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Ing Development Halts Cable Change in Dorms Causes Construction Until Economy Improves
T C U EST. 1902 DADAILYSKIFF.ILCOM ∙Y TUESDAY, JANUARY S27, 2009 ∙KIFF VOL. 106 ISSUE 63 WestBend shopping development halts Cable change in dorms causes construction until economy improves. students to miss about half the Tomorrow in News channels they had last semester. Tomorrow in News FACULTY REWARDS Student feedback won’t affect pay raises By Elle Cahalan said Rod Davis, manager of communica- Dorraj said a drawback could be the temp- The A&M system implemented the Stu- Staff Reporter tions media at Texas A&M. Davis said he tation for professors to make their courses dent Led Awards for Teaching Excellence and the university’s student government see easier to cater to the students because faculty last semester at its main College Station Some public universities in Texas plan to this as a positive way to acknowledge pro- whose classes are more difficult are some- campus in addition to its Kingsville and reward professors who receive high marks fessors. Others, however, including some times evaluated negatively by students who Prairie View campuses, Davis said. on student evaluations, but TCU will not faculty members, are skeptical of students are just looking for an easy A. Students were responsible for making join these efforts anytime soon, Chancellor evaluating professors and worry that this A peer-review process could help decide questionnaires, distributing them to faculty Victor Boschini said. system could encourage professors to make whether a faculty member should receive and evaluating them. The professors volun- The university is always willing to con- their courses easier. the bonus, he said. -
Rachel Mayes Allen Thesis
Liberty University Don’t Kill Mockingbird An Educator’s Guide to Teaching To Kill a Mockingbird in the Twenty-First Century Rachel Mayes Allen ENGL 690 Thesis Defense 17 August 2021 1 Introduction As high school students, we all must face certain academic rites of passage: dissecting a frog in biology, failing an algebra test, giving a shaky demonstration speech, taking a field trip to the capitol (state or national, location allowing) as a giddy social studies teacher plays tour guide. For better or for worse, these learning experiences can be among the most memorable moments of adolescence. If we embrace them fully, these traditions may even be formative, taking up residence in our souls and forever informing our way of seeing and being in the world. The rites of passage in English classes tend to be a bit less flashy, but if we are willing to invest ourselves in them, they can be among the most formative of all. In English, we read stories—coming-of- age novels such as Great Expectations and, in edgier classrooms, The Absolutely True Diary of a Part-Time Indian. By following the characters’ rites of passage into maturity, we participate in a literary rite of passage of our own. For many of us, one of the most beloved such stories was Harper Lee’s Pulitzer Prize- winning novel To Kill a Mockingbird. We watched Scout Finch as she learned to consider other points of view and face prejudice with courage, and by the story’s end we felt she could be a friend, even a reflection of our own childhood selves, lost now to the passage of time. -
Read Book Go Set a Watchman LP Pdf Free Download
GO SET A WATCHMAN LP PDF, EPUB, EBOOK Harper Lee | 352 pages | 14 Jul 2015 | Harperluxe | 9780062433657 | English | United States Go Set a Watchman LP PDF Book Retrieved February 3, Average rating 3. In a way, Go Set A Watchman is neither a sequel nor an undeveloped manuscript. In one particularly chilling scene, Jean Louise, who had seen Cal as a nurturing force her entire life, now wonders if Cal ever really cared for her or, instead, saw her only through a racial lens. Yes, the judgments are still in the coming; yes, the black community must still get a certificate of progress from their previous oppressors; yes, now that they have stopped treating them as subhumans, by opening an equal playing field before them in theory , they want them to be quick to dissolve the weight of the past and join in the patriotic song-singing and nationalistic flag-waving, to live happily ever after, till kingdom come. Jean Louise goes to visit Calpurnia, hoping to console her and to be consoled in return. There are also beautiful passages that reflect the attachment Harper Lee, through her avatar, feels to her native soil. Go Set a Watchman is no classic. She then continued to work on the manuscript for the next two years, submitting revised manuscripts to her literary agents. How to look at - a rough draft , a first novel in need of an 3. Go Set a Watchman is a fantastic book, and in many ways it does transcend the naivety of To Kill a Mockingbird. Since I did not live during this time, I feel I am unable to say if he was right or wrong. -
