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Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Der Topos „Musikstadt Wien“ in den Filmen von Willi Forst Analyse der Filme „Wiener Blut“ und „Wiener Mädeln“ Verfasserin: Daniela Burgstaller angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin / Betreuer: ao.Univ.Prof. Dr. Margareta Saary Inhaltsverzeichnis Vorwort ............................................................................................................................ 3 1. Musikstadt Wien ......................................................................................................... 5 2. Wiener Film ................................................................................................................. 9 2.1 Definition ................................................................................................................ 9 2.2 Entwicklung .......................................................................................................... 10 2.3 Themen und wichtige Persönlichkeiten ................................................................ 11 3. Willi Forst .................................................................................................................. 13 3.1 Von der Theaterbühne zum Film – Leben und Werk ........................................... 13 3.2 Im Aufsichtsrat der Wien-Film GmbH ................................................................. 16 3.3 Die Filme über Wien ............................................................................................ -
Und Johann Strauß (Sohn) 2017
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Filme über Johann Strauß (Vater) und Johann Strauß (Sohn) 2017 https://doi.org/10.25969/mediarep/12809 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Filme über Johann Strauß (Vater) und Johann Strauß (Sohn). Westerkappeln: DerWulff.de 2017 (Medienwissenschaft: Berichte und Papiere 174). DOI: https://doi.org/10.25969/mediarep/12809. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0174_17.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft Berichte und Papiere 174, 2017t Johann Strauß (Vater) und Johann Strauß (Sohn). Redaktion und Copyright dieser Ausgabe: Hans J. Wulf. ISSN 2366-6404. URL: htp::/:/berichte.derwulf.de:/0174_17.pd.. Letzte Änderung: 9.9.2017. Filme über Johann Strauß (Vater) und Johann Strauß (Sohn) Zusammengestellt von Hans J. Wulf Inhalt 1. Strauß, Johann (Vater:/Sr.) (* 14.3.1804 – † 25.9.1849) [3] 2. Strauß, Johann (Sohn:/Jr.) (* 25.10.1825 – † 3.6.1899) [6] 3. Die Opereten-Adaptionen [12] 3.1 Die Fledermaus (Operete in 3 Akten, Johann Strauß, Sohn) :/:/ UA: 5.4.1874 [12] 3.2 Eine Nacht in Venedig (Operete in 3 Akten, Johann Strauß, Sohn) :/:/ UA: 3.10.1883 [17] 3.3 Der Zigeunerbaron (Operete in 3 Akten, Johann Strauß, Sohn) :/:/ UA: 24.10.1885 [18] 3.4 Wiener Blut (Johann Strauß, Sohn) :/:/ UA: 25.10.1899 [19] 3.5 Frühlingsluf (Jose. -
For Soprano and Tenor Soloists, SATB Chorus and Orchestra
introduces….. for Soprano and Tenor soloists, SATB chorus and orchestra 2+Picc.2.2.2./4.2.3.0./Timp/Perc/Celeste/Harp/Strings (with optional Flute 3, Cor Anglais, Bass Clarinet, Contrabassoon, Trumpet 3 and Tuba) A Night in Vienna is an unforgettable, enchanting, ready-made concert evening featuring 24 of the best-loved arias and orchestral works by the world’s greatest operetta composers, including Johann Strauss II, Franz Lehár and Emmerich Kálmán. Sparkling with the magic of Vienna and overflowing with well-known melodies, A Night in Vienna is guaranteed to send audiences home with a smile on their faces and a song in their hearts! A Night in Vienna