Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Of
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Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
Creative Displacement and Corporeal Defiance
CREATIVE DISPLACEMENT AND CORPOREAL DEFIANCE: FEMTNIST CANADIAN MODERNISM iN MARGARET LAURENCE'S MANAWAKA NOVELS A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirernents for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon BY Debra Lym Dudek September 2000 O Copyright Debra Lynn Dudek, 200 1. Al1 rights reserved. National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue WeUingtm Onawa ON K1A ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thése sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in tbïs thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fknit Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PERMISSION TO USE In presenting this thesis in partial fùlfillment of the requirements for a Postgraduate degree 6om the University of Saskatchewan, 1 agree that the Libraries of this University may rnake it fieely available for inspection. 1 fùrther agree that permission for copying of this thesis in any rnanner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. -
The Language of the Incontinent Body in Margaret Laurence's the Stone
Technologies of Identity: The Language of the Incontinent Body in Margaret Laurence’s The Stone Angel DONNA PALMATEER PENNEE N AN ESSAY ENTITLED “Identity, Genealogy, History” Nikolas Rose explains the Foucauldian sense of “technology” that is signalled I in this paper: Technology, here, refers to any assembly structured by a practical rationality governed by a more or less conscious goal. Human tech- nologies are hybrid assemblages of knowledges, instruments, persons, systems of judgement, buildings and spaces, underpinned at the pro- grammatic level by certain presuppositions about, and objectives for, human beings.… Perhaps the insistence upon an analytic of human technologies is one of the most distinctive features of the approach, … an analysis which does not start from the view that the technologizing of human conduct is malign, but rather examines the ways in which human beings have been simultaneously capacitated and governed by their organization within a technological field. (132; emphasis added) Rose’s terms help to clarify something of what is meant by the “produc- tivity” of “power,” and, while “not start[ing] from the view that the technologizing of human conduct is malign” can permit a more complex view of the historical field than is usually available through cause-effect lenses, I want nevertheless to address the malignancy of technologies of the self. This hurtfulness of history is represented in the literal and figu- rative workings of the incontinent body in Margaret Laurence’s The Stone Angel, a novel that displays the armature of a self simultaneously capaci- tated and governed by the force fields of negative difference. -
The Fecal Fixation of the Chosen Ones
The Fecal Fixation of the Chosen Ones The Jewish obsession with feces is very disturbing, and very real. In fact, it is openly admitted by many Jews. In an article called The Past, and Future, of Jewish Humor, the Jewish writer Uriel Heilman writes: “And if it’s scatological, all the better.” “For a Jew, a bowel movement is an event,” Waldoks declared. “That’s why there’s so much bathroom humor.”(1) Tablet magazine columnist Marjorie Ingall had this to say about the Jewish fecal obsession: “Jews have a fine tradition of scatological humor.” “When new [Jewish] moms get together they love talking about poop.”(2) In a weird article about toilet training, Jewess Carla Naumburg proudly states: “We talk about poop a lot in my family. You might think it’s just because we’re the parents of a toddler and an infant, and that’s definitely part of it. But we’re also Jews, so it comes naturally to us.”(3) A Jew named Howard Rheingold has a blog titledHoward’s Butt, where he writes extensively about his rectal cancer. In this blog we find yet another glowing reference to the bowel process: “A lot of psycho-social-sexual-mythological energy flows forth from our organ of shit,”(4) Jewish actress Tori Spelling made a blog entry about plunging a toilet for her toddler entitled Poo’s funny…Sometimes! Here’s what she said: “I’m NOT shit shy. In fact, I’m a Poo Fanatic and a fart joke fan to the extreme. I even have the childhood cartoon books “The Gas We Pass” and “Everybody Poo’s!” proudly displayed on my mantle while my unused copy of “War and Peace” collects dust buried in my sock drawer. -
Canadian Books for Schools: a Centennial Listing. INSTITUTION Alberta Teachers Association, Edmonton., PUB DATE Feb 68 NOTE 68P
