The Divine Image Jocelyn Hagen Pdf - $1.75 Treble Choir, SSATB, Oboe, Piano Printed - $3.25 JH - C002

The Divine Image Jocelyn Hagen pdf - $1.75 treble choir, SSATB, oboe, piano printed - $3.25 JH - C002

The Divine Image

Treble choir, SSATB choir, oboe and piano The Divine Image by William Blake ______

To Mercy, Pity, Peace, and Love, All pray in their distress, And to these virtues of delight Return their thankfulness.

For Mercy, Pity, Peace, and Love, Is God our Father dear; And Mercy, Pity, Peace, and Love, Is man, his child and care.

For Mercy has a human heart Pity, a human face; And Love, the human form divine; And Peace, the human dress.

Then every man, of every clime, That prays in his distress, Prays to the human form divine: Love, Mercy, Pity, Peace.

And all must love the human form, In heathen, Turk, or Jew. Where Mercy, Love, and Pity dwell, There God is dwelling too. JH - C002 Commissioned for Amy & Ted on their wedding day, August 10, 2007. pdf download $1.75 Divine Image printed $3.25 treble choir, SSATB choir, oboe, & piano

William Blake Jocelyn Hagen Andante = 92 q P Treble # # # # 3 ∑ ∑ ∑ ŒŒ Œ Choir & 4 œ œ œ ˙ œ œ ˙ œ œ œ œ œ ˙ T o Merœ --c y , Piœ t y , Peace,œ and Love,œ

Oboe #### 3 & 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Œ ˙ molto p # ## # 3 . & 4 Œ œ j œ ˙. ˙ Œ œ j œ ˙. ˙. œ œ. œ œ œ. œ P ˙. . ˙. . ? # # 3 ˙. ˙. . ˙. ˙. ˙. . ˙. # # 4 ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. pedal chordally

9 Tr. # # # # ∑ ŒŒ Œ & ∑ ∑ ˙ œ œ ˙ œ ˙. œ œ œ Allœ pray in their dis - tress, And

9 # Oboe ## # œ & ˙ œ œ œ ˙. œ œ ˙. œ ŒŒ ∑ ∑ ∑ F p 9 # ## # . . & Œ j ˙. ˙ Œ œ j ˙. ˙. œ œ œ. œ œ œ œ. œ œ ˙

# ˙. . ˙. ˙. ˙. . ˙. ˙. ? ## # ˙ ˙ ˙. ˙. ˙ ˙ ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. Divine Image / Jocelyn Hagen / Blake

17 # Tr. ## # œ œ œ ˙ œ . & ˙ œ œ œ ‰ œ œ ˙ œ ˙. to these virtues of de - light Reœ - turnœ their thank --ful n e s s.

17 # Oboe ## # ∑ ∑ ∑ ∑ ∑ ∑ ‰ j œ œ œ & œ œ F 17 # ## & # Œ œ j j Œ œ œ œ œ œ œ œ œ ˙. œ. œ œ œ. œ œ œ œ

? # # ˙ ˙ ˙. . ˙. ˙. ˙. # # ˙. ˙. ˙. ˙. ˙. ˙. ˙ ˙ ˙.

24 # P F Tr. ## # ∑ ∑ ŒŒ Œ ŒŒ & œ œ œ ˙ œ œ ˙ œ œ œ œ œ ˙ Fo r Merœ œ- c˙ y , Piœ œ- t˙ y , Peace,œ œ and Love,œ œ ˙ Isœ # F S ## # & ∑ ∑ ŒŒ œ ˙ œ ˙ œ œ œ œ ˙. Œ œ Fo r Mer --c y , Pi t y , Peace, and Love, Isœ God F A # # & # # ∑ ∑ ∑ ∑ ∑ ∑ ŒŒ ˙ œ œ Isœ God our

24 # Oboe ## # ŒŒ ∑ ∑ ∑ ∑ & ˙ œ œ œ œ ˙. œ

24 # # & # # j ˙. ˙. œ œ ˙ ˙ œ œ. ˙. ˙. ˙. ˙. ˙ ˙ ? # # ˙. . ˙. # # ˙. ˙ ˙ ˙. ˙. ˙. ˙ ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙ œ ˙. 2 Divine Image / Jocelyn Hagen / Blake

32 P Tr. # # # # ˙ œ ˙ Œ Œ & œ œ ˙ œ œ ˙ œ œ ˙ œ œ œ God our Fa - ther dear; Merœ œ- c˙ y , Piœ œ- t˙ y , Peace,œ œ and

S # ## œ œ œ & # œ œ œ. j ˙. ŒŒ œ œ ˙ œ œ œ œ our Fa - therœ dear; And Mer - c y , Pi - t y , Peace, and

A # ## & # ˙ ˙. ∑ ∑ ∑ ∑ Fa - therœ dear;

