CULTURESCAPES Booklet

Total Page:16

File Type:pdf, Size:1020Kb

CULTURESCAPES Booklet CULTURE GEORGIA ISRAEL SCAPES 2003 2011 UKRAINE MOSCOW 2004 2012 ARMENIA BALKANS 2005 2013 ESTONIA TOKYO 2006 2014 ROMANIA ICELAND 2007 2015 TURKEY GREECE 2008 2017 AZERBAIJAN POLAND 2009 2019 CHINA AMAZONIA 2010 2021 century — Béla Bartók, with a specific focus on his enlarging of tonality and references to old INTRODUCTION scales. Through his life, Bartók collected folk songs from several countries: Hungary, Roma- nia, Turkey etc. The festival program looked into In order to understand what CULTURE SCAPES the importance and references to landscapes is and what lies within its 17-year history, it is and mythology in his compositions. important to look back on where it came from. These festivals became entry points It is — and has always been — a very person- to what later became “culture/scapes” — an al story. inquiry into how different localities, histo- In 1995, spurred on by my personal interest ries (and any overlapping intersections) inform in the interplay between music and other art particular cultural landscapes. The following forms, I organized a small festival to honor the years, we worked with many contemporary 50th anniversary of Austrian composer Anton composers and sources of their inspirations: Webern’s death. He was one of Arnold Schön- SofiaGubaidulina, Toshio Hosokawa, György berg’s most notable students and many musi- Kurtág, and Elena Firsova, among others. cologists call him the founder of post-World In the last 17 years, CULTURE SCAPES has War II music. My fascination was triggered by expanded its horizons: from focusing on coun- his studies of poetry and the intensity of his tries or cities to views on the trans-border cri- work ( his complete oeuvre takes less time than tical zones of our planet, the eco-systems and, one opera by Richard Wagner ). at same time, iconic geographic regions such One year later, the focus was on the other as the Amazon, Saharan, and Himalayan as well great antipode of the music of the early 20th as the oceans. Jurriaan Cooiman 2 founder and director of CULTURE SCAPES Jurriaan Cooiman. CULTURESCAPES Poland 2019. Opening, Theater Basel. Im Laufe seines Lebens hatte Bartók Volkslie- der aus verschiedenen Ländern gesammelt: ­­ EINLEITUNG Ungarn, Rumänien, Türkei und andere. Das Festivalprogramm untersuchte die Verweise Um zu verstehen, was CULTURE SCAPES ist und auf Landschaften und die Bedeutung der My- 3 was seine 17-jährige Geschichte geprägt hat, thologie in Bartóks Kompositionen. muss man einen Blick auf seine Ursprünge wer- Diese beiden Festivals wurden zum Aus- fen. CULTURE SCAPES war immer ( und ist nach gangspunkt für das, was später «culture/ wie vor ) eine sehr persönliche Geschichte. scapes» – « Kulturlandschaften » genannt Angespornt durch mein Interesse am wurde – eine Untersuchung darüber, wie unter- Zusammenwirken von Musik und anderen schiedliche Orte, Geschichten und Übersch- Kunstformen hatte ich 1995 anlässlich des 50. neidungen bestimmte Kulturlandschaften Todestags des österreichischen Komponisten prägen. In den folgenden Jahren arbeiteten Anton Webern ein kleines Festival organi- wir mit vielen zeitgenössischen Komponist*in- siert. Anton Webern war einer der wichtigsten nen und ihren Inspirationsquellen: Sofia Schüler von Arnold Schönberg, viele Musikwis- Gubaidulina, Toshio Hosokawa, György Kurtág senschaftler*innen bezeichnen ihn als den Be- und Elena Firsova. gründer der Musik der Nach kriegs zeit. Meine In 17 Jahren hat CUL TURE­­­­SCAPES sich für Faszination war ausgelöst worden durch seine neue Horizonte geöffnet, beginnend mit Län- Studien zur Poesie und die Intensität seines dern oder Städten bis hin zu Untersuchungen Werks ( sein komplettes Œuvre ist kürzer als grenzübergreifender kritischer Zonen unseres eine