Good Vibrations (Part 1 of 2): [Adapted from NASA’S Museum in a Box]
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Sound Sensor Experiment Guide
Sound Sensor Experiment Guide Sound Sensor Introduction: Part of the Eisco series of hand held sensors, the sound sensor allows students to record and graph data in experiments on the go. This sensor has two modes of operation. In slow mode it can be used to measure sound-pressure level in decibels. In fast mode it can display waveforms of different sound sources such as tuning forks and wind-chimes so that period and frequency can be determined. With two sound sensors, the velocity of propagation of sound in various media could be determined by timing a pulse travelling between them. The sound sensor is located in a plastic box accessible to the atmosphere via a hole in its side. Sensor Specs: Range: 0 - 110 dB | 0.1 dB resolution | 100 max sample rate Activity – Viewing Sound Waves with a Tuning Fork General Background: Sound waves when transmitted through gases, such as air, travel as longitudinal waves. Longitudinal waves are sometimes also called compression waves as they are waves of alternating compression and rarefaction of the intermediary travel medium. The sound is carried by regions of alternating pressure deviations from the equilibrium pressure. The range of frequencies that are audible by human ears is about 20 – 20,000 Hz. Sounds that have a single pitch have a repeating waveform of a single frequency. The tuning forks used in this activity have frequencies around 400 Hz, thus the period of the compression wave (the duration of one cycle of the wave) that carries the sound is about 2.5 seconds in duration, and has a wavelength of 66 cm. -
Good Vibrations Sessions. from Came Our Way on Cassette from California, and We “Unsurpassed Masters Vol
Disc 2 231. George Fell Into His French Horn 201. Good Vibrations Sessions The longest version yet heard, and in stereo. This Tracks 1 through 28 - Good Vibrations Sessions. From came our way on cassette from California, and we “Unsurpassed Masters Vol. 15”, but presenting only the last, digitally de-hissed it. best and most complete attempt at each segment. 232. Vegetables (Alternate lyric and arrangement) Track 202. Good Vibrations Sessions Another track from the California cassettes. This Track 203. Good Vibrations Sessions version has significant lyric and arrangement Track 204. Good Vibrations Sessions differences. Track 205. Good Vibrations Sessions Track 206. Good Vibrations Sessions 233. Surf’s Up Sessions Track 207. Good Vibrations Sessions While not full fidelity, this has the best sound yet, Track 208. Good Vibrations Sessions and a bit of humorous dialogue between Brian Track 209. Good Vibrations Sessions Wilson and session bassist Carol Kaye. From the Track 210. Good Vibrations Sessions California cassetes, and now digitally de-hissed. Track 211. Good Vibrations Sessions Track 212. Good Vibrations Sessions 234. Wonderful Track 213. Good Vibrations Sessions Beach Boys incomplete vocal attempt. Track 214. Good Vibrations Sessions Track 215. Good Vibrations Sessions 235. Child is Father to The Man Track 216. Good Vibrations Sessions Beach Boys incomplete vocal attempt. Tracks 234 Track 217. Good Vibrations Sessions and 235 are from the Japanese “T-2580” “Smile” Track 218. Good Vibrations Sessions bootleg and now digitally de-hissed. Track 219. Good Vibrations Sessions Track 220. Good Vibrations Sessions 236. Heroes & Villains Part Two (Original mono Track 221. Good Vibrations Sessions mix) Track 222. -
Fftuner Basic Instructions. (For Chrome Or Firefox, Not
FFTuner basic instructions. (for Chrome or Firefox, not IE) A) Overview B) Graphical User Interface elements defined C) Measuring inharmonicity of a string D) Demonstration of just and equal temperament scales E) Basic tuning sequence F) Tuning hardware and techniques G) Guitars H) Drums I) Disclaimer A) Overview Why FFTuner (piano)? There are many excellent piano-tuning applications available (both for free and for charge). This one is designed to also demonstrate a little music theory (and physics for the ‘engineer’ in all of us). It displays and helps interpret the full audio spectra produced when striking a piano key, including its harmonics. Since it does not lock in on the primary note struck (like many other tuners do), you can tune the interval between two keys by examining the spectral regions where their harmonics should overlap in frequency. You can also clearly see (and measure) the