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March 1St-18Th, 2012
www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman. -
Jackie Evancho Dream with Me Mp3, Flac, Wma
Jackie Evancho Dream With Me mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Dream With Me Country: Canada Released: 2011 Style: Contemporary MP3 version RAR size: 1373 mb FLAC version RAR size: 1943 mb WMA version RAR size: 1735 mb Rating: 4.8 Votes: 406 Other Formats: MP1 MOD AU ASF DMF APE MP3 Tracklist Hide Credits When You Wish Upon A Star 1 –Jackie Evancho Arranged By – Bill Ross*Arranged By, Keyboards – David FosterProgrammed By – Boh CooperWritten-By – Leigh Harline, Ned Washington Nella Fantasia Arranged By – Bill Ross*Arranged By, Keyboards – David FosterLyrics By – 2 –Jackie Evancho Chiara Ferrau*Music By – Ennio MorriconeProgrammed By – Boh Cooper, Jochem van der Saag A Mother's Prayer –Jackie Evancho Arranged By – Bill Ross*Arranged By, Keyboards – David FosterLyrics By – 3 With Susan Carole Bayer SagerMusic By – David FosterProducer [Susan Boyle's Vocal] – Boyle Steve MacProgrammed By – Jochem van der SaagViolin – Bruce Dukov Nessun Dorma 4 –Jackie Evancho Adapted By – Steven MercurioConductor – Bill Ross*Written-By – Giacomo Puccini, Giuseppe Adami, Renato Simoni Angel Arranged By – Bill Ross*Arranged By, Keyboards – David FosterCello – Steve 5 –Jackie Evancho ErdodyContractor [Choir] – Angela FisherProgrammed By, Sound Designer – Jochem van der SaagWritten-By – Sarah McLachlan O Mio Babbino Caro 6 –Jackie Evancho Arranged By, Piano – David FosterOrchestrated By – Chris WaldenWritten-By – Christopher Todd Landor, Giacomo Puccini Somewhere –Jackie Evancho Arranged By – Bill Ross*Arranged By, Keyboards – -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Artist Series – Gilbert Kalish Program Notes
ARTIST SERIES – GILBERT KALISH PROGRAM GEORGE CRUMB (b. 1929) Three Early Songs for Voice and Piano (1947) Night Let It Be Forgotten Wind Elegy Tony Arnold, soprano • Gilbert Kalish, piano FRANZ SCHUBERT (1797-1828) “Der Hirt auf dem Felsen” for Soprano, Clarinet, and Piano, D. 965, Op. 129 (1828) Lisette Oropesa, soprano • David Shifrin, clarinet • Gilbert Kalish, piano JOHANNES BRAHMS (1833-1897) Quartet No. 3 in C minor for Piano, Violin, Viola, and Cello, Op. 60 (1855-56, 1874) Allegro non troppo Scherzo: Allegro Andante Finale: Allegro comodo Gilbert Kalish, piano • Nicolas Dautricourt, violin • Paul Neubauer, viola • Torleif Thedéen, cello NOTES ON THE PROGRAM Three Early Songs for Voice and Piano (1947) George Crumb (b. CHarleston, WV, 1929) Crumb wrote these songs in 1947, the year he graduated high school and entered Mason College in his native Charleston, West Virginia. His now-wife of 70 years, Elizabeth May Brown, was the first to sing them and they are dedicated to her. They are wholly unlike the works that Crumb eventually became famous for—their sound is more early 20th century art song than the unique and otherworldly sound palette he would later develop. Crumb explained that in West Virginia at that time, Debussy was “almost an ultra-modern.” These songs, with delightful melodies and floating harmonies, show that young Crumb, even before finding his mature style, still had a gift for music that is understated yet emotionally powerful. Crumb suppressed the vast majority of his student compositions but he’s allowed performance of these songs. “Most of the music I wrote before the early sixties (when I finally found my own voice) now Chamber Music Society of Lincoln Center causes me intense discomfort,” he writes, “although I make an exception for a few songs which I composed when I was 17 or 18.… these little pieces stayed in my memory and when, some years ago, Jan DeGaetani expressed an interest in seeing them (with a view to possible performance if she liked them), I made a few slight revisions and even decided to have them published. -
Descendants of the Anusim (Crypto-Jews) in Contemporary Mexico
Descendants of the Anusim (Crypto-Jews) in Contemporary Mexico Slightly updated version of a Thesis for the degree of “Doctor of Philosophy” by Schulamith Chava Halevy Hebrew University 2009 © Schulamith C. Halevy 2009-2011 This work was carried out under the supervision of Professor Yom Tov Assis and Professor Shalom Sabar To my beloved Berthas In Memoriam CONTENTS 1 INTRODUCTION ...................................................................................................7 1.1 THE PROBLEM.................................................................................................................7 1.2 NUEVO LEÓN ............................................................................................................ 11 1.2.1 The Original Settlement ...................................................................................12 1.2.2 A Sephardic Presence ........................................................................................14 1.2.3 Local Archives.......................................................................................................15 1.3 THE CARVAJAL TRAGEDY ....................................................................................... 15 1.4 THE MEXICAN INQUISITION ............................................................................. 17 1.4.1 José Toribio Medina and Alfonso Toro.......................................................17 1.4.2 Seymour Liebman ...............................................................................................18 1.5 CRYPTO‐JUDAISM -