Richard Wagner-Oper ). Planeten – den Ökosystemen, aber auch sym- Ein Jahr später lag der Schwerpunkt auf bolhaften Regionen wie Amazonas, Sahara, einem anderen grossen Antipoden der Musik Himalaya und die Ozeane. des frühen 20. Jahrhunderts – auf Béla Bartók, mit spezifischem Fokus auf seiner Erweiterung Jurriaan Cooiman der Tonalität und den Bezügen auf alte Skalen. Gründer und Direktor von CULTURE SCAPES PARTNERS ADEM, Genève, 2009 / 10 / 12 Alpines Museum der Schweiz, Bern, 2015 / 19 Artlink, Bern, 2009 / 10 / 13 BASEL Atelier Mondial, Basel, 2019 Ausstellungsraum Klingental, Basel, 2015 Basel Sinfonietta, 2009 / 11 / 12 / 15 / 17 / 19 Basler Marionetten Theater, 2010 / 11 / 19 AARAU Basler Münster, 2007 / 12 – 15 / 17 / 19 Bee-flat (im PROGR), Bern, 2008 – 10 / 13 / 15 / 19 Berner Münster, 2014 Berner Sinfonieorchester, 2011 / 19 Le BFM, Genève, 2008 / 11 / 14 Boxeo – Boxclub Basel, 2008 / 12 / 19 BuchBasel, 2010 – 13 / 15 / 17 / 19 Burghof Lörrach, DE, 2006 – 13 / 15 / 17 / 19 Cabaret Voltaire, Zürich, 2009 Cartoonmuseum Basel, 2010 / 11 BERN Casino Bern, 2009 / 11 / 19 Conservatoire de musique de Genève, 2011 Conservatorio della Svizzera Italiana, Lugano, 2010 / 14 Dampfzentrale Bern, 2008 – 11 / 13 / 19 Docks, Lausanne, 2015 Ensemble Boswil, 2010 LAUSANNE Ensemble Phoenix Basel, 2006 / 08 / 12 / 19 Festival Images, Vevey, 2010 Haus der elektronischen Künste (HeK) FigurenTheater St. Gallen, 2010 / 11 Basel, 2013 / 14 / 15 Fondation Beyeler, Riehen, 2011 / 15 / 19 Haus Konstruktiv, Zürich, 2014 Fondazione Monte Verità, Ascona, 2011 Historisches Museum Basel, 2010 Foraus, Zürich, 2013 – 15 Historisches Seminar UZH, 2011 Fundaziun NAIRS, Scuol, 2010 – 13 / 17 Hochalpines Institut Ftan, 2014 Galerie Stampa, Basel, 2015 Hochschule der Künste Bern, 2010 Gare du Nord, Basel, 2003 – 15 / 17 / 19 Hochschule für Musik, Basel, 2019 Gessnerallee, Zürich, 2010 / 11 / 13 – 15 IAAB, Basel, 2010 – 13 Goetheanum, Dornach, 2005 – 10 / 12 / 15 / 19 IGNM Basel, 2011 / 12 Im Rathaus um 4, Thun, 2010 – 15 / 19 Jazzkantine, Luzern, 2010 Kammermusik Basel, 2012 / 19 GENÈVE Kammerorchester Basel, 2003 – 05 / 07 / 12 / 19 Kaserne Basel, 2006 – 15 / 17 / 19 Kaufleuten, Zürich, 2012 Kino Kunstmuseum, Bern, 2008 / 09 Kino Xenix, Zürich, 2007 / 08 / 14 / 19 KKL Luzern, 2010 / 14 Konzert Theater Bern, 2019 Kornhausforum, Bern, 2013 Kult.kino, Basel, 2011 Kulturhaus Helferei, Zürich, 2005 kulturpunkt flawil, 2014 Stadtkino Basel, 2003 – 09 / 17 / 19 Kunsthalle Basel, 2007 / 08 / 11 / 13 / 17 / 19 Stall 6, Zürich, 2010 / 13 Kunsthaus Baselland, 2010 – 12 / 17 / 19 Stiftung Rüttihubelbad, Walkringen, 2005 / 09 Künstlerhaus Boswil, 2010 / 11 / 13 / 14 SUD, Basel, 2004 / 13 Kunstmuseum Bern, 2010 Südpol, Luzern, 2008 / 10 / 13 Kunstraum Walcheturm, Zürich, 2014 TAK – Theater am Kirchplatz, Kurtheater Baden, 2011 / 17 Schaan, FL, 2010 / 11 L’Usine, Genève, 2008 Teatro Sociale Bellinzona, 2011 / 13 – 15 / 19 La Bâtie – Festival de Genève, 2010 The Bird‘s Eye Jazz Club, Basel, 2007 – 15 / 17 / 19 La Filature, Mulhouse, France, 2019 Theater Basel, 2008 / 10 / 11 / 13 – 15 / 19 Literaturhaus Basel, 2003 / 08 / 09 / 11 – 15 / 17 / 19 Theater Chur, 2008 – 15 / 17 / 19 Literaturhaus Zürich, 2013 – 15 / 19 Theater im Waaghaus, Winterthur, 2009 / 10 / 13 Lokremise, St. Gallen, 2011 Theater Roxy, Birsfelden, 2009 – 13 / 15 ZÜRICH Luzerner Theater, 2013 Theater Tuchlaube Aarau, 2013 / 15 Moods, Zürich, 2008 – 11 / 13 / 15 / 19 Théâtre du Grütli, Genève, 2010 Museum Rietberg, Zürich, 2009 Théâtre Vidy-Lausanne, 2011 / 19 Museum Tinguely, Basel, 2008 – 15 / 19 Tonhalle, Zürich, 2008 / 09 / 12 MusikContainer Uster, 2007 – 10 / 12 / 14 Universität Basel, 2004 / 07 / 08 / 11 / 12 / 17 / 19 Musik-Akademie Basel Universität Zürich, 2008 / 10 – 13 LUZERN 2003 / 04 / 08 – 10 / 12 / 14 / 19 Vitra Design Museum, Weil am Rhein, DE, 