San Jose State University SJSU ScholarWorks San José Studies, 1980s San José Studies Winter 1-1-1985 San José Studies, Winter 1985 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_80s Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation San José State University Foundation, "San José Studies, Winter 1985" (1985). San José Studies, 1980s. 16. https://scholarworks.sjsu.edu/sanjosestudies_80s/16 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1980s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. a publication of san jose state university volume xi number 1 winter 1985 $5.00 STIMES The Steinbeck Research Center at San Jose State University: A Descriptive Catalogue by Robert H. Woodward Foreword by Robert DeMott San Jose, California San Jose State University San Jose Studies 1985 Contents In Appreciation 3 Acknowledgments 4 Abbreviations 4 Foreword by Robert DeMott 5 The Steinbeck Research Center 8 1. Books by John Steinbeck 10 2. Steinbeck's Contributions to Books 70 Encomia 76 3. Steinbeck's Contributions to Periodicals 78 4. Manuscripts, Correspondence 89 Manuscripts 89 Correspondence 91 Filmscripts, Screenplays 93 5. Books from Steinbeck's Library 94 6. Books About Steinbeck 97 7. Periodical Material About Steinbeck 106 8. Dissertations and Theses 107 9. Photographs 112 10. Audio-Visual Materials and Films 119 Cassette Tapes 119 Recording 121 Films 121 Motion Picture Memorabilia 121 11. Scrapbooks, Miscellany 124 12. Edward F. Ricketts Materials 126 13. Paintings and Furnishings 128 The Steinbeck Research Center catalogue is a regular issue of San Jose Studies Volume 11, Number 1, Winter, 1985 ©San Jose State University Foundation, 1985 ISSN: 0097-8051 In Appreciation HE Steinbeck Research Committee wishes to acknowledge with T gratitude the many gifts and donations that have been generously contributed by the following individuals, organizations, and institutions: Jackson J. Benson, Bernadine Beutler, Preston Beyer, Deborah Covington, Martha H. Cox, Mrs. Lawrence DeLuz, Robert DeMott, James M. Dourgarian, Maurice and Jenny Dunbar, Morris L. Ernst, Joseph Fontenrose, Maureen Girard, Adrian Homer Goldstone, John Gross, Robert Harmon, Tetsumaro Hayashi, E. Hayes, Joel Hedgpeth, Gloria Henry, Edith Harvey Heron, Mr. and Mrs. Vance Hester, Hidekazu Hirose, John Steinbeck Library, Herbert Kline, Charles Kuster, Lester Lange, Robert L. Lauritzen, Alexander Lindley, Peter Lisca, Murray Louis, Audry L. Lynch, Greta Manville, Fumio Momose, Robert L. Morsberger, Jerome Munday, Kiyoshi Nakayama, Martin Nedom, Louis Owens, Maureen Pastine, Ronald Randall, Marion Richards, George Robinson, Virginia Scardigli, Roy Simmonds, Richard Staley, the Steinbeck Estate, Elaine Steinbeck, Gwyndolyn Conger Steinbeck, Moreland L. Stevens, Florence Taminelli, Ted M. Taylor, Kiyohiko Tsuboi, Twentieth Century­ Fox Film Corporation, Harry Valentine, Viking Press, University of Virginia, Robert Wallsten, 0. C. Williams, Graham C. Wilson, Women's Faculty Club of San Jose State University, James 0. Wood, Robert H. Woodward, Col. and Mrs. Robert Work, Mitsuaka Yamashita. This catalogue is funded in part by a generous grant from the Sourisseau Academy of San Jose State University. The committee expresses its grateful acknowledgment of this gift. 3 Acknowledgments OR their many courtesies in the course of my preparation of this F catalogue, I wish to express thanks to Bernadine Beutler, Robert DeMott, Gloria Henry, Robert L. Lauritzen, and the staff of the Humanities and the Arts Dean's Office at San Jose State University. I am also grateful for the support by the University administration and the encouragement by the editorial staff and the Committee of Trustees of San Jose Studies and the members of the Steinbeck Committee. R.H.W. Abbreviations G&P Adrian H. Goldstone and John R. Payne. John Steinbeck: A Bibliographical Catalogue of the Adrian H. Goldstone Collection JS John Steinbeck [NC] Not catalogued PC Photocopy SB Scrapbook All quotations from Steinbeck's work conform to the Steinbeck Estate's requirements for fair usage. 