Ford, Elizabeth Cary (2016) The flute in musical life in eighteenth- century Scotland. PhD thesis http://theses.gla.ac.uk/7351/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/
[email protected] The Flute in Musical Life in Eighteenth-century Scotland Elizabeth Cary Ford BA (West Virginia Wesleyan College) MM (Peabody Conservatory of the Johns Hopkins University) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music School of Culture and Creative Arts, College of Arts University of Glasgow May 2016 1 Abstract All history of the flute in Scotland begins with William Tytler’s 1792 assertion that the flute was unknown in Scotland prior to 1725. Other generally accepted beliefs about the flute in Scotland are that it was only played by wealthy male amateurs and had no role in traditional music. Upon examination, all of these beliefs are false. This thesis explores the role of the flute in eighteenth-century Scottish musical life, including players, repertoire, manuscripts, and instruments.