School of Music 2016–2017
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2016–2017 School of Music 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Goff-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849. -
The Chamber Music Society at Yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 P.M
The Yale School of Music Robert Blocker, Acting Dean presents The Chamber Music Society at Yale Chamber Music Competition Winners TUESDAY, MAY 1, 2007 MORSE RECITAL HALL IN SPRAGUE HALL the chamber music society at yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 p.m. Morse Recital Hall in Sprague Memorial Hall Trio in E-flat major,k . 498, “Kegelstatt” Wolfgang Amadeus Mozart Andante (1756-1791) Menuetto Rondo Romie de Guise-Langlois, clarinet Margot Schwartz, violin Wei-Jen Yuan, piano Triskelion Bruce Adolphe Allegro (b. 1955) Andante (with a ghostly quality) Allegro Joel Brennan and Olivia Malin, trumpet Jocelyn Crawford, horn Joshua Cullum, trombone Stephanie Fairbairn, tuba intermission Quartet in D minor, d. 810, “Death and the Maiden” Franz Schubert Allegro (1797-1828) Andante con moto Scherzo: Allegro molto − Trio Presto The Alianza Quartet Sarita Kwok and Lauren Basney, violin Ah-Young Sung, viola Dmitri Atapine, cello As a courtesy to the performers and to other audience members — Please silence cell phones and pagers Please do not leave the auditorium during selections No flash photography No sound or video recording of any kind 2 0 0 6- 2 0 0 7 s e a s o n Program Notes Mozart: Trio in E-flat,k . 498, “Kegelstatt” The strange subtitle (Kegelstatt or “Skittles”) alone gives this work a unique place in Mozart’s vast chamber music output. Add to that its unusual combination of instru- ments and you have a very original composition indeed. The story behind the work’s origins is that Mozart wrote this in 1786 while playing skittles (an old game similar to bowling) with his friend, the clarinetist Anton Stadler. -
Artist Series: David Shifrin Program Notes on the Program
ARTIST SERIES: DAVID SHIFRIN PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Allegro Larghetto Menuetto Allegretto con variazioni David Shifrin, clarinet • Danbi Um, violin • Bella Hristova, violin • Mark Holloway, viola • Dmitri Atapine, cello LUIGI BASSI (1833-1871) Concert Fantasia on Themes from Verdi’s Rigoletto for Clarinet and Piano David Shifrin, clarinet • Gloria Chien, piano DUKE ELLINGTON (1899-1974) Clarinet Lament for Clarinet and Piano (1936) (arr. David Schiff) David Shifrin, clarinet • Gloria Chien, piano NOTES ON THE PROGRAM Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) Mozart wrote this quintet for Vienna’s Society of Musicians (Tonkünstler-Societät) in 1789. The society raised money to provide pensions to widows and orphans of Viennese musicians. Its concerts were regular occurrences on the Viennese social calendar and Mozart composed and performed for them, even though he was not a member, something he would regret right before his death at the age of 35. This quintet premiered at a society concert on December 22, 1789, in between two halves of a cantata by Vincenzo Righini. The clarinetist was Anton Stadler, one of the first virtuosos on the instrument and Mozart’s close personal friend. Mozart wrote all of his major clarinet works— this one, the Kegelstatt Trio, and the Clarinet Concerto—with Stadler’s playing in mind. Chamber Music Society of Lincoln Center The clarinet was a relatively new instrument in Mozart’s day yet he expertly tapped into the instrument’s unique singing quality. -
David Shifrin: Practice Makes Perfect for Music@Menlo
July 8, 2011 David Shifrin: Practice Makes Perfect for Music@Menlo •Find classical, jazz and byoth Marianneer great Lipanovich• Learn about exciting family concerts concerts in your area • Read weekly news on young musicians • Enjoy lively feature articles on concerts and musicians It’s taken some time, but this year Music@Menlo finally, and happily, can add clarinetist David Shifrin to• its S e alistrch of fo rguest music artists. teache rThes an daward-winning music musician is equally happy to be pappearing.rograms in yNotour aonlyrea does he love chamber music, calling it his favorite, he also adores Brahms. So it’s a match made in heaven. THE BAY AREA’S GO-TO PLACE FOR GREAT MUSIC There’s no doubt that Shifrin’s resume is impressive, even for Music@ Menlo artists. He’s one of only two wind players to win the Avery Fisher Prize, in addition to other honors. In addition to guest appearances as a soloist and with ensembles, he’s a member of the Chamber Music Society of Lincoln Center and a director of Chamber Music Northwest. And he’s on the faculty of the Yale School of Music, having previously served on the faculties of institutions such as Juilliard and the University of Hawaii. Brahms fans, take note: Along with Wu Han and David Finckel, earlier this year Shifrin recorded the same Brahms Trios that he’ll play in Menlo Park. The recording isn’t yet released, but attendees at the Carte Blanche concert on Aug. 8 will be able to purchase the CD. -
