Los Angeles Music Center

Total Page:16

File Type:pdf, Size:1020Kb

Los Angeles Music Center lodged against him but because there were those in power who envied, Curtains Going Up at frothy Graustarkian operettas and feared and hated him seems equalJy lilting bodyless musicals, This is sturdy historically accurate. stuff, an exploration of the unquench­ Director Gordon Davidson 1H:1ieves able spirit of man in the daTk days of 'The Devils- is a deeply Christian play, the Spanish Inquisition. D a I e Was­ dealing with the temptation, the fall the Taper and Ahmanson serman wrought his drama from tbe , and the redemption of man. Certainly it Ufe of the great Miguel de Cervantes y is one of the most powerful and Saavedra as revealed in his Immortal important plays in contemporary dra· BY CECil SMITH -Don Quixote.· rna. Albert Marre has staged the musical The <:ast includes some of the finest drama as if the audience were the professionals in the current theater~ derelicts,.ln a hellhole of a. Spanish • ,nt:tl Ol·gan \'aguety and uncertainty presented this arternoon in the Pavi­ notably Frank Langella as Father prison into which the aging Cervantes Grandier and Joyce Ebert as Sister :10 y<'ar;;; aso with the notion that Los lion. 1'11c Melrollolitan Opt'I'" r\ationlll J. tossed. It is a cUl'tainless drama, Angeil'." liholiid justify Hs position ns a Company will opcon two weeks DC Jeanne of the Angels, his accuser. played, without intermission, during Among the others are Robert Casper, mcll'opolili.lTI ccntcl' with some sort or repertory in the Pa.... ilion MumIny nleht which, to save his neck from the'ragtag with the perCormnnce "Lil 'l'ruvi­ Iggie WolCington, William Hickey. <'ide auditorium for the performing or brJg:mds. cutthroats and bawds sur~ m't::: this w~k becomes a reality far ata.· !:;ubscquent pJ'oductions in the Mark Lennard, Sid Conr.ld, Anthony rounding him, he enchants them with Zerbe, Ian Wolfe, Jonathan Ktdd, Ed iJl'nmli the dreams of those c:I rly repel'tory Intlude ~ThC:' l\laniage of the tale of the eternal quest of Quixote. 1i'is.;aro," "ThL' napc of Lu<:n'(ia" and Flanders, Laurie Mock and Nancy ]lr~;pr1l1Cnl S with the completion <Inti Marre has brought three key pertor.. f(ll'mni (Ipcning DC the finQl 1\\'0 ,l/j'urantlnl.'l , Jeris. 'fhe si~lIifi('a,nf"c to the cultural "Tners from the tremendously successful -The Devils! will be foHowcd Into the blliltliny,;; or Tbe :-'hlSic Center. New York production of the play to 'faking theil' places Lc!'idc the s. tatcly climate of Los J\ngelp.'i of the com­ theater by Rolumus Linney's new play pletr-d complex of The" )'lu!':ic Center is appear here-Richard Kiley, who plays on Frederick the Great, -The Sorrows noroth ,· Chandler I'm"ilion in WcHon Cervantes; Joan Diener, the grubby ;(1'(> ohdotl,<=, Wlwt is not cl"dotl~ and Wll.lt of Frederick'; Friedrich Durrcnmatt's Becketis trinity of thcnten: th(~ 7:',0- Aldonza, and Ray Middleton, the scat oval ,Mark Taper Forum and tile may be e\'en mOl'c ' tilt reaching In 6ardonic comedy, -The Marriage oC Mr. ('fkct is the !'ignifi("Hl('C to the Amcr. Innkeeper. Harvey Lembeck is the Mississippi, - and a new play by 2,l00-s.t'ilt Ahmnnson, linked hy Ol San<:ho Panza of this production, whi<:h l'Olonmu.lc that not only j oin ~ theIR il-.1It theater, William Murray commissioned by the Marre is restaging specifically for the CTG. ·Witnesses." slrUt'lul·'I1!