highlights include: Overture from Die Fledermaus | Gold and Silver Waltz | Vienna, City of My Dreams Vilia | Wiener Blut (Vienna Blood) | Champagne chorus (Die Fledermaus) Love Unspoken (The Merry Widow Waltz) | The Blue Danube (English version only) Laughing Song (Die Fledermaus) | Schwipslied (Tipsy Song) A Night in Vienna is available in both English and German. Vocal scores, chorus scores and orchestral parts are available to hire exclusively from the Josef Weinberger Concert Library. To enquire about A Night in Vienna, and to request a free sample CD, contact the Concert Library at [email protected] or on 020 7927 7301 JOSEF WEINBERGER LTD 12-14 Mortimer St, London W1T 3JJ www.josef-weinberger.com/concert-hire Musical items ACT 1 1. Overture from Die Fledermaus Orchestra 2. Vienna, City of My Dreams Tenor & orchestra 3. City of Song from Waltzes from Vienna Chorus & orchestra 4. Oh La La! That’s the Way I Am from Die Csárdásfürstin Soprano, chorus & orchestra 5. -
SEW SUB Prospekt 2016 D 160920.Indd
SUBSKRIPTIONSAUFRUF NEUE JOHANN STRAUSS GESAMTAUSGABE 43 BÄNDE WISSENSCHAFTLICH KRITISCHE GESAMTAUSGABE PATRONANZ - ORCHESTERWERKE WIENER PHILHARMONIKER EDITIONSLEITUNG & HERAUSGEBER MICHAEL ROT EDITIONSBEIRAT THEOPHIL ANTONICEK † DIETRICH BERKE GÜNTER BROSCHE PETER KEUSCHNIG RAINER KÜCHL WOLF-DIETER SEIFFERT JOHANN STRAUSS Johann Strauss gilt, wie bereits Guido Adler treffend formulierte, als der „musikalische Repräsentant Österreichs“. Über 500 Werke um- fasst sein gewaltiges Œuvre, das überwiegend aus 19 Bühnenwerken - 17 edierbare Operetten, eine Oper und das unvollendete Ballett Aschenbrödel - sowie Orchesterwerken der Tanzmusik und Vokal- werken besteht. Schon zu Lebzeiten genoss er beim Publikum Johann Strauss ist von allen außergewöhnlichen Bekanntheitsgrad. Inter- Gottbegnadeten für mich der preten, Komponisten und Kritiker schätzten seine liebenswürdigste Freudenspender... unerschöpfl iche musikalische Erfi ndungsgabe. Richard Strauss Die Kompositionen wurden weltweit gespielt und erlangten einerseits durch hunderte Aufführungen DIE AUSGABE seiner Bühnenwerke in Serie, andererseits durch Spektakel wie das Konzert in Boston mit 800 Die Neue Johann Strauss Gesamtausgabe ist eine Orchestermusikern vor einem Publikum mit wissenschaftlich kritische Neuausgabe. 30.000 Zuhörern eine ungeahnte Popularität. Sie umfasst Serie I-IV (Bühnenwerke, Instrumen- Ein großer Genius kann nicht würdiger geehrt werden, als durch talwerke, Vokalwerke, Supplement) und erscheint eine correcte Ausgabe seiner in leinengebundenen Bänden, als kartonierte sämtlichen -
People's Life and Music in Vienna in Early 20Th Century
People's Life and Music in Vienna in early 20th Century Yoshio MASUDA and Elisabeth HUBL* (*Department of Chemistry, University of Vienna) Vienna is a unique city in Europe, located in the "Mitteleuropa," the former territory of the Habsburg Empire. It was the center of politics and culture, keeping the throne of Holy Roman Empire of Germany for several hundred years, dominating the whole of Ger many, until the Napoleon War early in 19th century. In fact, Viennese culture devel oped afterward through the century, as can be seen in science, literature, philosophy, arts, music, etc., It was the case after the Empire had lost its political influence on the whole Europe, therefore the time, the 19th century, being called "Golden Autumn"(H. Spiel, 1987). It is said that the 19 th century continued until 1914 in Vienna, when World War I broke out. Kaiser Franz-Josef ascended the throne in 1848 during the time of revolution and stayed as Kaiser even after the unification of all Germany by Prussia, until 1916 when he died. It thus can be said that the period of Kaiser Franz-Josef was the high time for Vienna which, under hard situation of wars and revolutions, fostered its unparalleled culture. In order to look at this unique Viennese culture, we describe Wienerlieder and related music and discuss them in connection with people in Vienna during the time of turning of the century until Anschluss. 