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Code-Switching in Contemporary Nigerian Hip
University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs. -
Nigerian Values and Contemporary Popular Music: a New Look
NIGERIAN VALUES AND CONTEMPORARY POPULAR MUSIC: A NEW LOOK Ebele Ojukwu, Elizabeth Obielozie & Chinyere Esimone http://dx.doi.org/10.4314/og.v12i s1.7 Abstract Music is among the ancient art forms in Africa that has flourished as old as man since ancient African society did not separate their everyday activities from their music. Most music performances in Africa go beyond the frontiers of mere entertainment activity but are geared more towards socio-cultural dimensions due to its ability to socialize, consolidate values and other utilitarian exigencies. In the recent times, the younger generations of Africa seem not to have much enthusiasm for their cultural values due to undue foreign influences. Nigerian contemporary pop music is playing an increasingly pivotal role in shaping the continent’s music scene. This paper seeks to portray contemporary pop music as a paradigmatic approach to enliven and perpetuate positive cultural as well as moral values in the Nigerian youths. The paper argues that contemporary Nigerian music can be employed to connect the African heritage to the world and African youths in diaspora will also have the opportunity to hear, touch, feel and create the musical art even in a distant homeland. It concludes by pointing out the need for Nigerian government to turn towards the entertainment industry and indeed the music industry with the objective of identifying possible avenues for growth in the industry, and for cultural sustainability in Nigeria. Keywords: Nigerian values, Music industry, Contemporary popular music, Youths and society Introduction Before the advent of colonialism in Nigeria, the Igbo traditional community, maintain highly and uncontaminated cultural and moral values. -
Communique De Presse
Paris aris Paris, November 30, 2018 Vivendi and its subsidiaries to broadcast and screen the Global Citizen Festival: Mandela 100 in Africa Vivendi has joined forces with international advocacy organization Global Citizen to provide additional support ahead of the Global Citizen Festival: Mandela 100 on December 2, 2018, in Johannesburg. Beyoncé & JAY-Z, Black Coffee, Cassper Nyovest, D'banj, Ed Sheeran, Eddie Vedder, Femi Kuti, Kacey Musgraves, Pharrell Williams & Chris Martin, Sho Madjozi, Tiwa Savage, Usher, and Wizkid will headline the first Global Citizen Festival to be held in Africa. Trevor Noah will host the Global Citizen Festival: Mandela 100 with co-hosts Naomi Campbell, Dave Chappelle, Danai Gurira, Sir Bob Geldof, Gayle King, Bonang Matheba, Nomzamo Mbatha, Tyler Perry, and Anele Mdoda. Oprah Winfrey will deliver a special keynote address at the Festival remembering Nelson Mandela and his legacy. Canal+ Afrique will broadcast the show to millions of its TV viewers throughout 30 African countries, with the well-known Congolese journalist Robert Brazza commenting on this event. All ten CanalOlympia theatre venues will screen the eight-hour long concert free of charge for their audiences in the seven African countries where they are currently located. Michele Anthony, Executive Vice President of Universal Music Group, is a member of the Global Citizen’s Board of Directors. She also chairs the Global Citizen Rewards program, a campaign whereby major artists donate concert tickets that are earned when users take specified actions to end global poverty. About Vivendi Since 2014, Vivendi has been focused on building a world-class content, media and communications group with European roots. -
PROVISIONAL LIST.Pdf