In Another Person's Skin: Adaptations of to Kill a Mockingbird and The
Conspectus Borealis Volume 4 | Issue 1 Article 5 11-3-2018 In Another Person’s Skin: Adaptations of To Kill a Mockingbird and the Characterization of Scout Finch Eric A. Pitz Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the American Film Studies Commons, American Literature Commons, Dramatic Literature, Criticism and Theory Commons, Literature in English, North America Commons, Other Film and Media Studies Commons, Performance Studies Commons, and the Visual Studies Commons Recommended Citation Pitz, Eric A. (2018) "In Another Person’s Skin: Adaptations of To Kill a Mockingbird and the Characterization of Scout Finch," Conspectus Borealis: Vol. 4 : Iss. 1 , Article 5. Available at: https://commons.nmu.edu/conspectus_borealis/vol4/iss1/5 This Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. In Another Person’s Skin Adaptations of To Kill a Mockingbird and the Characterization of Scout Finch The history of racism and intolerance in America permeates its literary canon, with works such as Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852), Mark Twain’s The Adventures of Huckleberry Finn (1884), and Ralph Ellison’s Invisible Man (1952), functioning as seminal pieces that not only engage with that history, but also capture white attitudes towards black people at each time of publication. In one of the most celebrated works within the canon, To Kill a Mockingbird (1960), Harper Lee constructs a character whose feistiness, youthful innocence, and tomboyish charm helps her readers understand the injustices towards black people in the southern United States, as well as what it means to grow up more generally. -
Go Set a Watchman by Harper Lee
Go Set a Watchman by Harper Lee About the Book An historic literary event: the publication of a newly discovered novel, the earliest known work from Harper Lee, the beloved, bestselling author of the Pulitzer Prize-winning classic, TO KILL A MOCKINGBIRD. Originally written in the mid-1950s, GO SET A WATCHMAN was the novel Harper Lee first submitted to her publishers before TO KILL A MOCKINGBIRD. Assumed to have been lost, the manuscript was discovered in late 2014. GO SET A WATCHMAN features many of the characters from TO KILL A MOCKINGBIRD some 20 years later. Returning home to Maycomb to visit her father, Jean Louise Finch --- Scout --- struggles with issues both personal and political, involving Atticus, society, and the small Alabama town that shaped her. Exploring how the characters from TO KILL A MOCKINGBIRD are adjusting to the turbulent events transforming mid- 1950s America, GO SET A WATCHMAN casts a fascinating new light on Harper Lee’s enduring classic. Moving, funny and compelling, it stands as a magnificent novel in its own right. Discussion Guide 1. GO SET A WATCHMAN takes place more than 20 years after TO KILL A MOCKINGBIRD begins. When WATCHMAN opens, Jean Louise Finch --- now 26 and living in the North, in New York City --- is returning to her hometown of Maycomb, Alabama. Describe the Maycomb of GO SET A WATCHMAN. If you have read MOCKINGBIRD, has the town changed in the intervening years? If so, how? 2. Harper Lee writes, “Until comparatively recently in its history, Maycomb County was so cut off from the rest of the nation that some of its citizens, unaware of the South’s political predilections over the past ninety years, still voted Republican.” What are these predilections, and where do they originate? What is Harper Lee telling us about the period and the politics and attitudes of this small Southern town? 3. -
Hey, Boo Harper Lee and ‘To Kill a Mockingbird’
Hey, Boo Harper Lee and ‘To Kill A Mockingbird’ A film by Mary McDonagh Murphy 82 minutes, color, 2010 HDCAM, LtRt First Run Features The Film Center Building 630 9 th Avenue, Suite 1213 New York, NY 10036 212.243.0600 (t) / 212.989.7649 (f) http://www.marymurphy.net/ Short Synopsis To Kill a Mockingbird was the first and only novel by a young woman from the South. It became one of the biggest best-sellers of all time and she became a mystery. Hey Boo: Harper Lee & To Kill a Mockingbird explores the history and impact of the novel and offers an unprecedented look at the life of the novelist. Fifty years after its publication, To Kill a Mockingbird is required reading in most American classrooms and