversight Hearing “The Visual and Performing Arts: Arts Education Code Compliance” PANEL BIOGRAPHIES Panel 1: Defining the Issue Joe Landon Executive Director, California Alliance for Arts Education Joe Landon is the Executive Director of the California Alliance for Arts Education, a nonprofit organization that advances visual and performing arts education in K-12 public schools. Prior to joining the Alliance staff in 2006, Joe worked for four years as a senior consultant for Assemblymember Wilma Chan, focusing on early childhood education and health issues. Prior to that he worked as a principal consultant and speechwriter for Assembly Speaker Emeritus Robert Hertzberg. The bulk of Landon’s professional career was spent as a practicing artist. Joe was a Playwright in Residence at the American Conservatory Theater in San Francisco, and his plays and musicals were produced there as well as at the Manhattan Theater Club in New York and the Z Space in San Francisco. He also spent 15 years writing for television in Los Angeles, with credits that include the movie “The Comeback Kid” and the award-winning series “The Paper Chase.” He lives in Davis with his wife Laura, and the comings and goings of three fully grown children. Carl W. Schafer Ed.D Arts Education Consultant Adjunct Lecturer, CSU Fullerton Dr. Schafer began his career in education in 1957 as an instrumental music teacher in the Ontario-Montclair School District. During 38 years in the district he also served as Music Consultant, Visual and Performing Arts Consultant and elementary school principal.
    [Show full text]
  • E M E R S O N C O L L E G E Los Angeles
    MORPHOSIS 5960 Sunset Boulevard, Hollywood 2014 Emerson College opened this Morphosis-designed, glass-and- aluminum satellite campus in Hollywood in 2014. While Emerson has been Boston-based since the nineteenth century and has long focused on the performing arts, the Los Angeles campus aims to boost graduates’ job prospects by allowing them to spend semesters in the company of the area’s entertainment industry giants. The campus, which features a first-rate view of the Hollywood sign, firmly indicates Emerson’s prominent role as an entertainment industry educator. A sculptural, free-form base connects the two rectangular ten-story towers that make up this 107,400-square-foot building on LOS ANGELES Sunset Boulevard. An overhead bridge anchors two towers, which serve as student residences. The base features lecture halls, black box theaters, and other educational and performance spaces. In order to maximize the creative possibilities of the building, Morphosis’s design includes rigging for film-quality lighting and sound through most of the interior and exterior spaces, so that students may spontaneously transform them into sets or a stage. Thanks to Morphosis’s smart balance of window shading for heat reduction and use of the abundant natural light, the Emerson campus is anticipated to receive a LEED Gold rating. In addition, solar panels cover the rooftop of the west tower, providing enough energy to heat the building’s hot water. EMERSON COLLEGE COLLEGE EMERSON 10 11 38 TIGHE ARCHITECTURE 1338 North Sierra Bonita Avenue, West Hollywood 2010 Affordable meets beautiful in special needs residents, while its features large glass panels and this mixed-use building by Tighe ground-floor commercial space is rooms that appear to protrude or Architecture.
    [Show full text]
  • Boulos, Daniel
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group Permalink https://escholarship.org/uc/item/8n50d91d Author Boulos, Daniel Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater Studies by Daniel Boulos Committee in charge: Professor W. Davies King, Chair Professor Leo Cabranes-Grant Professor Simon Williams June 2018 The dissertation of Daniel Boulos is approved. _____________________________________________ Leo Cabranes-Grant _____________________________________________ Simon Williams _____________________________________________ W. Davies King, Committee Chair March 2018 Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group Copyright © 2018 by Daniel Boulos iii VITA OF DANIEL BOULOS EDUCATION Bachelor of Fine Arts in Theater, Montclair State University, May 1997 Master of Arts in Theater History and Criticism, Brooklyn College, June 2012 Doctor of Philosophy in Theatre
    [Show full text]
  • Curriculum Vitae
    CarolAnn Peterson, Ph.D., 21100 Hacienda Blvd, #2606 ◊ California City, CA 93505 (310)714-3353 (cell phone) ◊ [email protected] (e-mail) ◊ www.carolannpeterson.com (website) CURRICULUM VITAE EXPERIENCE AUTHOR (2020 March 26) Interpersonal Aggression: Complexities of domestic and intimate partner abuse. Tuscon, AZ: Wheatmark FULL-TIME LECTURER (2017-present) & ADJUNCT PROFESSOR (2004-2017) University of Southern California Graduate School of Social Work Los Angeles, California Responsibilities: Provide instruction to graduate students of social work and psychology regarding domestic violence. The course is designed to assist students to recognize domestic violence among clients, how to assist victims and/or batterers, the impact of domestic violence on the family and society. Teaching domestic violence, leadership, policy and practice courses, including the Virtual Academic Center (VAC). Lead faculty for the domestic violence course. Chair – Violence Certification Program. This program is designed for those individuals who wish to specialize in the field of violence. Courses include: domestic violence, child abuse, global violence against women, school violence, and community gang violence. Chair – Leadership Revision Committee. This committee revised the Leadership course in order for the program to be more conducive to student learning. Community Immersion Faculty Coordinator LOS ANGELES MAYOR’S DV STEERING COMMITTEE 2010-Present Member Los Angeles, California Responsibilities: Provide expertise and guidance regarding domestic violence in Los Angeles City; oversee any projects the Mayor deems necessary; assist in any grant proposals that affect Los Angeles City. CERTIFIED EXPERT WITNESS IN STRANGULATION PREVENTION 2017 National Training Institute on Strangulation Prevention – San Diego, CA Responsibilities: Provide expert testimony regarding homicide, domestic violence strangulation cases, provide expert testimony on domestic violence child custody cases where strangulation has taken place.
