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The Matrix As an Introduction to Mathematics
St. John Fisher College Fisher Digital Publications Mathematical and Computing Sciences Faculty/Staff Publications Mathematical and Computing Sciences 2012 What's in a Name? The Matrix as an Introduction to Mathematics Kris H. Green St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/math_facpub Part of the Mathematics Commons How has open access to Fisher Digital Publications benefited ou?y Publication Information Green, Kris H. (2012). "What's in a Name? The Matrix as an Introduction to Mathematics." Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media , 44-54. Please note that the Publication Information provides general citation information and may not be appropriate for your discipline. To receive help in creating a citation based on your discipline, please visit http://libguides.sjfc.edu/citations. This document is posted at https://fisherpub.sjfc.edu/math_facpub/18 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. What's in a Name? The Matrix as an Introduction to Mathematics Abstract In my classes on the nature of scientific thought, I have often used the movie The Matrix (1999) to illustrate how evidence shapes the reality we perceive (or think we perceive). As a mathematician and self-confessed science fiction fan, I usually field questionselated r to the movie whenever the subject of linear algebra arises, since this field is the study of matrices and their properties. So it is natural to ask, why does the movie title reference a mathematical object? Of course, there are many possible explanations for this, each of which probably contributed a little to the naming decision. -
BEFORE the PHILOSOPHY There Are Several Ways That We Might Explain the Location of the Matrix
ONE BEFORE THE 7 PHILOSOPHY UNDERSTANDING THE FILMS BEFORE THE PHILOSOPHY I’m really struggling here. I’m trying to keep up, but I’m losing the plot. There is way too much weird shit going on around here and nothing is going the way it is supposed to go. I mean, doors that go nowhere and everywhere, programs acting like humans, multiplying agents . Oh when, when will it end? – SparksE The Matrix films often left audiences more confused than they had bargained for. Some say that their confusion began with the very first film, and was compounded with each sequel. Others understood the big picture, but found themselves a bit perplexed concerning the details. It’s safe to say that no one understands the films completely – there are always deeper levels to consider. So before we explore the more philosophical aspects of the films, I hope to clarify some of the common points of confusion. But first, I strongly encourage you to watch all three films. There are spoilers ahead. The Matrix Dreamworld You mean this isn’t real? – Neo† The Matrix is essentially a computer-generated dreamworld. It is the illusion of a world that no longer exists – a world of human technology and culture as it was at the end of the twentieth century. This illusion is pumped into the brains of millions of people who, in reality, are lying fast asleep in slime-filled cocoons. To them this virtual world seems like real life. They go to work, watch their televisions, and pay their taxes, fully believing that they are physically doing these things, when in fact they are doing them “virtually” – within their own minds. -
Matrix in the Context of Belief Systems İnanç Sistemleri Bağlamında Matrix
Ş. Kurt, ODÜ Sosyal Bilimler Araştırmaları Dergisi, Temmuz 2020; 10 (2), 508-527 ∙ 508 Matrix in the Context of Belief Systems İnanç Sistemleri Bağlamında Matrix ARAŞTIRMA MAKALESI Şule KURT1 Gönderim Tarihi: 17.12.2019 | Kabul Tarihi: 23.06.2020 Abstract The necessity of questioning human existence appears to be the most fundamental condition in the process of seeking meaning in the world. In the process of making sense of the outside world, man enables his own story to be formed and conveyed through an attempt to reproduce and form himself ideologically. Myth as a form reality. Myth, which is an expression of faith, affects the preservation of morality, the powerful structuring and of meaning is the fiction of social reality. Myth is not only a story told in primitive communities but a living meaning by analyzing this existence; myths and belief systems are discussed in the context of sociological methodspreading within of religious the scope rituals. of communicative In this study, knowledge action. Mythical and understanding, stories which the formed plane inof theexistence ancient and times finding are are constructud and reproduced by adapting to the power reality of mainstream