Dislocation of Time in John Fowles's
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Fiction John Fowles, the Collector, Boston: Little, Brown and Company, 1963
BIBLIOGRAPHY WORKS BY JOHN FOWLES Fiction John Fowles, The Collector, Boston: Little, Brown and Company, 1963. —— Daniel Martin, Boston: Little, Brown and Company, 1977. —— The Ebony Tower, Boston: Little, Brown and Company, 1974. —— The French Lieutenant’s Woman, Boston: Little, Brown and Company, 1969. —— A Maggot, Boston: Little, Brown and Company, 1985. —— The Magus, New York: Dell Publishing, 1978. —— Mantissa, Boston: Little, Brown and Company, 1982. Nonfiction John Fowles, The Aristos, Boston: Little, Brown and Company, 1964. —— The Enigma of Stonehenge, New York: Summit Books, 1980. —— Foreword, in Ourika, by Claire de Duras, trans. John Fowles, New York: MLA, 1994, xxix-xxx. —— Islands, Boston: Little, Brown and Company, 1978. —— Lyme Regis Camera, Boston: Little, Brown and Company, 1990. —— Shipwreck, Boston: Little, Brown and Company, 1975. —— A Short History of Lyme Regis, Boston: Little, Brown and Company, 1982. —— Thomas Hardy’s England, Boston: Little, Brown and Company, 1984. —— The Tree, New York: The Ecco Press, 1979. Translations Claire de Duras, Ourika, trans. John Fowles, New York: MLA, 1994. 238 John Fowles: Visionary and Voyeur Essays John Fowles, “Gather Ye Starlets”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 89-99. —— “I Write Therefore I Am”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 5-12. —— “The J.R. Fowles Club”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 67. —— “John Aubrey and the Genesis of the Monumenta Britannica”, in Wormholes, ed. Jan Relf, New York: Henry Holt and Company, 1998, 175-96. —— “The John Fowles Symposium, Lyme Regis, July 1996”, in Wormholes, ed. -
Dalrev Vol68 Iss3 Pp288 301.Pdf (6.837Mb)
Frederick M. Holmes The Novelist as Magus: John Fowles and the Function of Narrative It is difficult to trap John Fowles the writer under conceptual nets. Having announced his intention not "to walk into the cage labelled 'novelist,' " 1 he has published, in addition to his best-selling novels, a volume of poems, a philosophical tract, and discursive prose on such subjects as Stonehenge, the Scilly Isles, trees, cricket, and Thomas Hardy. When we restrict our attention to his fiction, he is equally hard to classify unambiguously. His aesthetic has been called "conservative and traditional,''2 and yet John Barth includes Fowles, along with himself, in a group of avant-garde novelists who have been tagged postmodernist.J On the one hand, Fowles has championed realism, 4 repudiated art which exalts technique and style at the expense of human content,5 endorsed the ancient dictum that the function of art is to entertain and instruct, 6 and announced a didactic intention to "improve society at large."7 To some extent, his novels do realize these traditional aims. They usually create an intense illusion that real human dramas are being played out before the reader's eyes. Each of these dramas is a didactic exemplum of Fowles's belief in the value of freedom. 8 On the other hand, though, Fowles has affirmed the reality of the crisis often said to have made the contemporary novel prob lematic.9 This awareness has rendered his fictions self-referential in ways that cast doubt upon their mimetic capacity. His narratives frequently expose themselves as arbitrary, decentred, and inconclusive structures of words cut loose from any legitimating origin or trans cendent authority. -
An Analysis of Feminism Reflected in the Film the French Lieutenant's
American International Journal of Contemporary Research Vol. 4, No. 4; April 2014 An Analysis of Feminism Reflected in the Film the French Lieutenant’s Woman Siyu Gao Beijing Institute of Petrochemical Technology Qingyuan north road No.19, Huangcun, Daxing District, Beijing Beijing, China Abstract The novel The French Lieutenant's Woman is a masterpiece that John Fowles, a contemporary British writer created in the 60s of last century. In 1981, the film of the same name directed by Karel Reisz and adapted by playwright Harold Pinter. The French Lieutenant’s Woman is one of the world's most successful literary classic films. It is about a love story happened in England in nineteenth Century. Sarah, a woeful and mysterious woman in Victorian era, a virgin but claimed to have committed to a French lieutenant, be spurned for being regarded as a sinful and lustful woman. But her mystery, unique, boldness, melancholy beauty and wild enthusiasm could arouse compassion and adoration of men. She had a torrid love with Charles but eventually left quietly when Charles had dissolved engagement with Freeman. In the Victorian era -- a patriarchal social environment, the social status of women was affected by the patriarchy. The female was put in a humiliating position for a long time. In patriarchal oppression, the economy also forced to sponge on men which result in women’s being unable to enjoy the right of self-realization and self-independent. However, in this film, the heroine Sarah in the social context demonstrated bravery and determination of striving against traditional customs, pursuing after true love and defending against her freedom. -
The Post-Postmodern Aesthetics of John Fowles Claiborne Johnson Cordle
