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PICK of the WEEK Incredible Interpretation of the Classic “En Mi Viejo San Juan” to Well
. CASH BOX OCTOBERS, 1994 20 REVIEWS By Hector Resendez EDSEL JULIET W/ ORCHESTRA - ;s^ y.S. ^ Latin IDSEL JULIETf , SWTM ORCHSSt«A SAUUCO ^ SALJUCO: Salsa & Merengue (JCD 050) Producer: Edsel Juliet. I By Hector Resendez Edsel Juliet is from a prominent and musi- THE QUEEN OF SALSA, Celia t cal family in Curacao where he played there j Crtiz, was honored on Sunday, Sep- t as a samll boy. He came to Holland in his late I tember 25th, by the Student Assodation for the Appreciation of Latin teens about 1976. Juhet takes you from son Culture and the Arts at Cal Polytechnic University in Pomona, CA. Cruz montuno, to mambo, to a pambiche curacao, presented with an inaugural medal named in her honor. Actor Andy SALSA & was Y MAS* LOS and back. All of the selections are well exe- Garda was on hand to present Cruz with the gold medallion. cuted and performed. Of particular interest the Azucar featured comparsa The day-long festivities at Camaval will be the son montunos which may have even dancing by Los Bailerines del Club de Monterey Park accompanied by made the Cuban group, Los Papines, stand up and notice. The introduction by Long John Oliva and his congeros. There was an impressive lineup of local Dr. Salsa (Ira Goldwasser) is out of this world. There is over an hour of music Southern Californian talent. Of particular note was fellow Cubana Candi on the CD. Although based in Amsterdam, Juhet wdl have no problem in Sosa’s beautiful musical medley of Cruz’ most popular .hits. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
Supervivencias Del Amor Cortés En El Bolero Hispanoamericano Survival of Courtly Love in Latin American Bolero
D. CUÉLLAR, «SUPERVIVENCIAS DEL AMOR CORTÉS…» BLO, VOL. EXTR. N.º 2 (2019), PP. 57-71 Supervivencias del amor cortés en el bolero hispanoamericano Survival of courtly love in Latin American Bolero Donaji CUÉLLAR (Instituto de Investigaciones Lingüístico-Literarias, Universidad Veracruzana) [email protected] ORCID ID: 0000-0002-4104-8321 ABSTRACT: Latin American boleros use poetic RESUMEN: En los boleros hispanoamericanos figures that can be traced in medieval courtly love. existen supervivencias del amor cortés medieval. The topics such as «love service», «love sickness» Los tópicos del servicio de amor, el «mal de and «dying of love», present in the Cancionero amores» y «morir de amor» presentes en el general by Hernando de Castillo (1511) occur in Cancionero general de Hernando de Castillo (1511) boleros from the XXth century. In the present work I también se encuentran en boleros del siglo XX. Se shall establish some links between the Cancionero harán, así, conexiones entre el erotismo del general eroticism and the seductive nature of songs. Cancionero general dirigido a las cortes y los Eventually, I shall define the «hybrid bolero» nobles con el bolero y su apuesta por la seducción. concept. Todo ello hasta llegar a lo que se propone como boleros llamados «híbridos». KEYWORDS: Courtly love, eroticism, bolero, Latin PALABRAS-CLAVE: amor cortés, erotismo, bolero, America, song books Hispanoamérica, cancionero Cantar poemas a las damas españolas, desde finales de la Edad Media hasta bien entrado el siglo XV, fue un modo de cultivar la tensión erótica entre los amantes cortesanos que solían profesar amor —de verdad o fingido— sirviendo y favoreciendo a su amada. -
Héctor Infanzón
Héctor Infanzón - PIANIST & COMPOSER …I was raised on Latin music and improvisation is the channel for me to express all my emotions, ideas and the personal way I conceive the world; through improvisation I can explore different musical forms, that's why I try to experiment with different musical elements every time I play and compose.