S/N NAME YEAR OF CALL BRANCH PHONE NO EMAIL 1 JONATHAN FELIX ABA 2 SYLVESTER C. IFEAKOR ABA 3 NSIKAK UTANG IJIOMA ABA 4 ORAKWE OBIANUJU IFEYINWA ABA 5 OGUNJI CHIDOZIE KINGSLEY ABA 6 UCHENNA V. OBODOCHUKWU ABA 7 KEVIN CHUKWUDI NWUFO, SAN ABA 8 NWOGU IFIONU TAGBO ABA 9 ANIAWONWA NJIDEKA LINDA ABA 10 UKOH NDUDIM ISAAC ABA 11 EKENE RICHIE IREMEKA ABA 12 HIPPOLITUS U. UDENSI ABA 13 ABIGAIL C. AGBAI ABA 14 UKPAI OKORIE UKAIRO ABA 15 ONYINYECHI GIFT OGBODO ABA 16 EZINMA UKPAI UKAIRO ABA 17 GRACE UZOME UKEJE ABA 18 AJUGA JOHN ONWUKWE ABA 19 ONUCHUKWU CHARLES NSOBUNDU ABA 20 IREM ENYINNAYA OKERE ABA 21 ONYEKACHI OKWUOSA MUKOSOLU ABA 22 CHINYERE C. UMEOJIAKA ABA 23 OBIORA AKINWUMI OBIANWU, SAN ABA 24 NWAUGO VICTOR CHIMA ABA 25 NWABUIKWU K. MGBEMENA ABA 26 KANU FRANCIS ONYEBUCHI ABA 27 MARK ISRAEL CHIJIOKE ABA 28 EMEKA E. AGWULONU ABA 29 TREASURE E. N. UDO ABA 30 JULIET N. UDECHUKWU ABA 31 AWA CHUKWU IKECHUKWU ABA 32 CHIMUANYA V. OKWANDU ABA 33 CHIBUEZE OWUALAH ABA 34 AMANZE LINUS ALOMA ABA 35 CHINONSO ONONUJU ABA 36 MABEL OGONNAYA EZE ABA 37 BOB CHIEDOZIE OGU ABA 38 DANDY CHIMAOBI NWOKONNA ABA 39 JOHN IFEANYICHUKWU KALU ABA 40 UGOCHUKWU UKIWE ABA 41 FELIX EGBULE AGBARIRI, SAN ABA 42 OMENIHU CHINWEUBA ABA 43 IGNATIUS O. NWOKO ABA 44 ICHIE MATTHEW EKEOMA ABA 45 ICHIE CORDELIA CHINWENDU ABA 46 NNAMDI G. NWABEKE ABA 47 NNAOCHIE ADAOBI ANANSO ABA 48 OGOJIAKU RUFUS UMUNNA ABA 49 EPHRAIM CHINEDU DURU ABA 50 UGONWANYI S. AHAIWE ABA 51 EMMANUEL E. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
'Sexual Largess' Themes, Lyrics and Images in Nigerian Hip- Hop
1 Sexuality and ‘Sexual Largess’ Themes, Lyrics and Images in Nigerian Hip- Hop Music Videos: A Content Analysis By Jemisenia John Oluwaseyi 08032070010 [email protected] & Ezenagu Nnedinma Roseline 08054805605 [email protected] Department of Sociology and Anthropology University of Nigeria Nsukka Abstract Sexual contents in the media have received great attention from scholars and researchers since the 1980s till present, regrettably very little has been done in this area of research in Nigeria, where increasing controversies have continued to trail the contents of videos that are shown on such terrestrial channels as Channel ‘O’, Hip-TV, Soundcity, Mtv base, and BET. Issues surrounding the rate of sexuality, sex, sexism, objectification, materialism, and the ‘good life’ (as it is shown on these music channels) have come under intense scrutiny by observers, commentators, scholars and the general public. Consequently, this study analyzed themes, lyrics and images bordering on sexuality and sexual largess in Nigerian Hip-Hop music videos on two popular stations on the terrestrial channels: Soundcity and Hip.Tv music channels between the periods of April to June, 2015. Through a multi-stage sampling technique, 132 videos were selected for analysis. Two independent coders were trained. The Cohen’s kappa (k) symmetric measure of agreement was employed in order to ensure the reliability of items. The Cohen’s kappa (k) for this study was 0.792. Altogether, result revealed that sexual themes, lyrics and images that are derogatory to womanhood are predominant in the analyzed music videos. The study recommends among others, enlightenment on the part of musicians/artistes on the need to promote messages of gender equality. -
ONE AFRICA MUSIC FEST Dubai 2019
ONE AFRICA MUSIC FEST Dubai 2019. (MEDIA PROJECT) Africa, powered by Music. Afrobeats to the World. STATISTICS & IMPACT. Attendance – 5000 attendees (Sold out) Access fee – Average $40 Male – 65% Female – 35% Countries in attendance – Nigeria, Zimbabwe, Rwanda, Uganda, UAE etc. Economic Impact to Kigali - $6million Industries affected – Airlines, Hospitality(Hotels), Logistics(Transportation), Arts & Craft, Food(Restaurants) WHY ‘ONE AFRICA MUSIC FEST’? • One Africa Global (Parent Company of ‘One Africa Music Fest’) mission is to afford the general public with African cultural and artistic experiences, promote the sense of Pan Africanism, make known the