The Psychological Aspects in Solomon Northup's Twelve Years a Slave
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Rhetoric and Resistance in Black Women's Autobiography
Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M. -
Obaidi at WHO Committee for Eastern Mediterranean
Amir returns to Obaidi at WHO S Korea cap Kuwait from Committee a miserable positive UN for Eastern week for summit 9 Mediterranean8 Kuwait47 Min 24º Max 39º FREE www.kuwaittimes.net NO: 16662- Friday, October 9, 2015 Bye to Blatter Page 47 In this June 1, 2011 file photo Swiss FIFA President Joseph Blatter, right, and French UEFA President Michel Platini walk together at the 61st FIFA Congress in Zurich, Switzerland. Yesterday FIFA provisionally banned President Sepp Blatter and UEFA President Michel Platini for 90 days. — AP Local FRIDAY, OCTOBER 9, 2015 Local Spotlight Equality is key Life is incompatible here I felt compelled to mention the man’s possible nationality....if he had been Kuwaiti or even an Arab, the circumstances would have been a lot different. Unfortunately, the By Muna Al-Fuzai concept of equality and respecting individuals equally in Kuwait and many other parts in the Arab world remains not fully comprehended. [email protected] By Ahmad Jabr One of the reasons why a search remains stuck in lower tiers in interna- lot of people leave their countries in search of bet- warrant is required - by law - before tional human rights, freedom and traf- ter work, more income, greater stability for their he place: A bystreet near a pri- searching a person is to insure that his ficking in persons reports. It is not a Afamilies and perhaps a chance for fame as well, vate clinic in Jabriya. The time: rights are not violated. Here the law contradiction. when life becomes impossible because of wars and polit- Approximately 10 minutes protects individuals’ rights, but as can ical crises. -
Solomon Northup and 12 Years a Slave
Solomon Northup and 12 Years a Slave How to analyze slave narratives. Who Was Solomon Northup? 1808: Born in Minerva, NewYork Son of former slave, Mintus Northup; Northup's mother is unknown. 1829: Married Anne Hampton, a free black woman. They had three children. Solomon was a farmer, a rafter on the Lake Champlain Canal, and a popular local fiddler. What Happened to Solomon Northup? Met two circus performers who said they needed a fiddler for engagements inWashington, D.C. Traveled south with the two men. Didn't tell his wife where he was going (she was out of town); he expected to be back by the time his family returned. Poisoned by the two men during an evening of social drinking inWashington, D.C. Became ill; he was taken to his room where the two men robbed him and took his free papers; he vaguely remembered the transfer from the hotel but passed out. What Happened…? • Awoke in chains in a "slave pen" in Washington, D.C., owned by infamous slave dealer, James Birch. (Note: A slave pen were where (Note:a slave pen was where slaves were warehoused before being transported to market) • Transported by sea with other slaves to the New Orleans slave market. • Sold first toWilliam Prince Ford, a cotton plantation owner. • Ford treated Northup with respect due to Northup's many skills, business acumen and initiative. • After six months Ford, needing money, sold Northup to Edwin Epps. Life on the Plantation Edwin Epps was Northup’s master for eight of his 12 years a slave. -
Final Dissertation
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... From the Plantation Zone: The Poetics of a Black Matrilineal Genealogy for the Americas A Dissertation Presented by Eileen S. Chanza Torres to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Department (Transamerican Studies) Stony Brook University May 2013 Copyright by Eileen S. Chanza Torres 2013 Stony Brook University The Graduate School Eileen S. Chanza Torres We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Susan Scheckel – Dissertation Advisor Associate Professor, English Department E. Anthony Hurley – Dissertation Advisor Chair, Africana Studies Department Helen M. Cooper – Chairperson of Defense Emerita Professor, English Department Dawn P. Harris – Outside Reader Assistant Professor, Africana Studies Department This dissertation is accepted by the Graduate School Charles Taber Interim Dean of the Graduate School ii Abstract of the Dissertation From the Plantation Zone: The Poetics of a Black Matrilineal Genealogy for the Americas by Eileen S. Chanza Torres Doctor of Philosophy in English (Transamerican Studies) Stony Brook University 2013 In the Humanities, studies on the legacy of enslaved Black women are often split along ethnic, cultural, linguistic and national lines. My dissertation brings together literatures and visual arts from Puerto Rico, Martinique, Suriname, the Dominican Republic and the U.S. representing a myriad of linguistic and cultural traditions that turn to the legacy of the historical Black female body as their myth of creation. -