still sells nearly a million copies a year. Hey, Boo: Harper Lee & To Kill a Mockingbird chronicles how this beloved novel came to be written, provides the context and history of the Deep South where it is set, and documents the many ways the novel has changed minds and shaped history. For teachers, students or fans of the classic, Hey, Boo enhances the experience of reading To Kill a Mockingbird. Hey, Boo features insightful interviews with Oprah Winfrey, Tom Brokaw, Pulitzer Prize-winning authors Rick Bragg, Anna Quindlen, and Richard Russo, historians Jon Meacham and Diane McWhorter and civil rights leader Andrew Young addressing the novel’s impact on their lives, careers and country. Lee’s friends and family speak on the record, sharing intimate recollections, anecdotes, and biographical details for the first time, offering new insight into the life and mind of Harper Lee, who stopped speaking to the press in 1964. -
“Go Set a Mockingbird” – What Lee's Novels Teach Us About Race
Southern Illinois University Carbondale OpenSIUC ES Hough Library Research Scholarship Awards Emma Smith Hough Library Research Scholarship 2019 Awards 2018 “Go Set a Mockingbird” – What Lee’s Novels Teach Us About Race Julia Cicero [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/esh_2019 Recommended Citation Cicero, Julia. "“Go Set a Mockingbird” – What Lee’s Novels Teach Us About Race." (Jan 2018). This Article is brought to you for free and open access by the Emma Smith Hough Library Research Scholarship Awards at OpenSIUC. It has been accepted for inclusion in ES Hough Library Research Scholarship Awards 2019 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Cicero 1 Julia Cicero ENGL 301-001 Dr. Dougherty 12/11/2018 “Go Set a Mockingbird” – What Lee’s Novels Teach Us About Race Readers and scholars alike consider Harper Lee’s To Kill a Mockingbird to be one of the most quintessential works of American literature. It has long been hailed as a proponent of racial equality and of human empathy, characteristics that are particularly exemplified by the fictional Atticus. However, the supposedly anti-racist nature of the novel has been questioned by literary critics, especially in recent years. Some have looked at racism as it pertains to the characters within the novel. Atticus, who many consider a “champion against racism” (Macaluso 280), never explicitly challenges the racism in Maycomb. Even when defending Tom Robinson, a black man, Atticus’s defense is weak, according to Best. She argues that Atticus intentionally sabotages Tom’s case in order to uphold the Panopticon-like structure of Maycomb society (Best 546) – that is, to maintain the segregated factions of class, gender, and race “from which no one can escape, at least not without severe repercussions” (Best 541). -
Mirroring Atticus: a Text-Complexity Circle Highlights Unconventional Heroes
Kansas English, Vol. 98, No. 1 (2017) Mirroring Atticus: A Text-Complexity Circle Highlights Unconventional Heroes Jason J. Griffith Abstract This article outlines the arrangement of a text circle in an eighth-grade English language arts class around the novel To Kill a Mockingbird. The author first provides rationale for examining Atticus Finch as a non-traditional hero for his going against the status quo despite consequence to do what's right. The author then establishes that mirror neurons allow student readers to experience literature and emotionally put themselves into situations they might not otherwise experience; and therefore, Atticus is worthy of direct character study. Ancillary texts to support Atticus' heroic example are shared, including the films Gandhi, High Noon, and 12 Angry Men as well as the song "I Won't Back Down.” Finally, excerpts from student responses comparing and contrasting characters in the various texts demonstrate a deeper understanding of the fulcrum text (To Kill a Mockingbird) as well as personal thematic connection by students. Keywords To Kill a Mockingbird, Atticus Finch, text-complexity circle, text set, unconventional heroes, literature, unit plan, empathy Introduction We’re the safest folks in the world… We’re so rarely called upon to be Christians, but when we are, we’ve got men like Atticus to go for us… I thought, Atticus Finch won’t win, he can’t win, but he’s the only man in these parts who can keep a jury out so long in a case like that. And I thought to myself, well, we’re making a step—it’s just a baby step, but it’s a step. -
WHAT I LEARNED at the MOVIES ABOUT LEGAL ETHICS and PROFESSIONALISM by Anita Modak-Truran