inharmonicity driving ‘stretch’ tuning (where the spacing of real-string harmonics is not constant, but increases with higher harmonics). The tuning sequence described here effectively incorporates your piano’s specific inharmonicity directly, key by key, (and makes it visually clear why choices have to be made). You can also use a (very) simple calculated stretch if desired. Other tuner apps have pre-defined stretch curves available (or record keys and then algorithmically calculate their own). Some are much more sophisticated indeed! B) Graphical User Interface elements defined A) Complete interface. Green: Fast Fourier Transform of microphone input (linear display in this case) Yellow: Left fundamental and harmonics (dotted lines) up to output frequency (dashed line). -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Tuning Forks As Time Travel Machines: Pitch Standardisation and Historicism for ”Sonic Things”: Special Issue of Sound Studies Fanny Gribenski
Tuning forks as time travel machines: Pitch standardisation and historicism For ”Sonic Things”: Special issue of Sound Studies Fanny Gribenski To cite this version: Fanny Gribenski. Tuning forks as time travel machines: Pitch standardisation and historicism For ”Sonic Things”: Special issue of Sound Studies. Sound Studies: An Interdisciplinary Journal, Taylor & Francis Online, 2020. hal-03005009 HAL Id: hal-03005009 https://hal.archives-ouvertes.fr/hal-03005009 Submitted on 13 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Tuning forks as time travel machines: Pitch standardisation and historicism Fanny Gribenski CNRS / IRCAM, Paris For “Sonic Things”: Special issue of Sound Studies Biographical note: Fanny Gribenski is a Research Scholar at the Centre National de la Recherche Scientifique and IRCAM, in Paris. She studied musicology and history at the École Normale Supérieure of Lyon, the Paris Conservatory, and the École des hautes études en sciences sociales. She obtained her PhD in 2015 with a dissertation on the history of concert life in nineteenth-century French churches, which served as the basis for her first book, L’Église comme lieu de concert. Pratiques musicales et usages de l’espace (1830– 1905) (Arles: Actes Sud / Palazzetto Bru Zane, 2019). -
Goob Vibrations Rider
GOOD VIBRATIONS BIO & RIDER INFORMATION Good Vibrations: A Celebration of The Beach Boys Bio & Press Release: The Music - Timeless The Summer - Endless The Sound of Summer is: Good Vibrations! There is only one show that re-creates the timeless California spirit and incredible music of The Beach Boys as it was meant to be experienced. Good Vibrations: A Celebration of The Beach Boys! Featuring a cast consisting of members from founding Beach Boys' Brian Wilson and Al Jardine's respective touring bands, Good Vibrations is the ONLY Beach Boys show qualified to faithfully re-produce all of those legendary songs and harmonies the way you remember them from the original records. More than just your typical tribute band, Good Vibrations brings the days of sun, surf and cars back to life with a full scale production experience complete with era- specific costumes, multi-media video and surfer girls! This high-energy production show is filled with all of The Beach Boys' signature hits including: “Surfin' USA” “I Get Around” “Help Me Rhonda” “California Girls” “Wouldn't It Be Nice” “Kokomo” “Barbara Ann” and of course, the group's namesake classic- “Good Vibrations.” All of the famous guitar riffs, melodies and ocean- deep harmonies are faithfully re-created right before your eyes and ears. Good Vibrations is guaranteed to have the crowd on its feet, dancing and singin' along to the greatest hits of America's most legendary band. It's time to load up the woody, grab your board and hit the beach with Good Vibrations: A Celebration of The Beach Boys! General Information Touring Company: Good Vibrations travel with FIVE (5) principle members. -
I AM BRIAN WILSON Brian Wilson October 11Th, 2016