In 1841, Solomon Northup Is a Free African-American Man Working As a Violinist, Living Happily with His Wife and Two Children in Saratoga Springs, New York
Advances in Social Science, Education and Humanities Research, volume 123 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017) What should we do when all is lost? -“Twelve Years A Slave” Ou Lanhua Haikou College of Economics, Haikou City, Hainan Province, 570102, China [email protected] Key words: Northup, free man, runaway slave, Platt, slavery, restore to freedom Abstract: The movie of Twelve Years A Slave tells us a dreadful, but also an inspiring story. Solomon is a fabulous character in the film. At first, he had a decent and elegant life. After being kidnapped as a slave, he chooses forbearance and perseverance with a strong determination. After being enslaved for 12 years, Northup is restored to freedom and returned to his family. Introduction In 1841, Solomon Northup is a free African-American man working as a violinist, living happily with his wife and two children in Saratoga Springs, New York. Two white men, Brown and Hamilton, offer him short-term employment as a musician if he will travel with them to Washington, D.C. However, once they arrive, they drug Northup and conspire to deliver him to a slave pen (American slavery) run by a man named Burch. Northup is later shipped to New Orleans along with others who have been detained against their will. A slave trader named Freeman gives Northup the identity of "Platt", a runaway slave from Georgia, and sells him to plantation owner William Ford. Due to tension between Northup and another plantation worker, Ford sells him to another slave owner named Edwin Epps, called Nigger Breaker. -
Harriet E. Wilson's Our
View metadata, citation and similar papers at core.ac.uk brought to you by CORE HARRIET E. WILSON’S OUR NIG: A TRIAL FOR WRITING “MY OWN STORY” II Keiko Noguchi I. Neither of the two key elements of the domestic novel, marriage and home, is given to the heroine of Our Nig. The “true womanhood” with its emphasis on piety, purity, obedience, and domesticity1 is either unavailable to, or unable to support, a black woman in a patriarchal racist society based on slavery rules. The problem, then, focuses on the way how the heroine establishes herself in such a hostile society. One of the cheif themes of the story, in fact, lies in Frado’s struggle to acquire independence. According to Harryette Mullen, nineteenth- century black women writers strived to incorporate “an oral tradition of resistance” into their literature, since the two traditional literary forms available to them, the male slave narrative and the white female sentimental fiction, are inadequate to express their experience (245). They assert oral power of black women to resist the oppressors and to insist upon their selfhood, while male writers of slave narratives underscore the physical power to attain manhood as Douglass does in the scene of his fight with Mr. Covey. When submission and self-effacement were endorsed as female virtues, black women resorted to “orality”—talking back, arguing, or revealing secrets of their masters, all of which were regarded as “saucy” or “impudent” by the ruling class—to surface their voice and thereby to establish their identity (Mullen 245-46)2. II. -
The Inner Workings of Slavery Ava I
