The Revival of Narrative: Some Comments Author(S): E
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The Work of the Historian: to Research, Summarize, and Communicate1
DOI: 10.5533/TEM-1980-542X-2014203606 Revista Tempo | 2014 v20 | Article The work of the historian: to research, summarize, and communicate1 O trabalho do historiador: pesquisar, resumir, comunicar El trabajo del historiador: buscar, resumir, comunicar Le travail de l’historien: rechercher, résumer et documenter Giovanni Levi would like to begin by explaining in what sense History is a science. It may seem childish to start by defining what History is, but I think it is essential I to explain why 95% of jobs in the area are uninteresting and only 5% are interesting. That happens mostly because many people have a false idea of the sense in which history is a science. My definition is: history is the science of the general questions, but of the local responses. We cannot imagine a generalization in history that is valid. In other words, we can ask what fascism is, but there are different fascisms in Italy, Spain or Portugal. Therefore, we must preserve the peculiarities and the place — here understood as a specific situation — in the works of historians. To work on the general, but a general that is always set as questions, and not as answers. Let me give an example that is not historiographical (but still usefu. When Freud talks about the Oedipus complex, he poses a good general question: everyone has the Oedipus complex, but none of the complexes is generalizable. The fact that we all have the Oedipus complex tells us nothing. It is a relevant question, but it will have different answers for each of us. -
Ginzburg!S Menocchio
— — — — — — — — — — — — — — — — — — — — — — — — — — ÉTUDE CRITIQUE / REVIEW ESSAY Ginzburg’s Menocchio: Refutations and Conjectures DAVID LEVINE ZUBEDEH VAHED* CARLO GINZBURG’S way of doing history is based on using “new meth- ods and new standards of proof to bring to light those forms of knowledge or understanding of the world which have been suppressed or lost”.1 For most of his English-speaking readers, the proof of this assertion has been found in The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller.2 Domenico Scandella, the sixteenth-century miller who was called by the nickname “Menocchio” by his contemporaries, was born in 1532 in the pre- Alp foothills of Friuli, about 100 kilometres north of Venice. As he told the court, “I am from Montereale, in the diocese of Concordia. My father was called Zuane and my mother Menega and I have lived in Montereale most of my life, except for two years when I was banished, of which I spent one in Arba and one in Cargna, and I was banished for being in a brawl.”3 Menoc- chio’s creative and imaginative ideas about the creation of the world — and his unconventional opinions about orthodox Catholicism — brought him to * David Levine is professor at the Ontario Institute for Studies in Education at the University of Tor- onto. Zubedeh Vahed is employed by the Peel Board of Education in Ontario. We would like to thank Nathalie Davis, Konrad Eisenbichler, Stan Engermann, Ed Hundert, Barry Reay, Chuck Tilly and, of course, the journal’s anonymous reviewer for their helpful comments. 1 Keith Luria, “The Paradoxical Carlo Ginzburg”, Radical History Review, vol. -
The Carlyle Society
THE CARLYLE SOCIETY SESSION 2006-2007 OCCASIONAL PAPERS 19 • Edinburgh 2006 President’s Letter This number of the Occasional Papers outshines its predecessors in terms of length – and is a testament to the width of interests the Society continues to sustain. It reflects, too, the generosity of the donation which made this extended publication possible. The syllabus for 2006-7, printed at the back, suggests not only the health of the society, but its steady move in the direction of new material, new interests. Visitors and new members are always welcome, and we are all warmly invited to the annual Scott lecture jointly sponsored by the English Literature department and the Faculty of Advocates in October. A word of thanks for all the help the Society received – especially from its new co-Chair Aileen Christianson – during the President’s enforced absence in Spring 2006. Thanks, too, to the University of Edinburgh for its continued generosity as our host for our meetings, and to the members who often anonymously ensure the Society’s continued smooth running. 2006 saw the recognition of the Carlyle Letters’ international importance in the award by the new Arts and Humanities Research Council of a very substantial grant – well over £600,000 – to ensure the editing and publication of the next three annual volumes. At a time when competition for grants has never been stronger, this is a very gratifying and encouraging outcome. In the USA, too, a very substantial grant from the National Endowment for the Humanities means that later this year the eCarlyle project should become “live” on the internet, and subscribers will be able to access all the volumes to date in this form. -
