Rationality and History
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The Work of the Historian: to Research, Summarize, and Communicate1
DOI: 10.5533/TEM-1980-542X-2014203606 Revista Tempo | 2014 v20 | Article The work of the historian: to research, summarize, and communicate1 O trabalho do historiador: pesquisar, resumir, comunicar El trabajo del historiador: buscar, resumir, comunicar Le travail de l’historien: rechercher, résumer et documenter Giovanni Levi would like to begin by explaining in what sense History is a science. It may seem childish to start by defining what History is, but I think it is essential I to explain why 95% of jobs in the area are uninteresting and only 5% are interesting. That happens mostly because many people have a false idea of the sense in which history is a science. My definition is: history is the science of the general questions, but of the local responses. We cannot imagine a generalization in history that is valid. In other words, we can ask what fascism is, but there are different fascisms in Italy, Spain or Portugal. Therefore, we must preserve the peculiarities and the place — here understood as a specific situation — in the works of historians. To work on the general, but a general that is always set as questions, and not as answers. Let me give an example that is not historiographical (but still usefu. When Freud talks about the Oedipus complex, he poses a good general question: everyone has the Oedipus complex, but none of the complexes is generalizable. The fact that we all have the Oedipus complex tells us nothing. It is a relevant question, but it will have different answers for each of us. -
Ginzburg!S Menocchio
— — — — — — — — — — — — — — — — — — — — — — — — — — ÉTUDE CRITIQUE / REVIEW ESSAY Ginzburg’s Menocchio: Refutations and Conjectures DAVID LEVINE ZUBEDEH VAHED* CARLO GINZBURG’S way of doing history is based on using “new meth- ods and new standards of proof to bring to light those forms of knowledge or understanding of the world which have been suppressed or lost”.1 For most of his English-speaking readers, the proof of this assertion has been found in The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller.2 Domenico Scandella, the sixteenth-century miller who was called by the nickname “Menocchio” by his contemporaries, was born in 1532 in the pre- Alp foothills of Friuli, about 100 kilometres north of Venice. As he told the court, “I am from Montereale, in the diocese of Concordia. My father was called Zuane and my mother Menega and I have lived in Montereale most of my life, except for two years when I was banished, of which I spent one in Arba and one in Cargna, and I was banished for being in a brawl.”3 Menoc- chio’s creative and imaginative ideas about the creation of the world — and his unconventional opinions about orthodox Catholicism — brought him to * David Levine is professor at the Ontario Institute for Studies in Education at the University of Tor- onto. Zubedeh Vahed is employed by the Peel Board of Education in Ontario. We would like to thank Nathalie Davis, Konrad Eisenbichler, Stan Engermann, Ed Hundert, Barry Reay, Chuck Tilly and, of course, the journal’s anonymous reviewer for their helpful comments. 1 Keith Luria, “The Paradoxical Carlo Ginzburg”, Radical History Review, vol. -
Creation of an Hgis Database
A PRACTIUM ON UNCERTAINTY: CREATION OF AN HGIS DATABASE A Thesis by JESSE ANDREWS Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS DECEMBER 2017 Department of Geography and Planning A PRACTIUM ON UNCERTAINTY: CREATION OF AN HGIS DATABASE A Thesis by JESSE ANDREWS December 2017 APPROVED BY: Kathleen Schroeder, Ph.D. Chairperson, Thesis Committee Kara Dempsey, Ph.D. Member, Thesis Committee Jessica Mitchell, Ph.D. Member, Thesis Committee Kathleen Schroeder, Ph.D. Chairperson, Department of Geography and Planning Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Jesse Andrews 2017 All Rights Reserved Abstract A PRACTIUM ON UNCERTAINTY: CREATION OF AN HGIS DATABASE Jesse Andrews B.A., University of North Carolina Greensboro Chairperson: Kathleen Schroeder Integrating Geographic Information Systems (GIS) historical sources and geospatial technology offers a fruitful new approach to mapping, analyzing, and modeling the past. This project employs sources freely available online to create a historical geodatabase of the A Line of the Mexican National Railroad circa 1910. The project utilizes satellite imagery, census data, historical maps, train schedules along with postcards and photography from the period, to reconstruct the rail line and its stations shortly before the Mexican Revolution. These sources are combined in a GIS to create a highly accurate map and associated historical database of the system as it existed in the first decade of the 20th Century. The database suggests the potential of future scholarship combining GIS software, satellite imagery, and online source materials. -