__________________________________________________________________ The Inner Workings of Slavery Ava I. Gillespie Ava Gillespie is a h istory major from Tonica, Illinois. She wrote her paper for Historical Research Writing, HIS 2500, with Dr. Bonnie Laughlin - Shultz. ______________________________________________________________________________ I suffered much more during the second winter than I did during the first. My limbs were benumbed by inactions, and the cold filled them with cramp. I had a very painful sensation of coldness in my head; even my face and tongue stiffened, and I lost the power of speech. Of course it was impossible, under the circumstances, to summon any physician. My brother William came and did all he could for me. Unc le Phillip also watched tenderly over me; and poor grandmother crept up and down to inquire whether there was any signs of returning life. I was restored to consciousness by the dashing of cold water in my face, and found myself leaning against my brother’ s arm, while he bent over me with streaming eyes. He afterwards told me he thought I was dying, for I had been in an unconscious state sixteen hours. I next beca me delirious, and was in great danger of betraying myself and my friends. To prevent this, they stupefied me with drugs. I remained in bed six weeks, weary in body and sick at heart…I asked why the curse of slavery was permitted to exist, and why I had been so persecuted and wronged from youth upward. These things took the shape of mystery, which is to this day not so clear to my soul as I trust it will be hereafter. -
African American Childhood and the Nineteenth-Century Literary Imagination (1850S-1900)
BREWINGTON, PAULETTE YVONNE, Ph.D. Wild, Willful, and Wicked: African American Childhood and the Nineteenth-Century Literary Imagination (1850s-1900). (2013) Directed by Dr. Karen A. Weyler. 249 pp. This dissertation examines nineteenth-century depictions of African American children in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852), Frank J. Webb’s The Garies and Their Friends (1857), and Harriet E. Wilson’s Our Nig (1859). It explores Stowe’s characters as wild, willful, and unruly minstrel-inspired comic figures further exaggerated with nineteenth-century stereotypes such as: shiftlessness, ignorance heathenism, and demonism. Both novels of Webb and Wilson serve as respondents to Stowe’s creations. Frank J. Webb presents industrious, educated children whose pranks are born out of self-possession. Wilson, on the other hand, illustrates that for the African American child in servitude in the free North, hardship and violence can rival that of the slave-holding South. WILD, WILLFUL, AND WICKED: AFRICAN AMERICAN CHILDHOOD AND THE NINETEENTH-CENTURY LITERARY IMAGINATION (1850S-1900) by Paulette Yvonne Brewington A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2013 Approved by ____________________________ Committee Chair © 2013 Paulette Yvonne Brewington APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair ______________________________________ Committee Members ______________________________________ ______________________________________ ______________________________________ ___________________________ Date of Acceptance by Committee _________________________ Date of Final Oral Examination ii TABLE OF CONTENTS Page LIST OF FIGURES ............................................................................................................v CHAPTER I. -
Twelve Years a Slave
Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection MAGNIFICENT WORK OP HISTORY. •M U~h*U JLibrmry in ltttlf! Cmmt tll,OOO- 12{)T. Pages—70 maps—700 MigkOi Thousand) now ready and for sale by Subscription: HISTORY OF ALL NATIONS, FROM THE EARLIEST PERIOD TO THE PRE8EVT TIME ; OR, TX WHICH TTTC HISTORY OF EVERT NATION, ANCIENT AND MODERN, IB SEPARATELY GIVEX. BY 8. G. GOODRICH, Consul to Paris, and Author of several Works of History, Parley's Tales, ete. It contains 1907 pages, r< yal octavo, and is illustrated by 70 Maps and 700 Engravings: tx'tiod in imitation Turkey morocco. Invariable retail price, |d,00 in one volume; $7,00 in two volumes. The same, full gilt edge and sides, $8,00 in one volume; #10,00 in two vols. *** It to believed that the above work, by Mr. Goodrich, will be very acceptable to the American public It is the r?>u1t of years of toil and labor, a. si ted in his re- searches by several scholars of known ability, and has been gotten up at a great ex- pense by the proprietors. No pains have been spared in the execution of the Illustra- tions and Maj-s which are entirely new, and prepare! by the distinguished author eaepre&dtjttoT tlio work. Indeed, all the other historical writing-* of Mr. Goodrich sink into insignificance, when compared with thi?, the result of his riper and maturer jean. It is admitted that One Hundred Dollars could not purchase the same mat- ter in any other shape: and the publishers confidently expect that, in consideration of the great literary value of the work, the large sum expended in preparing it for the press, and the exceedingly moderate price at which it is offered, that it will bo favor- •Wj received by every lover of good books. -