I AM BRIAN WILSON Brian Wilson October 11th, 2016 OVERVIEW: As a cofounding member of The Beach Boys in the 1960s, Brian Wilson created some of the most groundbreaking and timeless music ever recorded. Derailed in the 1970s by mental illness, excessive drug use, and the shifting fortunes of the band’s popularity, Wilson came back again and again over the next few decades, surviving and ultimately thriving. In his memoir entitled I Am Brian Wilson, he details the exhilarating highs and lows of his life from his failing memory, including the sources of his creative inspiration throughout the decades. - - - - - - - - - EARLY LIFE: Brian Wilson was born on June 20th, 1942 to Audree and Murry Wilson. Growing up in Hawthorne, California, Wilson exhibited unusual musical abilities, such as being able to hum the melody from When the Caissons Go Rolling Along after only a few verses had been sung by his father before the age of one. Surprisingly, a few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame. While Wilson’s father was a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a toy accordion and, at seven and eight, sang solos in church with a choir. -
The Tuning Fork: an Amazing Acoustics Apparatus
FEATURED ARTICLE The Tuning Fork: An Amazing Acoustics Apparatus Daniel A. Russell It seems like such a simple device: a U-shaped piece of metal and Helmholtz resonators were two of the most impor- with a stem to hold it; a simple mechanical object that, when tant items of equipment in an acoustics laboratory. In 1834, struck lightly, produces a single-frequency pure tone. And Johann Scheibler, a silk manufacturer without a scientific yet, this simple appearance is deceptive because a tuning background, created a tonometer, a set of precisely tuned fork exhibits several complicated vibroacoustic phenomena. resonators (in this case tuning forks, although others used A tuning fork vibrates with several symmetrical and asym- Helmholtz resonators) used to determine the frequency of metrical flexural bending modes; it exhibits the nonlinear another sound, essentially a mechanical frequency ana- phenomenon of integer harmonics for large-amplitude lyzer. Scheibler’s tonometer consisted of 56 tuning forks, displacements; and the stem oscillates at the octave of the spanning the octave from A3 220 Hz to A4 440 Hz in steps fundamental frequency of the tines even though the tines of 4 Hz (Helmholtz, 1885, p. 441); he achieved this accu- have no octave component. A tuning fork radiates sound as racy by modifying each fork until it produced exactly 4 a linear quadrupole source, with a distinct transition from beats per second with the preceding fork in the set. At the a complicated near-field to a simpler far-field radiation pat- 1876 Philadelphia Centennial Exposition, Rudolph Koenig, tern. This transition from near field to far field can be seen the premier manufacturer of acoustics apparatus during in the directivity patterns, time-averaged vector intensity, the second half of the nineteenth century, displayed his and the phase relationship between pressure and particle Grand Tonometer with 692 precision tuning forks ranging velocity. -
Lord, We Whom You Love Are Ill - Sermon - Page 1 of 5 Lord, We Whom You Love Are Ill March 29, 2020 Audio Worship at Calvary UMC John 11:28-37
Lord, We Whom You Love Are Ill - Sermon - Page 1 of 5 Lord, We Whom You Love Are Ill March 29, 2020 Audio Worship at Calvary UMC John 11:28-37 WELCOME Peace be with you! Welcome to this beautiful worship experience where we connect more deeply, in our hearts with the Holy Spirit dancing amidst us. St. Francis of Assisi said Christ is “the one whose center is everywhere and whose circumference is nowhere.” Though we cannot see one another, God is with us, moving and working and restoring us with abounding grace. Even at home we can respond with a resounding “Amen! Amen!” Let us gather using a tradition practiced at Na Sonje in Haiti. It focuses our bodies and spirits to share all things, to share love, healing, good vibrations, and peace. Simply hold the palm of your right hand so it faces down and the palm of your left hand so it faces up. The palm of your right hand, facing down, is held with a giving Spirit, and the palm of your left hand is up with a receiving Spirit. One hand giving and the other hand receiving… All together, breathe deeply; breathe in all of the positive energy. All together, breathe out; breathe out love, healing, and peace to the world. Breathe deeply again…and again…Amen! Amen! PRAYER With our bodies and spirits centered in the Eternal One, let us pray: From everlasting to everlasting, O Lord, we declare your glory! Though we are a people in exile, we forever seek you. Your Spirit, the wind hovering over the dark chaos, collects us and draws us into the Light of your restoration. -
Tuning the Harp with a Tuner and By
