Margaret Fuller Rev

Total Page:16

File Type:pdf, Size:1020Kb

Margaret Fuller Rev Margaret Fuller Rev. Rod Richards Unitarian Universalist Church of Southeastern Arizona 05/23/10 Opening Words (Margaret Fuller, Responsive Reading #575) A new manifestation is at hand, a new hour is come. When Man and Woman may regard one another as brother and sister, able both to appreciate and to prophecy to one another. A new manifestation is at hand, a new hour is come. What Woman needs is not as a woman to act or rule, but as a nature to grow, as an intelligence to discern, as a soul to live freely and unimpeded, to unfold such powers as were given her. A new manifestation is at hand, a new hour is come. Man does not have his fair share either; his energies are repressed and distorted by the interposition of artificial obstacles. A new manifestation is at hand, a new hour is come. We would have every arbitrary barrier thrown down. We would have every path laid open to Woman as freely as to Man. Were this done, we believe a divine energy would pervade nature to a degree unknown in the history of former ages. A new manifestation is at hand, a new hour is come. Lighting the Chalice Margaret Fuller (1810 – 1850), describing an experience she had at the age of 21: I went on and on till I came to where the trees were thick about a little pool, dark and silent. I sat down there. I did not think; all was dark, and cold, and still. Suddenly the sun shone out with that transparent sweetness, like the last smile of a dying lover, which it will use when it has been unkind all a cold autumn day. And, even then, passed into my thought a beam from its true sun, from its native sphere, which has never since departed from me. I remembered how, a little child, I had stopped myself one day on the stairs and asked, how did I come to be here? What does it mean? What shall I do about it? I remembered all the times and ways in which the same thought had returned. I saw how long it must be before the soul can learn to act under these limitations of time and space, and human nature; but I saw, also, that it must do it,--that it must make all this false true,--and sow new and immortal plants in the garden of God. Reading Margaret Fuller (1810 – 1850), inspired great admiration from some, like Ralph Waldo Emerson and Bronson Alcott and Henry David Thoreau…but quite the opposite from others of her time. Here are the words of a few of Fuller’s critics: From Orestes Brownson in Brownson’s Quarterly Review, April 1845, review of Woman in the Nineteenth Century: As we read along in the book, we keep constantly asking, What is the lady driving at? What does she want? But no answer comes. She does not know, herself, what she wants. Seriously, Miss Fuller does not know what she wants, any more than does many a fine lady, whom silks, laces, shawls, dogs, Margaret Fuller UUCSEA 05/23/10 Richards / 2 of 6 parrots, balls, routs, jams, watering-places, and despair of lover or husband and friends have ceased to satisfy. She even confesses her inability to formulate her complaint. We have yet to be convinced that woman’s lot, compared with that of man’s, is one of particular hardship. She is not always the victim, and examples of suffering virtue may be found amongst men as well as amongst women. No doubt there are evils enough to redress, but we do not think the insane clamor for “woman’s rights,” for “woman’s equality,” “woman’s liberation,” and all this, will do much to redress them. Woman is no more deprived of her rights than man is of his, and no more enslaved… She says man is not the head of woman. We, on the authority of the Holy Ghost, say he is. The dominion was not given to woman, nor to man and woman conjointly, but to the man. Therefore, the inspired apostle, while he commands husbands to love and cherish their wives, commands wives to love and obey their husbands; and even setting aside all considerations of divine inspiration St. Paul’s authority is, to say the least, equal to that of Ms. Fuller. The influential editor, Rufus Wilmot Griswold who believed Fuller went against his notion of feminine modesty, referred to ''Woman in the Nineteenth Century'' as "an eloquent expression of her discontent at having been created female.” New York writer, Charles Frederick Briggs said that she was "wasting the time of her readers,” especially because she was an unmarried woman and therefore could not "truly represent the female character.” Sophia Hawthorne, wife of writer Nathaniel Hawthorne, who had previously been a supporter of Fuller, was critical of her after ''Woman of the Nineteenth Century'' was published: “The impression it left was disagreeable. I did not like the tone of it—& did not agree with her at all about the change in woman's outward circumstances...Neither do I believe in such a character of man as she gives. It is altogether too ignoble... I think Margaret speaks of many things that should not be spoken of.” Years later, Hawthorne's son, Julian wrote, "The majority of readers will, I think, not be inconsolable that poor Margaret Fuller has at last taken her place with the numberless other dismal frauds who fill the limbo of human pretension and failure." Sermon “Margaret Fuller has at last taken her place with the numberless other dismal frauds who fill the limbo of human