Dissertations on Margaret Fuller
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Hermaphrodite Edited by Renée Bergland and Gary Williams
Philosophies of Sex Etching of Julia Ward Howe. By permission of The Boston Athenaeum hilosophies of Sex PCritical Essays on The Hermaphrodite EDITED BY RENÉE BERGLAND and GARY WILLIAMS THE OHIO State UNIVERSITY PRESS • COLUMBUS Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Philosophies of sex : critical essays on The hermaphrodite / Edited by Renée Bergland and Gary Williams. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1189-2 (cloth : alk. paper) — ISBN 0-8142-1189-5 (cloth : alk. paper) — ISBN 978-0-8142-9290-7 (cd-rom) 1. Howe, Julia Ward, 1819–1910. Hermaphrodite. I. Bergland, Renée L., 1963– II. Williams, Gary, 1947 May 6– PS2018.P47 2012 818'.409—dc23 2011053530 Cover design by Laurence J. Nozik Type set in Adobe Minion Pro and Scala Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American Na- tional Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments vii Introduction GARY Williams and RENÉE Bergland 1 Foreword Meeting the Hermaphrodite MARY H. Grant 15 Chapter One Indeterminate Sex and Text: The Manuscript Status of The Hermaphrodite KAREN SÁnchez-Eppler 23 Chapter Two From Self-Erasure to Self-Possession: The Development of Julia Ward Howe’s Feminist Consciousness Marianne Noble 47 Chapter Three “Rather Both Than Neither”: The Polarity of Gender in Howe’s Hermaphrodite Laura Saltz 72 Chapter Four “Never the Half of Another”: Figuring and Foreclosing Marriage in The Hermaphrodite BetsY Klimasmith 93 vi • Contents Chapter Five Howe’s Hermaphrodite and Alcott’s “Mephistopheles”: Unpublished Cross-Gender Thinking JOYCE W. -
Found in the Public Domain
H E R O N T R E E Found in the Public Domain abyss bones confinement door family forager grace handwork head herbs hollow indigo instructions jaws lid mosses practice road shape shiver shoes storms thought towns twins vowel voyager war well yew HERON TREE EDITED BY Chris Campolo Rebecca Resinski This issue collects the poems published on the HERON TREE website from October 2016 through February 2017 as part of the Found in the Public Domain special series. herontree.com / [email protected] Issue originally published in February 2017; revised to include process notes in March 2018. All rights revert to individual authors upon publication. © 2018 by Heron Tree Press HERON TREE FOUND IN THE PUBLIC DOMAIN HERON TREE PRESS CONWAY, ARKANSAS HERON TREE : FOUND IN THE PUBLIC DOMAIN TABLE OF CONTENTS AND SOURCE TEXTS In the table of contents author names are linked to contributor information and titles are linked to poems. In the issue titles are linked to notes on source and process. 1 DEBORAH PURDY : Where It May Be “A Lament for S. B. Pat Paw,” Louisa May Alcott “Morning Song” and “A Song Before Grief,” Rose Hawthorne Lathrop [As imperceptibly as grief], Emily Dickinson “Ode to Silence” and “Journey,” Edna St. Vincent Millay [Not knowing when the dawn will come], Emily Dickinson 2 SARAH ANN WINN : Nature, Chrome Painted The Land of Little Rain, Mary Hunter Austin 3 HOWIE GOOD : How to Create an Unreliable Narrator titles of artworks by Lee Kit, Leslie Hewitt, and Brent Birnbaum 4 MELISSA FREDERICK : [32] AND [43] sonnets 32 and 43, William Shakespeare 6 CAREY VOSS : Henry Banner AND Emma Barr interviews of Henry Banner (with Samuel S. -
Copyright (C) 2005 Fruitlands Museum, Harvard, Massachusetts Permission to Publish from This Material Should Be Discussed with the Museum Curator
Guide to the Transcendentalist Manuscript Collection, Fruitlands Museum, Harvard, Massachusetts www.fruitlands.org REGISTER MS T.1 S. Margaret Fuller Ossoli (1810-1850) Papers, ca 1836-1850 Size: 2 Linear inches Acquisition: Materials were purchased from The Goodspeed Book Shop by Clara Endicott Sears BIOGRAPHICAL SKETCH S. Margaret Fuller Ossoli (May 23, 1810-July 19, 1850) was a well known author, lecturer, and Transcendentalist in the Nineteenth Century. She is often called a "bluestocking", because of her feminist beliefs and unconventional life. She was born Sarah Margaret Fuller, the first of nine children of Timothy and Margaret Fuller of Cambridgeport, Massachusetts. Her father was determined to give her a masculine education according to the classical curriculum of the day. The exacting and regimental education began at a very young age and was to take a great toll on her health. But it also gave her abroad knowledge of literature and languages. Following the completion of her formal studies, Margaret gained entrance into the intellectual circles of Cambridge and Harvard. Here she formed lasting friendships with many New England intellectuals. In 1836, Margaret Fuller was hired to teach languages at Bronson Alcott's Temple School. She stayed only a year, but continued her teaching career in Providence Rhode Island at the Greene Street School. In 1839, she returned to Massachusetts and began conducting "Conversations" for society women and others in Boston. At this time, Margaret Fuller also became an integral part of the Transcendentalist Movement. From 1840 to 1842 she edited and contributed to the Transcendentalist journal, The Dial. In 1845, she published her feminist work, Woman in the Nineteenth Century. -