~· but symbolizes theil' unity For ::00 ~'l',\1'~, the lhC'alcr in this spacious Ahmanson, ' of p-llrpose, , r:ountry h ~ls been thc errnnt stepchild -Man of La Mancha- win be in the The new theaters will be opened with of the <ll't ~, gi\'Cn the lo\\'est position on Cervantes died in 1616, the year after Ahmanson for most or the summer. a w'cck of dcdi('alary ceremonies anti the cullul':11 totem. disrcgan.lcd, de­ Urbain Grandier was ordained a Jesuit followed by the first, QTG season in the performances beginning tonight with 3 based and dismi::!':ed. novice in the France of Louis XIII. big theater, Only one play has been Only ill this countr,\' hns the drama And it is Father Grandicr, the hand­ dennitely selected for next fall-the spccial Inyitational performance of the some, eloquent, erudite, licentious pas.­ Center Theatre Group's inaugural pl'(l~ been the pro-dnce of the quick·buck American premiere of O'Neill's -More promotc\', the C.:1llotl~ entrepreneur nod tor or Loudun, who is the central figure Stately Mansions,- to be staged by Jose dl1ction of John Whiting's liThe Ded!;;" of 'The Devils.- in the 'Mark Taper Forum, Prior to the the denizens oC "show biz, - which Quinte-ro. pCI'ft11'm.mce, the theater will ue dedi.. 'fenne8scc WiHiams once likened to the The play, which Whitin~ wrought Its plans are lofty-EUlot MarUn ('aled in a ('cremony at , ,,'hie'h eTC practice or religion bcing plo.ccd in the from Aldous Huxleyts famous study, promises a season oC plays with major pn~ ~ iucnt Lew ""'ass~ nmm will pr~sille control oC a hN'd of water buffalos. "The Devils of Loudun,- caused a mUd s:lars staged by the world's most :lIul Go\" HeJgan and Supcl'vl:::or Emc!-It Only ill the la.:;t dccJde h::l.S there Lecn flurry of disapproval here when it was eminent directors, The concentration E, Debs will participate. Olher partil'i­ any eonccnt".:1ted effm't to develop first announced be:cause it portrays a 'Will be on new works but there is a pantH include CTG add~C'r Hobert institutional theater in the trttuitional libertine priest accused oC being a devil mandate here to serve the community Whitehead, general director Elliot cultural pcrspcctl\'(~ to re£1ect, enhance by a neurotic nun who never met him. both with classical productions and. Martin. artistic director Gordon n ~l­ and illllminutc AmC'l'icnn liCe, 'Vhy That Grandl.r was openly· and boldly 'Works of intrimtlc value, whether new \'idson, tinilncier Mark Tnpcr, al'Chitcl~t rlfter aoo ,Yenl's this mm'elUcnt has unccUbate. even marrying and father- .. or old. Welton Becket and Ml's, NOl'llwn suddenly CJl1g-ht fh'c <Jeros!'! the land Ing a child, I. history, but that he w... What we have at this moment are the Clwnll!cl', leader oC the cnmpnign thnl Zl nd is rcflccll! ~1 in gm'C'l'nmrntal and d e rob e d, Imprisoned, tortured. Gnd shining newness of buildings, the m.,de the $,13 million ~fu s ic Center ch'le concern i ~ rex-lIler (or (ulure bumed to de.th was ""used neither by untrodden stages, empt7 scala and ('ol'npJcx possible. sociologist'!, Certuinly the dedication to his broken vows nor the false ebarg~ vIrgin walls-and infinIte promise ••• The Ahmilnson will be dcfiientcd dram", oC the no\" Mark TOPN' Forum . ~;"":~J.. .&fiZ " m"'A~~z:.