1. Wiener Lieblinge aus seinerzeit. In 1934 there was a song "Der Doktor Lueger hat mir die Hand gereicht (Once Doc tor Lueger gave me his hand)'' which was among "Wiener Lieblinge von seinerzeit" sung by the people of Vienna at the time. -
Strauss Johann
STRAUSS JOHANN Johann Strauss (figlio) (Neubau, 25 ottobre 1825 – Vienna, 3 giugno 1899) è stato un compositore e direttore d'orchestra austriaco. 1 Riconosciuto come uno dei più importanti musicisti di ogni epoca, Strauss è principalmente noto per la sua attività di compositore di musica da ballo e di operette. Figlio primogenito del compositore Johann Strauss padre, Johann Strauss è stato il più celebre membro di una famiglia di musicisti che, per quasi un secolo, dominò le scene musicali viennesi. La sua fama è legata soprattutto ai suoi valzer, alcuni dei quali ancora oggi celeberrimi, come Wiener Bonbons, Künstlerleben, Geschichten aus dem Wienerwald, Wein, Weib und Gesang, Wiener Blut, Rosen aus dem Süden, Frühlingsstimmen, Kaiser-Walzer e, quello che viene considerato il valzer più famoso di tutti i tempi, An der schönen blauen Donau (Sul bel Danubio blu); per questo motivo a Strauss è stato universalmente riconosciuto l'appellativo di "Re del Valzer". Fra le altre danze della sua lunga produzione (la lista delle sue opere comprende circa 500 composizioni fra valzer, polke, marce e quadriglie) vale la pena di menzionare Annen-Polka, Leichtes Blut, Éljen a Magyar!, Pizzicato Polka (scritta a quattro mani col fratello Josef), Auf der Jagd! e la Tritsch-Tratsch-Polka. Strauss seppe distinguersi anche nel campo dell'operetta arrivando a comporne sedici nell'arco di poco meno di trent'anni. Il suo più grande successo l'ottenne con Die Fledermaus (Il Pipistrello) che, ancora oggi, è considerata il culmine di quel periodo musicale che venne rinominato Goldene Operettenära (Era d'oro dell'operetta viennese). Suoi fratelli furono i compositori Josef ed Eduard Strauss. -
Johann Strauß Und Was Coburg Von Ihm Geblieben Ist. 28. April Bis 10
Ausstellung: "Ab nach Wien ...": Johann Strauß und was Coburg von ihm geblieben ist. 28. April bis 10. Juli 2006 Verehrliher Magistrat! Besondere Verhältnisse machen es mir wünschenswerth mein Heimathrecht in der Stadt Wien aufzugeben und das deutsche Reichsbürgerrecht zu erwerben. Zu diesem Behufe wünsche ich mich für die Zukunft in der freundlichen Stadt Coburg unter der Regierung des kunstsinnigen Herzogs Ernst niederzulassen … Hiermit erlaube ich mir gehorsamste Bitte auszusprechen, dass der verehrliche Magistrat mir das Bürgerrecht der Stadt Coburg gütigst verleihen … möge. Johann Strauß an den Coburger Magistrat Vorwort Nach der Trennung von seiner zweiten Frau Angelica (Lilli), geb. Dittrich, 1882 lernt Johann Strauß die Witwe Adele Strauß, geb. Deutsch, kennen.Weil im katholischen Österreich eine Wiederverheiratung nicht möglich ist, tritt er 1886 zum Protestantismus über, beantragt die Staatsbürgerschaft des Herzogtums Sachsen-Coburg und Gotha und bittet Herzog Ernst II. um Gewährung der Ehescheidung. 1887 wird er Staatsbürger von Sachsen- Coburg und Gotha, verlegt seinen Wohnsitz nach Coburg, und seine kirchenrechtlich immer noch existierende Ehe wird rechtsgültig geschieden. Am 15. August findet die standesamtliche Trauung im Coburger Rathaus statt, anschließend die kirchliche Trauung in der Schlosskirche. Kurz darauf verlässt er Coburg und kommt nicht wieder. Am 1.9.1887 wird in das Melderegister eingetragen: „Ab nach Wien.“ Was Coburg von Johann Strauß geblieben ist, zeigt die Ausstellung im Vorsaal der Landesbibliothek anhand -
