Who's Who in Los Angeles Business
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Artificial Intelligence in Health Care: the Hope, the Hype, the Promise, the Peril
Artificial Intelligence in Health Care: The Hope, the Hype, the Promise, the Peril Michael Matheny, Sonoo Thadaney Israni, Mahnoor Ahmed, and Danielle Whicher, Editors WASHINGTON, DC NAM.EDU PREPUBLICATION COPY - Uncorrected Proofs NATIONAL ACADEMY OF MEDICINE • 500 Fifth Street, NW • WASHINGTON, DC 20001 NOTICE: This publication has undergone peer review according to procedures established by the National Academy of Medicine (NAM). Publication by the NAM worthy of public attention, but does not constitute endorsement of conclusions and recommendationssignifies that it is the by productthe NAM. of The a carefully views presented considered in processthis publication and is a contributionare those of individual contributors and do not represent formal consensus positions of the authors’ organizations; the NAM; or the National Academies of Sciences, Engineering, and Medicine. Library of Congress Cataloging-in-Publication Data to Come Copyright 2019 by the National Academy of Sciences. All rights reserved. Printed in the United States of America. Suggested citation: Matheny, M., S. Thadaney Israni, M. Ahmed, and D. Whicher, Editors. 2019. Artificial Intelligence in Health Care: The Hope, the Hype, the Promise, the Peril. NAM Special Publication. Washington, DC: National Academy of Medicine. PREPUBLICATION COPY - Uncorrected Proofs “Knowing is not enough; we must apply. Willing is not enough; we must do.” --GOETHE PREPUBLICATION COPY - Uncorrected Proofs ABOUT THE NATIONAL ACADEMY OF MEDICINE The National Academy of Medicine is one of three Academies constituting the Nation- al Academies of Sciences, Engineering, and Medicine (the National Academies). The Na- tional Academies provide independent, objective analysis and advice to the nation and conduct other activities to solve complex problems and inform public policy decisions. -
NAME AFFILIATION MUSIC Arcos, Betto KPFK, Latin Music Expert
SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION MUSIC Arcos, Betto KPFK, latin music expert Barnes, Micah Bentley, Jason KCRW music program host; SM Downs, LeRoy KJAZ Eliel, Ruth Colburn Foundation Fernandez, Paul SM Music Center Fleischmann, Martin Music producer Franzen, Dale Performing arts producer Gallegos, Geoff "Double G" Jazz arranger/player/music director Gross, Allen Robert Artistic Director/Conductor, SM Symphony Guerrero, Tony Tony Guerrero Quartet Jain, Susan Pertel Producer, Chinese cultural expert Jones, O-Lan Composer, producer Karlin, Jan Levine, Iris Dr. Vox Femina Marshall, Anindo Director, Adaawe Maynard, Denise KJAZ Mosiman, Marnie singer Pourafar, Pirayeh Musician, teacher Pourmehdi, Houman Musician, teacher Cal Arts, Lian Ensemble Roden , Steve (also Visual Art) Visual artist/sound composer (Glow 2010) Scott, Patrick Artistic Director, Jacaranda music series, SM Smith, Dr. James SM College Sullivan, Cary Producer/Afro Funke Night Club PERFORMANCE ART Davidson, Lloyd Keegan & Lloyd Fabb, Rochelle Performance artist Fleck, John Performance Artist Froot, Dan Performance artist Gaitan, Maria Elena Performance Artist, Musician, Linguist, Educator Hartman, Lauren Crazy Space Kearns, Michael Writer/performer Keegan, Tom Keegan & Lloyd Kuida, Jennifer Great Leap Kuiland-Nazario, Marcus Curator, Performance artist Malpede, John LAPD Marcotte, Kendis Former Director, Virginia Avenue Project Miller, Tim Performance Artist/ Former Director Highways Palacios, Monica Performance artist Sakamoto, Michael Performance artist Werner, Nicole Dance, performance, theater Wong, Kristina SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION Woodbury, Heather Performance artist Zaloom, Paul Performance artist THEATER Abatemarco, Tony Skylight Theater Almos, Carolyn Loyola, Burglers of Hamm Almos, Matt Playwright, producer, Disney Corp. -
Top Attractions