=<,.. ,~ """,~,it\'illia;:s;:;;:,.m:~~r~2.'7:"'''=~ "~cdnesd!lY night in a ceremony prior and Ahmanson here and the fOl'll<lUOn to the opening performance of the of the Center 'l'hcatl'c Group to produce mlt.;;jc~II dt'amJ, -,Man of Ln Mandm,· RigniCicant plays i;; 3 major step ill the THE MUSIC CENTER DEDICATION WEEK Which al~o officially npens the 10G7 Lns movemcnt. Angc1r-~ Cidc Light Opera scaRon. Il is stl"JI1gely ('oincitlentnlthnt both MARK TAPER FORUM-Dedication ceremonies and opening of the Cenler the plays opelling the new the!lter;:: this Pr(>sidillf: will be LACLO pl'esidcnt Th.ealro Group ptodudion of "Tho Devils" tonighll subscription ~ec)on opon. William T, Scsnon Jr. Participants will week would lJe expel'lmental in Corm, Fndoy. include actress Greer Garson, actor rooted in fad ilntl slml'ing, within a Grcg-on' Peck, A!"scmbly Spc.lkcr JC!ise handful of years. the common era or AHMANSON THEATER-.Dedicatton ceremonies Wednosday, Thursday, Fri­ Unruh; financier HOWJI'tl Ahm;ln~on, the turbulent early lith century in day and Saturday, openlno of tho Los AnoelC'S Civic light Opera S0010n Supervisor Debs, Deck<!l and 'Mrs, western Europe, n period in the \'Ioke with t~o production of -Man of La Monchc~ Wednesday. oC ~rcnt C h <l n dIe r, l!;ach subsequent night Mm'tin Luther that wm; one of DOROTHY CHANDLER PAVILlON_Spocio' conco" by tho Lo, Ange' •• Phi!. social upheaval :mll moral rc.examin:l­ tlll'ough S~turday, pre - pel'formance harmOf'lIc Orchoslra with Zubrn Mehta conducting, leonard Ponnarlo soloist, esl.<lhllshctl ceremonies will be held in the Ah· tlon, in which instilutions a! 3 p.m. today, Opening of the Metropolitan Opera National Company "';'(,I'e lhcm:o;clH's, manson wUh county, city and state or~ t"kinA' stock of mur:b. wJlh "La Traviata" Monday nigh'/ continuing through April 22. fici;lls and ch'ic leadcrs particlpaling:, as they arc lod<lY. In keeping with the dedication week -1ran of L .., 1\1;111('11<1" i~ l1:11'dl'y the AdditJonaJ 8ton~. and ph~toC'r:lpll!t on The 1\lm.ic C~nt('r tire la of the new theaters. a special conccl't or uRunl faro of the Civic J.lght Opera. Coday's West mncaiiae. the Los Angeles Philharmonic Orche· which built its hnmcl1!::c sliccess on ~t\'a conducted by Zubin Mehta. will be .
Recommended publications
  • O S Ouht Epero
    SC 38th Season • 366th Production SECOND STAGE / SEPTEMBER 18 THROUGH OCTOBER 21, 2001 So u h o t eper o David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by ANNIE WEISMAN Scenic Design Costume Design Lighting Design Sound Design CHRISTOPHER ACEBO JOYCE KIM LEE GEOFF KORF ARAM ARSLANIAN Dramaturg Stage Manager Production Manager JEFF GIFFORD *EDWARD TIGHE JERRY PATCH Directed by MARK RUCKER SUE AND RALPH STERN, Honorary Producers Hold Please was commissioned and developed by South Coast Repertory PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P -1 CAST OF CHARACTERS (in order of speaking) Erika ..................................................................... *Tessa Auberjonois Agatha ................................................................... *Kimberly K. King Jessica ........................................................................... *Jillian Bach Grace ...................................................................... *Linda Gehringer SETTING: An office. LENGTH: Approximately 2 hours, including one 15-minute intermission PRODUCTION STAFF Casting Director ........................................................................... Joanne DeNaut Production Assistant .................................................................... Christi Vadovic Assistant to the Set Designer ................................................. Celeste Thompson Stage Management Intern ............................................................... Emily Caster ACKNOWLEDGEMENT:
    [Show full text]
  • Read Article