New Perspectives on the History of Political Economy Robert Fredona · Sophus A
New Perspectives on the History of Political Economy Robert Fredona · Sophus A. Reinert Editors New Perspectives on the History of Political Economy Editors Robert Fredona Sophus A. Reinert Harvard Business School Harvard Business School Boston, MA, USA Boston, MA, USA ISBN 978-3-319-58246-7 ISBN 978-3-319-58247-4 (eBook) https://doi.org/10.1007/978-3-319-58247-4 Library of Congress Control Number: 2017943663 © Te Editor(s) (if applicable) and Te Author(s) 2018 Tis work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Te use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Te publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Te publisher remains neutral with regard to jurisdictional claims in published maps and institutional afliations. -
Adam Sisman, Hugh Trevor-Roper
Adam Timmins Ex Historia 208 Adam Sisman , Hugh Trevor-Roper (Weidenfield & Nicholson, 2010), xviii + 598 pp. £25.00 In biographical terms the heavyweight British historians of the twentieth century have been poorly served. Granted, in the last ten years or so studies of A.J.P. Taylor and E.H. Carr have appeared (although Taylor has had at least four biographies devoted to his life – including one by Sisman - and can hardly claim to be under-represented). 1 However, we await full length studies for the likes of Lawrence Stone, Christopher Hill and Lewis Namier (excluding his wife’s odd biography of him – reading it one would never guess that Namier was a historian), to name but name but three. 2 A gap has been filled then, by Adam Sisman’s life of Hugh Trevor-Roper. Would it be a touch unfair to call this an ‘official’ life? Sisman knew Trevor-Roper, and was given access to his personal papers as a result; but his biography is no hagiography. Though it might be said to be incomplete in certain areas – Sisman himself admits that some material from Trevor-Roper’s years as Master of Peterhouse, Cambridge has been excluded due to potential libel threats – and given some of the stories that do make it into the book, the mouth waters at the scurrilousness that must have been excluded. Nonetheless, Sisman has managed to produce an absorbing – and one suspects definitive for the foreseeable future – biography of Hugh Trevor-Roper. Given the material he has to work with one would expect nothing less. -
Carlo Ginzburg and the Historian's Craft: Questions and Remarks
Tarantino, G. (2014). Carlo Ginzburg and the Historian’s Craft: Questions and Remarks. Cromohs - Cyber Review of Modern Historiography, 18, 123-127. https://doi.org/10.13128/Cromohs-14125 Carlo Ginzburg and the Historian’s Craft: Questions and Remarks GIOVANNI TARANTINO University of Melbourne It was a real honour for me to be invited to join the first session of IinteR-La+b 2012 in the prestigious setting of the Accademia Nazionale dei Lincei in Rome, and to share with such an informed audience a few brief considerations, hopefully pertinent, stimulated by the talk given by Carlo Ginzburg on that occasion and which, unsurprisingly, offered just a glimpse of an extraordinarily original and fertile path of studies, research and writings. I believe that we can attribute to Carlo Ginzburg, without any risk of flattery, what Lucien Febvre acknowledged in Marc Bloch, namely that his works “seem to make one more intelligent as one reads them; they clarify a great many things and stir endless curiosity.”1 That said, Lucio Biasiori and I have been set a hard task, because it is difficult to ask Carlo Ginzburg questions that he has not already heard first hand from the devil’s advocate, a very rigorous, on-the-ball and far-from-shy interlocutor who seems to have come along with him to this public conversation as well. Each of us, I believe, will have been profoundly struck when reading Ginzburg’s works, not just because they reveal a highly curious, attentive, “slow” reader, but also because it is evident that he takes great pains in his narrative. -
The Historiography of Social Movements Å