2010 Muzeum Susch, Volkshochschule beider Basel, Art Stations Foundation CH, 2019 2003 – 07 / 09 / 10 / 14 Naturhistorisches Museum Basel, 2015 / 17 Volkshochschule Zürich, 2014 / 17 / 19 neues kino Basel, 2010 – 15 / 17 / 19 Yehudi Menuhin Forum Bern, 2012 neuestheater.ch, Dornach, 2010 / 13 / 14 / 17 / 19 Zentrum Paul Klee, Bern, 2005 / 19 ONO – Das Kulturlokal, Bern, 2013 Zürcher Hochschule der Künste ZHdK, Philosophicum, Basel, 2011 – 13 / 15 / 17 / 19 2009 / 10 Photoforum Pasquart, Biel, 2015 Zürcher Kammerorchester, 2008 Prestige Artists, Genève, 2010 / 13 Zürcher Theater Spektakel, 2010 / 11 / 13 PROGR, Bern, 2009 / 10 / 15 Queersicht, Bern, 2008 – 10 CHUR RappazMuseum, Basel, 2012 – 15 Rathaussaal, Vaduz, FL, 2010 Roche ’n’ Jazz, Basel, 2010 / 11 / 14 / 15 / 17 / 19 Rote Fabrik, Zürich, 2007 – 09 / 19 S AM Schweizerisches Architekturmuseum, Basel, 2007 / 08 / 11 / 12 SAL – Saal am Lindaplatz, Schaan FL, 2010 Schauspielhaus Zürich, 2014 Schlachthaus Theater Bern, 2008 – 10 Sinfonieorchester Basel, 2012 / 17 / 19 Stadtcasino, Basel, 2012 / 15 LUGANO ESTONIA 2006 POLAND 2019 UKRAINE 2004 ROMANIA 2007 MOSCOW 2012 BALKANS 2013 GEORGIA ICELAND CH 2003 2015 AMAZONIA 2021 AZERBAIJAN 2009 ARMENIA 2005 ISRAEL 2011 TURKEY 2008 GREECE 2017 UKRAINE 2004 MOSCOW 2012 CHINA GEORGIA 2010 2003 AZERBAIJAN 2009 ARMENIA 2005 TOKYO 2014 includes performing and visual arts, film and lit- erature, university lectures, open public debates HISTORY and tailored programs for younger audiences. The original idea behind CULTURE- SCAPES was to draw attention to the trans- CULTURE SCAPES is a multidisciplinary fes- formative processes taking place in the coun- tival that aspires to promote cross- border tries of the former Eastern Bloc that were less cultural dialogue, mutual learning between known to Swiss audiences. different cultures, as well as cooperation and The story behind the festival was quite networking. Our mission is to be the platform a personal one: it grew out of
Recommended publications
  • Canton of Basel-Stadt
    Canton of Basel-Stadt Welcome. VARIED CITY OF THE ARTS Basel’s innumerable historical buildings form a picturesque setting for its vibrant cultural scene, which is surprisingly rich for THRIVING BUSINESS LOCATION CENTRE OF EUROPE, TRINATIONAL such a small canton: around 40 museums, AND COSMOPOLITAN some of them world-renowned, such as the Basel is Switzerland’s most dynamic busi- Fondation Beyeler and the Kunstmuseum ness centre. The city built its success on There is a point in Basel, in the Swiss Rhine Basel, the Theater Basel, where opera, the global achievements of its pharmaceut- Ports, where the borders of Switzerland, drama and ballet are performed, as well as ical and chemical companies. Roche, No- France and Germany meet. Basel works 25 smaller theatres, a musical stage, and vartis, Syngenta, Lonza Group, Clariant and closely together with its neighbours Ger- countless galleries and cinemas. The city others have raised Basel’s profile around many and France in the fields of educa- ranks with the European elite in the field of the world. Thanks to the extensive logis- tion, culture, transport and the environment. fine arts, and hosts the world’s leading con- tics know-how that has been established Residents of Basel enjoy the superb recre- temporary art fair, Art Basel. In addition to over the centuries, a number of leading in- ational opportunities in French Alsace as its prominent classical orchestras and over ternational logistics service providers are well as in Germany’s Black Forest. And the 1000 concerts per year, numerous high- also based here. Basel is a successful ex- trinational EuroAirport Basel-Mulhouse- profile events make Basel a veritable city hibition and congress city, profiting from an Freiburg is a key transport hub, linking the of the arts.