prospects in Africa and positioning Africa as the perfect destination for investment and by so doing, making Africa great again. This is accomplished through our goals: i. Encouraging people to increase their knowledge of African culture, using African arts that relate to the values and principles of African society and life. ii. Encouraging the respect that is incorporated in African culture. iii. Educating people of African descent about their culture and history so that they may gain a positive self-image, self-awareness and self-direction. iv. Create avenue where global communities can access the opportunities that Africa houses. v. Showcasing the beauty of African culture by performing African dance, music and story globally. vi. Provide investment and trade exchange platform that ushers in robust development in Africa for smart economy. STRATEGIES OF OAMF SYNCS WITH THAT OF AMFEST. • OUR STRATEGY • i. Fostering integration using African culture and art that facilitates world acceptance. • ii. Structuring a new frame work for economic growth and development by Africans for Africa. -
The Evolution of Feminism in Nigerian Media: a Look at Igbo Culture Films
THE EVOLUTION OF FEMINISM IN NIGERIAN MEDIA: A LOOK AT IGBO CULTURE FILMS A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Studies University of Regina By Joy Adanna Emelogu Regina, Saskatchewan January 2019 Copyright 2019: J. A. Emelogu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Joy Adanna Emelogu, candidate for the degree of Master of Arts in Media Studies, has presented a thesis titled, The Evolution of Feminism in Nigerian Media: A Look at IGBO Culture Films, in an oral examination held on December 19, 2018. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Claire Carter, Department of Women’s and Gender Studies Supervisor: Dr. Sheila Petty, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: Dr. Darlene Juschka, Department of Women’s & Gender Studies Chair of Defense: Dr. Philip Charrier, Department of History Abstract This thesis addresses the subject of feminism in the Nigerian media, particularly on how issues related to women’s rights and gender discrimination have been addressed in Igbo culture Nigerian films. For several decades, the Nigerian home video industry, dominated by Igbo culture-themed films, has been one of the most influential media forms across Nigeria and Africa in general. These films are a staple in many homes; the images, narratives, and ideas that they disseminate go a long way in shaping or reinforcing public perceptions about the role of women and their status in society. -
Films in Competition and Parallel Sections
Marrakech Unveils Its Official Selection: Films in Competition and Parallel Sections • 14 films in Official Competition • 7 Moroccan films screened in the framework of a dedicated section • The 11th Continent, a new section to discover sharp and bold cinema • Gala screenings, Special Screenings, and general public screenings round out the programme Rabat, November 14, 2018, the Marrakech International Film Festival (FIFM) unveils the official selection. From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries. The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. Fourteen (14) films are thus in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the framework of the Official Competition of the 17th Edition of FIFM. In selecting these first or second feature-length films, the Festival grants priority to the discovery and consecration of new talents in world cinema. The selection is eclectic, its purpose being to showcase several cinematic universes developed in different regions of the world, with four (4) European films (from Austria, Bulgaria, Germany, and Serbia); three (3) films from Latin America (Argentina and Mexico); one (1) US film; two (2) Asian films (China and Japan); and four (4) films from the MENA region (Egypt, Morocco, Sudan, and Tunisia). Of the 14 films in competition, six are directed by women. Six great auteur films, with first-rate distribution, will be shown on the Festival’s gala evenings. -
