Introduction / 81

http://www.englishworld2011.info/ INTRODUCTION / 81 II. Reason, or the ratio2 of all we have already known, is not the same that it shall be when we know more. [Ill lacking] IV. The bounded is loathed by its possessor. The same dull round even of a universe would soon become a mill with complicated wheels. V. If the many become the same as the few when possess'd, More! More! is the cry of a mistaken soul. Less than All cannot satisfy Man. VI. If any could desire what he is incapable of possessing, despair must be his eternal lot. VII. The desire of Man being Infinite, the possession is Infinite & himself Infinite. Application. He who sees the Infinite in all things sees God. He who sees the Ratio only sees himself only. Therefore God becomes as we are, that we may be as he is. 1788 FROM SONGS OF INNOCENCE AND OF EXPERIENCE1 SHEWING THE TWO CONTRARY STATES OF THE HUMAN SOUL FROM SONGS OF INNOCENCE Introduction Piping down the valleys wild Piping songs of pleasant glee On a cloud I saw a child, And he laughing said to me, 5 "Pipe a song about a Lamb"; So I piped with merry chear; "Piper pipe that song again"— So I piped, he wept to hear. 2. In Latin ratio signifies both "reason" and "cal- language, in the tradition both of Isaac Watts's culation." Blake applies the term derogatorily to widely read Divine Songs for Children (1715) and the 18th-century concept of reason as a calculating of the picture-books for child readers pioneered by faculty whose operations are limited to sense per- mid-eighteenth-century booksellers such as John ceptions. Newbery. The vision of the same world, as it 1. Songs of Innocence was etched in 1789, and in appears to the "contrary" state of the soul that 1794 was combined with additional poems under Blake calls "experience," is an ugly and terrifying the title Songs of Innocence and of Experience; this one of poverty, disease, prostitution, war, and collection was reprinted at various later times with social, institutional, and sexual repression, epitom- varying arrangements of the poems. In his songs of ized in the ghastly representation of modern Lon- innocence Blake assumes the stance that he is don. Though each stands as an independent poem, writing "happy songs / Every child may joy to hear," a number of the songs of innocence have a but they do not all depict an innocent and happy matched counterpart, or "contrary," in the songs world; many of them incorporate injustice, evil, of experience. Thus "Infant Joy" is paired with and suffering. These aspects of the fallen world, "Infant Sorrow," and the meek "Lamb" reveals its however, are represented as they appear to a other aspect of divinity in the flaming, wrathful "state" of the human soul that Blake calls "inno- "Tyger." cence" and that he expresses in a simple pastoral http://www.englishworld2011.info/ 82 / WILLIAM BLAKE "Drop thy pipe thy happy pipe 10 Sing thy songs of happy chear"; So I sung the same again While he wept with joy to hear. "Piper sit thee down and write In a book that all may read"—- 15 So he vanish'd from my sight. And I pluck'd a hollow reed, And I made a rural pen, And I stain'd the water clear, And I wrote my happy songs 20 Every child may joy to hear. 1789 The Ecchoing Green The Sun does arise, And make happy the skies. The merry bells ring http://www.englishworld2011.info/ THE LAMB / 83 To welcome the Spring. 5 The sky-lark and thrush, The birds of the bush, Sing louder around, To the bells' chearful sound. While our sports shall be seen 10 On the Ecchoing Green. Old John with white hair Does laugh away care, Sitting under the oak, Among the old folk. 15 They laugh at our play, And soon they all say: "Such, such were the joys. When we all, girls & boys, In our youth-time were seen, 20 On the Ecchoing Green." Till the little ones weary No more can be merry The sun does descend, And our sports have an end: 25 Round the laps of their mothers, Many sisters and brothers, Like birds in their nest, Are ready for rest; And sport no more seen, 30 On the darkening Green. 