    B CALIFORNIA W EDNESDAY, MAY 20, 2020 :: L ATIMES.COM/CALIFORNIA L.A. County’s next goal is Fourth of July lost work and pay. Any comprehensive Also Tuesday, Sacra- mento County announced it reopening to aid the has been given the go-ahead struggling economy by the state to reopen dine- in restaurants. County offi- will depend on cials said their reopening reduced cases of virus. plan differs slightly from the state’s road map: religious services and ceremonies By Colleen Shalby, such as graduations can be Rong-Gong Lin II held only via drive-through, and Sarah Parvini and outdoor gatherings — such as weddings, funerals and family gatherings — can Los Angeles County offi- have a maximum of 10 people cials’ newest goal is to more with strict social distancing. fully reopen the economy by Citing county officials, July 4, officials said Tuesday. Sacramento Mayor Darrell Al Seib Los Angeles Times The mission is to safely Steinberg tweeted that the FAMILY NURSE PRACTITIONER Anniesatu Newland swabs Alfredo Contreras’ mouth during walk- reopen retail businesses, county would be able to “re- in coronavirus testing this week at St. John’s Well Child & Family Center in South Los Angeles. restaurants and malls. But open some offices, small getting there will be slow go- shops and restaurants” by ing. Friday. “We have to do a lot of “It’s not just about allow- things right so we can actu- ing the businesses to open; ally get to that date,” L.A. it’s also about the custom- I got tested. Should you? County Public Health Direc- ers,” he said in a media brief- tor Barbara Ferrer said.
    [Show full text]
  • NAME AFFILIATION MUSIC Arcos, Betto KPFK, Latin Music Expert
    SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION MUSIC Arcos, Betto KPFK, latin music expert Barnes, Micah Bentley, Jason KCRW music program host; SM Downs, LeRoy KJAZ Eliel, Ruth Colburn Foundation Fernandez, Paul SM Music Center Fleischmann, Martin Music producer Franzen, Dale Performing arts producer Gallegos, Geoff "Double G" Jazz arranger/player/music director Gross, Allen Robert Artistic Director/Conductor, SM Symphony Guerrero, Tony Tony Guerrero Quartet Jain, Susan Pertel Producer, Chinese cultural expert Jones, O-Lan Composer, producer Karlin, Jan Levine, Iris Dr. Vox Femina Marshall, Anindo Director, Adaawe Maynard, Denise KJAZ Mosiman, Marnie singer Pourafar, Pirayeh Musician, teacher Pourmehdi, Houman Musician, teacher Cal Arts, Lian Ensemble Roden , Steve (also Visual Art) Visual artist/sound composer (Glow 2010) Scott, Patrick Artistic Director, Jacaranda music series, SM Smith, Dr. James SM College Sullivan, Cary Producer/Afro Funke Night Club PERFORMANCE ART Davidson, Lloyd Keegan & Lloyd Fabb, Rochelle Performance artist Fleck, John Performance Artist Froot, Dan Performance artist Gaitan, Maria Elena Performance Artist, Musician, Linguist, Educator Hartman, Lauren Crazy Space Kearns, Michael Writer/performer Keegan, Tom Keegan & Lloyd Kuida, Jennifer Great Leap Kuiland-Nazario, Marcus Curator, Performance artist Malpede, John LAPD Marcotte, Kendis Former Director, Virginia Avenue Project Miller, Tim Performance Artist/ Former Director Highways Palacios, Monica Performance artist Sakamoto, Michael Performance artist Werner, Nicole Dance, performance, theater Wong, Kristina SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION Woodbury, Heather Performance artist Zaloom, Paul Performance artist THEATER Abatemarco, Tony Skylight Theater Almos, Carolyn Loyola, Burglers of Hamm Almos, Matt Playwright, producer, Disney Corp.