TUNING THE HARP WITH A TUNER and TUNING BY EAR Courtesy of and by: Elizabeth Volpé Bligh www.elizabethvolpebligh.com Principal Harp, Retired, Vancouver Symphony Harp Faculty, VSOI, VSO School of Music Adjunct Professor, UBC School of Music, President, West Coast Harp Society-AHS BC Chapter I sometimes make the mistake of assuming that everyone knows how to use an electronic tuner, or to tune by ear. There is some misinformation on the Internet, so don't believe everything you see on this subject. I saw one video that said to tune with all the pedals in the natural position (don't do that)! I have articles on my web site about this subject and others. Harp Column magazine, May’s 2020 has articles on tuning and recommendations of tuning apps. https://harpcolumn.com/blog/top-apps-for-tuning/ Tune your harp every day. The harp will stay in tune better, and your tuning skills will improve. Always tune with pedals in the flat position and the discs unengaged. On a lever harp, the levers should be unengaged. This means that when you are tuning a C flat, the tuner will read its enharmonic note, "B". The F flat will read as "E". Some tuners read accidental notes only as sharps or flats, so be aware of the enharmonic names of the notes you are tuning, i.e. E flat = D#, A flat = G#. Most North American harpists tune their A in the range from 440 to 442. Check the tuner's calibration every time you use it, in case you have accidentally pressed the calibration button and it has gone higher or lower. -
PDF Download Good Vibrations : My Life As a Beach Boy Pdf Free
GOOD VIBRATIONS : MY LIFE AS A BEACH BOY PDF, EPUB, EBOOK Mike Love | 448 pages | 14 Sep 2016 | FABER & FABER | 9780571324682 | English | London, United Kingdom Good Vibrations : My Life as a Beach Boy PDF Book By now, the myth was too strong, the legend too great. The sheet metal apprentice who crafted a sound for summer and never got the respect he deserved because his cousin Brian perfectly fit the fake hippy media's idea of a "tormented genius. Brian is, maybe properly, kind of a spectral presence throughout: Mike doesn't seem to have access to his thoughts at all, even in the early phases of the book where much is made about their powerful friendship. Vanity Fair. Sort order. It was hard enough to match the Beatles, but now he had to keep up with Mozart? Brian Wilson a mental mess. Thumbs up! Love would decline the offers to take drugs supplied by the hangers on and turned to Transcendental Meditation instead, studying with the Maharishi Mahesh Yogi in Of course, that was nothing new for Love, who has been branded, mainly by fans of Brian Wilson , as one of the biggest jerks in music, largely for his treatment of Wilson more on that in a bit. Nov 06, Wesley Britton rated it it was amazing. He always comes across as the least evil of the bunch. Sarah Rodman. Welcome back. I give it two stars because I did learn about the beginnings of the band which was interesting. Still, this is must reading for Beach Boys fans, and it works especially well as a complement and corrective for Brian Wilson's recent book, I Am Brian Wilson. -
Acoustic Analysis of Used Tuning Forks
J Int Adv Otol 2017; 13(2): 239-42 • DOI: 10.5152/iao.2017.2745 Original Article Acoustic Analysis of Used Tuning Forks Mustafa Yüksel, Yusuf Kemal Kemaloğlu Department of Audiology, Ankara University School of Medicine, Ankara, Turkey (MY) Department of Otorhinolaryngology, Gazi University School of Medicine, Ankara, Turkey (YKK) Cite this article as: Yüksel M, Kemaloğlu YK. Acoustic Analysis of Used Tuning Forks. J Int Adv Otol 2017; 13: 239-42. OBJECTIVE: In this study, we evaluated used aluminum tuning forks (TFs) for fundamental frequencies (FF), overtones, and decay times. MATERIALS and METHODS: In total, 15 used (1 C1, 11 C2, and 3 C3) and 1 unused (C2) TFs were tuned, and the recorded sound data were analyzed using the Praat sound analysis program. RESULTS: It was found that FFs of the recorded sounds produced by the used C2-TFs presented a high variability from 0.19% to 74.15% from the assumed FFs, whereas this rate was smaller (1.49%) in the used C3-TFs. Further, decay times of the used C2-TFs varied from 5.41 to 40.97 s. CONCLUSION: This study, as the first of its kind in the literature, reported that some of the used aluminum TFs lost their physical properties that are important for clinical TF tests. It could be said that this is a phenomenon related to metal fatigue, which is common in aluminum products due to the cyclic load. KEYWORDS: Tuning forks, aluminum, hearing loss INTRODUCTION Tuning fork (TF) is a device that produces a fundamental frequency (FF) and at least one additional overtone when it is struck.