pretension and failure.” No pulled punches there! Julian Hawthorne, among the many other people that Molly just read from, did not much like Margaret Fuller…and these folks spent no small amount of energy and skill in expressing their dislike. But what was it that inspired such extreme elaborations of displeasure? If Julian Hawthorne was predicting that Margaret Fuller would, after her death, be swept under the oceans of obscurity along with all the “other dismal frauds who fill the limbo of human pretensions and failure”…well, he got it wrong. Not only are we still talking about Margaret Fuller, but she may well be experiencing something of a revival on this, the 200th anniversary of her birth. The legacy of Margaret Fuller has managed to survive and lives on to inspire, to frustrate, to puzzle, to challenge, to irritate, to delight, to intrigue…Whatever we end up thinking of her or about her work, the fact is that she is still thought about. Margaret Fuller UUCSEA 05/23/10 Richards / 3 of 6 Why is that? And why is it that, on the one hand, we still talk about her and on the other hand don’t really quite know what to say? Why can’t we seem to find a specific place where we can place her bust in the Hall of Famous Unitarians, or Famous Feminists, or Famous Transcendentalists, or Famous Journalists, or Famous Revolutionaries. “One reason she’s a little confusing to people is that she can’t really be pegged,” says Megan Marshall, who is now at work on a book called The Passion of Margaret Fuller. “She had so many activities; it’s hard to say what she was. You can say Emerson was a philosopher. Thoreau was a naturalist. Fuller really was the first female public intellectual.” She lived from 1810 – 1850 and was indeed friends with Emerson and Thoreau. Some scholars see these three (Emerson, Thoreau, and Fuller) as the major figures of the Transcendentalist movement, which has so informed and influenced present-day Unitarian Universalism, expressed in our sources when we say our tradition draws from “direct experience of [a] transcending mystery and wonder” and expressed by Fuller when she said that a beam from the true sun entered her thoughts and she realized that the soul … must sow new and immortal plants in the garden of God. Many scholars see her as central to the movement. Emerson himself writes in his journal, “Margaret with her radiant genius and fiery heart was perhaps the real center that drew so many and so various individuals into a seeming union.” But if she was the real center, she was also a moving center and history likes people who stay put. If she was one of the Transcendental Trinity, she may have been its Holy Ghost, ambiguously defined and least talked about. “She had so many activities, it’s hard to say what she was,” writes biographer, Megan Marshall, and indeed the list of activities is impressive and unique for her time. As editor of the Dial, she was the first woman editor of an important intellectual magazine. She was the first woman to write a book about the West and such experiences as sleeping in a barroom, shooting rapids in an Indian canoe, and witnessing mistreatment of Native Americans. She was the first woman to break the taboo against women in the Harvard College Library. Her book, Woman in the Nineteenth Century--which became a bestseller; it sold out its first edition of 1,000 copies in one week--was the first uncompromising plea by an American woman for equal rights. As columnist for Horace Greeley’s New York Tribune, she was the first American woman journalist and also became the first American woman foreign correspondent when Greeley encouraged her to go to Europe. While covering the bloody Roman Revolution of 1849, she became the first American woman underground revolutionary.
Recommended publications
  • Howells and the Limits of Literary History Claudia Stokes Trinity University, [email protected]
    Trinity University Digital Commons @ Trinity English Faculty Research English Department Spring 2008 In Defense of Genius: Howells and the Limits of Literary History Claudia Stokes Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_faculty Part of the English Language and Literature Commons Repository Citation Stokes, C. (2008). In defense of genius: Howells and the limits of literary history. American Literary Realism, 40(3), 189-203. doi: 10.1353/alr.2008.0025 This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. CLAUDIA STOKES In Defense of Genius: Howells and the Limits of Literary History In early 1886, William Dean Howells fell into an ugly public debate with the poet and critic Edmund Clarence Stedman. Carried out in the pages of Harper’s Monthly and the New Princeton Review, this dispute started as a disagreement about the origins of literary craftsmanship but quickly esca- lated into a heated epistemological squabble about the limits of historical knowledge. It began in March of that year, when Howells gave a mixed review to Stedman’s Poets of America (1885), a history of American poetry. Though Howells conceded the importance of Stedman’s contribution to the emerging discipline of American literary history, he openly mocked a few of Stedman’s claims: his prediction of an American poetry revival and his staunch belief in genius, a category of achievement Stedman used with great liberality.
