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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Hats by Hilda Amphlett. This remarkable Hats: A History of Fashion in Headwear presents an illustrated view of 2, years of head coverings. Over drawings by the author — adapted from rare paintings, sculptures, and illustrations — Hats: A History of Fashion in Headwear depict headgear in various aspects, including gender, class, and nationality. Crowns, wigs, tiaras, and helmets appear among the varied forms of headdresses, which include conical leather caps worn by the Danes in 70 B. Organized chronologically by century, the fetching drawings appear alongside an interpretive text that documents the development of styles, their changes with the passage of time, and the influences that both created and altered them. Engaging and literate, this valuable reference for designers, art students, and costume historians will also captivate anyone who appreciates the age-old allure of a fine hat. Get A Copy. Paperbackpages. Published July 31st by Dover Publications first published January 1st More Details Original Title. Other Editions 4. Friend Reviews. To see what your friends thought of this Hats: A History of Fashion in Headwear, please sign up. To ask other readers questions about Hatsplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Feb 05, Alessandra rated Hats: A History of Fashion in Headwear it was ok Shelves: hatscostumefashionHats: A History of Fashion in Headwear. This is one of those fashion histories that consists of a lot of the author's re-drawings of old art images, with explanatory text. At least Ms. Amphlett gives her sources many of the people who decide to make a costume book like this don'tbut oh, dear, such sources: "F. Fairholt's 'Costume in England'" another costume book? I'm sure Ms. Amphlett meant well, but this sort of "I'm going to draw a lot of cool fashi This is one of those fashion histories that consists of a lot of the author's re-drawings of old art images, with explanatory text. Amphlett meant well, but this sort of "I'm going to draw a lot of cool fashions all by myself for a history" book is all too common, and lacking in any utility. What does it tell us about these hats? Not how they were made, nor what they were made of, nor how they were thought of, nor their social import, nor how to make them, nor even, truly, what they looked like. All it tells us is what she thought she was looking at when she looked at other people's images of people wearing hats. Sep 12, Selina rated it liked it. Lots of hats but I wanted colour photos so I was a bit disappointed. The book has many drawings of hats through the ages and commentary on fashions of the times. Mostly european but there is a section on hats and headgear from around the world. Linda rated it it was amazing Aug 10, Gunilla Andersson rated it it was ok Apr 12, Ron Morreale rated it liked it May 15, Beth rated it really liked it Jun 18, Amy Brady Hats: A History of Fashion in Headwear it it was amazing Jan 06, Lilian Najarian rated it liked it Apr 17, Beatrice Danneels rated it liked it Feb 05, Josee Pepin rated it liked it May 23, Martha Champion rated it it was amazing Mar 01, Lynda rated it liked it Jul 20, Theresa rated it it was amazing Jun 08, Ekanki Govekar rated it it was amazing Mar 12, David A. Kate rated it liked it Jul 18, Kathryn added it Jan 08, Chronographia marked it as to-read Dec 03, Whitney marked it as to-read Apr 13, Toryn Green added it Oct 21, Fatin Nurarmalina added it Jan 20, Katja Debeljak marked it as to-read May 30, Tatianna Mercurio added it Jun 02, Louise Laermann added it Jun 09, Prika marked it as to-read Oct 14, Dawn Siemer is currently reading it Nov 06, Jessica added it Nov 23, Maisa marked it as to-read Nov 21, Lorena Budulan marked it as to-read Jun 29, Darcy marked it as to-read Aug 04, Sarah marked it as to- read Mar 26, Ruth added it Mar 31, Jude marked it as to-read Sep 10, There are no discussion topics on this book yet. About Hilda Amphlett. Hilda Amphlett. Related Articles. If you haven't heard of record-smashing singer and songwriter Mariah Carey, is there any hope for you? Read more Trivia About Hats: A History o No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account. Clothing History: Men's Hats and Headgear - Bellatory - Fashion and Beauty