LOS ANGELES L.A. LIVE 901 West Olympic Boulevard, Los Angeles, CA 90015 COURTYARD | 213.443.9222 | Marriott.com.com/LAXLD RESIDENCE INN | 213.443.9200 | Marriott.com/LAXRI 5 ATTRACTIONS 34 1 Arts District (2.8 mi) BURBANK 2 Bunker Hill (1.3 mi) 3 Chinatown (2.8 mi) 4 Dodger Stadium 5 Dolby Theater (7.5 mi) 18 101 6 Financial District (0.7 mi) PASADENA 7 Griffith210 Observatory/LA Zoo (8.3 mi) 8 Hollywood Bowl (8.3mi) 22 9 LACMA (6.2 mi) 10 LA LIVE (1 minute walk) 101 STAPLEs Center (less than 5 minute walk) Microsoft Theater (less than 5 minute walk) 7 11 Grammy Museum (less than 5 minute walk) 12 Little Tokyo (2.8 mi) 21 13 Los Angeles Coliseum/LA Rams Stadium (3 mi) 14 Los Angeles Convention Center (0.7 mi, 14 minute walk) 8 Los Angeles Music Center (1.8 mi) HOLLYWOOD 2. BUNKER HILL Dorothy Chandler Pavilion (1.8 mi) 25 32 5 3. CHINATOWN Ahmanson Theater (1.8 mi) 5 6. FINANCIAL DISTRICT Mark Taper Forum (1.8 mi) BEVERLY HILLS 12. LITTLE TOKYO Walt Disney Concert Hall (1.8 mi) 17. OLIVERA STREET 15 Los Angeles Public Library (0.9 mi) 4 28. GRAND CENTRAL 10 30. THE BLOC/MACY’S 16 OUE Skyspace LA (1.1 mi) 9 3 35. 7TH ST/METRO CENTER STATION 17 Olivera Street (2.6 mi) 36 36. UNION STATION 18 Rose Bowl Stadium (11.5 mi) 20 17 28 19 Santa Monica Pier (15.2 mi) 6 30 12 20 The Broad (1.6 mi) 21 16 35 2 27 The Getty (14.7 mi) 22 Universal Studios Hollywood/Universal60 City Walk (10 mi) 10 L.A. -
THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles
experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama. -
Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking
Kimberly Owczarski Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking In June 2005, Warner Bros. Pictures announced Are Marshall (2006), and Trick ‘r’ Treat (2006)2— a multi-film co-financing and co-production not a single one grossed more than $75 million agreement with Legendary Pictures, a new total worldwide at the box office. In 2007, though, company backed by $500 million in private 300 was a surprise hit at the box office and secured equity funding from corporate investors including Legendary’s footing in Hollywood (see Table 1 divisions of Bank of America and AIG.1 Slate for a breakdown of Legendary’s performance at financing, which involves an investment in a the box office). Since then, Legendary has been a specified number of studio films ranging from a partner on several high-profile Warner Bros. films mere handful to dozens of pictures, was hardly a including The Dark Knight, Inception, Watchmen, new phenomenon in Hollywood as several studios Clash of the Titans, and The Hangoverand its sequel. had these types of deals in place by 2005. But In an interview with the Wall Street Journal, the sheer size of the Legendary deal—twenty five Legendary founder Thomas Tull likened his films—was certainly ambitious for a nascent firm. company’s involvement in film production to The first film released as part of this deal wasBatman an entrepreneurial endeavor, stating: “We treat Begins (2005), a rebooting of Warner Bros.’ film each film like a start-up.”3 Tull’s equation of franchise. Although Batman Begins had a strong filmmaking with Wall Street investment is performance at the box office ($205 million in particularly apt, as each film poses the potential domestic theaters and $167 million in international for a great windfall or loss just as investing in a theaters), it was not until two years later that the new business enterprise does for stockholders. -
Cashier Du Cinema
PROFILES CASHIER DU CINEMA After supermarkets, private equity, and politics, Ron Burkle makes a move on Hollywood. BY CONNIE BRUCK nside the towering iron gates of Green don’t want to think you’re in L.A., you’re Around that time, Burkle was seen at an Acres, a Beverly Hills estate built in not really in L.A.” L.A. night club, with “two drop-dead- theI nineteen-twenties by the silent-film Burkle turned Green Acres into the gorgeous girls, maybe twenty years old, actor Harold Lloyd, a narrow road climbs city’s premier political showcase. Shortly one on either arm,” a person who was at through eight acres of lawns and gardens after buying the estate, he hosted a fund- the club said. “It was such a statement: to a mansion modelled on the Villa Pal- raiser for Senator Dianne Feinstein, I can do whatever I want.” The New mieri, the Florentine palazzo where Boc- whose campaign he served as a finance York Post ran items about Burkle carous- caccio set the “Decameron.” One after- chair. The next year, he met Bill Clinton, ing with young models on his plane, noon in mid-June, the courtyard held a who was running for President, and the which had customized sleeping quarters. dozen gleaming sports cars—Lambor- two found a ready kinship. Although (Burkle, working with an F.B.I. sting, se- ghinis, Teslas, Ferraris, McLarens—ar- Burkle was a registered Republican until cretly videotaped the Post columnist ranged in a circular design, like giant steel 2004, by the mid-nineties he had be- Jared Paul Stern asking him for money petals. -