    [Show full text]
  • SEE the Berkshire Jewish Voice
    Non-Profit Org. U.S. POSTAGE PAID Pittsfield, MA Berkshire Permit No. 19 JEWISHA publication of the Jewish Federation of the Berkshires, serving V the Berkshires and surrounding ICE NY, CT and VT Vol. 26, No. 5 Sivan/Tammuz 5778 May 29 to July 1, 2018 jewishberkshires.org A Strong Federation is Key to a Dive Into Summer Strong Jewish Community A particularly rich season of Jewish-themed arts The Berkshires is Home and cultural programming ahead Berkshire snowbirds are notorious culture vultures, and as summer and summer people return, so does the complete array of world class arts programming that is this region’s hallmark. Dive into this issue of the BJV, in which we preview upcoming Jewish-themed arts and educational events – books, films, scholars, theater, music, and dance. Above, dancers with Israel’s Batsheva – The Young Ensemble, which will perform “Naharin’s Virus” from July 4 through July 8 at Jacob’s Pillow Dance Bernie and Elaine Roberts, our Major Donors Celebration co-chairs Festival in Becket. For more on what to expect from Batsheva, please see page 28. PITTSFIELD – The Jewish Federation Inside of the Berkshires will host its annual Extend a Hand of Companionship ...........2 Major Donors Celebration on Sunday, July 15 at 9:30 a.m. at the Country Martin Bookspan on his pal, Rabbi Josh – A Farewell Blessing ...........3 Club of Pittsfield, an event that year Your Federation Presents .....................4-11 after year has demonstrated the tre- “Lenny” mendous impact major donors have on Local News .....................................12-14, 18 building and sustaining Jewish life in A “Behind the Scenes” reminiscence of a Annual Campaign in Full Swing .............15 the region.
    [Show full text]
  • Download Welcome Brochure Basel
    WELCOME Basel. Business, life, culture. MULTIFACETTED CITY OF THE ARTS Basel’s innumerable historical buildings form a picturesque setting for its vibrant cultural scene, which is surprisingly rich for such a small canton: around 40 mu- THRIVING BUSINESS LOCATION CENTRE OF EUROPE, TRINATIONAL seums, some of them world-renowned, such as the Fondation Beyeler and the Basel is Switzerland’s most dynamic busi- AND COSMOPOLITAN Kunstmuseum Basel, the Theater Basel, ness centre. The city built its success on There is a point in Basel, in the Swiss where opera, drama and ballet are per- the global achievements of its pharma- Rhine Ports, where the borders of Switzer- formed, as well as 25 smaller theatres, a ceutical and chemical companies. Roche, land, France and Germany meet. Basel theatre that stages musicals, and count- Novartis, Syngenta, Lonza Group, Clari- works closely together with its neigh- less galleries and cinemas. The city ranks ant and others have raised Basel’s pro- bours Germany and France in the fields of with the European elite in the field of fine file around the world. Thanks to the ex- education, culture, transport and the envi- arts, and hosts the world’s leading con- tensive logistics know-how that has been ronment. Residents of Basel enjoy the su- temporary-art fair, Art Basel. In addition established over the centuries, a number perb recreational opportunities in French to its prominent classical orchestras and of leading international logistics service Alsace as well as in Germany’s Black For- over 1,000 concerts per year, numerous providers are also based here.