Chapter 1 The Historiography of Social Movements å Halfway through the twentieth century, Fernand Braudel raised a call for establishing a productive dialogue between history and the social sciences whereby history might freely employ indispensable concepts that it was incapable of developing by itself, and the social sciences might acquire the temporal depth they lacked. He went on to state that there would be no social science ‘other than by the reconciliation in a simultaneous practice of our different crafts’. The convergence of history with the social sciences was baptized ‘social history’ and later, in the United States, as ‘historical sociology’ to underline sociologists’ shift towards historiography.1 At the fi rst international congress of historical sciences held after the Second World War in Paris, 1950, Eric Hobsbawm was involved in the section on social history, ‘probably the fi rst in any historical congress’, as he recalls in his autobiography.2 It gained momentum in 1952 with the creation of the British journal Past and Present, which brought to- gether a group of Marxist historians (Hobsbawm himself, Christopher Hill, Rodney Hilton, George Rudé, and E.P. Thompson), joined by such prominent scholars as Lawrence Stone, John Elliot and Moses Finley. Meanwhile, in the United States, historical sociology took its fi rst steps forward with Barrington Moore, the Harvard teacher of Charles Tilly. It would be very hard to fi nd a sociologist who has taken better ad- vantage of history than Tilly. With the exception of his fi rst book, on the counter-revolution in the Vendée (published in 1964), long duration, which Braudel conceptualized as the history of structures, is the time- frame for Tilly’s analysis, whether it be of social struggles in France, state systems, European revolutions, democracy or social movements worldwide. -
Rationality and History
Rationality and History By Georg G. Iggers (Lecture which he gave at East China Normal University, 2007) I The past two decades have seen a lively theoretical discussion internationally on how history is to be written and at the same time a conscious reorientation in the writing of history itself. The term "postmodernism" has at times been applied to the new theoretical outlook and the new historiography.1 The discussion has raised certain very fundamental questions regarding the nature of historical inquiry similar to those which have been asked regarding other forms of intellectual activity. These questions have revolved around the assumptions which have underlain historical writing - and philosophical thought - since the beginning of the Western tradition of secular history. There were two assumptions which were central to this tradition from Herodotus and Thucydides to the very recent past, namely, that there is a distinction, even if not necessarily an absolute dividing line, between fact and fiction, and similarly that there is a difference between rational thought and free imagination, even if the two may intersect In dealing with the problems of reality and rationality raised in those segments of recent philosophic thought which have identified themselves as post-modern or deconstructionist,2 this article proceeds from the assumption, rejected by this thought, that a historical text must be understood with reference to the context to which it refers and that this context contains an element of objectivity not fully identical with the subjectivity of the historian and an element of rationality which presumes elements of intersubjectivity in the methods of historical inquiry. -
Law, Law-Consciousness and Lawyers As Constitutive of Early Modern England Christopher W
From Michael Lobban, Joanne Begiato and Adrian Green (eds), Law, Lawyers and Litigants in Early Modern England. Essays in Memory of Christopher W. Brooks (Cambridge University Press, 2019) 32-57 Law, Law-Consciousness and Lawyers as Constitutive of Early Modern England Christopher W. Brooks’s Singular Journey DAVID SUGARMAN* Abstract During his lifetime, Christopher W. Brooks (1948–2014) established himself as the foremost historian of law in early modern English society. He was the leading exponent of a history of early modern England that transcended the boundaries of social, political and legal history, and which placed law and lawyers centre stage. This chapter brings a critical, but friendly, eye to Brooks’s work, focusing on how Brooks created a distinctive vision of law in history, and on the strengths and weaknesses of that vision. I examine the influences that shaped his work (including Lawrence Stone, Wilfrid Prest, Sir John Baker, E.P. Thompson, Jürgen Habermas and Robert W. Gordon), locating his scholarship within several contemporary contexts, including social, intellectual and legal history, and socio-legal and critical legal studies. I then critically assess the claims, topics, factors, methods and theories that Brooks emphasised. I argue, for example, that Brooks’s tended to de-emphasise the relationship between law, power, domination, exclusion, structure, totality and society, and the way in which the legal system can be routinely manipulated to serve those privileged by property and position, problematizing the nature and extent of popular belief in the rule of law; and that this reflected and was sustained by his limited engagement with the new histories of crime, punishment and policing. -
