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The Comforts: the Image of Home in <I>The Hobbit</I>
Volume 14 Number 1 Article 6 Fall 10-15-1987 All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hammond, Wayne G. (1987) "All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol14/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the importance of home, especially the Shire, as metaphor in The Hobbit and The Lord of the Rings. Relates it to the importance of change vs. permanence as a recurring theme in both works. -
The Implied Reader and the Recovery of Childhood: a Study of J.R.R
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2019 The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit Georgette Talaat Rizk Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Rizk, G. (2019).The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/734 MLA Citation Rizk, Georgette Talaat. The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit. 2019. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/734 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit A Thesis Submitted to the Department of English and Comparative Literature In Partial Fulfillment of the Requirements For the Degree of Master of Arts Georgette Rizk Under the supervision of Dr. William Melaney October 2018 The American University in Cairo The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit A Thesis Submitted by Georgette Rizk To the Department of English and Comparative Literature October 2018 In partial fulfillment of the requirements for The degree of Master of Arts Has been approved by Dr. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden
Volume 37 Number 1 Article 23 10-15-2018 The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden David L. Emerson Independent Scholar Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Emerson, David L. (2018) "The Hobbit and Tolkien's Mythology Ed. Bradford Lee Eden," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 37 : No. 1 , Article 23. Available at: https://dc.swosu.edu/mythlore/vol37/iss1/23 This Book Reviews is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Additional Keywords Hobbit; Lord of the Rings This book reviews is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol37/iss1/23 Reviews moves on to the other element of his cross-disciplinary equation and provides a short history of modern fantasy and theories about the genre; much of this will already be familiar to most readers of Mythlore, at least. -
Other Minds Magazine, Issue 1
OTHER MINDS MAGAZINE OOTHERTHER MMINDSINDS The Unofficial Role-Playing Magazine for J.R.R. Tolkien‘s Middle-earth and beyond Other Minds Content Magazine Main Features Issue 1 2 Editorial: Here we are! July 2007 3 Opinion: The Acroteriasm of Other Hands Hawke Robinson Publisher 6 The Battle over Role Playing Gaming Other Minds Volunteers Hawke Robinson Editors Assistant Editors 9 Mapping Arda Hawke Robinson Chris Seeman Thomas Morwinsky,Stéphane Hœrlé, Gabriele Thomas Morwinsky Chris Wade Quaglia, Oliver Schick, Christian Schröder 21 Of Barrow-wights Art Director Neville Percy Hawke Robinson 28 Magic in Middle-earth Production Staff Chris Seeman Thomas Morwinsky Hawke Robinson 31 Thoughts on Imladris Thomas Morwinsky Other Features 37 Fineprint 38 Creative Commons license Appendix: Maps of Arda For use with “Mapping Arda” Next Issue’s featured theme will be: Númenor Unless otherwise noted, every contribution in this magazine is published under the CreaticeCommons Attribution-NonCommercial-ShareAlike license (b n a) The exact license of a given contribution can be found at the beginning of each contribution. OTHER MINDS MAGAZINE you want to see your adventure, realm de- scription, or whatever else in print – you know whom to look for! We are especially in need of good artists Editorial and images to enhance the magazine with original art. If you submit someone else’s art, please add a written approval from the artist. the Tolkien-related content of course). More Here we are! Now, for the actual content of this inaugu- of the team will be introduced in later issues. Perhaps you know the famous Fantasy ral issue: First we have an insightful essay in movie in whose title track this line is the 1 the category “Opinion” by Hawke Robinson, opener – and how it continued. -
Romantic Theology As Revelation Through Tom Bombadil and Goldberry in Tolkien’S the Lord of the Rings Brandon Best Augsburg University
Augsburg Honors Review Volume 11 Article 6 2018 Romantic Theology as Revelation through Tom Bombadil and Goldberry in Tolkien’s The Lord of the Rings Brandon Best Augsburg University Follow this and additional works at: https://idun.augsburg.edu/honors_review Part of the Literature in English, British Isles Commons Recommended Citation Best, Brandon (2018) "Romantic Theology as Revelation through Tom Bombadil and Goldberry in Tolkien’s The Lord of the Rings," Augsburg Honors Review: Vol. 11 , Article 6. Available at: https://idun.augsburg.edu/honors_review/vol11/iss1/6 This Article is brought to you for free and open access by Idun. It has been accepted for inclusion in Augsburg Honors Review by an authorized editor of Idun. For more information, please contact [email protected]. Augsburg Honors Review Romantic Theology as Revelation through Tom Bombadil and Goldberry in Tolkien’s The Lord of the Rings Brandon Best Cedarville University Abstract In J. R. R. Tolkien’s The Lord of the Rings, Tom Bombadil initially appears to be merely an eccentric, episodic character. Yet, upon close reading his enchanting spirit embodies moral signifcance throughout the trilogy when members in the war against Sauron recall his spirit in moments of hope and despair. Though he only appears to the Hobbits within the Old Forest, Bombadil represents ideals present throughout the entire story. As Tolkien wrote, “[Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function” (Letters 178). -