    [Show full text]
  • Top Attractions
    LOS ANGELES L.A. LIVE 901 West Olympic Boulevard, Los Angeles, CA 90015 COURTYARD | 213.443.9222 | Marriott.com.com/LAXLD RESIDENCE INN | 213.443.9200 | Marriott.com/LAXRI 5 ATTRACTIONS 34 1 Arts District (2.8 mi) BURBANK 2 Bunker Hill (1.3 mi) 3 Chinatown (2.8 mi) 4 Dodger Stadium 5 Dolby Theater (7.5 mi) 18 101 6 Financial District (0.7 mi) PASADENA 7 Griffith210 Observatory/LA Zoo (8.3 mi) 8 Hollywood Bowl (8.3mi) 22 9 LACMA (6.2 mi) 10 LA LIVE (1 minute walk) 101 STAPLEs Center (less than 5 minute walk) Microsoft Theater (less than 5 minute walk) 7 11 Grammy Museum (less than 5 minute walk) 12 Little Tokyo (2.8 mi) 21 13 Los Angeles Coliseum/LA Rams Stadium (3 mi) 14 Los Angeles Convention Center (0.7 mi, 14 minute walk) 8 Los Angeles Music Center (1.8 mi) HOLLYWOOD 2. BUNKER HILL Dorothy Chandler Pavilion (1.8 mi) 25 32 5 3. CHINATOWN Ahmanson Theater (1.8 mi) 5 6. FINANCIAL DISTRICT Mark Taper Forum (1.8 mi) BEVERLY HILLS 12. LITTLE TOKYO Walt Disney Concert Hall (1.8 mi) 17. OLIVERA STREET 15 Los Angeles Public Library (0.9 mi) 4 28. GRAND CENTRAL 10 30. THE BLOC/MACY’S 16 OUE Skyspace LA (1.1 mi) 9 3 35. 7TH ST/METRO CENTER STATION 17 Olivera Street (2.6 mi) 36 36. UNION STATION 18 Rose Bowl Stadium (11.5 mi) 20 17 28 19 Santa Monica Pier (15.2 mi) 6 30 12 20 The Broad (1.6 mi) 21 16 35 2 27 The Getty (14.7 mi) 22 Universal Studios Hollywood/Universal60 City Walk (10 mi) 10 L.A.
    [Show full text]
  • THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles
    experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama.
    [Show full text]
  • Los Angeles Music Center
    'A CONTEMPORARY EXPRESSION OF CLASSIC ARCHITECTURE' It is difficult for me to conceive of a great­ ARC H IT E C T' S EX P l A NAT' 0 N 0 F within and yet we wanted it to be contemp­ er personal thrill than the formal opening THE PAVILION'S FINE D;;SIGN orary and understated so that it would not of this building. Not only is it the most CONCEPTION, THE ACOUSTICS overpower people. We felt that many con­ complex architectural problem my firm temporary exterior amI interior desig~s AND LIGHTING, THE STAGE AND has ever attempted to solve, it is probably were too stark and unimaginative for this the single most important e I e men t in THE SEATING AS WELL AS THE type of building, so we studied the classical Southern California's culturJlI history, one KIND OF BUILDING MATERIALS ~oncepts of architecture as a point of de­ which many in the community have sought parture. Thus. since it is meant to become to secure for nearly 20 years. To be se­ Photography by Korob a living culturai symbol for future dec­ lected as architect for such a structure, ades, The Pavilion grew to be a contemp­ destined to be a landmark even before any opera, ballet and similar presentations re­ orary expression of classical architecture. architect was assigned, is a great honor. Quire a more intimate type of theater with Being at the crown of the Civic Center But to be chosen in one's own city to ac­ an amplified sound system.
    [Show full text]
  • The Puzzling School Aid Dilemma Continues Cease-Fire in Angola Is
    The Daily Register VOL.98 NO.129 SHREWSBURY, N. J. MONDAY, JANUARY 5, 1976 15 CENTS The puzzling school aid dilemma continues By JULIE MCDONNELL U7H977 budgets without any the legislature's delay in postponed a month as was come up with a plan to dis- sembly, would be a two-cent which received 1173.000 in certainty of how much aid funding the (334 million done last year tribute aid more fairly increase in the stale sales state aid last year, has It's hard to tell who is more they will receive. And that is that the boards The Senate passed a bill to The new bill is weighted in tax, from five cents lo seven learned it may receive confuted by the stale aid to And the taxpayers jus) wan have tittle idea of how much this effect Dec. IS, but the As- favor of poorer districts, but cents 180.000. 1232,000. VflW.OOO. or education dilemma: the legis and try to figure it all out state aid they will receive sembly adjourned for the is intended, via the additional Tnf notjieartlly in lavor of $432,000 next year lature, the school boards, or "Only about three people in next year. year without acting on it Trie 1334 million, to equalize edu an increased sales tax." Mr The (80,000 figure is what the public. the legislature really under- The bill, which raises the Assembly reconvenes today cationowithout imposing too Van Wagner, who supports an I he borough would gel if the The complexities of itate stand what's going on," says amount of state aid from 15U and is expected to consider heavy a penalty on wealthier income tax accompanied by legislature fails to fund any of aid formulas and school budg- Assemblyman Richard Van million to 1817 million, would the measure shortly communities at the same property tax reform, said -the 1334 million The court et preparation are confusing Wagner, D-District 12.
