Nuala Ní Dhomhnaill Papers 1974-1997 MS.1997.012

Total Page:16

File Type:pdf, Size:1020Kb

Nuala Ní Dhomhnaill Papers 1974-1997 MS.1997.012 Nuala Ní Dhomhnaill Papers 1974-1997 MS.1997.012 http://hdl.handle.net/2345.2/MS1997-012 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill, MA, 02467 617-552-3282 [email protected] http://www.bc.edu/burns Table of Contents Summary Information ................................................................................................................................. 3 Administrative Information .........................................................................................................................4 Biographical/Historical note.......................................................................................................................... 5 Scope and Contents note............................................................................................................................... 6 Arrangement note...........................................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Series I: Correspondence........................................................................................................................7 Series II: Writing.................................................................................................................................... 7 Series III: Readings and research.........................................................................................................13 Series IV: Works by others..................................................................................................................15 Series V: Professional activities...........................................................................................................20 Series VI: Photographs......................................................................................................................... 21 Series VII: Newsletters, pamphlets, and publications..........................................................................21 Series VIII: Ephemera.......................................................................................................................... 21 Series IX: Family and financial........................................................................................................... 21 Nuala Ní Dhomhnaill Papers MS.1997.012 - Page 2 - Summary Information Library Unit Archives and Manuscripts Department Creator Ní Dhomhnaill, Nuala, 1952- Title Nuala Ní Dhomhnaill papers Date [inclusive] 1974-1997 Extent 26.0 Linear feet (51 boxes) Language English Language of Materials note Materials are in English and Irish. Abstract Irish poet Nuala Ní Dhomhnaill's life and work, particularly her writing, study, and teaching of the Irish language and Irish folklore, are documented through her papers. Materials include correspondence; diaries and journals; manuscripts of poetry, prose, play and radio scripts, and short stories; photographs; research files; and works by other authors. Much of the material is in the Irish language. Preferred Citation note Identification of item, Box number, Folder number, Nuala Ní Dhomhnaill papers, MS.1997.012, John J. Burns Library, Boston College. Nuala Ní Dhomhnaill Papers MS.1997.012 - Page 3 - Administrative Information Publication Information Processed by Carolyn Fargnoli, Matthew Heitzman, Dana Lawton, Valerie Manos, Sarah McGarrell, Brian O’Conchubhair, Moira O’Connell, and Corbin Rhodes, 2005. This finding aid was produced using the Archivists' Toolkit. Last Update 2016. Restrictions on access Collection is open for research. Series IX contains family, financial, and professional documents marked confidential; these are not available for research. Restrictions on use These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. The original authors may retain copyright to the materials. Provenance Materials acquired from Nuala Ní Dhomhnaill in 1996, 2001, and 2005. Processing Information note The John J. Burns Library continues to acquire material created by Nuala Ní Dhomhnaill. These accruals will be made available when processed. Nuala Ní Dhomhnaill Papers MS.1997.012 - Page 4 - Biographical/Historical note Poet Nuala Ní Dhomhnaill was born in Lancashire, England in 1952 to Irish parents, who worked as doctors in an Irish mining community there. Her family spoke Irish at home. When she was five years old, her family moved to Nenagh, County Tipperary, Ireland. Although her family lived there for fifteen years, Ní Dhomhnaill felt more at home with her aunt in Cahiratrant, a small village in Ventry, County Kerry, where she was immersed the Irish language. At twelve, Ní Dhomhnaill attended Catholic boarding school and began the practice of writing daily in Irish. Ní Dhomhnaill studied English and Irish at University College Cork, where she met Dogan Leflef, a Turkish geologist. The two were married in 1973 and had four children together. After her marriage, Ní Dhomhnaill lived in Turkey for seven years. She returned to Ireland in 1980, and, within a year, she had published her first book of poems in Irish: An Dealg Droighin (1981). She has since published volumes of poetry, including Rogha Dánta / Selected Poems (1990) with facing translations by Michael Hartnett; The Astrakhan Cloak (1992) and The Fifty Minute Mermaid (2007) with translations by Paul Muldoon; The Water Horse (1999) with translations by Medbh McGuckian and Eiléan Ní Chuilleanáin; and Pharoah’s Daughter (1993) with translations by Seamus Heaney, John Montague, Ciaran Carson, Michael Longley, Derek Mahon, and others. In 2002, Ní Dhomhnaill edited and introduced the Contemporary Poetry section of The Field Day Anthology of Irish Women’s Writing (2002), which includes poems by Biddy Jenkinson, Eavan Boland, Nuala Archer, Máire Mhac an tSaoi, Rita Ann Higgins, Vona Groarke, and many others. Ní Dhomhnaill has served as visiting professor at Trinity College Dublin, University College Dublin, and Queen’s University Belfast, as well as Smith College, Villanova University, New York University, and Boston College. In addition to teaching, she has traveled to give lectures and readings all over the world. Extensive scholarly research informs her work, which delves into multicultural poetry, mythologies, spiritualties, and folktales. Ní Dhomhnaill's identification with Cahiratrant has been lifelong; the culture and landscapes of that locale frequently serving as an inspiration and a backdrop for her poetry. Nuala Ní Dhomhnaill lives in Dublin. She continues to write, teach, and travel. Sources: Ní Dhomhnaill, Nuala, and Frawley, Oona, Ed. Selected Essays. Dublin: New Island, 2005. Poetry Foundation. “Biography: Nuala Ní Dhomhnaill.” Accessed October 2016. https:// www.poetryfoundation.org/poems-and-poets/poets/detail/nuala-ni-dhomhnaill#poet Nuala Ní Dhomhnaill Papers MS.1997.012 - Page 5 - Scope and Contents note Irish poet Nuala Ní Dhomhnaill's life and work, particularly her writing, study, and teaching of the Irish language and Irish folklore, are documented through her papers. Materials include correspondence; diaries and journals; manuscripts of poetry, prose, play and radio scripts, and short stories; photographs; research files; and works by other authors. Much of the material is in the Irish language. Arrangement note The collection is arranged in nine series: I. Correspondence; II. Writing; III. Readings and research; IV. Works by others; V. Professional activities; VI. Photographs; VII. Newsletters, pamphlets, and publications; VIII. Ephemera; and IX. Family and financial. Nuala Ní Dhomhnaill Papers MS.1997.012 - Page 6 - Collection Inventory Series I: Correspondence, 1974-1997 Subseries A: Personal, 1974-1992, undated 1974-1981 Box 1 1981-1986 Box 2 1986-1989 Box 3 1989-1992, undated Box 4 Subseries B: Business, 1980-1992, undated 1980-1991 Box 5 1988-1992, undated Box 6 Aosdana, 1982-1992 Box 7 Folder 1-7 The Arts Council, 1981-1992 Box 7 Folder 8-18 Deilt, 1985-1989 Box 7 Folder 19-21 Irish Writer's Union, 1990 Box 7 Folder 22 Series II: Writing Subseries A: Poetry "Adele" manuscript Box 48 Folder 27 Nuala Ní Dhomhnaill Papers MS.1997.012 - Page 7 - Drafts in Irish and English Box 10 Folder 11-26 Box 10 Folder 7-9 Box 11 Box 12 Box 13 Box 14 Photocopies and clippings Box 10 Folder 10 "Blathanna", "Blodgewebb", and "Boladh na Fola" Box 15 