32 # Oboe ## # ∑ ∑ ˙. œ œ œ œ œ œ œ. œ & œ œ œ J 32 p P # ## & # ŒŒ œ œ œ œ œ ˙ œ œ œ œ ˙. œ œ œ œ œ ? # ## œ ˙œ ˙. ˙. œ œ œ œ œ # œ ˙. ˙. œ œ

38 Tr. # # & # # ∑ ∑ ∑ ∑ ∑ ∑ œ œ ˙ Love,œ p # p S ## # . . & ˙ ŒŒ œ ˙ ˙. ∑ ∑ ŒŒ œ Love, mm... Fo r p A #### & ŒŒ œ œ ˙ œ ˙. ∑ ∑ ŒŒ œ Isœ man,œ his child and care. Fo r 38 Oboe # # ˙. œ & # # ŒŒ ∑ ∑ ∑ ∑ ∑

38 # ¯ ¯ ¯ œ œ ## # ˙. ˙. ˙. œ œ œ œ & ˙ œ œ ˙ ˙ ˙ ˙ ˙ ˙ ˙¯. ˙¯. p œ œ œ ˙¯. œ œ ? #### œ ˙ ˙ ˙ ˙ 3 Divine Image / Jocelyn Hagen / Blake

45 S # # œ œ œ # # ˙ œ œ ˙ Œ œ œ œ ˙ œ & œ˙ œ œ œ œ œ œ ˙ ˙ œ œ œ ˙. œ Mer- cy has a human heart Pi - t y , a human face;

A # # & # # Œ œ œ ˙ œ ˙ œ œ œ œ ˙ œ œ œn œn œ n˙ Mer- cy has a human heart Pi - t y , a human face;

52 P U p S # # ˙ # # ‰ ˙ œœ œ œ œ ˙. œ. ‰ & œ. œ œ˙ œ œ œ œ œ n˙. œ. œ ˙ œ And Love, the human form di - vine; And Peace, the P p A # # U # # ‰ œ œ ‰ & œ. œn œn œ# œ œ œ œ œ n˙. œ. œ And Love, the human form di - vine; And Peace,˙ theœ

52 U U U Oboe # ## œn œ ˙. œ & # ∑ ∑ ∑ ∑ Œ ˙ p

59 # S ## # Ó ∑ & ˙˙ œ ˙. œ ∑ ∑ ∑ human dress.. # A ## # Ó ∑ ∑ ∑ ∑ & n˙ hu- manœn dress.˙. œ

59 # œ œ ˙ œ œ œ ˙. Oboe ## # œ ˙ ˙. œ Ó ∑ Œ Œ œ œ œ œ œ & 7 P f 59 # # œ œ # # ∑ œ œ œ œ œ œ & ˙ œ œ ˙ ˙ ˙ œ œ ˙ ˙ ˙ ˙ ˙ ˙ ˙ P œ œ œ f œ œ œ œ œ ? #### ∑ œ œ ˙ ˙ ˙ ˙ ˙ ˙ 4 Divine Image / Jocelyn Hagen / Blake

66 f Tr. # ## & # ∑ ŒŒ ˙ œ ˙ œ œ œ œ. ‰ ˙ œ œ Thenœ every man, of ev- eryœ clime, Thatœ prays in S # ## f & # ∑ ŒŒ ˙ œ ˙ œ œ œ œ. ‰ ˙ œ œ Thenœ every man, of ev- eryœ clime, Thatœ prays in f A # ## & # ∑ ŒŒ ˙ œ ˙ œ œ œ œ. ‰Œ ŒŒ Thenœ every man, of ev- eryœ clime, Thatœ f T ? # # œ ˙ œ ˙ œ œ œ œ œ. ˙ œ œ B # # ∑ ŒŒ ‰ œ Then every man, of every clime, That prays in

66 œ œ. Oboe # ## œ ˙. œ & # J ŒŒ ∑ ∑ ∑ ∑

66 œ œ # ## œ œ œ nœ ? ˙ œ œ & # œ œ œ œ ˙ ˙ & œ œ ˙ ˙ œ ˙ ˙ ˙ ˙ œ œ œ œ œ ˙ œ œ F ? # ## œ ˙ œ # ˙ ˙ ˙ œ œ œ œ ˙ ˙ œ ˙

73 F Tr. # # œ œ ˙ & # # ˙ ˙. Œ œ œ ˙ œ his disœ - tress, prays to the human F S # # œ œ ˙ & # # ˙ ˙. Œ œ œ ˙ œ his disœ - tress, prays to the human F A # # œ œ ˙ & # # œ œ œ œ ˙. Œ œ œ ˙ œ prays in his disœ - tress, prays to the human F œ œ œ ˙ T ? # # ˙ ˙. œ œ ˙ B # # œ Œ his dis - tress, prays to the human