cinema. cultural tools that continue to be effective today. As such, myths which reflect the power of mythological gods analysis of this existence; It has been handled with the descriptive method within the scope of the communica- tion Insystems this study, of beliefs information such as mythsand understanding and shamanism. in the example of Matrix film, the plane of existence and the nothing more than just a revelation, examining the future of humanity and describes the collective imagination According to the findings; Matrix is a science fiction movie that is so inspiring and impressive that it is elements in the Matrix scenario, he conveyed the problem of making sense of one's own existence and the universeforward-looking. -
The Matrix Trilogy's Postmodern Movie Messiah
Journal of Religion & Film Volume 9 Issue 2 October 2005 Article 7 October 2005 He is the One: The Matrix Trilogy's Postmodern Movie Messiah Mark D. Stucky [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stucky, Mark D. (2005) "He is the One: The Matrix Trilogy's Postmodern Movie Messiah," Journal of Religion & Film: Vol. 9 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. He is the One: The Matrix Trilogy's Postmodern Movie Messiah Abstract Many films have used Christ figures to enrich their stories. In The Matrix trilogy, however, the Christ figure motif goes beyond superficial plot enhancements and forms the fundamental core of the three-part story. Neo's messianic growth (in self-awareness and power) and his eventual bringing of peace and salvation to humanity form the essential plot of the trilogy. Without the messianic imagery, there could still be a story about the human struggle in the Matrix, of course, but it would be a radically different story than that presented on the screen. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 Stucky: He is the One Introduction The Matrix1 was a firepower-fueled film that spin-kicked filmmaking and popular culture. -
Read Book the Matrix
THE MATRIX PDF, EPUB, EBOOK Joshua Clover | 96 pages | 12 Jun 2007 | British Film Institute | 9781844570454 | English | London, United Kingdom The Matrix – Matrix Wiki – Neo, Trinity, the Wachowskis And the special effects are absolutely amazing even if similar ones have been used in other movies as a result- and not explained as well. But the movie has plot as well. It has characters that I cared about. From Keanu Reeves' excellent portrayal of Neo, the man trying to come to grips with his own identity, to Lawrence Fishburne's mysterious Morpheus, and even the creepy Agents, everyone does a stellar job of making their characters more than just the usual action "hero that kicks butt" and "cannon fodder" roles. I cared about each and every one of the heroes, and hated the villains with a passion. It has a plot, and it has a meaning Just try it, if you haven't seen the movie before. Watch one of the fight scenes. Then watch the whole movie. There's a big difference in the feeling and excitement of the scenes- sure, they're great as standalones, but the whole thing put together is an experience unlike just about everything else that's come to the theaters. Think about it next time you're watching one of the more brainless action flicks If you haven't, you're missing out on one of the best films of all time. It isn't just special effects, folks. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. -
Matrix Reloaded Explained
Matrix Reloaded Explained Matrix Reloaded Explained The Matrix Explained 1 The Matrix: Reloaded Explained.........................................................................................................................1 1.1 Contents...................................................................................................................................................1 2 Forward on disobedience.......................................................................................................................................3 3 Foundation of criticism..........................................................................................................................................5 4 The Architect..........................................................................................................................................................7 5 The rave scene......................................................................................................................................................11 6 The Oracle.............................................................................................................................................................13 7 Agent Smith..........................................................................................................................................................15 8 Story arc................................................................................................................................................................19 -