Dolores's interest in fashion history dates from her teenage years when vintage apparel was widely available in thrift stores. By unknown' wikimedia commons; public domain. Hats and headgear provide protection from the elements, imply social status, or can identify the wearer's group affiliation or career. Even in today's hat-optional culture, we mentally place a crown on the head of a king or a beret on the head of an artist. Until the late 20th century, hats or head coverings were an essential aspect of a man's wardrobe. From simple close-fitting caps coifs to elaborations of folds, decorations, and fine materials, hats declared a man's place in the world. In Europe during the Middle Ages and Renaissance, a man's occupation, religion, and status could be immediately understood by his hat. In some cases, the law mandated the wearing of certain head coverings. Hat styles changed as society and Hats: A History of Fashion in Headwear advanced. Today, the wearing of hats in Western culture has fallen by the wayside. Where once every businessman wore a hat with his suit, this is no longer the case. We may see knit caps worn in winter or baseball caps in warmer weather. Hoods attached to sweat jackets appear in urban settings. The occasional Hamburg may show up on a man wearing an overcoat. Flat caps with peaks are a convenient and attractive style for older men. But to wear a hat or not is a choice. In the past, however, hats played a much more important role in a man's wardrobe. Photo by Ryan Baumann on Flickr. Evidence of hats in historic costume come to us through the written word and appear in art—in wall paintings, on statues and Hats: A History of Fashion in Headwear, and on clay vessels. Most evidence of headgear in the very ancient past is restricted to ceremonial, religious, royal, or military purposes. The more simple headgear of common people for everyday would not show up in statuary or art. Direct physical evidence is scanty due to the perishable nature of materials used in the making of simpler headgear. Materials like fur, leather, and linen would have deteriorated. Cave paintings discovered inin the Les Trois cave at Ariege, France depict a human like figure wearing a headdress that features antlers. Dated to 14, BCE, archeologists believe the figure represents a shaman. An Algerian cave painting at Ajjer shows men wearing turban like head coverings that have been dated between 6,—10, years old. Terracotta found in the Indus Valley of today's Pakistan display seated figures wearing horned or branched head gear and have been dated between — BCE. A wide variety of crowns are illustrated in the art of Ancient Egypt. Wall paintings include the depiction of common men, workers, and slaves. Ancient Egyptian men shaved their heads but wore wigs for Hats: A History of Fashion in Headwear occasions. Commoners wore a linen square Hats: A History of Fashion in Headwear straight across the temples that falls into pleats around the ears. Ancient Greeks wore wide brimmed petasos with a rounded crown. Garlands were often offered to guests who wore ivy and myrtle. The elite and the celebrated wore garlands Hats: A History of Fashion in Headwear olive and laurel. The tradition of bestowing a garland as an honor continued on into the Roman era. Hats: A History of Fashion in Headwear brimless hat features a high padded peak that tilts forward. While the phrygian cap appeared in the Middle East, the style moved west into Europe and was worn into the Middle Ages. As Christianity came to dominated Europe, clothing was influenced by the Church which demanded full body and head covering. The young man is not wearing his liripipe over Hats: A History of Fashion in Headwear hood. By the 10th century, men wore hoods or phrygian caps hats with small round brims and peaked crowns were worn by Jewish men. Ango-Norman commoners have been depicted wearing phrygian caps as well as simple domed hats with brims in straw or felt. Medieval styles emphasized a tall, slim silhouette with simple lines. It was not until later that headgear for common men became more Hats: A History of Fashion in Headwear. As travel increased after the Early Middle Ages, styles became less localized. Troubadours, the wandering musicians of the time, often wore more elaborate headgear in an attempt to gain attention. They often introduced new looks to far flung locales. By the 14th century, hoods developed longer, drooping points. The points grew in length and evolved into the liripipe, a hood like hat worn over the gorget. Young men flaunted long tubes at the crown which could be draped over the shoulder. A round stuffed band called a rondalet could be added. Complicated arrangements of these styles created a turban like effect. Materials included leather, felt, fur, and velvet and were dyed lush colors. Where once a hood was a fairly simple headpiece, headgear now became more extravagant. The becca was a long, flat band that hung over