CAMBRIDGE SUFFRAGE HISTORY CAMBRIDGE SUFFRAGE HISTORY a Long March for Suffrage
CAMBRIDGE SUFFRAGE HISTORY CAMBRIDGE SUFFRAGE HISTORY A long march for suffrage. Margaret Fuller was born in Cambridge in1810. By her late teens, she was considered a prodigy and equal or superior in intelligence to her male friends. As an adult she hosted “Conversations” for men and women on topics that ranged from women’s rights to philosophy. She joined Ralph Waldo Emerson in editing and writing for the Transcendentalist journal, The Dial from 1840-1842. It was in this publication that she wrote an article about women’s rights titled, “The Great Lawsuit,” which she would go on to expand into a book a few years later. In 1844, she moved to NYC to write for the New York Tribune. Her book, Woman in the Nineteenth Century was published in1845. She traveled to Europe as the Tribune’s foreign correspondent, the first woman to hold such a role. She died in a shipwreck off the coast of NY in July 1850 just as she was returning to life in the U.S. Her husband and infant also perished. It was hoped that she would be a leader in the equal rights and suffrage movements but her life was tragically cut short. 02 SARAH BURKS, CAMBRIDGE HISTORICAL COMMISSION December 2019 CAMBRIDGE SUFFRAGE HISTORY A long march for suffrage. Harriet A. Jacobs (1813-1897) was born into slavery in Edenton, NC. She escaped her sexually abusive owner in 1835 and lived in hiding for seven years. In 1842 she escaped to the north. She eventually was able to secure freedom for her children and herself. -
EMILY DICKINSON's POETIC IMAGERY in 21ST-CENTURY SONGS by LORI LAITMAN, JAKE HEGGIE, and DARON HAGEN by Shin-Yeong Noh Submit
EMILY DICKINSON’S POETIC IMAGERY IN 21ST-CENTURY SONGS BY LORI LAITMAN, JAKE HEGGIE, AND DARON HAGEN by Shin-Yeong Noh Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2019 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Andrew Mead, Research Director ______________________________________ Patricia Stiles, Chair ______________________________________ Gary Arvin ______________________________________ Mary Ann Hart March 7, 2019 ii Copyright © 2019 Shin-Yeong Noh iii To My Husband, Youngbo, and My Son iv Acknowledgements This work would not have been possible without many people who aided and supported me. I am grateful to all of my committee members for their advice and guidance. I am especially indebted to my research director, Dr. Andrew Mead, who provided me with immeasurable wisdom and encouragement. His inspiration has given me huge confidence in my study. I owe my gratitude to my teacher, committee chair, Prof. Patricia Stiles, who has been very careful and supportive of my voice, career goals, health, and everything. Her instructions on the expressive performance have inspired me to consider the relationship between music and text, and my interest in song interpretation resulted in this study. I am thankful to the publishers for giving me permission to use the scores. Especially, I must thank Lori Laitman, who offered me her latest versions of the songs with a very neat and clear copy. She is always prompt and nice to me. -
Did a Woman Write “The Great American Novel”? Judging Women’S Fiction in the Nineteenth Century and Today
Did a Woman Write “The Great American Novel”? Judging Women’s Fiction in the Nineteenth Century and Today Melissa J. Homestead University of Nebraska A JURY OF HER PEERS: AMERICAN WOMEN WRITERS FROM ANNE BRADSTREET TO ANNIE PROULX, by Elaine Showalter. New York: Knopf, 2009. 608 pp. $30.00 cloth; $16.95 paper. In the fall of 2009, as I was preparing to teach a senior capstone course for English majors on the nineteenth-century American novel and ques- tions of literary value and the canon, I went trolling for suggestions of recent secondary readings about canonicity. The response came back loud and clear: “The canon wars are over. We all teach whatever we want to teach, and everything is fine.” My experiences with students suggest that, at least in American literary studies before 1900, the canon wars are not over, or, perhaps, they have entered a new stage. Most of my students had heard of James Fenimore Cooper, and a few had read him, but none (with the exception of one student who had previously taken an early American novel class with me) had even heard of his contemporary Catharine Maria Sedgwick. Most had heard of Harriet Beecher Stowe, and a few had previously read Uncle Tom’s Cabin (1852). Although some aspiring fiction writers initially objected to what they felt was an overly intrusive narrator, I succeeded in persuading the class to read Stowe’s novel with respectful attention. All of them had heard of Mark Twain, and all but a tiny minority had read his Adventures of Huckleberry Finn (1885). -