    [Show full text]
  • Land of Music Festivals
    Following tradition Azerbaijan – land of music festivals Lala HUSEYNOVA PhD in Arts THE LAND OF FIRE… AZERBAIJAN HAS BEEN KNOWN AS SUCH FROM TIME IMMEMORIAL, AND THERE ARE MANY REASONS FOR THAT. BUT WE WILL TALK ABOUT A COMPLETELY DIFFERENT FAME THAT THIS DEVELOPING AND FASCINATING LAND IS GRADUALLY EARNING ITSELF. THE LAND OF MUSIC FESTIVALS – tHIS IS HOW AZERBAIJAn’S CURRENT MUSICAL AND CUL- TURAL REALITIES CAN BE DESCRIBED IF WE WERE TO PARAPHRASE THE WELL-KNOWN PHRASE. least one traditional mu- sic festival is conducted in AtAzerbaijan every season. The participants and guests of the second “Space of Mugham” interna- tional festival, held over the spring holidays of Novruz (the first was held in 2009), are convinced that it was one of the most successful international projects on the traditional music of the East. This has largely been pos- sible thanks to the initiator and main sponsor of the festival, the Heydar Aliyev Foundation led by its President, the Goodwill Ambassador of UNESCO and ISESCO, Mehriban Aliyeva. As was the case during the first festival, the 34 www.irs-az.com Azerbaijan – land of music festivals capital Baku became a venue for a re- The festival was joined by vocalists the energy of life, but also the blos- cord number of music events for the and instrumentalists from Azerbaijan som of art and creative inspiration. eight days (14-21 March) of the festi- and foreign countries, including the The upcoming summer season is val. Art enthusiasts had the opportu- USA, Canada, France, Peru, Ecuador, promising to be no less interesting in nity to see the world’s first Mugham Turkey, Uzbekistan, Iran, Iraq, Egypt, terms of music events.
    [Show full text]
  • MDLD Programme 18 19.Pdf
    SOMMAIRE M 16 Compagnie Wang Ramirez 40-41 D 9 S 2 Deborah Colker V 29 Le Retour d’Ulysse 84-85 L 27 Patrice Thibaud CALENDRIER M 17 Compagnie Wang Ramirez L 10 D 3 S 30 Le Retour d’Ulysse M 28 Patrice Thibaud PAGES J 18 Compagnie Wang Ramirez M 11 José Montalvo 54-55 L 4 D 31 Le Retour d’Ulysse M 29 FUGUE VR, RÉALITÉ MIXTE 28 V 19 Compagnie Wang Ramirez M 12 José Montalvo M 5 AVRIL J 30 Du 13 au 23 sept. S 20 Compagnie Wang Ramirez J 13 José Montalvo M 6 L 1 V 31 Dans le cadre de la Biennale de la danse 2018 D 21 V 14 José Montalvo J 7 M 2 Le Retour d’Ulysse JUIN SEPTEMBRE L 22 Compagnie Wang Ramirez S 15 José Montalvo V 8 Cía Nacional de Danza 68-69 M 3 Le Retour d’Ulysse S 1 L 10 M 23 Compagnie Wang Ramirez D 16 S 9 Cía Nacional de Danza J 4 Le Retour d’Ulysse D 2 M 11 M 24 L 17 D 10 Cía Nacional de Danza V 5 L 3 M 12 J 25 M 18 Thierry Malandain 56-57 L 11 Cía Nacional de Danza S 6 M 4 Galactik Ensemble 92-93 V 26 M 19 Thierry Malandain M 12 Cía Nacional de Danza D 7 M 5 Galactik Ensemble J 13 S 27 Cabaret Citoyen 8 J 20 Thierry Malandain M 13 Cía Nacional de Danza L 8 CCN - Ballet de Lorraine 86-87 J 6 Galactik Ensemble V 14 Mourad Merzouki D 28 Cabaret Citoyen V 21 Thierry Malandain J 14 M 9 CCN - Ballet de Lorraine V 7 Galactik Ensemble Mourad Merzouki L 29 S 22 Thierry Malandain V 15 M 10 S 8 S 15 Journées européennes du patrimoine M 30 D 23 S 16 J 11 D 9 Défilé pour la paix M 31 L 24 D 17 V 12 L 10 D 16 Journées européennes du patrimoine NOVEMBRE M 25 L 18 S 13 M 11 Compagnie Arcosm 94-95 L 17 J 1 M 26 M 19 D 14 M 12 Compagnie
    [Show full text]
  • The Festival Quarterly
    THE FESTIVAL QUARTERLY Aleš Šteger Ayoko Mensah Alicja Gescinska Tomáš Sedláček Melanie Burge Simon Mundy 3 Aleš Šteger How to live after the end of reflection THE FESTIVAL QUARTERLY 6 Ayoko Mensah Eye-to-Eye... ...with those that inform, influence or inspire festival makers Afropolitan festivals: a challenge and making: the artist, the economist, the philosopher, the urban planner, the academic, the politician. The European Festivals Association’s (EFA) ‘The Festival Quarterly’ Eye-to-Eye assembles a variety of voices that speak Alicja Gescinska 9 about our society, the state of the arts and reasons why the On Music, Morality and Krzysztof Penderecki arts exist, concepts, and moments in contemporary life. It includes articles we commission and material we ask editors to provide. Eye-to-Eye offers a mosaic of reflections, opinion pieces, personal statements, seemingly unrelated yet 13 Tomáš Sedláček fitting with each other. It reflects EFA’s journey to broadenour Advantages of disadvantages, or don’t let conversations and dig into the habitat of festivals, taking us the quarantine slip through your fingers well beyond the process of festival making. Today we are sharing with you the very first issue: The Festival Quarterly’s Summer 2020 edition. We intend to publish 16 Melanie Burge Eye-to-Eye articles, film abstracts and material every 3 months. The pandemic’s immediate impact on We will develop this project with the experience of each performing arts in Australia edition: Eye-to-Eye will be an evolving project, taking into consideration the suggestions we will receive from festivals and our stakeholders community.
