Sex Science Self: a Social History of Estrogen, Testosterone, and Identity
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CNMAT Notes.Indd
CAL PERFORMANCES PRESENTS Saturday, February 11, 2006, 8 pm Hertz Hall CNMAT Presents: Mark Dresser, Myra Melford, Bob Ostertag, David Wessel Th is presentation is made possible, in part, by the generous support of Liz and Greg Lutz. Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. CAL PERFORMANCES 29 ABOUT THE ARTISTS ABOUT THE ARTISTS Jazziz magazine noted, “Th e confi dence to go included the Kronos Quartet, avant-gardists so far into uncharted territory and the ability John Zorn and Fred Frith, heavy metal star to carry listeners along—then bring them Mike Patton, jazz great Anthony Braxton, back—attest to Melford’s vision.” dyke punk rocker Lynn Breedlove, drag diva Myra Melford is currently Assistant Justin Bond, fi lmmaker Pierre Hébert and Professor of Improvisation and Jazz in the others. He is rumored to have connections Department of Music at the University of to the shadowy media guerrilla group Th e California, Berkeley. Yes Men. Bob Ostertag recently joined the Department of Technocultural Studies at the University of California, Davis, where he is an Associate Professor. Myra Melford (piano and electronics) is “the genuine article, the most gifted pianist/ Mark Dresser has been composing and composer to emerge from jazz since Anthony performing solo contrabass and ensemble Davis,” according to critic Francis Davis. A music professionally throughout North composer and bandleader with a “commitment Composer, performer, instrument builder, America, Europe and the Far East since to refreshing, often surprising uses of melody, journalist, activist, historian, kayak instruc- 1972. He has recorded more than 100 CDs harmony and ensemble playing,” according to tor—Bob Ostertag’s work cannot easily be with some of the strongest personalities in NPR, Melford currently leads or co-leads four summarized or pigeon-holed. -
Philip Roth's Confessional Narrators: the Growth of Consciousness
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1979 Philip Roth's Confessional Narrators: The Growth of Consciousness. Alexander George Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation George, Alexander, "Philip Roth's Confessional Narrators: The Growth of Consciousness." (1979). Dissertations. 1823. https://ecommons.luc.edu/luc_diss/1823 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Alexander George PHILIP ROTH'S CONFESSIONAL NARRATORS: THE GROWTH OF' CONSCIOUSNESS by Alexander George A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 1979 ACKNOWLEDGE~£NTS It is a singular pleasure to acknowledge the many debts of gratitude incurred in the writing of this dissertation. My warmest thanks go to my Director, Dr. Thomas Gorman, not only for his wise counsel and practical guidance, but espec~ally for his steadfast encouragement. I am also deeply indebted to Dr. Paul Messbarger for his careful reading and helpful criticism of each chapter as it was written. Thanks also must go to Father Gene Phillips, S.J., for the benefit of his time and consideration. I am also deeply grateful for the all-important moral support given me by my family and friends, especially Dr. -
Pirate and Hacking Speak Because Your Communicating with the World, Tell Them What You Think
Pirate and Hacking Speak Because your communicating with the world, tell them what you think.... ----------------------------------------------------------------------- Afrikaans Poes / Doos - Pussy Fok jou - Fuck you Jy pis my af - You're pissing me off Hoer - Whore Slet - Slut Kak - Shit Poephol - Asshole Dom Doos - Dump Pussy Gaan fok jouself - Go fuck yourself ------------------------------------------------------------------------ Arabic Koos - cunt. nikomak - fuck your mother sharmuta - whore zarba - shit kis - vagina zib - penis Elif air ab tizak! - a thousand "dicks" in your ass! kisich - pussy Elif air ab dinich - A thousand dicks in your religion Mos zibby! - Suck my dick! Waj ab zibik! - An infection to your dick! kelbeh - bitch (lit a female dog) Muti - jackass Kanith - Fucker Kwanii - Faggot Bouse Tizi - Kiss my ass Armenian Aboosh - Stupid Dmbo, Khmbo - Idiot Myruht kooneh - Fuck your mother Peranuht shoonuh kukneh - The dog should shit in your mouth Esh - Donkey Buhlo (BUL-lo) - Dick Kuk oudelic shoon - Shit eating dog Juge / jugik - penis Vorig / vor - ass Eem juges bacheek doer - Kiss my penis Eem voriga bacheek doer - Kiss my ass Toon vor es - You are an ass Toon esh es - You are a jackass Metz Dzi-zik - Big Breasts Metz Jugik - Big penis ------------------------------------------------------------------------ Bengali baing chood - sister fucker chood - fuck/fucker choodmarani - mother fucker haramjada - bastard dhon - dick gud - pussy khanki/maggi - whore laewra aga - dickhead tor bapre choodi - fuck your dad ------------------------------------------------------------------------ -
2020-05-25 Prohibited Words List
Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 Words Code 2g1c 1 4r5e 1 1 Not Allowed a2m 1 a54 1 a55 1 acrotomophilia 1 anal 1 analprobe 1 anilingus 1 ass-fucker 1 ass-hat 1 ass-jabber 1 ass-pirate 1 assbag 1 assbandit 1 assbang 1 assbanged 1 assbanger 1 assbangs 1 assbite 1 asscock 1 asscracker 1 assface 1 assfaces 1 assfuck 1 assfucker 1 assfukka 1 assgoblin 1 asshat 1 asshead 1 asshopper 1 assjacker 1 asslick 1 asslicker 1 assmaster 1 assmonkey 1 assmucus 1 assmunch 1 assmuncher 1 assnigger 1 asspirate 1 assshit 1 asssucker 1 asswad 1 asswipe 1 asswipes 1 autoerotic 1 axwound 1 b17ch 1 b1tch 1 babeland 1 1 Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 ballbag 1 ballsack 1 bampot 1 bangbros 1 bawdy 1 bbw 1 bdsm 1 beaner 1 beaners 1 beardedclam 1 bellend 1 beotch 1 bescumber 1 birdlock 1 blowjob 1 blowjobs 1 blumpkin 1 boiolas 1 bollock 1 bollocks 1 bollok 1 bollox 1 boner 1 boners 1 boong 1 booobs 1 boooobs 1 booooobs 1 booooooobs 1 brotherfucker 1 buceta 1 bugger 1 bukkake 1 bulldyke 1 bumblefuck 1 buncombe 1 butt-pirate 1 buttfuck 1 buttfucka 1 buttfucker 1 butthole 1 buttmuch 1 buttmunch 1 buttplug 1 c-0-c-k 1 c-o-c-k 1 c-u-n-t 1 c.0.c.k 1 c.o.c.k. -
Music, Politics, People, and Machines
Critical Studies in Improvisation / Études critiques en improvisation, Vol 6, No 2 (2010) Book Review Creative Life: Music, Politics, People, and Machines Bob Ostertag Urbana: U of Illinois P, 2009 ISBN-10: 025207646X ISBN-13: 978-0252076466 194 pages Reviewed by Rob Wallace The title of Bob Ostertag’s third book is more accurately rendered as Creative Life Music Politics People and Machines—a continuous stream of concepts connected precariously only through Ostertag himself. The key term is “creative,” along with the equally important “people.” For while Ostertag’s book is on the one hand a collection of essays touching on various aspects of his own biography and artwork, it is also a series of engaging and at times very moving portraits of his contemporaries. Profiling such figures as Anthony Braxton, David Wojnarowicz, Jim Magee, “Maria,” Aleksandra Kostic, and Justin Bond, Creative Life is a story of many creative “lives” that in some way have intersected with the creative life of the protagonist, Ostertag. Some of these lives may be familiar to readers, some not so familiar, and that latter fact is one of the book’s greatest strengths: as an advocate of artists in particular and interesting people in general, Ostertag’s narrative makes the individuals he meets seem intriguing and potentially life-changing, regardless of their level of “fame” in their respective worlds. The information about Texas-based artist Jim Magee, for example, is reason enough to read the book (and if you are unfamiliar with Magee, as I was, take my word for it and read Ostertag’s profile). -
Variations #6
Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline. -
Rhetorical Meaning-Making Within Intimate Encounters and Their Discourses at the Macro, Meso, and Micro Levels