--Héctor Infanzón A major feature of Héctor Infanzón's compositions is the inclusion of all the styles that have influenced him, thereby making his work varied and versatile. It also prevents him from being identified with one particular musical genre. Infanzón draws elements from Mexican folklore, classical and Latin American musical idioms, and from the Afro Caribbean tradition. He then shapes it all within his own sound. Finally, he adds improvisation, the one element that rounds everything up and transforms it into jazz. His music emerges from the core of traditional forms, yet it expands to move beyond the limits of styles. This hybridization reflects life lived in a place like Mexico City. Such is the work of Héctor Infanzón: a permanent search for new trends, a music that leaves the indelible mark of urban expression. All in all, this is the music of a composer born in the very heart of the city he loves. The Héctor Infanzón Group plays primarily the highest quality original compositions. This feature has rightly earned its leader top praise from international critics. During his studies at the Escuela Superior de Música, Héctor played music recitals at many of the most prestigious music halls in Mexico City. He also performed as soloist with the Chamber Orchestra of Bellas Artes. -
Aida Cuevas and Mariachi Reyna De Los Angeles
AIDA CUEVAS AND MARIACHI REYNA DE LOS ANGELES MÉXICO Y SU MUJER Saturday, October 29, 2016, at 7:30pm Colwell Playhouse PROGRAM AIDA CUEVAS AND MARIACHI REYNA DE LOS ANGELES MÉXICO Y SU MUJER MARIACHI REYNA DE LOS ANGELES ENSEMBLE Gina Duran, trumpet Linda Uhila, trumpet Karla Tovar, guitarron Jeanette Martinez, vihuela Angelica Hernandez, guitar Julie Murillo, violin Luisa Fregoso, violin Laura Pena, violin Sylvia Hinojosa, violin Karina Lopez, violin This evening's performance will be announced from the stage; there will be a 20-minute intermission. Aida Cuevas & Mariachi Reyna de Los Angeles Management credits: appear by arrangement with: Cesar Maldonado, Tour Manager CAMI Music Rodrigo Cuevas, Aida Cuevas General Manager 5 Columbus Circle José Hernández, Musical Director for Mariachi @ 1790 Broadway Reyna de Los Angeles New York, NY 10019-1412 camimusic.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. * SUSAN & MICHAEL HANEY Eleven Previous Sponsorships Four Current Sponsorships *PHOTO CREDIT: ILLINI STUDIO JOIN THESE INSPIRING DONORS BY CONTACTING OUR DEVELOPMENT TEAM TODAY: KrannertCenter.com/Give • [email protected] • 217.333.1629 3 PROFILES AIDA CUEVAS, affectionately known as “The musical performers. The compliments have not Queen of Ranchera Music,” celebrates 40 years stopped. In a musical landscape where songs are as one of the world’s most important traditional often written by men, about male perspectives, Mexican and Latin American musicians. The multi- Reyna has created its own history. -
“Vamos Al Noa Noa”: De Homosexualidad, Secretos a Voces Y Ambivalencias En La Música De Juan Gabriel
Rodrigo Laguarda México “Vamos al Noa Noa”: de homosexualidad, secretos a voces y ambivalencias en la música de Juan Gabriel En el libro Latin American Popular Culture, An Introduction, editado por el conocido historiador especialista en México, Willian H. Beezley y Linda A Curcio, se apuesta por el estudio de la “cultura popular”. Ésta es entendida como el conjunto de formas mediante las que la cultura es experimentada en la vida cotidiana (Beezley y Curcio 2000). Los autores señalan que en América Latina la lectura y la escritura no han sido vehículos primarios para la expresión cultural. De ahí la importancia del estudio de la cultura popular, entendida como todo aquello relacionado con el placer de vivir. Con los momentos de risa, deleite y escape. Con héroes que convierten la vida de una comunidad en algo memorable. Que muchas veces transgreden fronteras políticas, culturales y sociales dando a la gente la emoción que causa el desafío de las reglas establecidas de la autoridad. La propuesta de este trabajo es pensar a Juan Gabriel como un héroe de la cultura popular que ha jugado un papel importante en esta creación de identidades individuales y grupales. En particular, en la conformación de la identidad gay en México. No puede dudarse que la música de Juan Gabriel ha causado un gran regocijo al público mexicano “Vamos al Noa Noa” desde los años setenta. Pero, como lo señala Antonio Marquet, Juan Gabriel no es sólo el cantante del amor y el desamor. Es un transgresor que irrumpe en el espacio para situarse en el terreno de la femineidad, de acuerdo con los cánones occidentales de la masculinidad. -