4 Foreword HE unprecedented increase of scholarly, pedagogical and com­ T mercial interest in John Steinbeck's life and career (1902-1968) during the past decade is heartening to all who feel that the 1962 Nobel Prize winner is finally receiving the sustained attention he deserves. In the past twelve years, two posthumous works by Steinbeck and three valuable collections of his correspondence have appeared. Pen­ guin/ Viking Books has maintained an active campaign to publish nearly all Steinbeck's prose in uniform paperback editions, and both the movie and television industries have continued their part in bringing his works before a large audience. In addition, several important new critical books and anthologies of essays, a group of indispensible bibliographies and collection guides, studies of his intellectual background and his reading, personal reminiscences by people close to him, and a long-awaited authorized biography have all served to enlarge and affirm our sense of Steinbeck's achievement, not solely as a novelist, but as a professional writer, a man of letters. Articles, essays, book chapters, reviews, confer­ ences, seminars, college and high school courses-all devoted to Steinbeck-occur so frequently that they nearly defy listing. Finally for those interested in more costly pursuits, we have entered an era in which collecting Steinbeck materials has become a wide-spread activity for private individuals and for humanistic institutions. 5 The current renaissance, epitomized by Jackson Benson's impressive biography, The True Adventures o!John Steinbeck, Writer (1984), is especially welcome because it redresses the early neglect and entrenched biases toward Steinbeck's work, and it stems the tide of misinformation about his life that persisted, in some cases, well into the 1970s. Unfortunately, until recently, Steinbeck was often treated with a kind of insouciance that would not have been tolerated in studies of his contemporaries­ Hemingway, Faulkner and Fitzgerald. Except for The Grapes of Wrath, which has steadily attracted its share of sophisticated commentary, much earlier writing on Steinbeck was based upon incomplete knowledge of his canon, inadequate awareness of the complex background of his art, impatience with radical shifts in his fictive vision, or the inaccessibility of key primary and secondary documents. Although the pioneering contributions of Peter Lisca, Warren French, Joseph Fontenrose, Tetsumaro Hayashi, Adrian Goldstone, Richard Astro and Martha Cox have influenced the way we perceive Steinbeck, the publication of Benson's scrupulously researched and richly detailed biography renders it impossible to produce serious, innovative and responsible work on the writer without first reckoning the full range of his accomplishments. That reckoning, I am quick to add, means becoming familiar with archival resources housed at Stanford Univer­ sity, the University of Texas, New York's Pierpont Morgan Library, Ball State University, the University of Virginia, the University of California at Berkeley, the Steinbeck Public Library of Salinas and, of course, the Steinbeck Research Center of San Jose State University. One need only consult the acknowledgments in Benson's biography, or in my own book, Steinbeck's Reading (1984), to realize the extent of our indebtedness to these libraries. Each collection contains special treasures for students of Steinbeck: manuscripts, typescripts, correspondence, notebooks, galley and page proofs, foreign language editions, interviews, oral history and biography tapes, photographs, films, books from Steinbeck's personal library, and memorabilia. In the case of the Steinbeck Research Center-thanks largely to the unbroken economic support from San Jose State, and to the unstinting devotion of Dr. Martha Heasley Cox, the Center's founder and first director-there is a wealth of such materials, plus the most extensive compilation of secondary writing on Steinbeck available anywhere in the world. Putting aside for a moment all of the other riches, this aspect alone of San Jose's collection strikes me as invaluable. To find in one place the traditional, the fugitive and even the off-beat items written on (and by) Steinbeck during the past fifty years seems to me a unique asset, and one which I wish I had readily at hand many years ago when I began working on Steinbeck in earnest. Robert Woodward's timely catalogue is not a comprehensive listing of San Jose's holdings because so much new material comes in daily that an 6 exhaustive, current inventory is impossible. Yet it does serve to announce the scope of this collection, to suggest its range, diversity and strength. Steinbeck himself became a zealous bibliographer and scholar in the late 1950s when he was working on his modernized version of Malory' s Marte d'Arthur, and it is fitting to think that Robert Woodward has caught some of that spirit, some of that same single-minded devotion and intensity in putting together this book. His descriptive entries for Steinbeck's primary works are a useful contribution to the state of bibliography because they are accurate, accessible and informed. His checklist of photographs is another important