    [Show full text]
  • Class of 1968 50Th Reunion
    CLASS OF 1968 50TH REUNION BENNINGTON COLLEGE Class of 1968 Alix Abrons Steven Bush Laura Furman Sandra Adams Leontina Calabro* Ann Garvin Sharon Zync Alper Sharon Cameron Judith Gerson Barbara Lazear Ascher Beth P. Cavanaugh Peggy Kohn Glass Marjorie E. Baron* Cheryl Hauselmann Cherney Martha Armstrong Gray Jane B. Becker Diane Clemmons* Jennifer Wherry Griffin Andrea Behr* Karen Manulis Cohen Ana Nancy Waybur Hale Harriet Beinfield Molly Coye Rhoda Holtzman Halperin* Leslie V. Berg Cornelia Carlton Crocker Daryl Hartshorne Karen Michaels Berg* Kathleen Driscoll Emily Stonington Hibbard Harriet E. Bing Anna Renfield Dubow Erica Fratkin Hiersteiner Marjorie McRae Black Patricia Woodbridge Dunn John K. Hoffman Susan Jehle Johnson Blake Andrea Dworkin* Maria E. Huffman Julia Agee Bollinger* Re’u ben James Christman Edinger Liz Dicker Ingersoll Pamela Bostelmann Carolyn Minick Emanuel Susan Hannon Italia Barbara Kaufman Bouldin Elizabeth Enlund Marsha Kadesch* Tommie Ann Braun Bower Karron C. Esmonde Wendy Summit Kaiser Ann S. Bradburd Susan Evers Ernest T. Kirby* Debbie Brown Lisa Faithorn Lydia Allen Kitfield Ellen Shaw Clark Brown Nancy Finnegan Farnham Reiko Sunami Kopelson Gillian Cockburn Burch Barbara Fisher Cathie Korey Penelope Priest Burkitt Cheryl Sorli Fouche Claudia E. Lapp Patricia Burrows Alana Martin Frumkes Leslie Sliker LaRocca 3 CLASS OF 1968 Carol Levin Alexa Davis Parker Lynn Jones Stinnette Paula Ann Levine Barbara Pepe Gale Thompson Synnott Doris Levine* Phoebe Pettingell Marie McKenney Tavernini Lynne Lewis Ruth Ann
    [Show full text]
  • Selected Festivals and Awards Selected Festivals and Awards
    SELECTED FESTIVALS AND AWARDS SELECTED FESTIVALS AND AWARDS International Film Festival Rotterdam, The Netherlands, 2019 23rd International Film Festival Etiuda&Anima, Poland; 10th Piccolo Festival Animazione, Italy 15th Animateka International Animated Film Festival, Slovenia - Jury Sundance Film Festival, USA, 2019 - Vimeo Awards 13th Animateka International Animated Film Festival, 10th Animasivo Festival of Contemporary Animation, Mexico Grand Prix, ;DSAF Audience Award 16th IndieLisboa - International Film Festival, Portugal Slovenia – Special Mention; InterAnima - International Festival of Animation and Interactivity 16th BOGOSHORTS - Bogotá Short Film Festival, Colombia (screening) 24th Vilnius Film Festival, Lithuania 29th Premiers Plans Film Festival, France (screening); 2018, 42nd Göteborg Film Festival, Sweden (screening) GLAS Animation Festival 2019, USA - Grand Prix 2017 GLAS Animation Festival, USA - Grand Prix Brasil (screening) Clermont-Ferrand International Short Film Festival 2019, France 43th Hong Kong International Film Festival, China (screening) Tricky Women International Animation Filmfestival 2017, 19th cellu l’art Short Film Festival, Germany (screening) 38th ANIMA - Brussels Animation Films Festival, 19th Tel Aviv Animation Festival Animix, Israel Austria - 3-month scholarship to live and work at Q21/MQ 30th Filmfest Dresden, Germany (screening) Belgium - Press Award for Best Short Film World Festival of Animated Film - Animafest Zagreb 2019, Croatia – under the Artist-in-Residence Program Vladivostok Film Festival 2018, Russia 24th Vilnius Film Festival, Lithuania Grand Prix, Audience Award 24th Trickfilms Stuttgart International Festival of Animated Film, Ars Electronica Festival 2018, Austria GLAS Animation Festival 2019, USA Annecy International Animation Film Festival 2019, France Germany – Grand Prix 20th Wiesbaden International Weekend of Animation, Germany Tricky Women/Tricky Realities Festival 2019, Austria - TRICKY Palm Springs International ShortFest and Film Market 2019, USA Erarta MOTION PICTURES.