Los Angeles Music Center
'A CONTEMPORARY EXPRESSION OF CLASSIC ARCHITECTURE' It is difficult for me to conceive of a great ARC H IT E C T' S EX P l A NAT' 0 N 0 F within and yet we wanted it to be contemp er personal thrill than the formal opening THE PAVILION'S FINE D;;SIGN orary and understated so that it would not of this building. Not only is it the most CONCEPTION, THE ACOUSTICS overpower people. We felt that many con complex architectural problem my firm temporary exterior amI interior desig~s AND LIGHTING, THE STAGE AND has ever attempted to solve, it is probably were too stark and unimaginative for this the single most important e I e men t in THE SEATING AS WELL AS THE type of building, so we studied the classical Southern California's culturJlI history, one KIND OF BUILDING MATERIALS ~oncepts of architecture as a point of de which many in the community have sought parture. Thus. since it is meant to become to secure for nearly 20 years. To be se Photography by Korob a living culturai symbol for future dec lected as architect for such a structure, ades, The Pavilion grew to be a contemp destined to be a landmark even before any opera, ballet and similar presentations re orary expression of classical architecture. architect was assigned, is a great honor. Quire a more intimate type of theater with Being at the crown of the Civic Center But to be chosen in one's own city to ac an amplified sound system. -
Bombardier's Mass Production of the Snowmobile: the Canadian Exception? Christian De Bresson and Joseph Lampel
Document generated on 10/02/2021 11:25 a.m. Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine Bombardier's Mass Production of the Snowmobile: The Canadian Exception? Christian De Bresson and Joseph Lampel Volume 9, Number 2 (29), décembre–December 1985 URI: https://id.erudit.org/iderudit/800214ar DOI: https://doi.org/10.7202/800214ar See table of contents Publisher(s) CSTHA/AHSTC ISSN 0829-2507 (print) 1918-7750 (digital) Explore this journal Cite this article De Bresson, C. & Lampel, J. (1985). Bombardier's Mass Production of the Snowmobile: The Canadian Exception? Scientia Canadensis, 9(2), 133–149. https://doi.org/10.7202/800214ar Tout droit réservé © Canadian Science and Technology Historical Association / This document is protected by copyright law. Use of the services of Érudit Association pour l'histoire de la science et de la technologie au Canada, 1985 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 133 BOMBARDIER'S MASS PRODUCTION OF THE SNOWMOBILE: THE CANADIAN EXCEPTION? Chris DeBresson* and Joseph Lampe1** (Although) the Canadian record in innovation is not quite as dismal as popularly supposed ... a high proportion of innovative products are custom made for one or two customers, and fail to grow into mass produced standardized products.1 A disjunction seems to have beset Canadian industrial and econ omic development in the last forty years. -
(702) 565-2171
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The Los Angeles Public Landscapes of Ralph Cornell Los Angeles, CA
What’s Out There® The Los Angeles Public Landscapes of Ralph Cornell Los Angeles, CA Welcome to What’s Out There Los Angeles – The What’s Out There Los Angeles – The Public Landscapes Public Landscapes of Ralph Cornell, organized by of Ralph Cornell was accompanied by the development The Cultural Landscape Foundation (TCLF) with of an exhibit of his drawings, photographs, and personal support from local and national partners. effects. On view at the UCLA Charles E. Young Research The narratives and photographs in this guidebook describe Library, the installation was curated by Steven Keylon, Kelly thirteen sites, just a sampling of Cornell’s built legacy. The Comras, Sam Watters, and Genie Guerrard and introduced sites were featured in What’s Out There Weekend Los Angeles, with a lecture on Cornell’s legacy given by Brain Tichenor, which offered free, expert-led tours in November 2014. This professor of USC’s School of Architecture. The tours, What’s Out There Weekend—the eleventh in an on-going series exhibit, and lecture were attended by capacity crowds, of regionally-focused tour events increasing the public visibility demonstrating the overwhelming public interest to discover Franklin D. Murphy Sculpture Garden, photo by Matthew Traucht of designed landscapes, their designers, and their patrons—is more about this significant shaper of Southern California. TCLF’s first focused on the work of a single designer. This guidebook and the What’s are Out There Weekends In researching the extant public landscapes of Ralph Cornell dovetail with the Web-based What’s Out There, the nation’s we came to understand why he is called “the Olmsted most comprehensive, searchable database of our shared of Los Angeles.” A prolific designer, author, mentor, and landscape legacy. -