ROMIE DE GUISE-LANGLOIS, Clarinet Biography
ROMIE DE GUISE-LANGLOIS, clarinet Biography Praised as “extraordinary” and “a formidable clarinetist” by The New York Times, Romie de Guise-Langlois has appeared as soloist and chamber musician on major concert stages throughout the U.S., Canada, Europe, and Asia. She has performed as soloist with the Houston Symphony, the Burlington Chamber Orchestra, the Chamber Music Society of Lincoln Center, Ensemble ACJW, the Yale Philharmonia, McGill University Symphony Orchestra, at Music@Menlo, and the Banff Center for the Arts. She won Astral Artists’ 2011 National Auditions and was awarded First Prize in the 2009 Houston Symphony Ima Hogg Competition. She also captured the top prize in the Woolsey Hall Competition at Yale University, the McGill University Classical Concerto Competition, and the Canadian Music Competition, and was the recipient of the Canadian Broadcasting Company award. Her performances have been broadcast on WNYC, WFMT, WQXR, Houston Public Radio, Vermont Public Radio, and across Canada on Radio- Canada. An avid chamber musician, Ms. de Guise-Langlois joined the roster of Photo: Claire McAdams Chamber Music Society Two in 2012. She spent recent summers at Visit astralartists.org to download hi-res Marlboro Music and tours with “Musicians from Marlboro.” She images of this artist. has appeared on the concert series of the Metropolitan Museum of Art, Philadelphia Chamber Music Society, Chamber Music Society of Lincoln Center, Chamber Music Northwest, Boston Chamber Music Society, Ottawa Chamber Music Festival, the Kennedy Center, the Royal Conservatory, Ravinia Festival, the 92nd Street Y, Bridgehampton Chamber Music Festival, and the Salt Bay Chamberfest. She debuted on Astral’s series in the Philadelphia Brahms Festival, and gave her Philadelphia recital debut under Astral’s auspices in January 2013. -
MUSICIAN BIOGRAPHIES Bernard Mindich Bernard Lisa-Marie Mazzucco
CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE ANI KAVAFIAN, violin Bernard Mindich DAVID SHIFRIN, clarinet MIHAI MARICA, cello , viola TARA HELEN O’CONNOR, flute PAUL NEUBAUER YURA LEE, viola Lisa-Marie Mazzucco Bernard Mindich Lisa-Marie Mazzucco ARNAUD SUSSMANN, violin © 2007 NyghtFalcon All Rights Reserved Today’s performance is sponsored by Tom and Mary Ellen Litzinger COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Mary Ellen Litzinger Lam Hood, vice chair Bonnie Marshall Pieter Ouwehand William Asbury Melinda Stearns Patricia Best Susan Steinberg Lynn Sidehamer Brown Lillian Upcraft Philip Burlingame Pat Williams Alfred Jones Jr. Nina Woskob Deb Latta Eileen Leibowitz student representative Ellie Lewis Jesse Scott Christine Lichtig CENTER FOR THE PERFORMING ARTS AT PENN STATE presents The Chamber Music Society of Lincoln Center Tara Helen O’Connor, flute David Shifrin, clarinet Ani Kavafian, violin Arnaud Sussmann, violin Yura Lee, viola Paul Neubauer, viola Mihai Marica, cello 7:30 p.m. Thursday, November 20, 2014 Schwab Auditorium The performance includes one intermission. This presentation is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the project provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology, and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the grant project. -
LIVE from LINCOLN CENTER October 14, 2001 5:00 P.M. on PBS the Chamber Music Society of Linconln Center an EVENING of BEETHOVEN
LIVE FROM LINCOLN CENTER October 14, 2001 5:00 p.m. on PBS The Chamber Music Society of Linconln Center AN EVENING OF BEETHOVEN Artist members and guests of the Chamber Music Society of Lincoln Center continue the 25th anniversary season of Live From Lincoln Center telecasts with an all-Beethoven program on Sunday afternoon, October 14, from 5 to 7 PM. As are most of the Chamber Music Society concerts in New York City, this one will be played in Alice Tully Hall. Two early and comparative rarities—the B Flat Trio, Opus 11 for Clarinet, Cello and Piano and the C Major Quintet for Strings, Opus 29—frame one of music's most enduring masterpieces, the A Major Sonata for Violin and Piano, Opus 47, known as the "Kreutzer" Sonata. In 1792 Beethoven decided to pull up stakes from his native Bonn and settle permanently in Vienna, a city where he had some years earlier spent happy days. Vienna was then the capitol of the musical world and it exerted a magnet-like pull on aspiring composers and performers. Still little-known at the time (he was in his mid-thirties) he had to find a way to make a mark in Vienna and make it quickly. Cannily he figured that his prowess as a pianist and improviser might be the best way to accomplish this; thus many of his earliest works were written as vehicles for himself to perform and "wow" the public. By the time of his Opus 11 Sonata for Clarinet, Cello and Piano of 1798 he had already written 7 Piano Sonatas, 2 Sonatas for Cello and Piano and a Sonata for Piano 4 Hands.