Index to Magazines
Index to Society Magazine Tritsch -Tratsch from 1964, and Vienna Music from 2000 This general index covers issues 1-79 of Tritsch-Tratsch and 80-106 of Vienna Music . Back issues of Vienna Music can be viewed by logging on to the members section / publications References are to volume number- page, eg. 8-12. ‘BC’ is ‘back cover’, ‘Supp’ is ‘supplement’, ‘Edl’ is ‘Editorial’, ‘All’ is entire issue. A Anniversaries 2-1, 10-1, 13-All, 11-12, 17-18, 18-11, 24-2, 28-All, 32-All, 36-All, 37-All, 38-All, 40-All, 47-1, 48-1, 49-Edl, 50-All, 63-22, 65-Edl, 68-All, 77-All + Supp, 78-All, 81-All, 81-33, 83-35, 87-All, 87-35, 88-26, 89-35, 91-35, 93-35, 95-31 ALEXANDER, Peter 86-26 ARDITI Luigi 97-6 ARONSON, Rudolf 33-2, 50-22 Aschenbrödel Ballet See STRAUSS, Johann II Austrian Embassy London 102-12 B BARABAS Sari 90-24 BACH, Johann Sebastian 79-6 Bad Ischl 52-15, 80-9, 82-12, 84-11, 86-8, 88-9 Ballet Music 102-28, 103-5 BALFE, Michael 14-3 Balls & Ballrooms of Vienna See Vienna, 105-8 Bandmasters 31-6, 35-22 Barbican New Year Concerts 105-4, 106-9 BAYER, Josef 50-22 BBC 94-21 Belgium 81-22, 84-35 Berlin 80-11 BIANCHI, Bianca (Bertha Schwarz) 27-3, 45-15 BIBL Rudolf 103-26 BILSE, Benjamin 84-13, 102-27 BLON Franz von 101-11 Blue Danube Waltz 3-3, 4-3, 5-2, 21-10, 28-5, 29-12, 64-7, 77-19, 81-36, 88-17 BÖHM, Karl 42-17, 50-29 Book Reviews 3-9, 3-10, 17-20, 24-6, 33-9, 46-11, 46-13, 47-5, 48-4, 49-15, 50-11, 66-15, 66-16, 70-21, 73-20, 74-6, 80-7, 81-7 BOSKOVSKY, Willi 5-3, 7-12, 9-10, 10-1, 11-6, 11-9, 13-4, 19-2, 21-2, 24-2, 24-10/12, 29-9, 32-13, 62-2, 83-9 BOSKOVSKY, Elizabeth 93-8 Bosworth Publishers 103-28 BRAHMS, Johannes 17-12, 21-8, 82-31 Bregenz Festival 3-5, 14-13 C CARNER, Mosco 11-9 CHISLETT, W.A. -
United Nations Women's Guild of Vienna
United Nations Women’s Guild of Vienna Austrian Dinner Show Date: Thursday 9 April 2009 Deadline: 30.01.2009 Min. / Max: 10-25 Participants Costs € 65,- per person Meeting Time: 19.45 Hrs. Show starts: 20.00 Hrs. Meeting Place: Rathausplatz 1, 1010 Vienna public transport - subway U2 or street cars 1, 2, D or J Duration: approx. 2 1/2 hrs The Austrian Dinner Show Ensemble consists of highly talented musicians, excellent vocal soloists and spirited dancers, who appear in colourful local costumes of the various musicial regions visited. In a charming manner they will enchant your clients with their performance of the musical treasures of Austria. Between each dinner course, the visitors will experience an exciting program divided into 3 entertaining show scenes. Contact : Maggy Rydeng, UNWG Activities Chairwoman 2009 j.rydeng@inode,at Program 1st Scene: Roses from Tirol: “Grüß Gott“ is a hearty musical welcome by the full ensemble followed by other evergreens from the Operetta “Der Vogelhändler - The Bird Seller“. Instrumental pieces with a dance performance like the “Zillertaler Hochzeitsmarsch – Zillertal Wedding March“ bring to a close our visit to the mountains of Tyrol. 2nd Scene: The Sound of Music: In this scene we bring excerpts from the charming and witty Operetta “Im Weissen Rössl“, the classic Edelweis from the “Sound of Music“ and our dancers finishing this part with a spirited “Landler“. 3rd Scene: The Blue Danube: The musical highlight of our show featuring Austria’s most celebrated operetta composers, Johann Strauss, Franz Lehar and Robert Stolz includes songs from the “The Gypsy Baron“, “Wiener Blut“ and “The Merry Widow“. -