Teaching the Voices of History Through Primary Sources and Historical Fiction: a Case Study of Teacher and Librarian Roles
Syracuse University SURFACE School of Information Studies - Dissertations School of Information Studies (iSchool) 2011 Teaching the Voices of History Through Primary Sources and Historical Fiction: A Case Study of Teacher and Librarian Roles Barbara K. Stripling Syracuse University Follow this and additional works at: https://surface.syr.edu/it_etd Recommended Citation Stripling, Barbara K., "Teaching the Voices of History Through Primary Sources and Historical Fiction: A Case Study of Teacher and Librarian Roles" (2011). School of Information Studies - Dissertations. 66. https://surface.syr.edu/it_etd/66 This Dissertation is brought to you for free and open access by the School of Information Studies (iSchool) at SURFACE. It has been accepted for inclusion in School of Information Studies - Dissertations by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT The ability to analyze alternative points of view and to empathize (understand the beliefs, attitudes and actions of another from the other’s perspective rather than from one’s own) are essential building blocks for learning in the 21 st century. Empathy for the human participants of historical times has been deemed by a number of educators as important for the development of historical understanding. The classroom teacher and the school librarian both have a prominent stake in creating educational experiences that foster the development of perspective, empathy, and understanding. This case study was designed to investigate the idea -
The Carlyle Society
THE CARLYLE SOCIETY SESSION 2006-2007 OCCASIONAL PAPERS 19 • Edinburgh 2006 President’s Letter This number of the Occasional Papers outshines its predecessors in terms of length – and is a testament to the width of interests the Society continues to sustain. It reflects, too, the generosity of the donation which made this extended publication possible. The syllabus for 2006-7, printed at the back, suggests not only the health of the society, but its steady move in the direction of new material, new interests. Visitors and new members are always welcome, and we are all warmly invited to the annual Scott lecture jointly sponsored by the English Literature department and the Faculty of Advocates in October. A word of thanks for all the help the Society received – especially from its new co-Chair Aileen Christianson – during the President’s enforced absence in Spring 2006. Thanks, too, to the University of Edinburgh for its continued generosity as our host for our meetings, and to the members who often anonymously ensure the Society’s continued smooth running. 2006 saw the recognition of the Carlyle Letters’ international importance in the award by the new Arts and Humanities Research Council of a very substantial grant – well over £600,000 – to ensure the editing and publication of the next three annual volumes. At a time when competition for grants has never been stronger, this is a very gratifying and encouraging outcome. In the USA, too, a very substantial grant from the National Endowment for the Humanities means that later this year the eCarlyle project should become “live” on the internet, and subscribers will be able to access all the volumes to date in this form. -
Past Looking: Using Arts As Historical Evidence in Teaching History