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2020 'Would You Say You Had Sex If...' Rhetorical Meaning-Making Within Intimate Encounters and Their Discourses at the Macro, Meso, and Micro Levels Megan Orcholski University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Gender and Sexuality Commons, and the Rhetoric Commons Recommended Citation Orcholski, Megan, "'Would You Say You Had Sex If...' Rhetorical Meaning-Making Within Intimate Encounters and Their Discourses at the Macro, Meso, and Micro Levels" (2020). Theses and Dissertations. 2571. https://dc.uwm.edu/etd/2571 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. ‘WOULD YOU SAY YOU HAD SEX IF…’ RHETORICAL MEANING-MAKING WITHIN INTIMATE ENCOUNTERS AND THEIR DISCOURSES AT THE MACRO, MESO, AND MICRO LEVELS. by Megan Orcholski A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Communication at The University of Wisconsin-Milwaukee December 2020 ABSTRACT ‘WOULD YOU SAY YOU HAD SEX IF…’ RETORICAL MEANING-MAKING WITHIN INTIMATE ENCOUNTERS AND THEIR DISCOURSES AT THE MACRO, MESO, AND MICRO LEVELS. by Megan Orcholski The University of Wisconsin-Milwaukee, 2020 Under the Supervision of Professor Dr. Leslie Harris, Ph.D. This dissertation advances a deeper understanding of the rhetoric of intimate encounters by analyzing meaning-making practices at the intersections of sex, sexuality, and sexualized violence at the macro, meso, and micro levels. -
Dissertation for the Degree of Master of Arts In
DISSERTATION FOR THE DEGREE OF MASTER OF ARTS IN LINGUISTICS (BY RESEARCH) STEPHEN TURTON (454123) TITLE Trufax about Discussion Group Netspeak: An Historical Analysis of Semantic Change in the English Slang of Newsgroups and Web Forums SUPERVISOR Dr Andrew Van der Spuy Stephen Turton (454123) LING7010 Page i DECLARATION I, Stephen Turton, state that to the best of my knowledge and belief this dissertation contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. This is my own unaided work. Signed: Date: 27 October 2014 Stephen Turton (454123) LING7010 Page ii A NOTE OF THANKS I should like to thank the Department of Linguistics at the University of the Witwatersrand for the kindness and generosity they have shown to me over the last five years. In particular I wish to thank my supervisor, Dr Andrew Van der Spuy, for the enthusiasm, encouragement, and insight he offered in guiding my research from an inkling of an idea to the completed dissertation. Stephen Turton (454123) LING7010 Page 1 TABLE OF CONTENTS 1 Introduction p. 4 1.1 A Note on the Title p. 4 1.2 Preliminary Remarks p. 4 1.3 Overview p. 6 1.4 Regarding the Presentation of Data p. 7 2 Background p. 8 2.1 Semantic Change p. 8 2.2 Slang p. 8 2.3 Internet Discussion Groups p. 13 3 Literature Review p. 17 4 Methodology p. 21 5 Theoretical Framework p. -
Medical Language in the Speeches of Demosthenes Allison Das a Dissertation Submitted in Partial Fulfillment of the Requirement
Medical Language in the Speeches of Demosthenes Allison Das A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Ruby Blondell, Chair Deborah Kamen Alexander Hollmann Program Authorized to Offer Degree: Classics Department Allison Das ii ©Copyright 2015 Allison E. Das Allison Das iii University of Washington Abstract Medical Language in the Speeches of Demosthenes Allison E. Das Chair of Supervisory Committee Dr. Ruby Blondell Classics Department Introduction This project is intended as an examination of medical language and imagery in the speeches of Demosthenes, with special attention given to his speeches against his political opponent Aeschines, Against the False Embassy (19) and On the Crown (18). In Chapter 1, I contextualize his use of such language and imagery by exploring the influence of Hippocratic medicine on fourth- and fifth-century non-medical literature. I argue that the shared anxieties of medicine and politics, namely that both arts demand quick action and foresight on the part of the good practitioner, and the rich new vocabulary of suffering and disease, made Hippocratic medicine an enticing model for the political writer, that is, the historian, philosopher, and orator. Demosthenes' medical language and imagery should thus be seen as part of a tradition of analogizing the two arts, which began during the circulation of the first Hippocratic treatises and continued well into and past his own day. Allison Das iv In Chapter 2, I look at medical language and imagery in Demosthenes' prosecution of Aeschines for political misconduct during the Second Embassy to Philip II of Macedon, On the False Embassy. -