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1981 The post-postmodern aesthetics of John Fowles Claiborne Johnson Cordle Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Cordle, Claiborne Johnson, "The post-postmodern aesthetics of John Fowles" (1981). Master's Theses. Paper 444. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE POST-POSTMODERN AESTHETICS OF JOHN FOWLES BY CLAIBORNE JOHNSON CORDLE A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF ~.ASTER OF ARTS ,'·i IN ENGLISH MAY 1981 LTBRARY UNIVERSITY OF RICHMONl:» VIRGINIA 23173 CONTENTS INTRODUCTION . p . 1 CHAPTER 1 MODERNISM RECONSIDERED . p • 6 CHAPTER 2 THE BREAKDOWN OF OBJECTIVITY . p • 52 CHAPTER 3 APOLLO AND DIONYSUS. p • 94 CHAPTER 4 SYNTHESIS . p . 102 CHAPTER 5 POST-POSTMODERN HUMANISM . p . 139 ENDNOTES • . p. 151 BIBLIOGRAPHY . • p. 162 INTRODUCTION To consider the relationship between post modernism and John Fowles is a task unfortunately complicated by an inadequately defined central term. Charles Russell states that ... postmodernism is not tied solely to a single artist or movement, but de fines a broad cultural phenomenon evi dent in the visual arts, literature; music and dance of Europe and the United States, as well as in their philosophy, criticism, linguistics, communications theory, anthropology, and the social sciences--these all generally under thp particular influence of structuralism. -
A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner. -
EXISTENTIALISM in VICTORIAN ERA: REVIEWING JOHN FOWLES's the FRENCH LIEUTENANT's WOMAN Nimmy Mariam Jacob
VEDA’S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Vol.7 Issue 3 An International Peer Reviewed(Refereed) Journal 2020 Impact Factor (SJIF) 4.092 http://www.joell.in RESEARCH ARTICLE EXISTENTIALISM IN VICTORIAN ERA: REVIEWING JOHN FOWLES'S THE FRENCH LIEUTENANT'S WOMAN Nimmy Mariam Jacob (Post Graduate in English Language and Literature(2019), Plavilakandathil(H),Arattupuzha P.O., Pathanamthitta, Kerala, 689123.) DOI:10.33329/joell.7.3.20.30 ABSTRACT Victorian novels presented carefully constructed conventional characters that does not deviate from the social standards. It was hard to find whether any deviant people survived then. The Victorians survived on a turbulent ground with Darwin's theory of evolution and various political reforms. Darwin shook their religious adherence. There were people who struggled hard to maintain the status quo with their blind belief and aversion to change. Some of them believed in Darwin and exhibited themselves as free thinking men. In reality they possessed a chaotic soul and were trying hard to balance their Victorian essence and Modernity. Rarely lived some legendary men who transcended their age. These men often failed to find their space in any manuscripts of the time. The French Lieutenant's Woman, traces the roots of a 20th century philosophy named Existentialism in the predecessors. History has the feature of characteristically representing everything in groups or forms. Undermining the inconspicuous exclusivities provides an indubitable awareness about the period. Keywords: Conventions, Existentialism, Solitariness, Redemption, Victorianism. Author(s) retain the copyright of this articleCopyright© 2020VEDAPublications Author(s) agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License . -
Frenchlieutenantswom
Virtual April 6, 2021 (42:10) Karel Reisz: THE FRENCH LIEUTENANT’S WOMAN (1981, 124 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to The French Lieutenant’s Woman Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Directed by Karel Reisz Based on the novel by John Fowles Screenplay by Harold Pinter Produced by Leon Clore Original Music by Carl Davis Cinematography by Freddie Francis Liz Smith....Mrs. Fairley The film was nominated for five Oscars, including Patience Collier....Mrs. Poulteney Best Actress in a Leading Role (Meryl Streep) and David Warner....Murphy Best Writing, Screenplay Based on Material from Another Medium (Harold Pinter), at the 1982 Karel Reisz (21 July 1926, Ostrava, Academy Awards. Czechoslovakia—25 November 2002, London, England) directed 13 theatrical and tv films: “Act Meryl Streep....Sarah/Anna Without Words I” (2000), The Deep Blue Sea (1994), Jeremy Irons....Charles Henry Smithson/Mike Everybody Wins (1990), Sweet Dreams (1985), The Hilton McRae....Sam French Lieutenant's Woman (1981), Who'll Stop the Emily Morgan....Mary Rain (1978), The Gambler (1974), Isadora (1968), Charlotte Mitchell....Mrs. Tranter Morgan (1966), Night Must Fall (1964), Saturday Lynsey Baxter....Ernestina Night and Sunday Morning (1960), We Are the Jean Faulds....Cook Lambeth Boys (1958) and Momma Don't Allow Peter Vaughan ....Mr. -
The French Lieutenant's Woman