    [Show full text]
  • 203 N. Amity Street
    http://knowingpoe.thinkport.org/ 203 N. Amity Street Content Overview In this interactive. students will take a virtual tour of the Edgar Allan Poe House and Museum located at 29 Amity Street, Baltimore. This outline includes all text on the tour. The activity also includes images. A special thanks to the Edgar Allan Poe House and Museum for authorizing this interactive tour. You might consider taking your class on a field trip to the “Poe House”. For more information: http://www.eapoe.org/balt/poehse.htm Intro Poe’s House at 203 N. Amity Street. Click on any of the highlighted rooms of the house (shown at left) to bring up a floorplan of the room. Then click on highlights in the room views shown below to see details. You may also see a larger version of any image by clicking on it at right. The Garret The About the According to most authorities, Poe lived in the garret, or attic, of the Garret Garret house on Amity Street. We don’t have any direct evidence of what kind of furniture Poe had in his room. However, scholars of the Edgar Allan Poe Society of Baltimore have recreated what the room probably looked like from records of other homes at the time. Though all the Poe house furniture has been long lost, the items in the room date to the 1830’s and are typical examples of what a poor family could have afforded. Roll over parts of the floor plan below to explore Poe’s bedroom at 3 Amity Street.
    [Show full text]
  • Catholic Novelists in Defense of Their Faith, 1829-1866
    Catholic Novelists in Defense of Their Faith, 1829-1866 WILLARD THORP IN THE EARLY YEARS of the Republic there was a general distrust of fiction. Novels were held to be insipid, frivolous, and even dangerous. Indulgence in novel-reading was, at the least, a waste of time; at the worst, it could lead to immoral- ity. In his Sentimental Novel in America (l940) Herbert Ross Brown notes that these inherent evils were of concern to men prominent in public affairs. Thomas Jefferson wrote to Nathaniel Burwell: 'When this poison infects the mind, it de- stroys its tone and revolts it against wholesome reading. The result is a bloated imagination, sickly judgment, and dis- gust towards all the real businesses of life.' Noah Webster had strong feelings in the matter. Presidents Dwight of Yale and Witherspoon of Princeton viewed with alarm. Still, as literacy increased and urban life became more ur- bane, people wanted to read novels. Our early novelists soon discovered ways to relieve readers of feelings of guilt. One way was to announce in the title that the tale was designed to inculcate virtue. Surely one might safely venture inside a novel with such a title as Amelia; or. The Influence of Virtue (I8O2) or What is Gentility? a Moral Tale (1828). Another strategy was to declare that your novel was 'founded on fact.' For some reason that escapes me, believing that you were reading a factual, not a fictional account of kidnapping, seduction, or murder was reassuring. 25 26 American Antiquarian Society Writers also discovered that if their novels championed a cause, they could attract readers.
    [Show full text]
  • Orestes Brownson's Boston Quarterly Review and the Valuation
    Article How to Cite: Pickford, B 2016 Toward a Fungible Scrip: Orestes Brownson’s Boston Quarterly Review and the Valuation of American Literature. Open Library of Humanities, 2(1): e2, pp. 1–28, DOI: http://dx.doi.org/10.16995/ olh.48 Published: 22 February 2016 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2016 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Benjamin Pickford, ‘Toward a Fungible Scrip: Orestes Brownson’s Boston Quarterly Review and the Valuation of American Literature’ (2016) 2(1): e2 Open Library of Humanities, DOI: http://dx.doi. org/10.16995/olh.48 ARTICLE Toward a Fungible Scrip: Orestes Brownson’s Boston Quarterly Review and the Valuation of American Literature Benjamin Pickford1 1 University of Nottingham, GB [email protected] This paper considers how Orestes Brownson used the Boston Quarterly Review, the periodical he established, edited, published, and, for the most part, independently composed, to undertake an immanent critique of American political economy between 1838 and 1842.