73 # œ œ œ œ œ œ œ œ ## # œ j œ œ œ œ œ œ œ œ œ œ œ & œ œ ‰ œ œ œ œ P œ œ œ œ œ œ œ œ œ ? # # œ œ œ œ # # œ œ 5 Divine Image / Jocelyn Hagen / Blake

78 # Tr. ## # œ œ ˙ œ ‰ ∑ ∑ ∑ ∑ & œ J form di - vine: # p U S ## # œ œ ˙ œ ‰ & œ J œ œ ˙ œ œ ˙ œ œ œ œ œ œ ˙ form di - vine: Love, Mer - c y , Pi - t y , Peace. # p U A ## # œ œ ˙ œ ‰ & œ J œ œ ˙ œ œ ˙ œ œ œ œ œ œ ˙ form di - vine: Love, Mer - c y , Pi - t y , Peace.

œ p œ ˙ œ ˙ œ œ œ œ U˙ T ? # # œ œ ˙ œ œ œ œ œ B # # J ‰ form di - vine: Love, Mer - c y , Pi - t y , Peace.

78 œ œ œ œ œ # # œ œ œ œ œ œ œ œ ˙ U˙. , & # # œ œ œ Œ Œ p j j j j j U œ œ œ œ ˙‰ œ œ œ ˙œ œ œ œ ˙œ œ œ œ ˙. œ œ ˙. ˙. ˙. ˙. ? #### . . . .

rit. 84 Slower, = 72-76 P q Tr. # ## œ œ ˙ œ ˙ œ œ œ ˙ & # œ œ ˙ œ œ ˙ Œ œ œ c œ œ ˙ Œ 42 ∑ ∑ ∑ ∑ Ooh... Ooh... P S # ## 2 & # ∑ ∑ ∑ c Ó Œ 4 œ œ œ œ œ œ ˙ Andœ all must love the human form,

A # # P # # c 2 & ∑ ∑ ∑ Ó Œ œ 4 œ œ œ œ œ œ œ œ œ ˙ And allœ must loveœ the human form, P œ œ œ T ? # # Œ œ 2 œ œ œ œ œ œ ˙ B # # ∑ ∑ ∑ c Ó 4 And all must love the human form, rit. 84 Slower, = 72-76 # œ ˙. q ## # œ œ œ ˙. 2 & ˙ œ œ c 4 ∑ ∑ ∑ ∑ ˙ ˙ ˙. P œ œ ˙ ˙. œ ˙. ? # # œ œ 2 # # ˙ œ ˙ ˙ c 4 ∑ ∑ ∑ ∑ ˙ ˙ ˙ 6 Divine Image / Jocelyn Hagen / Blake 92 p S #### 3 2 œ 3 & Œ œ œ œ œ œ ˙ 4 œ. ‰ œ 4 œ œ œ œ œ 4 Inœ hea - then, Turk, or J e w . Where Mer - c y , Love, and Pi- ty p A # # # # Œ œ 3 ‰ 2 3 & œ œ œ œ ˙ 4 j œ 4 œ œ œ œ œ œ œ œ œ 4 Inœ hea - then, Turk, or J e w . œ œ Where Merœ - c y , Love,œ and Piœ œ- ty p œ œ œ œ ˙ œ. œ œ œ œ œ T ? # # œ œœ œœ œ œ 3 . œ 2 œœ œ œ œ œ œ œ 3 B # # Œ 4 ‰ 4 4 In hea -then, Turk, or J e w . Where Mer - c y , Love, and Pi- ty

100 slight Tempo I S # ## 3 & # 4 œ. ‰ ˙ œ ˙ œ ˙. ˙. ∑ ∑ ∑ dwell, Thereœ God is dwelling t o o . slight # A ## # 3 & 4 œ. ‰ œ œ ˙ œ ˙. ˙. ∑ ∑ ∑ dwell,œ. Thereœ Godœ is dwelling t o o . slight œ œ œ œ œ ˙ ˙. T ? # # 3 . ˙ œ ˙ œ ˙. ˙ B # # 4 ‰ . . ∑ ∑ ∑ dwell, There God is dwelling t o o . Tempo I 100 ˙. ˙. ˙. Oboe # # & # # 43 ∑ ∑ ∑ ∑ ∑ p 100 Tempo I #### 3 & 4 ∑ ˙. ˙. Œ œ jœ ˙. ˙. ˙. ˙. ˙. œ œ. œ p P ? # # 3 ˙ ˙ ˙ ˙ ˙. ˙. ˙. # # 4 ∑ . . . . ˙ ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙.

108 molto rit. p Tr. # ## & # ∑ Œ œ ∑ ∑ œ œ ˙ œ œ ˙ œ œ œ œ œ ˙ Ooh... Ooh...