DOCUMENT RESUME ED 044 397 TE 000 626 AUTHOR Snow, Kathleen M., Ed. TITLE Canadian Books for Schools: A Centennial Listing. INSTITUTION Alberta Teachers Association, Edmonton., PUB DATE Feb 68 NOTE 68p. AVAILABLE FROM National Council of Teachers of English, 508 South Sixth Street, Champaign, Illinois 61820 (Stock No. 42457R, $1.50) EDRS PRICE EDRS Price MF-$0.50 HC Not Available from EDRS. DESCRIPTORS *Annotated Bibliographies, Art, *Childrens Books, Cultural Background, *Cultural Education, Drama, Elementary Education, Folklore Books, History, *Literature, Mathematics, Poetry, Sciences, Secondary Education, Social Studies; I_ENTIFIERS *Canada ABSTRACT This annotated bibliography, prepared by the English Council and School Library Council of the Alberta Teachers' Association, lists approximately 320 works -- including novels, biographies, plays, nofiction and historical books, children's books, and books of short stories--written by Canadian authors abou'. Canada. For each entry, the information provided includes grade level (pre-K to High School), subject relevance (Art, Mathematics, Social Studies, Science, or English), Dewey classification number, and price. (3M) U.S. 01104491 OF MIK MVO & WEIF/11 OFFI(fOf IDU01)01 IIIIS DIXUSIIII P KR 191000(11 flICtlf AS IMMO 11011SME 111S011 01 010410111101 0141111116 It.P0I, ItS Of filfW 01 MIMS SIAM 00 NO SECISS11111 11111S1111 OffICIII U110, Of IDOCA11011 OS 10111101 01 POSKI. re\ CanadianBooks for Schools A CentennialListing of Published by The English Counciland School library Council The Alberta Teacher? Association,Edmonton, Alberta February, 1968 Como deep by John Snow INTRODUCTION in the effort to bring children and books together, the teacher of English and the librarian are partners.This partnership Is reflected In this listing of Canadian books for schools, the production of which has been a joint effort of the English Council and the School Library Council of The Alberta Teachers' Association. -
November 2014 Chamber Pots and Gibson Girls
University of Birmingham Chamber Pots and Gibson Girls: Fagg, John DOI: 10.1086/684919 License: None: All rights reserved Document Version Early version, also known as pre-print Citation for published version (Harvard): Fagg, J 2015, 'Chamber Pots and Gibson Girls: Clutter and matter in John Sloan’s Graphic Art', American Art, vol. 29, no. 3, pp. 28-57. https://doi.org/10.1086/684919 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
University of Birmingham Chamber Pots and Gibson Girls
University of Birmingham Chamber Pots and Gibson Girls: Fagg, John DOI: 10.1086/684919 License: None: All rights reserved Document Version Early version, also known as pre-print Citation for published version (Harvard): Fagg, J 2015, 'Chamber Pots and Gibson Girls: Clutter and matter in John Sloan’s Graphic Art', American Art, vol. 29, no. 3, pp. 28-57. https://doi.org/10.1086/684919 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
HYGIENE: Ceramics, the Body and Its Functions A
Paul Mathieu, The Art of the Future: 14 essays on ceramics Chapter Ten HYGIENE: Ceramics, the Body and its Functions “The only works of art America has given are her plumbing and her bridges.” Marcel Duchamp. “The invention of television can be compared to the introduction of indoor plumbing. Fundamentally, it brought no change in the public’s habit. It simply eliminated the necessity of leaving the house.” Alfred Hitchcock “ Acting! Acting is not important! Plumbing is important!” Cary Grant “Craft is what you piss in, Art is what you piss on.” Old joke A short fiction: This research will never be finished. Like cleaning up (and messing up), there will always be another detail to check, another fact to verify or to add, another insight to articulate, another point to argue. As an example, I cannot remember where exactly, or what was the name of the book or its author, but a friend showed me once, years ago now, an illustrated comic book 1 about an archeologist digging a site on earth, in the very distant future. He had just discovered a new site that he believed to be particularly significant socially and religiously, as an important place for specific rituals in the ancient, forgotten culture he was investigating. He had just found an important, major structure and from the remains of the foundation and from the artifacts found on site, he could speculate that it was not particularly large since it must have been only one story high, possibly two, at most. It was clearly made up of a series of smaller rooms, about a dozen, all of the same size and shape, all independent from each other, yet connected by a shared wall. -
Scatological Children's Humour
Scatological Children’s Humour Notes from the Netherlands and Anywhere Sjaak van der Geest University of Amsterdam I still remember the first joke I learned when I was laughter by presenting a story or a situation that is out about five years old. There was a mother who had two of the ordinary and is experienced as funny (tautology boys; one was called Yesterday and the other Pudding. is unavoidable when one wants to explain what humour Pudding and Yesterday had been naughty and were is). Shit on someone’s head is unusual, out of place and, sent to their room. Pudding said to Yesterday: ‘I must in the eyes of some, comical. For children that unusual poop’. Yesterday replied: ‘We are not allowed to leave event is enough to enjoy the thrill of the story. But not the room. Do it from the window’. Pudding did so but only for children. Cartoons and illustrations for a larger at that same moment the mayor passed by the house public also convey the humour of dirt falling on people and the poop fell on his hat. The mayor was annoyed from above. and rang the bell. The mother opened the door and the Excrement forms the hilarious denouement of the Mayor said: ‘Something fell on my head when I passed joke.2 The children’s story is a joke told because of the your house’. The mother asked: ‘Was it Yesterday?’ The shit and the piss. In this essay I will explore the social mayor: ‘No, today!’ The mother: ‘Was it Pudding?’ The context and meaning of scatological jokes in general mayor: ‘No, it was poop!’ Hahahaha.1 and among children in particular. -