1993/ /2014 Whose Story?: The Screen Adaptation of John Fowles’s The French Lieutenant’s Woman Sara Martín Alegre Tesina/(MA) Dissertation Programa de Doctorat en Filologia Anglesa Departament de Filologia Anglesa i de Germanística Universitat Autònoma de Barcelona Contents Abstract ........................................................................................................................ 1 1. Introduction: Establishing the Ownership of Stories ................................................... 1 1.1. Reconsidering the Role of the Screen Playwright ................................................ 4 1.2. Reconsidering Screen Adaptations .................................................................... 13 2.The Novel and the Novelist: Obsessive Authorial Control ......................................... 19 2.1. Vindicating the Victorian Author: The Problem of Controlling the Female Protagonist .............................................................................................................. 19 2.2. The French Lieutenant’s Woman in Conversation with Other Texts: Overcoming the Need for a Husband ........................................................................................... 30 3. The Novel and the Screenwriter: Rewriting from Scratch......................................... 41 3.1. Between Stage and Screen: Harold Pinter ......................................................... 41 3.2. From Project to Film: Selling The French Lieutenant’s Woman to American Audiences ............................................................................................................... -
Writing the Feminine: John Fowles's Modern Myth Priscilla Peichin Lin
Writing the Feminine: John Fowles’s Modern Myth Priscilla Peichin Lin, Fongshan Elementary School, Taiwan The Asian Conference on Arts and Humanities 2019 Official Conference Proceedings iafor The International Academic Forum www.iafor.org Fowlesian women struck me as being courageous and other-worldly upon my first reading of them. Rather than voiceless sources of male creativity, John Fowles’s women characters tend to be vivid practitioners of the arts, presiding over all the arts which constitute civilized life. In Fowles’s works, he invokes a mythic struggle for the emergence of the independent and self-defining voice of modern women as both thinkers and creators. He reflects on “sexual differences” 1 and explores relationships between men and women, and has built his major themes around the contrast between masculine and feminine mentality. Despite his technical experimentation and stylistic diversity, Fowles exhibits a thematic consistency in his advocacy of feminism.2 His preoccupation with the individuals’s place in the world of social and sexual relations generates a number of recurring motifs. Of these, the question of freedom and the search for a valid foundation on which to base one’s choices have in fact occupied much of Fowles’s works. Taken as a whole, he has created multi-leveled romance fiction of considerable complexity and depth. Labeled a “fellow-traveller with feminism,”3 Fowles has always constructed his fiction upon the principle that women are intrinsically better, more authentic, and freer than men. In his fiction, women tend to appear as the representatives of a humanizing force (Lenz 224). -
The Concept of Truth and Artifact in the Fiction Of
THE CONCEPT OF TRUTH AND ARTIFACT IN THE FICTION OF JOHN FOWLES By MICHAEL GEORGE MERCER B.A., Sir George Williams University, 1967 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 19?0 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The.University of British Columbia Vancouver 8, Canada Date T&/CZT. 2 0/ 7Q 1 ABSTRACT The aims of this thesis are to investigate the use of artifice in John Fowles' The Collector, The Magus, and The French Lieutenant's Woman, and show how, through the mani- -pulation of illusion and reality, Fowles explores his own belief that the purpose of the artifact is in revealling the truth. In the Introduction, Fowles' vision of reality is examined with particular reference to his philosophical work, The Aristos> A Self-Portrait in Ideas. To Fowles, the universe is ruled only by.hazard and flux; and. therefore, the meaning of life is, in the absence,of a comprehensible force of causality, an eter- -nal mystery to man. -
Book Reviews David Richards Bridgewater State College
Bridgewater Review Volume 4 | Issue 1 Article 12 Apr-1986 Book Reviews David Richards Bridgewater State College Hal DeLisle Bridgewater State College Richard A. Henry Bridgewater State College Recommended Citation Richards, David; DeLisle, Hal; and Henry, Richard A. (1986). Book Reviews. Bridgewater Review, 4(1), 22-25. Available at: http://vc.bridgew.edu/br_rev/vol4/iss1/12 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Book Reviews Tavris disputes each of these beliefs. tunately, these three conditions are seldom Rather, she views anger as a social event. a met. form of communication. To be sure, anger Does alcohol release anger? Alcohol ANGER is in part a product of our biological soothes angry individuals as often as it heritage. However, unlike animal aggres inflames them. Tavris suggests that alcohol The Misunderstood sion, which may occur more or less auto merely provides one with a social excuse to matically in response to certain stimuli, behave in ways that might be otherwise Emotion human anger is influenced by judgment and threatening or uncomfortable. choice. Which sex has the anger problems? Tav For example, whether or not we become ris produces some interesting statistics. Carol Tavris angry in a given situation depends upon our Very few studies have found any sex dif interpretation of that situation. Behind ferences in proneness to or expression of Simon and Schuster, Inc. every incidence of anger is the belief that anger. Males are more aggressive than fe New York: 1982 someone is not behaving as he or she ought males, but only to strangers. -
A Critical Study of the Novels of John Fowles Katherine M
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.