Stufe D Gültig Ab Jänner 2020
Selbstwahlliste des NÖBV Stufe D Gültig ab Jänner 2020 Komponist Titel Bearbeiter Verlag Liste Reed, Alfred A Festival Prelude Hal Leonard ÖBV aktuell Sparke, Philip A Midwest Celebration Anglo Music Press ÖBV aktuell Reed, Alfred A Springtime Celebration Barnhouse ÖBV aktuell Schwarz, Otto M. Absolute Crossover Mitropa ÖBV aktuell Strauß, Johann Accelerationen Schwaiger Kliment ÖBV aktuell Williams, John Adventures on Earth Hal Leonard ÖBV aktuell Neuböck, Fritz jun. Alcatraz Tierolff ÖBV aktuell Cibulka, Franz Alkanova Cibulka ÖBV aktuell Doss, Thomas Alpina Saga Mitropa ÖBV aktuell Oswald, Gerald Altair OrchestralArt ÖBV aktuell Zaininger, Albin Amangos OrchestralArt ÖBV aktuell Hahn, Patrick H. Ameraustrica Tierolff ÖBV aktuell Komzàk, Karl An der schönen grünen Narenta Scherzer, Eduard Donautal NÖBV 2014 Doss, Thomas Antem Lucem Mitropa ÖBV aktuell Reed, Alfred Armenian Dances #1 Piedmont ÖBV aktuell Reed, Alfred Armenian Dances #2 Barnhouse ÖBV aktuell Schwarz, Otto M. Around the World in 80 Days Mitropa ÖBV aktuell De Meij, Johan At Kitty o´Sheas De Haske ÖBV aktuell Doss, Thomas Aurora Mitropa ÖBV aktuell Wimmer, Alois Austrian Dances Wimmer ÖBV aktuell Doss, Thomas Austrian Overture Mitropa ÖBV aktuell Zaininger, Albin Aut Caesar OrchestralArt ÖBV aktuell Rotschopf, Stefan Avalon Ouvertüre SAR-music ÖBV aktuell Zaininger, Albin Avis rara OrchestralArt ÖBV aktuell Schwarz, Otto M. Bonaparte Mitropa ÖBV aktuell Selbstwahlliste des NÖBV Stufe D Gültig ab Jänner 2020 Komponist Titel Bearbeiter Verlag Liste Doss, Thomas Cantus Mitropa ÖBV aktuell Doss, Thomas Castles and Legends Mitropa ÖBV aktuell Appermont, Bert Celtic Child Beriato ÖBV aktuell Marinkovits, Herbert Cinemascope HeBu ÖBV aktuell Asanger, Thomas CMYK Tierolff ÖBV aktuell Bosveld, Jan Cobra De Haske ÖBV aktuell Doss, Thomas Colossus Mitropa ÖBV aktuell Summerer, Reinhard Concertsuite Nr. -
ELISABETH SCHWARZKOPF, Soprano DETROIT SYMPHONY ORCHESTRA WILLI BOSKOVSKY, Guest Conductor
1962 Eighty-fourth Season 1963 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Special Concert Complete Series 3392 ELISABETH SCHWARZKOPF, Soprano DETROIT SYMPHONY ORCHESTRA WILLI BOSKOVSKY, Guest Conductor SUNDAY EVENING, JULY 14, 1963, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to Die Flede1'1naus . JOHANN STRAUSS, JR. The spectacular Johann Strauss famil y dominated a large segment of Viennese musical and entertainment life during the nineteenth century. The elder Johann Strauss (1804-1849) began his musical career playing in dance orchestras and soon formed his own band in 1826. By 1835 he was in charge of the court balls of Vienna. His three so ns, Johann Jr., Joseph, and Eduard, wo n musical recog nition and built a waltz kingdom which ex tended even to the United States where Johann Jr. co nducted in 1872 . Mr. Boskovsky tonight directs the or chestra while occasionally leading on violin as Johann did. Die Fledermaus is one of the most successful of his sixteen operettas. The pop ular Overture emhodies the very spirit of gaiety and romance which flows throughout the entire story of The Bat. Delirium Waltzes, Op. 212 JOSEPH STRAUSS Jockey Galop, Op. 278 } Joseph Strauss composed nearly three hundred works. The Delirien Valzer are among his best. The Jockey Galop was written for a kind of round dance. Waltz Song from Wiener Blut J OHANN STRAUSS, JR. In this, his final work for the stage , Wiener Blut (literally Vienna Blood, hut usually translated as "Life") has come to be one of Strauss' most familiar set of waltzes and fully exhibits his love for Vienna, the city of the waltz.