Folder 1 "An Ceann", "Ceist na Teangan", "An Chinnioint mar Box 15 Folder 2 chat Dorcha", "Chomh Leochailleach le Sliogan", "Claoninsint", "Clingeann na Cloig", and "Don" "Fear", "Feis" Box 15 Folder 3 "Gan do Chuid Eadaigh, "Hotline", "Maidin sa Domhain Box 15 Folder 4 Toir", "Mo Theaghlach", and "An Poll sa Staighre" "Rainbow", "An Slad", "An tSeanbhean Bhocht", "Titim I Box 15 Folder 5 Ngra", "Toircheas" "The Unfaithful Wife" Box 15 Folder 6 Christmas Card, Letter and Poem from Dughlas Sealy, Box 15 Folder 7 with poetry Translations Box 15 Folder 8-32 Subseries B: Play Scripts "An Ollpheist Reamhar" Box 9 Folder 17 "An Turis" and "Gairdin Parthais" Box 9 Folder 18 "Fionn and the Fiery Monster" Box 9
Recommended publications
  • 'Jumping Off Shadows'
    'Jumping off Shadows' SELECTED CONTEMPORARY IRISH POETS Edited by Greg Delanty and Nuala Ni DhomhnaiU with a preface by Philip O'Leary CORK UNIVERSITY PRESS CONTENTS Acknowledgements xiv Preface by Philip O'Leary xvi Roz COWMAN Influenza/2 The Twelve Dancing Princesses/2 Dandelion/5 Annunciation/4 The Goose Herd/5 Logic/6 Apple Song/6 Compulsive/7 Fascist/7 The Old Witch Sings of Lost Children/5 Lot's Wife/9 Meanings/10 EILEAN Ni CHUILLEANAIN The Absent Girl//2 Swineherd/12 Pygmalion's Image/13 Ransom//.? The Second Voyage/74 Looking at the Fall//5 J'ai Mai a nos Dents/16 Odysseus Meets the Ghosts of the Women//7 Old Roads//* The Hill-town//<9 London//9 St Mary Magdalene Preaching at Marseilles/20 Dreaming in the Ksar es Souk Motel/20 The Informant/25 AINE MILLER Going Home/25 Da/26 Visitation/27 The Undertaker Calh/28 Woman Seated under the Willows/29 The Day is Gone/30 Seventeen/5/ ClARAN O'DRISCOLL Smoke Without Fire/55 The Poet and his Shadow/55 Great Auks/55 Little Old Ladies/56 Sunsets and Hernias/57 Epiphany in Buffalo/57 from The Myth of the South/5* ROBERT WELCH Rosebay Willowherb/42 Memoirs of a Kerry Parson/42 For Thomas Henry Gerard Murphy/ 46 DERRY O'SULLIVAN Roimh Thitim Amach/5/ Mianadoir Albanach os cionn Oilean Bhearra/5/ Marbhghin 1943: Glaoch ar Liombo/52 Teile-Smacht/54 PAUL DURCAN The Death by Heroin of Sid Vicious/57 Sally/57 Raymond of the Rooftops/5<9 Sport/59 On Pleading Guilty to Being Heterosexual/ 60 Wife Who Smashed Television Gets Jail/62 The Perfect Nazi Family is Alive and Well and Prospering in Modern Ireland/
    [Show full text]
  • Women Writers of the Troubles
    Women Writers of The Troubles Britta Olinder, University of Gothenburg Abstract During the thirty years of the Troubles in Northern Ireland, writing by women was difficult to find, especially concerning the conflict and its violence. The publication of the first three heavy volumes of The Field Day Anthology of Irish Writing towards the end of that period demonstrated the blindness of its male editors to female writing, leading to another two volumes focusing on women and also presenting more than expected on the conflict itself. Through looking at a selection of prose, poretry and drama written by women, this article wishes to illuminate a number of relevant issues such as: How have female writers reacted to the hate and violence, the social and political insecurity in their writing of poetry, plays and fiction? Is Robert Graecen’s question ‘Does violence stimulate creativity?’—in a letter to the Irish Times (18 Jun. 1974)—relevant also for women? In this very partial exploration, I have chosen to discuss a novel by Jennifer Johnston (Shadows on Our Skin, 1977) and one by Deirdre Madden (One by One in the Darkness, 1996), a well-known short story by Mary Beckett (‘A Belfast Woman,’ 1980), together with plays by Anne Devlin (Ourselves Alone, 1986) and Christina Reid (Tea in a China Cup, 1987), as well as poetry, by, among others, Meta Mayne Reid, Eleanor Murray, Fleur Adcock and Sinéad Morrissey. Keywords: women writers; violence; conflict; The Troubles; Jennifer Johnston; Deirdre Madden; Mary Beckett; Anne Devlin; Christina Reid; Meta Mayne Reid; Eleanor Murray; Fleur Adcock; Sinéad Morrissey The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
    [Show full text]
  • The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
    The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England .