    [Show full text]
  • Henry Wadsworth Longfellow At
    on fellow ous L g ulletinH e Volume No. A Newsletter of the Friends of the Longfellow House and the National Park Service December pecial nniversary ssue House SelectedB As Part of Underground Railroad Network to Freedom S Henry WadsworthA LongfellowI he Longfellow National Historic Site apply for grants dedicated to Underground Turns 200 Thas been awarded status as a research Railroad preservation and research. ebruary , , marks the th facility with the Na- This new national Fanniversary of the birth of America’s tional Park Service’s Network also seeks first renowned poet, Henry Wadsworth Underground Railroad to foster communi- Longfellow. Throughout the coming year, Network to Freedom cation between re- Longfellow NHS, Harvard University, (NTF) program. This searchers and inter- Mount Auburn Cemetery, and the Maine program serves to coor- ested parties, and to Historical Society will collaborate on dinate preservation and help develop state- exhibits and events to observe the occa- education efforts na- wide organizations sion. (See related articles on page .) tionwide and link a for preserving and On February the Longfellow House multitude of historic sites, museums, and researching Underground Railroad sites. and Mount Auburn Cemetery will hold interpretive programs connected to various Robert Fudge, the Chief of Interpreta- their annual birthday celebration, for the facets of the Underground Railroad. tion and Education for the Northeast first time with the theme of Henry Long- This honor will allow the LNHS to dis- Region of the NPS, announced the selec- fellow’s connections to abolitionism. Both play the Network sign with its logo, receive tion of the Longfellow NHS for the Un- historic places will announce their new technical assistance, and participate in pro- derground Railroad Network to Freedom status as part of the NTF.
    [Show full text]
  • Voelker on Carey, 'Orestes A. Brownson: American Religious Weathervane'
    H-SHEAR Voelker on Carey, 'Orestes A. Brownson: American Religious Weathervane' Review published on Wednesday, February 1, 2006 Patrick W. Carey. Orestes A. Brownson: American Religious Weathervane. Grand Rapids: William B. Eerdmans Publishing Company, 2005. 428 pp. $28.00 (paper), ISBN 978-0-8028-4300-5. Reviewed by David Voelker (Departments of Humanistic Studies and History, University of Wisconsin-Green Bay) Published on H-SHEAR (February, 2006) The subtitle of Patrick Carey's much-needed modern biography of Orestes Brownson (1803-1876) refers to the fact that, prior to his 1844 conversion to Roman Catholicism, Brownson sequentially identified himself as a Presbyterian, Universalist, skeptic, Unitarian, and, at least unofficially, Transcendentalist. Brownson's frequent transformations made him an easy target for criticism, of which he reaped his fair share during his lifetime as he made the journey from religious liberal to Roman Catholic and from fervent democrat to constitutional conservative. Fortunately, Carey does not take the "weathervane" analogy too far. He charts Brownson's changing positions (religious, philosophical, and political), but he also manages to identify a unifying theme of Brownson's life: "his attempts to create an intellectual as well as a personal synthesis between the drive for freedom and the need for communion" (p. xvii) and his vision of the "dialectical harmony of all things" (p. xiii). Applying a dialectical model to Brownson's life and thought, Carey persuasively explains Brownson's many changes of mind. Indeed, dialectical harmony emerges here as the interpretive key to understanding Orestes Brownson. Carey has produced what is by far the best available biography of a public intellectual whom Ralph Waldo Emerson once privately labeled as a "hero [who] wields a sturdy pen" (p.