Social Studies Research and Practice www.socstrp.org Past Looking: Using Arts as Historical Evidence in Teaching History Yonghee Suh Old Dominion University This is a comparative case study of how three high school history teachers in the U.S.A. use art in their practice. The following research question was investigated: How do secondary history teachers incorporate the arts—paintings, music, poems, novels, and films—in their teaching of history and why? Data were collected from three sources: interviews, observations, and classroom materials. Grounded theory was utilized to analyze the data. Findings suggest these teachers use the arts as historical evidence roughly for three purposes: First, to teach the spirit of an age; second, to teach the history of ordinary people invisible in official historical records; and third, to teach, both with and without art, the process of writing history. Two of the three teachers, however, failed to teach historical thinking skills through art. Keywords: history, history instruction, art, interdisciplinary approach, thinking skills, primary sources. Introduction Encouraging historical thinking in students is not a new idea in history education. Since the turn of the 20th century, many historians and history educators have argued that history consists of not only facts, but also historians’ interpretation of those facts, commonly known as the process of historical thinking, or how to analyze and interpret historical evidence, make historical arguments, and engage in historical debates (Bain, 2005; Holt, 1990; VanSledright; 2002; Wineburg, 2001). Many past reform efforts in history education have shared this commitment to teach students to think historically, in part by being engaged in the process of historical inquiry (Bradley Commission on History in Schools, 1988; National Center for History in the Schools, 1995). -
New Perspectives on the History of Political Economy Robert Fredona · Sophus A
New Perspectives on the History of Political Economy Robert Fredona · Sophus A. Reinert Editors New Perspectives on the History of Political Economy Editors Robert Fredona Sophus A. Reinert Harvard Business School Harvard Business School Boston, MA, USA Boston, MA, USA ISBN 978-3-319-58246-7 ISBN 978-3-319-58247-4 (eBook) https://doi.org/10.1007/978-3-319-58247-4 Library of Congress Control Number: 2017943663 © Te Editor(s) (if applicable) and Te Author(s) 2018 Tis work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Te use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Te publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Te publisher remains neutral with regard to jurisdictional claims in published maps and institutional afliations. -
Method and Meaning in Canadian Environmental History
00_fm.qxd 2/5/08 9:00 AM Page i Method and Meaning in Canadian Environmental History EDITED BY Alan MacEachern The University of Western Ontario William J. Turkel The University of Western Ontario 00_fm.qxd 2/5/08 9:00 AM Page iii Dedicated to 51°50'1.93" N 122°33'22.54" W and 46°10'26.32" N 63°18'20.75" W 00_fm.qxd 2/5/08 9:00 AM Page iv Contents Geographical and Temporal Coverage Chart . vi Alan MacEachern, “An Introduction, in Theory and Practice” . ix Section I: Approaching Environmental History . 1 Graeme Wynn, “Travels with George Perkins Marsh: Notes on a Journey into Environmental History” . 2 Donald Worster, “Ice, Worms, and Dirt: The Power of Nature in North American History”. 24 Section II: Reading Landscapes. 35 Peter E. Pope, “Historical Archaeology and the Maritime Cultural Landscape of the Atlantic Fishery” . 36 Carolyn Podruchny, “Writing, Ritual, and Folklore: Imagining the Cultural Geography of Voyageurs”. 55 Section III: Manipulating Scale . 75 Lyle Dick, “People and Animals in the Arctic: Mediating between Indigenous and Western Knowledge” . 76 Liza Piper, “Colloquial Meteorology” . 102 R. W. Sandwell, “History as Experiment: Microhistory and Environmental History” . 124 Section IV: Learning by Looking . 139 Colin M. Coates, “Seeing and Not Seeing: Landscape Art as a Historical Source”. 140 Catriona Mortimer-Sandilands, “Finding Emily”. 158 Section V: Finding the Nation in Nature . 181 John F. Varty, “Trust in Bread and Bologna: Promoting Prairie Wheat in the Twentieth Century”. 182 Alan MacEachern, “Lost in Shipping: Canadian National Parks and the International Donation of Wildlife” . -
Carlo Ginzburg and the Historian's Craft: Questions and Remarks