    [Show full text]
  • The Performing Arts Center of Los Angeles
    THE PERFORMING ARTS CENTER OF LOS ANGELES COUNTY (A NONPROFIT ORGANIZATION) FINANCIAL STATEMENTS FOR THE YEAR ENDED JUNE 30, 2015 (WITH COMPARATIVE TOTALS FOR THE YEAR ENDED JUNE 30, 2014) THE PERFORMING ARTS CENTER OF LOS ANGELES COUNTY (A NONPROFIT ORGANIZATION) CONTENTS June 30, 2015 Page INDEPENDENT AUDITOR’S REPORT 1 – 2 FINANCIAL STATEMENTS Statement of Financial Position 3 – 4 Statement of Activities 5 – 6 Statement of Cash Flows 7 – 8 Notes to Financial Statements 9 – 48 INDEPENDENT AUDITOR'S REPORT To the Board of Directors The Performing Arts Center of Los Angeles County Los Angeles, California Report on the Financial Statements We have audited the accompanying financial statements of the Performing Arts Center of Los Angeles County (a California nonprofit organization) (the “Performing Arts Center”) which comprise the statement of financial position as of June 30, 2015, the related statements of activities and cash flows for the year then ended and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility Our responsibility is to express an opinion on these financial statements based on our audit. We conducted our audit in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement.
    [Show full text]
  • BROADHURST THEATER, 235-243 West 44Th Street, Manhattan
    landmarks Preservation Connnission November 10, 1987; Designation List 195 LP-1323 BROADHURST THEATER, 235-243 West 44th Street, Manhattan. Built 1917-18; architect, Herbert J. Krapp. landmark Site: :Borough of Manhattan Tax Map Block 1016, lDt 11. On June 14 and 15, 1982, the landmarks Preservation Conunission held a public hearing on the proposed designation as a landmark of the Broadhurst '!heater and the proposed designation of the related landmark Site (Item No. 19). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. 'Ihe owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. 'Ihe Connnission has received many letters and other expressions of support in favor of this designation. DESCRIPITON AND ANALYSIS 'lhe Broadhurst '!heater survives t00ay as one of the historic theaters that symbolize American theater for both New York and the nation. Built shortly after the end of World War I, the Broadhurst was one of a pair with the Plymouth and among the numerous theaters constructed by the Shubert Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by the three brothers Sam s., lee and J.J. Shubert, the Shubert organization was the dominant shaper of New York's theater district. Beginning as producers, the brothers expanded into the building of theaters as well, and eventually helped cover the blocks east and west of Broadway in Midtown with playhouses.