    [Show full text]
  • Irish Studies Around the World – 2020
    Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon
    [Show full text]
  • Get PDF ~ Something Beginning with P: New Poems from Irish Poets
    UW8YGV4IJMBX » eBook » Something Beginning with P: New Poems from Irish Poets Read PDF SOMETHING BEGINNING WITH P: NEW POEMS FROM IRISH POETS O Brien Press Ltd, Ireland, 2008. Paperback. Book Condition: New. Corrina Askin, Alan Clarke (illustrator). 3rd Revised edition. 231 x 193 mm. Language: English . Brand New Book. A beautiful collection of specially-commissioned new poems for children of all ages. Includes poems from leading Irish poets: Seamus Heaney, Thomas Kinsella, Maighread Medbh * Paula Meehan * Brendan Kennelly * Michael Longley * Rita Ann Higgins * Matthew Sweeney * Biddy Jenkinson * Desmond O Grady * Richard Murphy * Nuala... Read PDF Something Beginning with P: New Poems from Irish Poets Authored by Seamus Cashman Released at 2008 Filesize: 1.6 MB Reviews This ebook is definitely not effortless to get going on looking at but quite entertaining to read. It really is rally exciting throgh reading period. Its been developed in an exceptionally easy way and is particularly simply following i finished reading through this ebook through which basically changed me, alter the way i believe. -- Piper Gleason DDS Without doubt, this is actually the best function by any article writer. It is probably the most amazing ebook i have got go through. Your lifestyle period will likely be enhance once you complete reading this article publication. -- Brody Parisian TERMS | DMCA IYI57TVCBOTI » Kindle » Something Beginning with P: New Poems from Irish Poets Related Books Any Child Can Write Who am I in the Lives of Children? An Introduction to Early Childhood Education The Well-Trained Mind: A Guide to Classical Education at Home (Hardback) The First Epistle of H.
    [Show full text]
  • Female Ulster Poets and Sexual Politics
    Colby Quarterly Volume 27 Issue 1 March Article 3 March 1991 "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics Jacqueline McCurry Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 27, no.1, March 1991, p.4-8 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. McCurry: "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics "Our1/Our Lady, dispossessed": Female Ulster Poets and Sexual Politics by JACQUELINE MCCURRY OETRY AND POLITICS, like church and state, should be separated," writes P Belfast critic Edna Longley (185); in Eire and in Northern Ireland this is not the case: the marriage of church and state in the Republic has resulted in constitutional bans on divorce and on abortion; Northern Ireland's Scots­ Presbyterian majority continues to preventminority Irish-Catholic citizens from having full participationin society. Butwhile mencontinue to control church and state, women have begun to raise their voices in poetry and in protest. Northern Ireland's new poets, through the 1960s and 1970s, were exclusively male: Jan1es Simmons, Seamus Heaney, Michael Longley, Derek Mahon, Paul Muldoon, Seamus Deane, Frank Ormsby, Tom Paulin, and Ciaran Carson dominated the literary scene until the early 1980s. In 1982 Medbh McGuckian published her first book ofpoetry. Since then, she has published two additional collections and achieved international fame, while younger women poets like Janet Shepperson and Ruth Hooley have made their debuts in print.