Tarantino, G. (2014). Carlo Ginzburg and the Historian’s Craft: Questions and Remarks. Cromohs - Cyber Review of Modern Historiography, 18, 123-127. https://doi.org/10.13128/Cromohs-14125 Carlo Ginzburg and the Historian’s Craft: Questions and Remarks GIOVANNI TARANTINO University of Melbourne It was a real honour for me to be invited to join the first session of IinteR-La+b 2012 in the prestigious setting of the Accademia Nazionale dei Lincei in Rome, and to share with such an informed audience a few brief considerations, hopefully pertinent, stimulated by the talk given by Carlo Ginzburg on that occasion and which, unsurprisingly, offered just a glimpse of an extraordinarily original and fertile path of studies, research and writings. I believe that we can attribute to Carlo Ginzburg, without any risk of flattery, what Lucien Febvre acknowledged in Marc Bloch, namely that his works “seem to make one more intelligent as one reads them; they clarify a great many things and stir endless curiosity.”1 That said, Lucio Biasiori and I have been set a hard task, because it is difficult to ask Carlo Ginzburg questions that he has not already heard first hand from the devil’s advocate, a very rigorous, on-the-ball and far-from-shy interlocutor who seems to have come along with him to this public conversation as well. Each of us, I believe, will have been profoundly struck when reading Ginzburg’s works, not just because they reveal a highly curious, attentive, “slow” reader, but also because it is evident that he takes great pains in his narrative. -
Postmodernism and Historiography
Durham E-Theses 'How warped the mirrors': postmodernism and historiography Olson, Ryan Scott How to cite: Olson, Ryan Scott (2002) 'How warped the mirrors': postmodernism and historiography, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3971/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 'How Warped the Mirrors' Postmodernism and Historiography Ryan Scott Olson The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. 2 1 JAN 200~l Submitted for the Master of Arts degree University of Durham Department of Theology 2002 The Copyright of this thesis rests with the author. No quotation of its contents should be published without his prior written consent and information derived from it should be acknowledged. -
Twelve Snapshots from a Conversation with Carlo Ginzburg […] Dynamism in a Single Image
Twelve snapshots from a conversation with Carlo Ginzburg In late October of 2014, Magnus Bärtås, Andrej Slávik and Michelle Teran trav- elled to Bologna for a conversation with Carlo Ginzburg. Andrej had already met Carlo about a year before when he gave a guest lecture at Södertörn University, and seized the opportunity to tell him about the particulars of the Microhistories project, asking him if he would be interested in giving an interview.1 Indeed, he was. At the summit of a dizzying flight of stairs tucked behind massive front doors, Carlo welcomed us into an apartment where every availa- ble surface – shelves, tables, even chairs – was piled high with books, journals and assorted papers. After the introductions and niceties, we settled down in the innermost study and started out on what was to become a long and winding dialogue that lasted for most of the day (with a break for lunch) and reached into the next morning, touching on a broad range of sometimes unexpected topics. What follows is the first of twelve fragments – or ‘snapshots’ – from our discussions; the remaining eleven are interspersed throughout the anthology as […] a kind of counterpoint to the different contributions. We chose this particular Dynamism in a mode of presentation, not only to cut the rather unwieldy outcome down to Single Image. size, but also to retain a sense of in medias res with regard both to the present of our conversation and to the passato prossimo of Carlo’s vivid recollections. The original recording has been roughly but faithfully transcribed by Michelle, light- ly edited and annotated by Andrej and double-checked by Carlo for accuracy as well as consistency. -
The Friulian Language
The Friulian Language The Friulian Language: Identity, Migration, Culture Edited by Rosa Mucignat The Friulian Language: Identity, Migration, Culture Edited by Rosa Mucignat This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Rosa Mucignat and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5817-X, ISBN (13): 978-1-4438-5817-5 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Acknowledgments ................................................................................... viii Introduction ............................................................................................... ix Rosa Mucignat Part I: History and Status Chapter One ................................................................................................ 2 History, Language and Society in Friuli (Thirty Years Later) Fulvio Salimbeni Chapter Two ............................................................................................. 15 Laws for the Protection of the Friulian Language William Cisilino Part II: Language and Culture