The Matrix Revolution, Part I
The Matrix Revolution, Part 1 by Ben Sibelman with an excerpt from The Matrix and excerpts from two versions of The Matrix Reloaded script, by Larry and Andy Wachowski (Bold text in the excerpts indicates added material. Strikeouts and ellipses indicate skipped material.) Sources The Matrix transcript: http://www.ix625.com/matrixscript.html The Matrix Reloaded draft script: http://www.imsdb.com/scripts/Matrix-Reloaded,-The.html The Matrix Reloaded shooting script: http://www.horrorlair.com/movies/scripts/matrixreloaded.pdf The Matrix, its sequels, and all related characters, plots, images, and concepts are the property of the Wachowski brothers, Warner Brothers, and/or Village Roadshow Pictures. Consequently, this script cannot be used for commercial gain. It is free for your use and may be copied and distributed at will. SCENE 1 Total blackness. NEO (V.O. from the end of The Matrix) I know you're out there. I can feel you now. Down into the black screen comes a single column of glowing green symbols. It is quickly joined by many others as the camera closes in. NEO (cont’d) I know that you're afraid. You're afraid of us. You're afraid of change. 19 of the columns terminate in the letters of “THE MATRIX REVOLUTION.” The camera passes through the U, which extends back into a canyon of smaller symbols with gaps in its walls. 1 NEO (cont’d) I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. -
The Matrix Explained
The Matrix Explained http://www.idph.net 9 de fevereiro de 2004 2 IDPH The Matrix Esta é uma coletânea de diversos artigos publicados na Internet sobre a trilogia Matrix. Como os links na Internet desaparecem muito rapidamente, achei que seria in- teressante colocar, em um mesmo documento, as especulações mais provocati- vas sobre a trilogia. Cada um dos artigos contém o link onde o artigo original foi encontrado. Estas referências, em sua maior parte, foram obtidas no Google (http://www. google.com), buscando por documentos que contivessem, em seu título, as palavras “matrix explained”; intitle:"matrix explained" Infelizmente, estão todos em inglês. Em português existem dois livros muito bons sobre os filmes: • MATRIX – Bem-vindo ao Deserto do Real Coletânea de William Irwin Editora Madras • A Pílula Vermelha Questões de Ciência, Fiilosofia e Religião em Matrix Editora Publifolha Quem sabe vivemos mesmo em uma Matrix. Ao menos é o que diz um dos artigos do do livro “A Pílula Vermelha”. Espero que gostem ... http://www.idph.net IDPH 3 Matrix – Explained by Reshmi Posted on November 12, 2003 14:39 PM EST To understand “The Matrix Revolutions” we’re gonna have to go all the way back to the beginning. A time that was shown in the superior Animatrix shorts “The Second Renaissance Parts I & II. In the beginning there was man. Then man created machines. Designed in man’s likeness the machines served man well, but man’s jealous nature ruined that relationship. When a worker robot killed one of its own abusive masters it was placed on trial for murder and sentenced for destruction. -
The Matrix Agent Brown: She Got Out
(Street) The Matrix Agent Brown: She got out. A transcript by Tim S. ([email protected]) Agent Smith: It doesn't matter. Editted by dew Agent Jones: The informant is real. Agent Smith: Yes. (Cellular) Agent Jones: We have the name of their next target. Cypher: Yeah. Agent Brown: The name is Neo. Trinity: Is everything in place? Agent Smith: We'll need a search running. Cypher: You weren't supposed to relieve me. Agent Jones: It has already begun. Trinity: I know, but I felt like taking your shift. Cypher: You like him, don't you? You like watching him. (Neo's Home--Apartment 101) Trinity: Don't be ridiculous. Neo: What? What the hell?... Follow the white rabbit?... Who is Cypher: We're going to kill him, do you understand that? it? Trinity: Morpheus believes he is the One. Choi: It's Choi. Cypher: Do you? Neo: Yeah. Yeah. You're two hours late. Trinity: It doesn't matter what I believe. Choi: I know, it's her fault. Cypher: You don't, do you? Neo: Got the money? Trinity: Did you hear that? Choi: Two grand. Cypher: Hear what? Neo: Hold on. Trinity: Are you sure this line is clean? Choi: Hallelujah. You're my savior, man. My own personal Jesus Cypher: Yeah, of course I'm sure. Christ. Trinity: I better go. Neo: You get caught using that... Choi: Yeah, I know. This never happened. You don't exist. (Heart O' The City Hotel--Room 303) Neo: Right. Cop: Freeze, Police. Hands on your head. Do it. -