Getting to Enda
BOY GEORGE TALKS WITH WCT WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 MAR. 9, 2011 PAGE 18 TIMES VOL 26, NO. 23 www.WindyCityMediaGroup.com Getting to ENDA: Is it lost, or obsolete? The first of a two-part series nation, still make sense? ity in the both chambers was losing power, and The answers to those three questions—for nobody knew for sure what hostile language Re- examines the state of things those readers who have reached their word-con- publicans might push in a last-ditch attempt to regarding ENDA sumption threshold—are “not if you’re assessing kill ENDA. They just knew they’d try something. BY LISA KEEN the real-world prospects,” “yes” and “maybe.” Still, it troubled some people recently when KEEN NEWS SERVICE A closer study finds the political reality for a legislative aide to U.S. Rep. Barney Frank, Di- OR CHADASH ENDA in the 111th Congress was one with sharp ego Sanchez, told a “virtual forum” sponsored GALA Did Democrats squander an opportunity to edges, blurs of movement, and obscured details. by eQuality Giving that the votes were there in pass the Employment Non-Discrimination Act Yes, the votes were probably there in the House, the House to pass ENDA and to defeat any Re- PAGE 11 (ENDA) last year? Should they even bother to but the votes in the Senate—as demonstrated publican attempt to kill the measure with some re-introduce the bill this year? And does a bill by two failed attempts to repeal Don’t Ask, Don’t heinous “motion to recommit.” like ENDA, focused only on workplace discrimi- Tell—were unpredictable. -
A Zeitgeist Films Release Theatrical Booking Contact: Festival Booking and Publicity Contact
Theatrical Booking Festival Booking and Contact: Publicity Contact: Clemence Taillandier / Zeitgeist Films Nadja Tennstedt / Zeitgeist Films 212-274-1989 x18 212-274-1989 x15 [email protected] [email protected] a zeitgeist films release act of god a film by Jennifer Baichwal Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal’s (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories from around the world—from a former CIA assassin and a French storm chas- er, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster was caught in a terrifying and deadly storm as a teenager, and it has deeply affected both his life and art: “It opened up a whole realm of speculation that I’ve continued to live with ever since.” In his doctor brother’s laboratory, Frith experiments with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, Act of God singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury. DIRECTOR’S NOTES I studied philosophy and theology before turning to documentary and, in some ways, the questions I was drawn to then are the ones I still grapple with now, although in a different context. Two of these, which specifically inform this film, are the relationship between meaning and randomness and the classical problem of evil. -
Human Bodies, Computer Music Author(S): Bob Ostertag Source: Leonardo Music Journal, Vol. 12, Pleasure, (2002), Pp. 11-14 Publis
Human Bodies, Computer Music Author(s): Bob Ostertag Source: Leonardo Music Journal, Vol. 12, Pleasure, (2002), pp. 11-14 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1513343 Accessed: 23/07/2008 16:29 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Human Bodies, Computer Music ABSTRACT The authorconsiders the absenceof theartist's body in electronicmusic, a missing BobOstertag elementthat he finds crucial to thesuccess of anywork of art. Inreviewing the historical developmentof electronic music frommusique concrete to analogand then digital synthe- sizers,the author finds that the attainmentof increased control iierre Hebert, a frequent collaborator of mine, use outside of research institutions.