The Storied Facts of Margaret Fuller
Haverford College Haverford Scholarship Faculty Publications English 1996 The Storied Facts of Margaret Fuller Christina Zwarg Haverford College, [email protected] Follow this and additional works at: https://scholarship.haverford.edu/english_facpubs Repository Citation Zwarg, Christina. "The Storied Facts of Margaret Fuller." New England Quarterly 69.1 (1996): 128-42. Print. This Journal Article is brought to you for free and open access by the English at Haverford Scholarship. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Haverford Scholarship. For more information, please contact [email protected]. Review: The Storied Facts of Margaret Fuller Author(s): Christina Zwarg Review by: Christina Zwarg Source: The New England Quarterly, Vol. 69, No. 1 (Mar., 1996), pp. 128-142 Published by: The New England Quarterly, Inc. Stable URL: http://www.jstor.org/stable/366307 Accessed: 28-04-2015 18:37 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The New England Quarterly, Inc. is collaborating with JSTOR to digitize, preserve and extend access to The New England Quarterly. http://www.jstor.org This content downloaded from 165.82.124.14 on Tue, 28 Apr 2015 18:37:37 UTC All use subject to JSTOR Terms and Conditions Essay Review THE STORIED FACTS OF MARGARET FULLER CHRISTINA ZWARG MargaretFuller: An AmericanRomantic Life, The PrivateYears. -
Anne Bradstreet Exhibits the Puritan “Plain Style” in Her Poetry
• Anne Bradstreet exhibits the Puritan “plain style” in her poetry • Mary Rowlandson’s account of her 11week captivity encouraged antiIndian sentiment in the colonies • From her writings, Abigail Adams shows early feminist causes • Meriwether Lewis contributed vast knowledge of botany, geology, and geography in his journals of the Lewis and Clark Expedition • In his poem “Thanatopsis”, William Cullen Bryant exhibits both transcendental and Calvinist elements • Show how Concord, Massachusetts was the first rural American artist’s colony offering a spiritual and cultural alternative to American materialism • Ralph Waldo Emerson reveals his transcendentalist beliefs in his essay “Self Reliance” • Ralph Waldo Emerson’s “From Nature” reflects the 19th Century romantic thought • Ralph Waldo Emerson took much of his spiritual insight from readings of Eastern religions as seen in his poem, “Brahma” • Transcendentalists like Bronson Alcott and Robert Owens and George and Sophia Ripley created experimental utopian colonies to counteract the attitudes created by the Industrial Revolution • Transcendentalism was a philosophical, literary, social, and theological Movement • Civil disobedience and peaceful resistance used today by activists had their base from Henry David Thoreau’s beliefs • Edgar Allan Poe was culturally informed, not isolated, as a writer during his time • Sojourner Truth encouraged abolitionism and women’s suffrage in her evangelistic preaching • Walt Whitman’s greatest legacy is the invention of American free verse • Walt Whitman -
Emily Dickinson - Poems
Classic Poetry Series Emily Dickinson - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Emily Dickinson(10 December 1830 – 15 May 1886) Emily Elizabeth Dickinson was an American poet. Born in Amherst, Massachusetts, to a successful family with strong community ties, she lived a mostly introverted and reclusive life. After she studied at the Amherst Academy for seven years in her youth, she spent a short time at Mount Holyoke Female Seminary before returning to her family's house in Amherst. Thought of as an eccentric by the locals, she became known for her penchant for white clothing and her reluctance to greet guests or, later in life, even leave her room. Most of her friendships were therefore carried out by correspondence. Although Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. Although most of her acquaintances were probably aware of Dickinson's writing, it was not until after her death in 1886—when Lavinia, Emily's younger sister, discovered her cache of poems—that the breadth of Dickinson's work became apparent. -
The Transcendentalist's Mind and Body