The Nigerian Music Industry: Making the Music Pay Through Intellectual Property by Solomon Nzere* [email protected]
The Nigerian Music Industry: Making the Music Pay through Intellectual Property by Solomon Nzere* [email protected] Industry Insight, January 2018 Image Source: Tush Magazine Overview of the Nigerian Music Industry Perhaps the inspiring history of Nigeria’s music industry is best told through Star Mega Jam, a mega music-performance concert which paraded international artistes like Shaggy, Usher, Akon, T-Pain, Ludacris, and other stars from its inception in 2000 to 2010. In the midst of this boisterous mega music concert, a quiet revolution was brewing. Sparks of this revolution came to fore in December 2004 when Eedris Abdulkareem, a Nigerian 1 rapper, protested the obvious disparity in the treatment given to foreign artistes over the local artistes at the concert. The protest exposed the lopsidedness in Nigeria’s young music industry. But today, it’s a different story. Since the Star Mega Jam concert, all that has had to be chronicled is the continued rise and rise of the Nigerian music industry which hit an undeniable high point in Wizkid’s sold-out performance at the Royal Albert Hall1. Nigerian artistes now headline shows without big foreign names and command the bulk of endorsements from companies. This growth has been captured in numbers with PwC reporting that revenue from music sales in Nigeria is estimated to grow to $86 million in 2019 from its value of $47 million in 2016, a growth fuelled largely by sales of ringtones and ringback tunes. This revenue growth in the music industry forms a major part of the total -
Second Wave of Showcasing Artists Announced for SXSW Music Festival
SOUTH BY SOUTHWEST MUSIC FESTIVAL SECOND WAVE OF SHOWCASING ARTISTS ANNOUNCED 250 More Artists Invited to Perform For a Global Audience Austin, Texas - November 28, 2018 - The South by Southwest® Music Festival (SXSW®) has announced the second wave of Showcasing Artists invited to perform at the 2019 event. Each year the festival hosts a curated mix of up-and-coming and legendary artists from around the world, performing in intimate clubs as well as renowned music venues. This eclectic blend creates interactions between industry professionals, influencers, international media and music fans, allowing attendees and performers alike the opportunity to advance their creative and career objectives. The SXSW Music Festival’s 33rd annual event takes place Monday, March 11 - Sunday, March 17, 2019 in downtown Austin, Texas. The SXSW Music Festival programmers create a unique experience featuring artists from multiple genres. A few highlights from this second round of artists include: AQUIHAYAQUIHAY (Monterrey MEXICO), Black Midi (London UK-ENGLAND), BRONCHO (Tulsa OK), Caitlyn Smith (Cannon Falls MN), Combo Chimbita (Brooklyn NY), The Comet is Coming (London UK-ENGLAND), Deerhunter (Atlanta GA), Delaporte (Madrid SPAIN), DRAMA (Chicago IL), Dylan Cartlidge (Redcar UK-ENGLAND), Jealous of the Birds (Belfast UK-N. IRELAND), LUWTEN (Rotterdam NETHERLANDS), Mr Eazi (Lagos NIGERIA), Nadine Shah (South Shields UK-ENGLAND), Odette (Sydney AUSTRALIA), Soft Kill (Portland OR), Trupa Trupa (Gdansk POLAND), Vacations (Newcastle AUSTRALIA), and Versus (New York NY). This is the second of several announcements of the wide array of artists who will be performing for the global creative community, and an opportunity to experience what will be hitting the festival circuit while it’s still on a small stage. -
P Square Testimony Video
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