Old Norse Elements in the Work of JRR Tolkien
Old Norse elements in the work of J.R.R. Tolkien by Martin Wettstein When John Ronald Reuel Tolkien was 23 Years old, he had already learned Greek, Latin, Anglo Saxon, Old English, Finnish, Welsh and Gothic and had already invented two own languages, called Nevbosh and Qenya. Together with his interest in languages there came up an interest in myths and legends of the countries behind these languages and he read eagerly all the old legends he came across. During these studies he became aware of the fact that England itself had no own mythology. There was the Celtic, the Roman, the Norse and the Christian Mythology but none especially of England. The awareness of this fact and the lack of a mythology behind his own language, Qenya, made him write poems and short stories that told of events and persons as could have taken place in an English mythology. In the invention of these stories he was inspired by the Bible, the Edda [17][18], Celtic Tales, Fairy stories and the pieces of William Shakespeare, just to name the most important sources. In this Essay I would like to focus on the Norse elements that served as sources for the ideas of Tolkien. It is not the aim of this Essay to compare each idea Tolkien had with similar elements in the Norse Mythology. there are already more than enough articles on the ring as Norse element and the attempt to apply Odin to almost each of the Ainur or Tom Bombadil. It shall simply give an idea about how much this mythology served Tolkien as a source of inspiration. -
Rpgnet - Middle-Earth 4Th Age
RPGNet - Middle-Earth 4th age https://forum.rpg.net/showthread.php?385785-middle-earth-4th-age Halo2994 i am about to run a game set in the 4th age of Middle-Earth. what would be some story hooks to use in this period? I am not a stickler about details but i would like my game to at least follow the spirit of the original LotR books. for example; there will still be a few elves around (with there power greatly diminished) . There will not be armies of black skinned elves puring out of underground passages waving scimitars. ideas so far: - the return of the Witch King - a dragon - a war between the races of men other ideas? Narshal In my campaign set in the 4th age, I've had the following. War of Gondor versus the Easterlings and orc tribes. To fill the power vacuum in Moria, a dragon set up show and was gathering armies of orcs. Also, not all elves have left Middle Earth, if I remember, the last elf to leave was Círdan the shipwright, the one who takes cares of Grey Havens. He left several years after Aragorn died. I had a minor plot where Sauron tried to regain power. At the end of the 2nd age when Sauron lost the ring, it took many years to regain power. He was powerful but diminshed since most of his power was in the One ring. When the One ring was destroyed, most of his power was gone. If the plot wasn't foiled by my players, I'd have Sauron come back but merely be mortal. -
Tolkien's Heroic Criticism: a Developing Application of Anglo-Saxon Ofermod to the Monsters of Modernity Robert Rorabeck
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Tolkien's Heroic Criticism: A Developing Application of Anglo-Saxon Ofermod to the Monsters of Modernity Robert Rorabeck Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY DEPARTMENT OF ENGLISH TOLKIEN’S HEROIC CRITICISM: A DEVELOPING APPLICATION OF ANGLO- SAXON OFERMOD TO THE MONSTERS OF MODERNITY By ROBERT RORABECK A Thesis submitted to the Department of English in the partial fulfillment of the requirement for the degree of Masters of English Literature Degree Awarded: Summer Semester, 2003 The members of the Committee approve the Thesis of Robert Rorabeck defended on March 27th, 2003. David Johnson Professor Directing Thesis Christopher Shinn Committee Member Eugene Crook Committee Member Approved: David Johnson, Director of Graduate Studies, Department of English The Office of Graduate Studies has verified and approved the above named committee members ii TABLE OF CONTENTS ABSTRACT …………………………………………………………………………….iv INTRODUCTION………..……………..……………………………………………….1 1. SOMETHING OF THE MAN…………………………….……………………...…11 2. BEGINNING WITH BEORHTNOTH………………….…………………………..18 3. TOLKIEN’S HEROIC AESTHETIC………………………………………….…....25 4. A WELLSPRING OF HEROIC ENLIGHTENMENT………..…………………….42 5. TOLKIEN’S DEVELOPING HEROICS…………………...……………………….50 A MORAL CONLUSION……………………………….…………………….……….76 APPENDIX……………………...……………………………………………………...80 BIBLIOGRAPHY…………………………………………..…………………………..95 -