Margaret Laurence's a Jest of God As a Work of Simultaneous
Document generated on 09/25/2021 2:03 a.m. Studies in Canadian Literature / Études en littérature canadienne Margaret Laurence’s A Jest of God as a Work of Simultaneous Narration Isla Duncan Volume 33, Number 1, 2008 URI: https://id.erudit.org/iderudit/scl33_1art07 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Duncan, I. (2008). Margaret Laurence’s A Jest of God as a Work of Simultaneous Narration. Studies in Canadian Literature / Études en littérature canadienne, 33(1), 136–150. All rights reserved © Management Futures, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Margaret Laurence’s A Jest of God as a Work of Simultaneous Narration Isla Duncan lthough the novel won the Governor General’s Award for Fiction in the year of its publication, some of the initial recep- tions of Margaret Laurence’s A Jest of God (1966) were surpris- Aingly negative: Clara Thomas believes that the perspective “slides out of balance” as a result of the first-person narrator’s narrow, “neurotically obsessed” consciousness (51); Robert Harlow, reviewing in Canadian Literature, complains of the novel’s lack of “objectivity, distance, irony,” and yearns “for the third person point of view and the omniscient auth- or — old-fashioned techniques for an old-fashioned story” (72). -
Looking Back to Lot's Wife Christl Verduyn Trent University
Looking Back to Lot's Wife Christl Verduyn Trent University The story of Lot's wife is not unknown to look. At least Lot's wife had had fair contemporary Canadian women novelists nor warning .... Lucky Lot's wife . (p. to their female protagonists. Indeed one 246) Quebec writer, Monique Bosco, shapes an en• tire novel, appropriately entitled Lot's Wife (La Not all references to Lot's wife are this ex• Femme de Loth),1 around this biblical character. plicit or direct. In Marian Engel's The Glassy As the protagonist Helene puts it, the statue of Sea, the image is evoked indirectly when the Lot's wife is "a fine image, a most telling sym• protagonist Rita states: "If I had looked any bol. A pillar of petrified tears." (p. 142) In longer I should have turned into a pillar of another Quebec novel, Whirlpool (L'eau est salt." (p. 160) One might also interpret the profonde) by Diane Giguere, the main character stone angel of Margaret Laurence's 1964 novel Nathalie has her eyes "firmly fixed on the (The Stone Angel) as a version of Lot's wife's past": "I kept thinking of that frightful second statue. The stone angel of Manawaka's of time in which Lot's wife chose to look cemetery is there at the crucial moments in back," says Nathalie. "I kept alive the Hagar's life, establishing a link between it and memory of a person who had already been the protagonist who comes to resemble the me." (p. 55) A lengthy reflection on Lot's wife marble angel. -
Studies in Contemporary Canadian Literature
STUDIES IN CONTEMPORARY CANADIAN LITERATURE EDITED BY K. V. DOMINIC SARUP BOOK PUBLISHERS PVT. LTD. NEW DELHI-110002 Contents • Preface (v) Contributors (xi) 1. The Stone Angel: The Story of a Woman with a Will 1 —Basavaraj Naikar 2. Postmodernism as Feminist Text: A Reading of the Short Text of Canadian Women Writers 25 —Jameela Begum A 3. Assertion of the Female Self through Motherhood in Margaret Atwood's Surfacing 44 —Rajeshwar Mittapalli & A Aravind Reddy 4. "Alone Alone All All Alone": The Loneliness of Almeda Roth in Alice Munro's "Meneseteung" 56 —KRadha 5. E. J. Pratt's Historic Canadian Perception of Mankind in Select Poems 66 —G. Baskaran 6. Aboriginality and Rita's Sisters: A Cursory Glance at the Native Theatre in Canada —B. Chandrika 73 7. From Society through Sex to Selfhood: Attainment of Identity in Margaret Laurence's A Jest of God 80 —Rajeshwar Mittapalli & A. Aravind Reddy (xiv) 8. Rohinton Mistry*s Tales from Firozsha Baag: A Vista of Memories and Fantasies 93 —Evangeline Shanti Roy 9. Indian Diasporic Writers in Canada: A Bird's Eye View 104 —Satendra Kumar 10. "The Marginal Men" in Stephen Gill's Immigrant and Uma Parameswaran's Rootless But Green are the Boulevard Trees 117 —G. Dominic Savio & S. J. Kala 11. Interview with Dr. Stephen Gill 126 —K. V. Dominic 12. The Mega Text in Margaret Atwood's The Handmaid's Tale 140 —Hema Nair R. 13. Bending Time and Space: Margaret Laurence's A Bird in the House and Margaret Atwood's Cat's Eye 153 —Dolors Collellmir 14.