    [Show full text]
  • Batsheva - the Young Ensemble Brings Inimitable Gaga Movement to Jacob’S Pillow Dance Festival, July 4–8
    NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK ​ FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] BATSHEVA - THE YOUNG ENSEMBLE BRINGS INIMITABLE GAGA MOVEMENT TO JACOB’S PILLOW DANCE FESTIVAL, JULY 4–8 June 27, 2018 (Becket, MA) Batsheva - The Young Ensemble performs the Bessie Award-winning ​ ​ Naharin’s Virus in the Ted Shawn Theatre at Jacob’s Pillow Dance Festival, July 4–8. The work ​ showcases the “superhumanly spry” (The New York Times) abilities of the Israel-based contemporary ​ ​ dance company, a second branch of Batsheva Dance Company. Batsheva and The Young Ensemble have gained international recognition for their use of the innovative movement research Gaga, developed by Artistic Director Ohad Naharin. With Gaga as their primary tool, The Young Ensemble lets go of the constraints of their technical training and unleashes the “free, exhilarating range of their ​ movement” (The Guardian). ​ ​ “It is an absolute honor to welcome Ohad Naharin and Batsheva’s Young Ensemble to the Pillow for an immersive week, particularly in Ohad’s final months as Artistic Director. We invite audiences to see a performance, observe dancers in The School at Jacob’s Pillow, and attend a PillowTalk with Ohad, to engage with the movement research of Gaga from the source. It’s really a once in a lifetime opportunity,” says Jacob’s Pillow Director Pamela Tatge. The Young Ensemble’s performances coincide with the two-week Professional Advancement program, Gaga: The Movement Language of Ohad Naharin, offered by The School at Jacob’s Pillow.
    [Show full text]
  • "Who's Right? Whose Rite? American, German Or Israeli Views of Dance" by Judith Brin Ingber
    Title in Hebrew: "Nikuudot mabat amerikiyot, germaniyot ve-yisraliot al ma<h>ol: masa aishi be'ekvot ha-hetpat<h>ot ha-ma<h>olha-moderni ve-haammami be-yisrael" m --- eds. Henia Rottenbergand Dina Roginsky, Dance Discourse in Israel, published by Resling, Tel Aviv, Israel in200J "Who's Right? Whose Rite? American, German or Israeli Views of Dance" By Judith Brin Ingber The crux of dance writing, history, criticism, research, teaching and performance of course is the dance itself. Unwittingly I became involved in all of these many facetsof dance when I came from the US forfive months and stayed in Israel forfive years (1972-77). None of these facetswere clear cut and the diamond I thought I treasured and knew how to look at and teach had far more complexity, influences with boundaries blending differently than I had thought. Besides, what I had been taught as to how modem dance developed or what were differencesbetween types of dance had different bearings in this new country. My essay will synthesize dance informationand personal experiences including comments on Jewish identity while reporting on the ascension of modem dance and folkdance in Israel. It was only later as I began researching and writing about theatre dance and its development in Israel, that I came to realize as important were the living dance traditions in Jewish eydot (communities) and the relatively recent history of the creation of new Israeli folkdances. I came to see dance styles and personalities interacting in a much more profoundand influential way than I had ever expected. I was a studio trained ballet dancer, my teachers Ballets Russes alums Anna Adrianova and Lorand Andahazy; added to that, I studied modem dance at SarahLawrence College in New York.