    [Show full text]
  • The Marble Faun
    Newsletter of the Thomas More College of Liberal Arts Spring 2019 The Paradox of Place By Dr. Paul Connell, Fellow The farther one travels, oftentimes, often given in a way that one might the closer one feels to what one has not expect. Consequently, the shape The attachment to place runs deep in left behind. Therein lies the paradox of a pilgrimage, going and returning, the Western tradition, revealing a deep of leaving and returning, of home and “biglietto andata e ritorno,” traces a type yearning in us for a sense of stability, away. of crescent, or, more precisely, an ellipse. rooted in the familiar. This movement of departure and (Coincidentally—or perhaps not—the There are many accompanying return finds its parallel in the Christian form of the Piazza San Pietro in Rome, images, but one in particular presents a tradition: pilgrimage. One leaves the the point of convergence for pilgrims certain paradox. familiar on settled terrain for a high from all over the world, is an ellipse.) Odysseus, in Homer’s Odyssey, must spiritual purpose to return to one’s native A poem that expresses this paradox of leave his native Ithaka to fight the place having received certain graces home-and-away and the transformative Trojan War. The primary action of the and having undergone something of a effect of the journey may be found in the epic is his return home to achieve his transformation. works of a sixteenth-century French poet "nostos" or homecoming. There his wife Part of the transformation is looking Joachim du Bellay, born into a family of Penelope and his son Telemachus await, at the place one has left with new eyes.
    [Show full text]
  • David Voelker on Orestes A. Brownson: American
    Patrick W. Carey. Orestes A. Brownson: American Religious Weathervane. Grand Rapids: William B. Eerdmans Publishing Company, 2005. 428 pp. $28.00, paper, ISBN 978-0-8028-4300-5. Reviewed by David Voelker Published on H-SHEAR (February, 2006) The subtitle of Patrick Carey's much-needed terpretive key to understanding Orestes Brown‐ modern biography of Orestes Brownson son. (1803-1876) refers to the fact that, prior to his Carey has produced what is by far the best 1844 conversion to Roman Catholicism, Brownson available biography of a public intellectual whom sequentially identified himself as a Presbyterian, Ralph Waldo Emerson once privately labeled as a Universalist, skeptic, Unitarian, and, at least unof‐ "hero [who] wields a sturdy pen" (p. 93). Earlier ficially, Transcendentalist. Brownson's frequent biographical efforts were often marred by insuffi‐ transformations made him an easy target for criti‐ ciently critical approaches to both Brownson and cism, of which he reaped his fair share during his the available historical sources. The main excep‐ lifetime as he made the journey from religious lib‐ tion to this shortcoming was A Pilgrim's Progress eral to Roman Catholic and from fervent demo‐ (1939) by Arthur Schlesinger Jr., who was interest‐ crat to constitutional conservative. Fortunately, ed primarily in Brownson's democratic politics. Carey does not take the "weathervane" analogy Schlesinger rightly claimed that Brownson "be‐ too far. He charts Brownson's changing positions longs to all Americans, not simply to Catholics," (religious, philosophical, and political), but he also but he slighted the significance of Brownson's ca‐ manages to identify a unifying theme of Brown‐ reer as a Catholic.
    [Show full text]
  • Colonel John A. Joyce Author of a Checkered Life. Peculiar Poems
    EDGAR ALLAN POE ! FROM TH E LAST DAGUERREOTYPE KEN TA ) . ” OLO OH JOY C N EL J N A . CE “ “ uthor of A Checkered Life Peculiar Poem s A . “ ! “ ! “ Z igzag. Jewel s of Memory. Com p lete ! Poems. Oliver G old smith. and Many Popu lar Songs. — Speak nothing of the living or the dead but TRUTH l j oyce. NNYSON NEELY F. TE NEW Y ORK LONDON CONTE S NT . HAP E C T R I . e B i rth an d Li neag . CHAP ER T II . Precocity an d Early School D ay s CHAP TE R III . Col lege Days and Wan deri ngs AP CH TER I V. e t oi n Ex eri ence and B reak h Al l W s P t p , wi t an AP CH TER V. — Driftin g About B al tim or e Li terary S u c cess AP CH TER VI . CHAP TER VI I . “ ”— Writing for Literary Messenger Remor se an d CHAPTER VI II . — — Marriage Magazine Writings M igration to New o n . e e e e e e e e e o o o o Q Q Q O Q Q - q qqi C ontents. I . CHAPTER X m ar: — Life in Phi l adelphi a Cri ti ci sm s of Authors CHAPTER X. — H ome at Spring Garden Family F elicity “ ’ ” Graham s M agazi n e E CHAP T R XI . — Remo val to New York Work on the D ail y Mi r ror —E rrati c N ature AP E CH T R XII .