    [Show full text]
  • Venues & Spaces the Music Center
    WALT DISNEY CONCERT HALL The Music Center Venues & Spaces Completed in 2003, Walt Disney Concert Hall is an 135 N. Grand Avenue The Music Center provides a state-of-the-art architectural masterpiece designed by Frank Gehry. Los Angeles, CA 90012 experience—from the design of its buildings, The Concert Hall is home to the LA Phil and the musiccenter.org Los Angeles Master Chorale and is one of the most to the programming and amenities it offers (213) 972-7211 acoustically sophisticated venues in the world, providing to more than two million people each year both visual and aural intimacy for a singular musical across its 12-acre campus. experience. THE MUSIC CENTER PLAZA DOROTHY CHANDLER PAVILION The Music Center Plaza is a beautiful 35,000 square- Opened in 1964, the Dorothy Chandler Pavilion, the first TE MP foot outdoor urban oasis and destination for arts and L E ST and largest of The Music Center’s theatres, has been the REET community programming such as The Music Center’s site of unparalleled performances by stunning music and highly popular Dance DTLA, along with festivals, dance luminaries and virtuosos. With one of the largest concerts and other special events. The “plaza for all” Cocina Roja stages in the U.S., the Pavilion was the site for more than welcomes all and brings to life the strength and diversity 20 Academy Awards presentations from 1969–1999. It is of Los Angeles County with a range of dining options, now the home of LA Opera and Glorya Kaufman Presents refreshing gardens, an iconic fountain and views of Dance at The Music Center.
    [Show full text]
  • VA Los Angeles Ambulatory Care Center Psychology Internship Program
    Updated September 15, 2021 VA Los Angeles Ambulatory Care Center Psychology Internship Program VA Los Angeles Ambulatory Care Center Psychology Service 351 E. Temple Street Los Angeles, CA 90012 Phone: (213)253-2677 ext. 24837 https://www.losangeles.va.gov/trainee/ APPIC MATCH NUMBER 113911 Applications Due: Nov 1, 2021 (EST) Hello Prospective Applicants! Congratulations on achieving this level of your psychology training. We are glad that you are considering completing your doctoral internship at a VA, and more specifically at our site. We hope the following information will help you get to know our site, our staff, and our unique internship program. Best wishes on your internship application process! Accreditation Status The doctoral internship program in psychology at VA Los Angeles Ambulatory Care Center (LAACC) is fully accredited by the Commission on Accreditation (CoA) of the American Psychological Association (APA). We have been continually accredited by APA since 1977 and our most recent re-accreditation cycle granted us 10 years of accreditation, to be reviewed again in 2028. CoA is located at 750 First Street, NE, Washington, DC 20002-4242, and their telephone number is 202-336-5979. Application Procedures Applications for full-time doctoral internship positions in clinical psychology will be accepted from students who are enrolled in doctoral programs in clinical or counseling psychology that are accredited by the American Psychological Association (APA) or the Canadian Psychological Association (CPA). The training program is funded to support four full-time internship positions. The 2022-2023 internship year will begin on August 1, 2022. Applications must be submitted through the AAPI Online portal by midnight Eastern Standard Time (EST) on November 1, 2021, and must include the following: 1.
    [Show full text]
  • PDF (V. 76:20 March 7, 1975)
    lRllFORNIATech is TfJdflY "Volume LXXVI Number 20 Watson lectures Hockey Pucks Foes One Big Fantily Goes' All The Way by Greg Simay ber begins to imitate the child's We did it, goddammit. We Aristotle once remarked "there former disturbed behavior. won. We won the whole thing. is no genius without madness." "Therefore," Dr. Beakel explains, Twelve wins no losses gave Cal­ Lecturing before a large Beckman "When Mom and Dad say to us, tech the Southern California audience last Monday evening, 'Please Doc, something is wrong Hockey title. The Caltech Hoc­ Ins titute psychologist Nancy with Johnny. He's driving us all key Team defeated both Cal Beakel throughly vindicated the crazy. You fix him!'," we realize State Northridge and UCLA on Greek sage. We're still not certain he is actually the family member Sunday and Tuesday respectively what makes Caltech tick, but at crying loudest for help. So we to clinch the title. "This is the least we'll think twice before assess the entire family. I have area we call imagination. It is using it to set our watches. not yet been asked to intervene called the twilight zone." said Nancy explained that some in the Caltech family. Coach Doc Warden who was psychologists blame a child's Trying to understand Caltech barely able to comprehend the mental illness not only on his after her thumbnail sketch of the accomplishment. Coach Warden parents and his siblings, but also family is rather like trying to believes the team was infested by on his more distant relations and work physics problems after rea­ HAIL TO THE CHIEF! ASCIT President-elect Jim Backus won by a an extraterrestrial fungus which even society itself.
    [Show full text]