108 molto rit. π ˙. ˙. # ## & # ˙. Œ j ˙. ˙. ˙. œ œ . œ œ ˙. ˙. ˙. p œ ˙. . ? # # ˙. ˙. ˙. . ˙. ˙. ˙. # # ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙. 7 Oboe Commissioned for Amy & Ted on their wedding day, August 10, 2007 Divine Image Jocelyn Hagen

# 7 ## # 3 Œ ˙ ˙ œ œ œ ŒŒ & 4 molto œ œ ˙. œ ˙. œ p F p

14 # 9 6 ## # ‰ j œ œ œ ŒŒ & œ œ ˙ œ œ œ œ ˙. œ F

34 # ˙ œ 16 ## # . œ œ œ œ. œ . & ˙ œ œ œ œ œ œ J ŒŒ p P

56 U U # ## U œn œ ˙. œ & # Œ ˙ œ ˙ ˙. œ Ó ∑ p

63 # œ œ ˙ œ œ œ ˙. œ œ. ˙. œ ## # Œ Œ œ œ œ œ œ œ ŒŒ & 7 J P f rit. Slower, = 72-76 69 q 18 8 3 # ## & # c ∑ 42 43 ∑ 42 43

Tempo I 100 # # 5 ˙. ˙. ˙. 7 & # # 43 p

Jocelyn Hagen

Jocelyn Hagen (b.1980), a native of Valley City, North Dakota, composes music that has been described as “dramatic and deeply moving” (Star Tribune, Minneapolis/St. Paul). Her first forays into composition were via songwriting, and this is very evident in her work. The majority of her compositional output is for voice: solo, chamber and choral. In 2012 she collaborated with choreographer Penelope Freeh to create “Slippery Fish,” a quartet for 2 dancers, soprano and viola, and the piece was reviewed as “completely original in all respects.” (Star Tribune, Minneapolis/St. Paul). Currently she is Artist-in-Residence at the North Dakota State University School of Music, where she teaches, writes curriculum and brings in collaborators to perform her work. Jocelyn holds degrees in Theory, Composition, and Vocal Music Education from St. Olaf College, as well as a Masters degree in Composition from the University of Minnesota. Jocelyn has received grants and awards from ASCAP, the American Composers Forum, Minnesota Music Educators Association, the McKnight Foundation, the Jerome Foundation, VocalEssence, the Yale Glee Club, the Lotte Lehman Foundation, the Sorel Medallion Competition, the Cincinnati Camerata, the University of Minnesota, and the San Francisco Song Festival. Her commissions include the American Choral Directors Association, Texas, Georgia and Connecticut Choral Directors Associations, the North Dakota Music Teacher’s Association, The Singers – Minnesota Choral Artists, Trio Callisto, the Murasaki Duo, Cantus, the Houston Chamber Choir, the Metropolitan Symphony Orchestra, the St. Olaf Band, NDSU Gold Star Band, the ND Army Band, and the Copper Street Brass Quintet. Her music is independently published through her website as well as through Graphite Publishing, Santa Barbara Music Publishing and Boosey and Hawkes. Independently published choral works by Jocelyn Hagen:

Agnus Dei, from amass SATB choir, piano (four hands) Agnus Dei, from Ashes of Roses TTB div. a cappella, Bar. solo April and the Sun SATB a cappella choir Benedictus, from amass SSAATTBB a cappella choir, SATB soli Divine Image treble choir, women’s choir, SSATB choir, oboe and piano Endless SATB choir, 2 violins and piano Forgotten SSA choir, oboe and piano Gloria, from amass SATB a cappella double choir In the Lavender Stillness of Dawn SSA choir, violin, cello and piano I Saw Two Clouds at Morning SSAATTBB a cappella choir Joyful, Joyful, We Adore Thee SSAATTBB a cappella choir Ladies in Green SSA choir and piano Moon Goddess SSA choir, 4-hand piano, percussion No Rain SSAATTBB a cappella choir, SSA soli Numeri Atque Voces TTBB and SATB choirs On My Dreams SATB div. choir, piano, opt. trap set Ophelia SATB a cappella choir Prayer SA div. choir, violin and piano Salve, Regina SSA a cappella choir Sanctus, from amass SSATBB a cappella choir, SA soli Someone Will Remember Us SSAA choir, violin, viola, cello and harp Trees Need Not Walk the Earth SATB choir, piano, marimba & rain stick Under the Stars, One Holy Night treble choir, women’s choir, 2 instruments in C and piano Veni, Sancte Spiritus SATB a cappella choir Vespertilians SATB a cappella choir

Extended works for chorus Ashes of Roses (48’) requiem for SATB choir, orchestra, and soloists amass (65’) SATB choir, STB soli, cello solo, cello quartet, guitar and percussion trio Swimming Into Winter (17’) SATB (divisi) choir, winds and percussion