1789 The Lamb1 Little Lamb, who made thee? Dost thou know who made thee? Gave thee life & bid thee feed, By the stream & o'er the mead; 5 Gave thee clothing of delight, Softest clothing wooly bright; Gave thee such a tender voice, Making all the vales rejoice! Little Lamb who made thee? 10 Dost thou know who made thee? Little Lamb I'll tell thee, Little Lamb I'll tell thee! He is called by thy name, 1. The opening of this poem mimes the form of the catechistic questions and answers customarily used for children's religious instruction. http://www.englishworld2011.info/ 84 / WILLIAM BLAKE For he calls himself a Lamb; is He is meek & he is mild, He became a little child; I a child & thou a lamb, We are called by his name. Little Lamb God bless thee. 20 Little Lamb God bless thee. 1789 The Little Black Boy My mother bore me in the southern wild, And I am black, but O! my soul is white; WTiite as an angel is the English child, But I am black as if bereav'd of light. 5 My mother taught me underneath a tree, And sitting down before the heat of day, She took me on her lap and kissed me, And pointing to the east, began to say: "Look on the rising sun: there God does live 10 And gives his light, and gives his heat away; And flowers and trees and beasts and men receive Comfort in morning, joy in the noon day. "And we are put on earth a little space, That we may learn to bear the beams of love, 15 And these black bodies and this sun-burnt face Is but a cloud, and like a shady grove. "For when our souls have leam'd the heat to bear, The cloud will vanish; we shall hear his voice, Saying: 'Come out from the grove, my love & care, 20 And round my golden tent like lambs rejoice.' " Thus did my mother say, and kissed me; And thus I say to little English boy: When I from black and he from white cloud free, And round the tent of God like lambs we joy, 25 I'll shade him from the heat till he can bear To lean in joy upon our father's knee. And then I'll stand and stroke his silver hair, And be like him, and he will then love me. 1789 http://www.englishworld2011.info/ THE DIVINE IMAGE / 85 The Chimney Sweeper When my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry " 'weep! 'weep! 'weep! 'weep!"1 So your chimneys I sweep & in soot I sleep. 5 There's little Tom Dacre, who cried when his head That curl'd like a lamb's back, was shav'd, so I said, "Hush, Tom! never mind it, for when your head's bare, You know that the soot cannot spoil your white hair." And so he was quiet, & that very night, 10 As Tom was a-sleeping he had such a sight! That thousands of sweepers, Dick, Joe, Ned, & Jack, Were all of them lock'd up in coffins of black; And by came an Angel who had a bright key, And he open'd the coffins & set them all free; is Then down a green plain, leaping, laughing they run, And wash in a river and shine in the Sun. Then naked & white, all their bags left behind, They rise upon clouds, and sport in the wind. And the Angel told Tom, if he'd be a good boy, 20 He'd have God for his father & never want joy. And so Tom awoke; and we rose in the dark And got with our bags & our brushes to work. Tho' the morning was cold, Tom was happy & warm; So if all do their duty, they need not fear harm. 1789 The Divine Image To Mercy, Pity, Peace, and Love, All pray in their distress, And to these virtues of delight Return their thankfulness. 5 For Mercy, Pity, Peace, and Love, Is God, our father dear: And Mercy, Pity, Peace, and Love, Is Man, his child and care. For Mercy has a human heart, 10 Pity, a human face, And Love, the human form divine, And Peace, the human dress. 1. The child's lisping attempt at the chimney sweeper's street cry, "Sweep! Sweep!" http://www.englishworld2011.info/ 86 / WILLIAM BLAKE Then every man of every clime, That prays in his distress, 15 Prays to the human form divine, Love, Mercy, Pity, Peace. And all must love the human form, In heathen, Turk, or Jew. Where Mercy, Love, & Pity dwell, 20 There God is dwelling too. 1789 Holy Thursday1 'Twas on a Holy Thursday, their innocent faces clean, The children walking two & two, in red & blue & green; Grey headed beadles2 walkd before with wands as white as snow, Till into the high dome of Paul's they like Thames' waters flow. 5 O what a multitude they seemd, these flowers of London town! Seated in companies they sit with radiance all their own. The hum of multitudes was there, but multitudes of lambs, Thousands of little boys & girls raising their innocent hands.

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