    [Show full text]
  • DISTINGUISHED Residentsof
    DISTINGUISHED 1 RESI D ENTS of Hillside Memorial Park and Mortuary DISTINGUISHED RESIDENTS IRV I NG AA RONSON (1895 – 1963) EV E RL A ST I NG Pea C E Irving Aaronson’s career began at the age of 11 as a movie theater pianist. DISTINGUISHED RE S I D E NTS GU I D E : A LE G A CY OF LE G E NDS In the 1920’s he became a Big Band leader with the Versatile Sextette and Irving Aaronson & the Commanders. The Commanders recorded “I’ll Get By,” Cole Porter’s “Let’s Misbehave,” “All By Ourselves in the Hillside Memorial Park and Mortuary has provided a place to Moonlight,” “Don’t Look at Me That Way” and “Hi-Ho the Merrio.” Irving Aaronson His band included members Gene Krupa, Claude Thornhill and Artie honor the accomplishments and legacies of the Jewish community Shaw. He later worked for MGM as a music coordinator for “Arrivederci Roma” (1957), “This Could Be the Night” (1957), “Meet Me in Las Vegas” since 1942. We have made it our mission to provide southern (1956) and as music advisor for “The Merry Widow” (1952). California with a memorial park and mortuary dedicated to ROSLYN ALF I N –SL A T E R (1916 – 2002) GA RD E N OF SA R A H honoring loved ones in a manner that is fitting and appropriate. Dr. Roslyn Alfin-Slater was a highly esteemed UCLA professor and nutrition expert. Her early work included studies on the relationship between cholesterol and essential fatty acid metabolism.
    [Show full text]
  • Native Americans Bless Ganesha Park at Tree Carving Dedication Ceremony
    Issue No. 94 Thursday, May 25, 2017 www.lanuevavoz.net Native Americans bless Ganesha Park at tree carving dedication ceremony By Alex Le Through a collaborative effort, people you’re not here when the Centuries before, an ancient that heritage now has been re- book says that we died in the ear- village of Toibingna was located kindled and will forever be re- ly 1900s and we’re gone? We’re in Pomona’s Ganesha Park with membered at the historic park. not gone. We’re still existing.” the remains of indigenous Na- A ceremonial tree carving She said she was hopeful the tive American tribes buried on dedication ceremony – complete new exhibits at the park would its land. The Costanoan Rumsen with Native American prayers revitalize that silenced history. and Gabrieleños once were its for blessings, songs, the tra- Pomona Cultural Arts Com- inhabitants. However, they were ditional burning of sage and a mission Chairwoman Nancy removed along with their his- traditional dance around a bear Leaño said that the new sculp- tory once the colonists arrived. carving – was presented last ture brings “more appreciation for our park and our history.” Pomona’s homeless plan in place, year-round “I am very happy that we’re shelter may open as early as December honoring the tribes and just Pomona’s efforts at working bringing out the art in our com- on the issue of homelessness are munity,” she added. well under way and are already Pomona City Councilmember paying off with the completion of Photo by Alex Le Robert Torres, whose district BLESSING THE CARVING OF THE BEAR+HQUL0DVFRUURRI/D9HUQHRI3RPRQD·V “A Way Home,” a new strategic Costanoan Rumsen Carmel tribe of Native Americans, blesses the new wood carving of a includes Ganesha Park, gave plan with an entire laundry list of EHDUODVWPRQWKLQ3RPRQD·V*DQHVKD3DUNXVLQJWUDGLWLRQDOEXUQLQJVDJHLQDQDEDORQH special thanks to Debra Martin, shell fanned by an eagle feather during dedication ceremonies.
    [Show full text]