    [Show full text]
  • Orestes Augustus Brownson on the Nature and Scope of Political Authority
    Orestes Augustus Brownson on the nature and scope of political authority Item Type text; Thesis-Reproduction (electronic) Authors Moffit, Robert E. (Robert Emmet) Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 17:36:49 Link to Item http://hdl.handle.net/10150/318417 .ORESTES AUGUSTUS BROWNSON ON THE NATURE AND SCOPE OF POLITICAL AUTHORITY Robert Emmet■Moffit A Thesis Submitted to the Faculty of the DEPARTMENT OF GOVERNMENT In Partial Fulfillment of the Requirements For the Degree of , MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 1 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill­ ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowl­ edgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author.
    [Show full text]
  • Dissertations on Margaret Fuller
    DISSERTATIONS ON MARGARET FULLER Margaret Fuller on national culture: Political idealism through self-culture by Beste, Lori Anne, PhD; UNIVERSITY OF CONNECTICUT, 2006 Transcendental teaching: A reinvention of American education (Amos Bronson Alcott, Elizabeth Palmer Peabody, Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller) by Heafner, Christopher Allen, PhD; UNIVERSITY OF SOUTH CAROLINA, 2005 'Ravishing harmony': Defining Risorgimento in Margaret Fuller's dispatches from Italy to the 'New York Tribune', 1847 to 1850 by Jo, Hea-Gyong, PhD; WAYNE STATE UNIVERSITY, 2005 Sympathy and self-reliance: Transcendentalism's emergence from the culture of sentiment (Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller, Bronson Alcott, Orestes Brownson) by Robbins, Tara Leigh, PhD; THE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL, 2005 International nationalism: World history as usable past in nineteenth-century United States culture (James Fenimore Cooper, Margaret Fuller, John Lothrop Motley, William Hickling Prescott, Henry Wadsworth Longfellow) by Roylance, Patricia Jane, PhD; STANFORD UNIVERSITY, 2005 'When Plato- was a certainty-': Classical tradition and difference in works by Phillis Wheatley, Margaret Fuller, and Emily Dickinson by Dovell, Karen Lerner, PhD; STATE UNIVERSITY OF NEW YORK AT STONY BROOK, 2004 Extraordinary women all: The influence of Madame de Stael on Margaret Fuller and Lydia Maria Child (France) by Lord, Susan Toth, PhD; KENT STATE UNIVERSITY, 2004 'How came such a man as Herbert?': Allusions to George Herbert
    [Show full text]
  • Margaret Fuller: an Exhibition University Libraries--University of South Carolina
    University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 10-1973 Margaret Fuller: An Exhibition University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Margaret Fuller: An Exhibition, Novemberber 1973". http://scholarcommons.sc.edu/rbsc_pubs/42/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. MARGARET FULLER: AN EXHIBITION FROM THE COLLECTION OF JOEL MYERSON DEPARTMENT OF ENGLISH UNIVERSITY OF SOUTH CAROLINA BIBLIOGRAPHICAL SERIES No.8 1973 UNIVERSITY' OF SOUTH CAROLINA Department of English Bibliographical Series G. ROSS ROY, GENERAL EDITOR No.1 G. Ross Roy. ROBERT BURNS. 1966 No. -2 WILLIAM S. KABLE. ROBERT BRIDGES. 1967 No.3 GOORGE M. REEVES. GUSTAVE FLAUBERT: POESIES DE jEUNESSE INEDITES. 1968 No.4 JOHN R. WELSH. JOHN ESTEN COOKE'S AUTOBIOGRAPHICAL MEMO. 1969 No.5 JOSEPH KATZ. A FRANK NORRIS COLLECTION. 1970 No.6 MATTHEW j. BRUCCOLI. STEPHEN CRANE 1871.1971. 1971 No.7 RODGER L. TARR. A BIBLIOGRAPHY OF ENGLISH LANGUAGE ARTICLES ON THOMAS CARLYLE: 1900·1965. 1972 MARGARET FULLER: AN EXHIBITION FROM THE COLLECTION OF JOEL MYERSON Held at the McKissick Library of the University of South Carolina 1·30 November 1973 DEPARTMENT OF ENGLISH UNlVEUITY OF SoUTH CAROLINA BIBLIOGRAPHICAL SEtUES No.
    [Show full text]