Pineda Rares Sont Ceux Qui Leur Consacrent Symphoniques Qu’Avec Son Groupe Ou Grand Prix Un Album Entier, a Fortiori Dans Notre Des Mariachis
GRANDS PRix sacem 2009 LAURÉATSLAUREATS PRÉCÈDENTSPRECEDENTS 12 | 13 2008 2007 2006 2004 2003 Amancio AIR Nana Eduardo Ana PRADA MOUSKOURI PERALTA SALAZAR GUADALUPE Si tout crooner qui se respecte doit européens comme Bizet, Verdi, inscrire à son répertoire quelques Saint-Saëns, Schubert, Brahms, reprises de « french standards », jouant aussi bien avec des orchestres PINEDA rares sont ceux qui leur consacrent symphoniques qu’avec son groupe ou Grand Prix un album entier, a fortiori dans notre des mariachis. Et quels concerts ! du réPertoire sacem à l’étranGer langue. Un exploit que vient de réaliser Toutes les salles du Mexique s’en la mexicaine Guadalupe Pineda pour souviennent, du Théâtre Juarez de son 24e enregistrement, « Con Sabor Mexico au Théâtre des Beaux Arts à Latino », après 4 millions de disques Puerto Rico, du Théâtre Colon à vendus en 30 ans de carrière. Buenos Aires, avec sa compatriote L’occasion d’une rencontre au sommet Mercedès Soza - récemment disparue entre une artiste hors-pair et l’un des - au New York Theater, et même au… plus beaux catalogues du monde : Festival de Cannes 2007 ! 43’ 46‘’ de grâce pure. En attendant, comme il se doit, une grande scène parisienne, où elle Née à Guadalajara, et surtout née pourrait rendre en « live » cet hommage chanteuse, Guadalupe se produit très vibrant qu’elle vient de consacrer aux jeune partout où elle le peut, sur les auteurs et compositeurs de notre pays, places et dans les cafés, dans les de notre société : Charles Trenet, hôpitaux et même les prisons, Charles Aznavour, Gilbert Bécaud, parallèlement à des études de sociologie Pierre Delanoë, Michel Legrand, Enrico à l’Université Nationale Autonome du Macias, Jacques Demarny, Edith Piaf, Mexique. -
Mariachi Reyna De Los Angeles®
MARIACHI REYNA DE LOS ANGELES® Scottsdale Center for the Performing Arts Virginia G. Piper Theater ScottsdaleArts.org | 480-499-TKTS 1 Virginia G. Piper Concert Series Presents MARIACHI REYNA DE LOS ANGELES® Friday, April 16, 2021 8:00 p.m. Scottsdale Center for the Performing Arts Virginia G. Piper Theater PROGRAM Program to be announced from the stage. 2 ScottsdaleArts.org | 480-499-TKTS ABOUT BIOGRAPHIES Perhaps the greatest tribute to Mariachi Reyna de Los Angeles®—the first Laura Peña, Violin all-female mariachi in the United States—is that now there actually are other Laura Peña learned to play the violin at the age of 7 and has performed with all-female mariachi groups. It is the growing proof that when mariachi Maestro Mariachi Reyna de Los Angeles® since she was 14 years old, after substituting ® José Hernández created Mariachi Reyna de Los Angeles , it wasn’t a novelty; for an older sister during a performance. it was a genre. Julissa Murrillo, Violin Reyna, which was formed in 1994, has taken the history of women in mariachi music from being solely singers to being the full complement of musical When Julissa Murrillo was 7 years old, she was given the opportunity to performers. The compliments have not stopped. In a musical landscape where learn how to play the violin as an elective course at elementary school. She songs are often written by men, about male perspectives, Reyna has created continued learning classical music, often auditioning for scholarships to pay its own history. for music lessons. Her parents were supportive and recommended she learn something traditional to their culture, leading Murrillo to mariachi music. -
Women Inspiring Hope & Possibility