    [Show full text]
  • Beckett and His Biographer: an Interview with James Knowlson José Francisco Fernández (Almería, Spain)
    The European English Messenger, 15.2 (2006) Beckett and His Biographer: An Interview with James Knowlson José Francisco Fernández (Almería, Spain) James Knowlson is Emeritus Professor of French at the University of Reading. He is also the founder of the International Beckett Foundation (previously the Beckett Archive) at Reading, and he has written extensively on the great Irish author. He began his monumental biography, Damned to Fame:The Life of Samuel Beckett (London: Bloomsbury, 1996) when Beckett was still alive, and he relied on the Nobel Prize winner’s active cooperation in the last months of his life. His book is widely acknowledged as the most accurate source of information on Beckett’s life, and can only be compared to Richard Ellmann’s magnificent biography of James Joyce. James Knowlson was interviewed in Tallahassee (Florida) on 11 February 2006, during the International Symposium “Beckett at 100: New Perspectives” held in that city under the sponsorship of Florida State University. I should like to express my gratitude to Professor Knowlson for giving me some of his time when he was most in demand to give interviews in the year of Beckett’s centennial celebrations. José Francisco Fernández JFF: Yours was the only biography on or even a reply to the earlier biography of authorised by Beckett. That must have been Deirdre Bair. It needs to stand on its own two a great responsibility. Did it represent at any feet. And I read with great fascination the time a burden? Knowing that what you wrote biography of Deirdre Bair and have never said would be taken as ‘the truth’.
    [Show full text]
  • "An Island Once Again: the Postcolonial Aesthetics of Contemporary Irish Poetry"
    Colby Quarterly Volume 37 Issue 2 June Article 8 June 2001 "An Island Once Again: The Postcolonial Aesthetics of Contemporary Irish Poetry" Jefferson Holdridge Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.2, June 2001, p.189-200 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Holdridge: "An Island Once Again: The Postcolonial Aesthetics of Contemporar IIAn Island Once Again: The Postcolonial Aesthetics of Contemporary Irish Poetry" By JEFFERSON HOLDRIDGE World is the ever nonobjective to which we are subject as long as the paths of birth and death, blessing and curse keep us transported into Being. Martin Heidegger, The Origin ofthe Work ofArt Flames have only lungs. Water is all eyes. The earth has bone for muscle.... But anxiety can find no metaphor to end it. A.K. Ramanujan, "Anxiety" HE POSITION OF THE SUBJECT, of history and landscape are the central Tthemes of any essay on the aesthetics of contemporary Irish poetry and often provoke as many questions as answers. To give specific weight to some broad theoretical analysis, this essay shall closely examine a selection of works. Before detailed discussion of the texts, the idea of a postcolonial aes­ thetic should be defined. The two important frames are provided first by a correlation between Fanon and Kant and second by various ideas of the psy­ choanalytical sublime. Politically, there are three Fanonite/Kantian stages to what is here termed the postcolonial sublime; it is an aesthetic that aligns Fanon's dialectic of decolonization, from occupation, through nationalism, to liberation with Kant's three stages of sublimity, that is, from balance between subject and object, through aesthetic violence upon the internal sense, to tran­ scendent compensation.