Twelve Snapshots from a Conversation with Carlo Ginzburg […] Dynamism in a Single Image
Twelve snapshots from a conversation with Carlo Ginzburg In late October of 2014, Magnus Bärtås, Andrej Slávik and Michelle Teran trav- elled to Bologna for a conversation with Carlo Ginzburg. Andrej had already met Carlo about a year before when he gave a guest lecture at Södertörn University, and seized the opportunity to tell him about the particulars of the Microhistories project, asking him if he would be interested in giving an interview.1 Indeed, he was. At the summit of a dizzying flight of stairs tucked behind massive front doors, Carlo welcomed us into an apartment where every availa- ble surface – shelves, tables, even chairs – was piled high with books, journals and assorted papers. After the introductions and niceties, we settled down in the innermost study and started out on what was to become a long and winding dialogue that lasted for most of the day (with a break for lunch) and reached into the next morning, touching on a broad range of sometimes unexpected topics. What follows is the first of twelve fragments – or ‘snapshots’ – from our discussions; the remaining eleven are interspersed throughout the anthology as […] a kind of counterpoint to the different contributions. We chose this particular Dynamism in a mode of presentation, not only to cut the rather unwieldy outcome down to Single Image. size, but also to retain a sense of in medias res with regard both to the present of our conversation and to the passato prossimo of Carlo’s vivid recollections. The original recording has been roughly but faithfully transcribed by Michelle, light- ly edited and annotated by Andrej and double-checked by Carlo for accuracy as well as consistency. -
The Friulian Language
The Friulian Language The Friulian Language: Identity, Migration, Culture Edited by Rosa Mucignat The Friulian Language: Identity, Migration, Culture Edited by Rosa Mucignat This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Rosa Mucignat and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5817-X, ISBN (13): 978-1-4438-5817-5 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Acknowledgments ................................................................................... viii Introduction ............................................................................................... ix Rosa Mucignat Part I: History and Status Chapter One ................................................................................................ 2 History, Language and Society in Friuli (Thirty Years Later) Fulvio Salimbeni Chapter Two ............................................................................................. 15 Laws for the Protection of the Friulian Language William Cisilino Part II: Language and Culture -
The Civil War of Images Political Tragedies, Political Iconographies
Filozofski vestnik | Volume XXXIX | Number 2 | 2018 | 17–40 Alberto Toscano* The Civil War of Images Political Tragedies, Political Iconographies An officer of the Nazi occupation forces visited the painter in his studio and, pointing to Guernica, asked: ‘Did you do that?’ Picasso is said to have: answered, ‘No, you did.’ — Theodor W. Adorno, ‘Commitment’ What would art-historical analysis look like if its paradigm were not the greeting of a friend to a friend, but instead a mortal enemy slipping by unnoticed, or signalling cryptically to a co-conspirator invisible to us? … Lulled into the illusion that the objects we interpret are our friends, we struggle to make sense of enemy pictures. — Joseph Leo Koerner, Bosch & Breughel Introduction Tragedy has recently emerged as a privileged keyword through which to think the political fate of images, or the fate of political images, in the history of art and media. I am thinking in particular of two projects that make strong claims 17 to reinterpret the history of visual forms from perspectives at once attached to, and variously despondent about, the passionate marriage of politics and poet- ics – that marriage hailed, under the names of Rimbaud and Marx, by André Breton, and which today is annulled by a quotidian, if spectacular, barbarism. These projects are Georges Didi-Huberman’s political recovery of Aby Warburg’s morphology of the formulas of pathos – in his book sequence L’Oeil de l’histoire (2009–2016), but also in his remarkable film and video installation at the Palais de Tokyo (co-produced with Arno Gisinger), Nouvelles histoires de fantômes / New Ghost Stories (2014) – and T.