Rio Hondo Community College District, Self Defense/Rape Prevention Staying Ahead of Today’s Job Market: Job Ready Dress • Science Bldg., room S200 • Administration Bldg., room A205 Whittier Union High School District & You’re alone and grabbed from behind while walking to your car... – REPEATED from Session 1 and 2 What would you do? Peggy Mannix-Slattery, Offi ce of Community & Educational Affairs Soroptimist International Of Whittier Learn what you can do to decrease the possibility of becoming a Fashion Institute of Design and Merchandising victim of crime and what you must do if you fi nd yourself in a threatening situation. Scrapbooking You Have 2 Choices.... • Science Bldg., room S201 1. Become A Victim – REPEATED from Session 1 2. Fight For Your Life Virginia Glasscock, Science Dept. Chair Which One Will You Choose? California High School Colleen Kienzle, Fitness Instructor Women( Inspiring Whittier YMCA and Martial Arts Instructor Zumba • Administration Bldg., room A225 Are You a Drama Queen? How to Avoid Drama – REPEATED from Session 1 and 2 and Live an Emotionally Healthy Life Petra Schmischke, VP/Executive Assistant Hope & Possibility • Administration Bldg., room A224 Friendly Hills Bank REPEATED from Session 1 Denna Sanchez, Ph.D., Coordinator of Psychological Services College Survival Rio Hondo College • Administration Bldg., room A207 Friday, March 7, 2014 at Rio Hondo College – REPEATED from Session 1 and 2 Discover a More Meaningful Life Through Journal Writing Anacany Torres, Educational Advisor • Administration Bldg., -
Report to the Community 2016 Partnerships Progress Promise President’S Message
Report to the Community 2016 Partnerships Progress Promise President’s Message “Rio Hondo College is unequaled in its commitment to creating a culture of educational excellence that will propel our students along rich pathways to their future success.” These are exciting and productive times for universities. Our education and community Rio Hondo College, where student success partnerships and the forward progress of is the priority every day for all College our programs unleashes the promise within leaders, faculty and staff. Our vision is for students beyond our campus, at K-12 all our students to surpass their highest schools throughout our service area and educational hopes and dreams. In our within our surrounding communities. ever-changing world, the myriad benefits of These efforts are the foundation of higher education will inspire and empower Rio Hondo College’s mission. The these students for a lifetime. stories and information in this report In this annual report, we share with underscore the deep and abiding you a few of the many examples of the connections between our educational progress and promise in Rio Hondo mission and our commitment to serve College’s educational mission, as well as our many diverse communities. the partnerships we are building to expand student access, success and completion, Teresa Dreyfuss including new pathways to four-year Superintendent/President 21 associate degrees guaranteeing transfer to California State University campuses 50 associate degrees and 60 certificate programs Associate in Science -
November 16Th 2005
California State University, San Bernardino CSUSB ScholarWorks Inland Empire Hispanic News Special Collections & University Archives 11-16-2005 November 16th 2005 Hispanic News Follow this and additional works at: https://scholarworks.lib.csusb.edu/hispanicnews Recommended Citation Hispanic News, "November 16th 2005" (2005). Inland Empire Hispanic News. 460. https://scholarworks.lib.csusb.edu/hispanicnews/460 This Article is brought to you for free and open access by the Special Collections & University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Inland Empire Hispanic News by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. LET US GIVE THANKS FOR ALL OUR BLESSINGS % ^3 ON THIS THANKGIVING DAY, NOV. 26 Wednesday, November 16, 2005 Volume 19 Number 5 £ TheH Inlandispanic Empire's only Hispanic-owned EnglishN lar San Bernardino ♦ Riverside ♦ Colton ♦ Rialto ♦ Fontana ♦ Ontario ♦ Corona ♦ Bloomington ♦ Rancho Cucamonga ♦ Hig S. B. WARTIME HERO, A VIETNAM STORY COL. JOSEPH C. RODRIGUEZ, DIES By Rudy Guzman Cathedral, San Bernardino, to pay hours- from San Francisco, and now their final respects and celebrate Mass only moments to recall memories of for a local hero that brought admira uzmannd ood relationships and sad ex tion and pride to the City of San Ber periences, experiences that are fixed nardino and more notably, to the City’s in my mind on a daily basis. Westside, where he was bom, raised Those experiences included 13 and spent his young life. months of blood, firefights, fear,^ an Colonel Joseph Charles Rodriguez, ger, and all those emotions associated 76, decorated career soldier and recipi with combat.