Born to Be On-Line: Cyberpunk, Cyborgs and the Matrix Trilogy
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 2006 / Cilt: 23 / Say›: 1 / ss. 257-267 Born to Be On-line: Cyberpunk, Cyborgs and the Matrix Trilogy Kader YILMAZ* Abstract Films of science fiction, such as The Matrix (1999), and its sequels The Matrix Reloaded (2003) and The Matrix Revolutions (2003), are often categorized as cyberpunk which is a subgenre of contemporary science fiction. As typical examples of this type of science fiction, The Matrix and its sequels illustrate the concern of cyberpunk to envision a near future world where information technologies reign supreme, and shape the lives and affairs of societies including the lives and the very existence of individuals. More specifically, The Matrix trilogy depicts a future world that is populated with cyborgs, or posthumans, and run by a globally networked artificial intelligence called the matrix. In this respect these films do not only speculate on a highly technological near future but also on mankind`s changed existence in this environment. Especially, the image of the cyborg serves as a means to address the issue of the human and machine interface in these films. More importantly, the cyborg, or the post-human, in The Matrix and its sequels is not only emblematic of the human and machine interface but also of man’s very dependence on this technology as a means to survive in a highly mechanized environment. This paper argues that The Matrix and its sequels subvert the man vs. technology dichotomy and speculate on the altered existence of humans by envisioning and affirming the coexistence of man and the machine in the near future. -
Reassessing the Matrix/Reloaded
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 6 October 2003 Reassessing The Matrix/Reloaded Julien R. Fielding University of Nebraska at Omaha, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Fielding, Julien R. (2003) "Reassessing The Matrix/Reloaded," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 6. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/6 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Reassessing The Matrix/Reloaded Abstract Much has been written about Larry and Andy Wachowski's film The Matrix and on practically every angle: from philosophical precedents to the realities of artificial intelligence. Religious scholars, oo,t have thrown their hats into the academic ring, expounding on the Gnostic, Buddhist and Christian aspects found therein. But as many have discovered, the Wachowski brothers are syncretists, pulling bits from here and there and then mixing it all together in a science fiction-martial arts stew. They do this so thoroughly that when one tries to impose a singular religious paradigm on top of the film(s), slotting in the characters one-by-one, it seems to work only until put back within the context of the film(s). It is then when everything begins to unravel. Even though scholars have done it time and time again employing one religious worldview to understand The Matrix and The Matrix: Reloaded simply does not work. -
Choice.Ааchoice in Anа Illusion, Though It Is Also Whatа Defines Us
Choice. Choice in an illusion, though it is also what defines us. A being greater than I has decided that you be given Choices. One thousand of them, to be exact. These choices have consequences. Some choices are more costly than others, while some will negate the cost of others. Some choices may allow you to make more choices. Agent Smith ===== ORIGIN: DropIn : (Free) This choice is free, though should you choose to enter the matrix, I assure you that your entrance will not go unnoticed. Operator : 50 cp A child of Zion, they call themselves. Should you choose this choice, you will be unable to enter the matrix. Red Pill : 50 cp An escapee. They function as the warriors of Zion, who enter the matrix, and offer its residents a choice. Agent : 50 cp You are on of us. You are to hunt down and eliminate as many real humans as possible. We will be watching you. ===== PERKS: The 100 point perk is free for you origin, and the remainder are discounted by 50% Free: Hell bent for leather No matter how long ago what your wearing went out of style, you will wear it, and look good doing it. Is most effective on, you guessed it, leather. As an added bonus, it stays cool in summer, hot in winter, doesn’t restrict your movements, and conceals all but the heaviest of armaments. Drop In 100 : The first jump The laws of physics can be bent, broken, or even ignored. All in the name of running away from an agent.