Transatlantica, 1 | 2018 “Queen of the Fields”: Slavery’S Graphic Violence and the Black Female Body I
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery Electronic version URL: http://journals.openedition.org/transatlantica/12453 DOI: 10.4000/transatlantica.12453 ISSN: 1765-2766 Publisher AFEA Electronic reference Hélène Charlery, ““Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)”, Transatlantica [Online], 1 | 2018, Online since 12 September 2019, connection on 29 April 2021. URL: http://journals.openedition.org/transatlantica/12453 ; DOI: https://doi.org/10.4000/transatlantica.12453 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body i... 1 “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery 1 One among at least ten prominent movies by and about black Americans released the same year, 12 Years a Slave confirmed that 2013 was “a breakout year for black films” (Cieply).1 Noting movies such as 12 Years a Slave, Fruitvale Station (Ryan Coogler), Mandela: Long Walk to Freedom (Justin Chadwick), The Butler (Lee Daniels) and 42 (Brian Helgeland), both mainstream media outlets and black-oriented news community websites endorsed the idea that 2013 marked a “black film renaissance” (BBC) or a “renaissance of black cinema” (The Grio) (Penrice; Brook). -
Transatlantica, 1 | 2018 Confronting Race Head-On in 12 Years a Slave (Steve Mcqueen, 2013): Redefinin
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefining the Contours of the Classic Biopic? Anne-Marie Paquet-Deyris Electronic version URL: http://journals.openedition.org/transatlantica/11593 DOI: 10.4000/transatlantica.11593 ISSN: 1765-2766 Publisher AFEA Electronic reference Anne-Marie Paquet-Deyris, “Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefining the Contours of the Classic Biopic?”, Transatlantica [Online], 1 | 2018, Online since 05 September 2019, connection on 29 April 2021. URL: http://journals.openedition.org/transatlantica/ 11593 ; DOI: https://doi.org/10.4000/transatlantica.11593 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefinin... 1 Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefining the Contours of the Classic Biopic? Anne-Marie Paquet-Deyris 1 During the Obama years, the issue of race seemed to dissolve into the so-called “post- racial” era in the media. For critics such as H. Roy Kaplan in The Myth of Post-Racial America: Searching for Equality in the Age of Materialism (2011) and David J. Leonard and Lisa A. Guerrero in African Americans on Television: Race-ing for Ratings (2013), however, such colorblindness led to the bypassing of any direct confrontation with the persistent problems linked to race in contemporary American society. -
OUR NIG, by HARRIET E. WILSON: Frado and the Characterization Of
OUR NIG, BY HARRIET E. WILSON: Frado and the characterization of oppression Eliza de Souza Silva Araújo (*) Liane Schneider(**) Resumo Em sua autobiografia em terceira pessoa Our Nig, Harriet E. Wilson conta sua história de opressões que sofreu quando morou na casa de uma família do norte dos Estados Unidos, onde se violenta e denigre a mulata quando criança. Com base nos pressupostos de Crenshaw sobre intersectionality e de Joan Scot e Michele Wallace sobre as implicações históricas e de gênero buscamos compreender o contexto e condição da protagonista, além das intenções buscadas com a contação dessa história. Palavras-chave: Our Nig. Opressão. Intersectionality. Raça. Gênero. OUR NIG, POR HARRIET E. WILSON: Frado e a caracterização da opressão Abstract In her autobiography Our Nig, written in the third person, Harriet E. Wilson tells the story of the oppressions she suffers when she lived at a family house in the North of the US, where she undergoes violence and denigration. Based on Crenchaw’s accounts on intersectionality and Joan Scott and Michele Wallace’s propositions on historical implications and gender, we aim at understanding the context and condition of the protagonist, besides her intentions in telling her story. Key-words: Our Nig. Oppression. Intersectionality. Race. Gender. Harriet E. Wilson’s Our Nig; or, Sketches from the life of a free black, in a two- story white house, North. Showing that slavery’s shadows fall even there (1859) is a work (*) Pós-graduanda em Literatura no Programa de Pós-Graduação de Letras da UFPB; pesquisadora de literatura em língua inglesa com interesse nas temáticas de gênero e raça.