A Hypothetical Timeline for the Hobbit by Douglas Wilhelm Harder July 24, 2018 Version 1.1
A hypothetical timeline for The Hobbit by Douglas Wilhelm Harder July 24, 2018 Version 1.1 1. Introduction When Tolkien wrote The Lord of the Rings, he used the 1941 and 1942 Almanacs to ensure that the phases of the moon and other celestial events were internally consistent throughout the story. Years earlier, when he wrote The Hobbit, his purpose was not to create a book that stood up to critical analysis, but rather he was writing a children’s book, and in that he succeeded. Since then, however, there have been attempts to reconcile the celestial events reported in The Hobbit so as to make sense of them. This article will, after describing the terminology to be used, first describe an irreconcilable problem appearing in The Hobbit. This problem cannot be solved with any interpretation no matter how nuanced or subtle or clever, for it requires the moon to shift from an almost new moon to an almost full moon within one day. In order to correct this, this requires changes to the story. Consequently, we will continue by giving criteria by which any amendments or interpretations are to be judged. Following this, we will list three constraints that must be satisfied by any proposed amendments or interpretations. Finally, we propose a solution that requires a minor amendment to the text, and while that amendment is significant, we proceed to show that the amendment does not significantly affect the storyline in any way, that the amendment satisfies the constraints given, and that the amendments do not force an unreasonable interpretation of other events within the storyline. -
The Hobbit Character List
The Hobbit Character List Bilbo Baggins is the main character of the story. He is a hobbit of the Shire who prefers domesticity to adventure, but he soon finds himself caught up in the escapades of Gandalf, the wizard, and a company of dwarves. Bilbo is hardly the raw material of a hero, but as the story progresses he develops into a clever and brave hero. Throughout the novel, he longs for his home but he is able to perform his duties as a member of the group. Finding the ring that makes him invisible is certainly the greatest tactical advantage that he gains in the story. Gandalf is a wise wizard who appears in The Hobbit intermittently, though he has a more sustained presence in the first novel of the Lord of The Rings Trilogy. Gandalf is a friend of Bilbo's mother, Belladonna Took, and he contrives the gathering of Bilbo and the dwarves that initiates the adventure. He has plenty of wisdom, magical skills (usually fireworks) and useful contacts with individuals like Beorn and the Lord of the Eagles. Smaug is a major villain of the story. He is a gargantuan dragon that has terrorized several towns for decades, within his mountain he guards a massive horde of treasure. Part of this treasure belongs to the dwarves and so they intend to reclaim it. Smaug dies in battle against the villagers of Esgaroth, when a warrior named Bard shoots an arrow through his unshielded breast. Thorin Oakenshield is the leader of the dwarves that accompany Bilbo to the cave of Smaug. -
Through the Magic World: Tolkien's New Myth
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue e Letterature Europee e Americane Classe LM-37 Tesi di Laurea Through The Magic World: Tolkien's New Myth Relatore Prof.ssa. Marilena Parlati Correlatore Prof. Gabriele Cocco Laureando Giulia Barbiero n° matr.1157104/ LMLLA Anno Accademico 2018 / 2019 Table of Contents Introduction .......................................................................................................................1 Chapter I: The Fantastic………………………………………………………………...5 I.i: A new genre between the uncanny and the marvellous…………………………... .5 I.ii: J.R.R. Tolkien: myth-maker and sub-creator……………………………………...15 Chapter II: Tolkien and the magic world in The Hobbit……………………………....23 II.i: Medieval and epic influences in The Hobbit……………………………………...23 Chapter III: The Hobbit on screen: a new myth……………………………………….55 III.i: From page to screen: Jackson’s creation of a new myth…………………………55 Summary………………………………………………………………………………….83 Bibliography……………………………………………………………………………...87 Introduction “There is more in you of good than you know, child of the kindly west. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.”1 I introduce my work with this quotation from The Hobbit (1937) by J.R.R. Tolkien because the fantasy novel is its core matter. This short passage perfectly represents my goal, that is to find the origin of the magic world of The Hobbit by looking at the processes of mythography and mythopoetics carried out by the author and by investigating the dynamicity of myth and the subsequent creation of new myths. Thus, speaking in Tolkienian terms, I look for the primary world in the secondary one and, through a journey in the magic world of Tolkien’s The Hobbit, I analyse not only the nature of myth, but also the figure of the hero, who, with his admirable humanity, transmits a message of tolerance and justice and represents the new myth.