    [Show full text]
  • Azerbaijan/Azerbaïdjan
    BIENNIAL MEMBERSHIP REPORT for the period 2010-2011 NATIONAL MUSIC COUNCILS for presentation to the 34th IMC General Assembly Tallinn, September 30 – October 1, 2011 You are kindly requested to complete and return this report to the Paris Secretariat not later than August 29, 2011. In order to facilitate the compilation of activity reports, we strongly recommend that the document does not exceed 6 pages. PART I: YOUR ORGANISATION 1. Name of organisation: The National Music Committee of Azerbaijan 2. Mission of the organisation: To promote music heritage and contemporary music of Azerbaijan within the country and worldwide 3. Board of Directors/Executive Committee: [name, role within Board, name of organization(s) that the Board member represents or is affiliated with] Board of Directors 1. Lala Kazimova, President Ph.D. in Musicology, The Institute of Art and Architecture, Azerbaijan National Academy of Sciences 2. Aida Huseynova, Secretary General Ph.D. in Musicology, Baku Music Academy 3. Murad Adigozalzade Pianist, Honored Artist of Azerbaijan, Director of the Azerbaijan State Philhamonic 4. Salman Gambarov Jazz pianist and composer, Honored Artist of Azerbaijan 5. Jahangir Selimkhanov Musicologist, Arts & Culture Program Director, Soros Foundation, member of the European Cultural Parliament 6. Elshan Mansurov Kamancha [traditional instrument] performer, the Azerbaijan National Conservatory, Honored Artist of Azerbaijan 4. Membership Total number of members: Composition of membership Number of institutional members: 12 Number of individual members: 41 Other members (specify): n/a As per your estimation, how many persons does your organisation reach? 3000 5. Activities carried out since the last IMC GA (October 2009) Please list your activities related to a) advocacy and policy making n/a b) presentation or production Number of • conferences 0 • recordings 0 • live performances 1 • festivals 1 • workshops 1 • competitions 0 • prizes and awards 0 Please describe the main events.
    [Show full text]
  • 2016 Május- Június
    1136 Budapest, Hollán Ernő u. 7. I www.bjc.hu INGYENES / FREE PROGRAMFÜZET ------------------------------------------ PROGRAM GUIDE 2016. május – június EAST GIPSY BAND FEAT. TIM RIES |USA| Salman Gambarov Trio |AZE| LOOP DOCTORS FEAT. CHRIS HUNTER |USA| Budapest Jazz Orchestra feat. Szulák Andrea Szakcsi Lakatos Béla Djabe a bemutatja: ALERANT JAZZ EST: MÁJUS 03. |USA| 19.00 & 21:00 KURT ROSENWINKEL BANDIT ‘56 TRIO Világsztárok Főtámogatónk az a Budapest Jazz Clubban! budapest jazz club May // 3 RÓLUNK JEGYÉRTÉKESÍTÉS ABOUT US TICKET SALES Ha könnyed, mégis nívós zenei élményre vágyik, ha a jazz BUDAPEST JAZZ CLUB: elkötelezett híve, vagy épp most barátkozik a műfajjal, látogasson Nyitvatartási napokon | on opening days el a főváros jazzéletének központjába, ahol különleges atmosz- 19:00 - 22:00 | from 7PM to 10PM féra, kiváló hangminőség, barátságos jazzkávézó és izgalmas ONLINE: bisztrófogásokat kínáló konyha is várja. A klubéletben kuriózumnak www.jegymester.hu számító világsztárok mellett állandó fellépőink a hazai és nemzetközi BROADWAY JEGYIRODÁK: jazz elismert művészei. A Budapest Jazz Club támogatja a fiatal te- hetségeket, teret biztosít a hazai jazzélet szakmai eseményeinek, ám www.broadway.hu mindezek mellett létrejöttének elsődleges célja, hogy minden téren igé- ELÉRHETŐSÉGEK nyes közeget teremtsen a szórakozni vágyóknak. CONTACT Smooth, quality music, a cup of coffee, drink or a dinner in the heart of cím | address: the city, at the centre of jazz life in town. We regularly feature 1136 Budapest, Hollán Ernő u. 7. world-famous jazz stars, Hungarian musicians of international standing, seasoned 47°30’49.8”N 19°02’59.3”E professionals from the club scene and brilliant up-and-coming youngsters.
    [Show full text]