    [Show full text]
  • A Few Contemporary Irish and Portuguese Women Poets
    Contemporary Irish Poetry Profa.Gisele Wolkoff Universidade Federal Fluminense • (some) Contemporary Women Poets: Eavan Boland, Celia de Fréine, Kerry Hardie, Medbh McGuckian, Sinéad Morrissey, Vona Groarke, Rita Kelly, Rita Ann Higgins... groundbreaking publication THE FIELD DAY ANTHOLOGY OF IRISH WRITING – 1991, 1996 A Reading of Irish Poetry includes considerations upon: - religion;linguistic belonging. - politics;These elements allude us to - geographicthe spaces; issue of - linguisticthe private belonging. & the public, the Theselocale elements and the allude cosmopolitan. us to the issue of the private & the public, the locale and the cosmopolitan. “poetry begins where those isms stop” (Patricia Boyle Haberstroh, 1996:.11) politics begins when poetry continues Patricia Keely-Murphy´s The Greek Mystress & Judy Shinnick´s Nude II Eavan Boland and Tradition “I felt increasingly the distance between my own life, my lived experience and conventional interpretations of both poetry and the poet´s life. It was not exactly or even chiefly that the recurrences of my world – a child´s face, the dial of a washing machine – were absent from the tradition, although they were. It was not even so much that I was a woman. It was that being a woman, I had entered into a life for which poetry has no name.” (In: Object Lessons The Life of the Woman and The Poet In Our Time. 1995: 18) What is poetry/writing? the country of the mind (Seamus Heaney) “It is this feeling, assenting, equable marriage between the geographical country and the country of the mind (...) it is this marriage that constitutes the sense of place in its richest possible manifestation.” - the rhetoric of imagery (Eavan Boland)..
    [Show full text]
  • THE WOOING of CHOICE: Prosimetric Reconstruction of the Female Journey in Irish Mythology
    THE WOOING OF CHOICE: Prosimetric Reconstruction of the Female Journey in Irish mythology by Roxanne Bodsworth 2020 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy, Institute of Sustainable Industries and Liveable Cities, Victoria University. i Abstract: In “The Wooing of Choice: prosimetric reconstruction of the female journey in Irish mythology”, I examine the representation of female characters in Irish mythological tales where the woman chooses her lover in contravention of social expectations. In the traditional versions, the woman recedes into the background as the narrative develops around the male hero. I ask what happens to the discourse of the narrative when it is subverted so that the focus is placed upon the female experience. This is explored through a creative component, called ‘Meet Me in My World’, a prosimetric reconstruction of three Irish tales in which the woman chooses her lover and compels him to follow her. The three tales are: Aislinge Óengusso (The Dream of Óengus); Tóruigheacht Dhiarmada agus Ghráinne (The Pursuit of Diarmaid and Gráinne); and Longes mac nUislenn (The Exile of the Sons of Uisliu). The exegetical component, comprising 50% of the thesis, is composed of two sections. In the first, I examine theories of feminist writing and remythologizing, and develop a new model for feminist reconstruction, which I apply to the creative product. In the second section, I explore the relationship between narrative and poetry, from medieval prosimetric translations to contemporary hybrid texts, and consider which form provides the best framework for my female-centred narrative and the verse.
    [Show full text]
  • Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
    UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great
    [Show full text]
  • Irish Women: Uncovering Their Language of Power Margaret Garry Burke
    Journal of International Women's Studies Volume 4 | Issue 3 Article 13 May-2003 Irish Women: Uncovering Their Language of Power Margaret Garry Burke Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Burke, Margaret Garry (2003). Irish Women: Uncovering Their Language of Power. Journal of International Women's Studies, 4(3), 178-190. Available at: http://vc.bridgew.edu/jiws/vol4/iss3/13 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2003 Journal of International Women’s Studies. Irish Women: Uncovering Their Language of Power By Margaret Garry Burke Introduction During the summer of 1989, in a quest to explore the social evolution of Irish women since the advent of the feminist movement of the 1960s, I traveled to Ireland armed with a prepared questionnaire and a tape recorder. I chose this topic as my senior thesis for a Women’s Studies tutorial in which I had enrolled in order to complete my undergraduate studies. Along the way, in addition to the women I interviewed, I discovered the renowned Irish poet, Nuala Ni Dhomhnaill, and I unearthed my own long- buried Irish roots. When I began writing my research paper, Nuala became the natural symbol for the contemporary women of Ireland who were undergoing significant changes in attitudes.
    [Show full text]