the right shoulder, draped over the chest and tucked into the belt. It secured a hat even if the hat was removed. Painting by Frans Hals; wikimedia commons; Public Domain. The tall slim figure popular during medieval times changed into a wider, stockier silhouette. In the s flat, wide berets replaced the taller styles of the past. Bonetes were wide, flat hats with 6 or 8 sided brims. These hat could be worn set straight on top of the head or cocked at an angle. Beavers were brimmed hats named for the fur used in production. Less expensive felt hats were trimmed with real fur. Upper class gentlemen displayed their status with decorative effects like swan feathers, plumes, and jeweled brooches. The classic coif evolved into a caul which was a net snood worn under a hat. Young men sported hoods that featured sometimes floor length points. The hood extension could also be wound around the head like a turban. Men in the growing mercantile class wore stuffed berets with rondalets. Older gents preferred high, flat birettas. The Elizabethans wore capotains, brimmed, high crowned hats embellished with gold or silver braiding, lace, and feathers. During the Elizabethan era, the government mandated hat wearing and head covering for men in order to support England's hat industry. A flamboyant, romantic ideal came to dominate men's styles during the 17th century. The cavalier emphasized this romantic icon that was illustrated in art of the era. Long, flowing hair was topped by hats with turned up brims decorated by ostrich plumes and gem stones. The style can best be imagined when recalling images of the Three Musketeers. Mid century, an interest in Eastern styles crept into English men's fashions and saw men topped with turbans. The turbans could be quite large, often decorated with feathers and jewelry. Long hair can be difficult to maintain. Wigs began to replace long, natural hair. Hair was then cut close to the head in order to accommodate wigs. The wigs were often heavy, featuring waves and curls. In the s, powder was added to the wig. By the end of the century, hat crowns grew smaller. Hat brims were cocked, turning up at the front, side, or rear. This style led to the next century's prevalent hear gear, the tricorne. Painting by Francisco Goya or 88; wikimedia commons; Pulblic Hats: A History of Fashion in Headwear. Men continued to wear powdered wigs well into the s. The style conveyed a look of dignity and high status to its wearers. The wigs were cumbersome and expensive to purchase and maintain. Wigs featured hair that fell past the shoulders. Military men introduced the campaign wig for men following active life styles. Wigs could be Hats: A History of Fashion in Headwear with sculpted sides or tied locks. Some wigs were chin length at the sides with long extensions of curls that tumbled down the back. Bog wigs ended in a roll behind the neck. Long wigs could be tied at the back with a ribbon into a neat queue. The tricorne was the popular hat of the s. Made of beaver, these hats featured turned up brims attached to the crown. The upturned brim could be at the front or the sides. The tricorne fell out of favor in the late s replaced by the narrow brimmed high crowned hat which would evolve into the top hat of later years. An interest in the ideals of liberty led fashion away from the flamboyance of the French court. Hats: A History of Fashion in Headwear by Hilda Amphlett

Hats : A History of Fashion in Headwear. Hilda Amphlett. This remarkable book presents an illustrated view of 2, years of head coverings. Over drawings by the author — adapted from rare paintings, sculptures, and illustrations — accurately depict headgear in various aspects, including gender, class, and nationality. Crowns, wigs, tiaras, and helmets appear among the Hats: A History of Fashion in Headwear forms of headdresses, which include conical leather caps worn by the Danes in 70 B. Organized chronologically by century, the fetching drawings appear alongside an interpretive text that documents the development of styles, their changes with the passage of time, and the influences that both created and altered them. Engaging and literate, this valuable reference for designers, art students, and costume historians will also captivate anyone who appreciates the age- old allure of a fine hat. Eleventh Century. Twelfth Century. Thirteenth Century. Fourteenth Century. Fifteenth Century. Sixteenth Century. Seventeenth Century. Nineteenth Century. Twentieth Century. Ecclesiastical Headdresses. Hats: A History of Fashion in Headwear or National Styles. NonEuropean Hats and Headdresses. A list of Sources. Eighteenth Century.