Relativity and Hasbro Team up to Bring Stretch Armstrong to the Big Screen
January 30, 2012 Relativity and Hasbro Team Up to Bring Stretch Armstrong to the Big Screen Targeted for April 11, 2014 Release BEVERLY HILLS, Calif.--(BUSINESS WIRE)-- Relativity Media has partnered with global branded play company Hasbro, Inc. [NASDAQ-HAS] to develop and produce a live-action tent-pole film based on Stretch Armstrong, the iconic action hero figure launched in the 1970s, it was announced today by Relativity's Co-President, Tucker Tooley and Hasbro's President and CEO, Brian Goldner. Relativity will be the domestic distributor and will release the film internationally through its network of foreign output partners. The film is targeted for an April 11, 2014 release date. The film will be produced by Relativity's CEO, Ryan Kavanaugh (The Fighter), Hasbro's Goldner (Transformers) and Bennett Schneir, Senior Vice President and Managing Director, Motion Pictures (Battleship). Tooley (Immortals) will serve as executive producer. Hasbro has become an entertainment powerhouse by creating hit movies and television shows from its rich portfolio of world class brands. Since 2007, Hasbro's Transformers and G.I. Joe franchises have grossed nearly $3 billion at the worldwide box office. 2012 is shaping up to be another stellar year for Hasbro with its partners Universal Pictures releasing Battleship in April and Paramount Pictures releasing G.I. Joe: Retaliation in June. In television, Hasbro Studios produces shows like Transformers Prime and My Little Pony: Friendship is Magic that can be seen on the HUB television network in the U.S. and in more than 140 countries globally. "We are absolutely thrilled to partner with Hasbro, a company whose global reach and ability to innovate has made them immensely successful in the arena of brand re-imagination-- as evidenced by their legacy of creating such franchises as Transformers and G.I. -
Dear Academy Member
Relativity Media invites you and a guest to attend Special Screening Of Starring Christian Bale, Woody Harrelson, Casey Affleck, Forest Whitaker, Willem Dafoe with Zoë Saldana and Sam Shepard Friday, November 15 7:30 PM at HARMONY GOLD 7655 West Sunset Boulevard, Los Angeles, CA 90046 Q & A will follow the screening with Director / Co-Writer Scott Cooper, Edited by: David Rosenbloom, A.C.E. Director Of Photography: Masanobu Takayanagi From Scott Cooper, the writer and director of Crazy Heart, comes a drama about family, fate, circumstance, and justice. Russell Baze (Christian Bale) has a rough life: he works a dead-end blue collar job at the local steel mill by day, and cares for his terminally ill father by night. When Russell's brother Rodney (Casey Affleck) returns home from serving time in Iraq, he gets lured into one of the most ruthless crime rings in the Northeast and mysteriously disappears. The police fail to crack the case, so - with nothing left to lose - Russell takes matters into his own hands, putting his life on the line to seek justice for his brother. The cast of Christian Bale and Casey Affleck are rounded out by Woody Harrelson, Forest Whitaker, Willem Dafoe, Zoë Saldana and Sam Shepard. R.S.V.P. by November13 at [email protected] Please include Guild Affiliation, Full Name / Guest Name in subject line or in the body of the E-Mail RELATIVITY MEDIA Presents In Association with RED GRANITE PICTURES a RELATIVITY MEDIA Production a SCOTT FREE and APPIAN WAY Production OUT OF THE FURNACE Directed by: Scott Cooper Written by: Brad Ingelsby and Scott Cooper Produced by: Jennifer Davisson Killoran, Leonardo DiCaprio, Ryan Kavanaugh, Ridley Scott, Michael Costigan Cast: Christian Bale, Woody Harrelson, Casey Affleck, Forest Whitaker, Willem Dafoe with Zoë Saldana and Sam Shepard Rated R for strong violence, language and drug content Opens in Theatres, December 6, 2013 -- 116 minutes PAID FOR BY RELATIVITY MEDIA PLEASE ARRIVE AT LEAST 30 MINUTES EARLY.