THE TRANSCENDENTALIST’S MIND AND BODY: THE ROLE OF ILLNESS IN MARGARET FULLER’S WRITING by Elizabeth Anne Slabaugh A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature Boise State University May 2018 © 2018 Elizabeth Anne Slabaugh ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Elizabeth Anne Slabaugh Thesis Title: The Transcendentalist’s Mind and Body: The Role of Illness in Margaret Fuller’s Writing Date of Final Oral Examination: 09 March 2018 The following individuals read and discussed the thesis submitted by student Elizabeth Anne Slabaugh, and they evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Steven Olsen-Smith, Ph.D. Chair, Supervisory Committee Tara Penry, Ph.D. Member, Supervisory Committee Jacqueline O’Connor, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by Steven Olsen-Smith, Ph.D., Chair of the Supervisory Committee. The thesis was approved by the Graduate College. DEDICATION To my loving parents, Jan and Bill, who have supported me through undergraduate, graduate school, and beyond. Thank you for putting up with my stress- filled phone calls and always inspiring me (at least half of this degree should go to you both). I love you. iv ACKNOWLEDGEMENTS Much thanks to Dr. Olsen-Smith, my committee chair, who patiently encouraged me through this entire process and believed in my project even when I did not. Thank you also to Dr. -
Maya Angelou
MAYA ANGELOU AND THE FREEDOM POETRY OF ADVENT MAYA ANGELOU AND THE FREEDOM POETRY OF ADVENT “I’m always amazed when people walk up to me and say, ‘I’m a Christian.’ I think, ‘Already? You already got it?’ I’m working at it, which means that I try to be kind and fair and generous and respectful and courteous to every human being.” + Maya Angelou Maya Angelou was born in St. Louis, Missouri, in 1928. In 1965, working as a journalist in Ghana, she met Malcolm X, and decided to return to the United States to help him establish his Organization of African-American Unity – but only a few days after she arrived, he was assassinated. A few years later, she agreed to work with Martin Luther King Jr. – but then he, too, was killed, on her 40th birthday. Angelou fell into a depression. Some friends recommended her to an editor at Random House, saying she should write an autobiography – but Angelou repeatedly refused. Then her friend, the writer James Baldwin, suggested a creative strategy to the editor: call her one more time, Baldwin said, and say you’re calling to tell her that you’ll stop bothering her, and that it’s probably just as well that she’s refused, because it’s terribly difficult to write an autobiography that’s also good literature. The plan worked like a charm: Angelou immediately agreed to take on the challenge. On writing the book, she later said, “Once I got into it I realized I was following a tradition established by Frederick Douglass – the slave narrative – speaking in the first-person singular talking about the first-person plural, always saying ‘I’ meaning ‘we.’” That first autobiography became I Know Why the Caged Bird Sings, published in 1969. -
Message to the Congress Transmitting a Report on Critical Infrastructure Protection March 1, 2001 Proclamation 7411—Women's
Administration of George W. Bush, 2001 / Mar. 2 385 Afghanistan and Burma Proclamation 7411—Women’s In making these determinations, I have History Month, 2001 considered the factors set forth in section 490 March 1, 2001 of the Act, based on the information con- tained in the International Narcotics Control By the President of the United States Strategy Report of 2001. Given that the per- of America formance of each of these countries has dif- A Proclamation fered, I have attached an explanatory state- In 1845, journalist and author Margaret ment for each of the countries subject to this Fuller laid out her hope for the future of determination. this Nation’s women: ‘‘We would have every You are hereby authorized and directed to arbitrary barrier thrown down. We would report this determination to the Congress im- have every path laid open to women as freely mediately and to publish it in the Federal as to men. If you ask me what offices they Register. may fill, I reply—any, I do not care what case you put; let them be sea captains, if you George W. Bush will.’’ More than 150 years later, we are closer than ever to realizing Margaret Fuller’s Message to the Congress dream. Women account for nearly half of all Transmitting a Report on Critical workers. Today, women are ‘‘captains’’ of Infrastructure Protection their own destinies, and they will continue March 1, 2001 to help shape our Nation’s future. Women hold 74 seats in the United States Congress, To the Congress of the United States: more than at any time in our country’s his- tory, and women own more than 9 million Pursuant to section 1053 of the Defense businesses employing more than 27.5 million Authorization Act of 2001 (Public Law 106– workers.