WHAT I LEARNED AT THE MOVIES ABOUT LEGAL ETHICS AND PROFESSIONALISM By Anita Modak-Truran HOW I GOT HERE I’ve been fortunate. I practice law. I make movies. I write about both. I took up my pen and started writing a film column for The Clarion-Ledger, a Gannett-owned newspaper, back in the late 90s, when I moved from Chicago, Illinois, to Jackson, Mississippi. (It was like a Johnny Cash song… “Yeah, I’m going to Jackson. Look out Jackson Town….”) I then turned my pen to writing for The Jackson Free Press, an indie weekly newspaper, which provided me opportunities to write about indie films and interesting people. I threw down the pen, as well as stopped my public radio movie reviews and the television segment I had for an ABC affiliate, when I moved three years ago from Jackson to Nashville to head Butler Snow’s Entertainment and Media Industry Group. During my journey weaving law and film together in a non-linear direction with no particular destination, I lived in the state where a young lawyer in the 1980s worked 60 to 70 hours a week at a small town law practice, squeezing in time before going to the office and during courtroom recesses to work on his first novel. John Grisham writes that he would not have written his first book if he had not been a lawyer. “I never dreamed of being a writer. I wrote only after witnessing a trial.” See http://www.jgrisham.com/bio/ (last accessed January 24, 2016). My law partners at Butler Snow have stories about the old days when Mr. -
Harper Lee's Go Set a Watchman and Growing Up
Children Once, Not Forever: Harper Lee’s Go Set a Watchman and Growing Up * ALLEN MENDENHALL “When I was a child, I spake as a child, I felt as a child, I thought as a child: but when I became a man, I put away childish things.”1 “Lawyers, I suppose, were children once.”2 Harper Lee’s second novel Go Set a Watchman has caused a ruckus in the world of literary journalism and has sent professional critics into a tizzy from which they haven’t recovered. Watchman has been called a “weird book” that represents a “sharp departure from the original narrative arc,”3 featuring characters who “certainly aren’t the same as we remember.”4 But is this accurate? I say no. The notion that Lee’s latest novel is a stunning reversal, or a prolonged retraction, is predicated on ahistorical assumptions and a willful misreading of Atticus Finch and the ominous, violent, and dangerous world of the fictional, yet eminently recognizable, Maycomb, Alabama. Maycomb may have been the tired old town where people moved slowly and there was nothing to buy and no money to buy it with,5 but it was also the brutal, highly irrational town where Atticus’s first two clients could be hanged in the county jail,6 where two children could be attacked by an angry drunk,7 where the angry drunk could (most likely) beat and sexually abuse his daughter with apparent impunity,8 where a lynch mob could materialize on the steps of the jailhouse,9 where the Ku Klux Klan could descend upon the home of a Jewish man named Sam Levy,10 where accusations of rape * Allen Mendenhall is a staff attorney to Chief Justice Roy S. -
TKAM – Times DVD Release Review (1998)
TKAM – Times DVD Release Review (1998) February 27, 1998, Friday MOVIES, PERFORMING ARTS/WEEKEND DESK HOME VIDEO; Time Can’t Kill ‘Mockingbird’ By Peter M. Nichols (NY Times) In the leanest week for new movie releases so far this year, video dealers are looking hungrily for the films that got the top Academy Award nominations earlier this month. Not much is ready. With Oscar candidates usually released in theaters late in the year, three of the five best-picture candidates — ”Titanic,” ”Good Will Hunting” and ”As Good as It Gets” — are still in movie houses and nowhere near ready for their video turns. Only ”The Full Monty,” to be released next week, will be available before the awards next month. The fifth nominee, ”L.A. Confidential,” is scheduled for release April 14. That leaves this week with one major release. New certainly isn’t the operative word for ”To Kill a Mockingbird” (1962), but a 35th-anniversary edition issued by Universal provides a fresh look at a classic and a reminder of how effective movie making could be in an era not so enamored of lust, violence, hokey situations and overdone effects. With a screenplay by Horton Foote, Robert Mulligan’s adaptation of Harper Lee’s novel sets up 1930’s small-town life in Macomb County, Ala., so simply and naturally that even its calamitous events — a rape trial and wrongful conviction of a black man in a white community, a suspected lynching and the assault of two young children — ground us in the realities of that place and time. -
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter,