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Thursday 15 October 11:00 an Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma!
Thursday 15 October 11:00 An Introduction to Cinerama and Widescreen Cinema 18:00 Opening Night Delegate Reception (Kodak Gallery) 19:00 Oklahoma! Please allow 10 minutes for introductions Friday 16 October before all films during Widescreen Weekend. 09.45 Interstellar: Visual Effects for 70mm Filmmaking + Interstellar Intermissions are approximately 15 minutes. 14.45 BKSTS Widescreen Student Film of The Year IMAX SCREENINGS: See Picturehouse 17.00 Holiday In Spain (aka Scent of Mystery) listings for films and screening times in 19.45 Fiddler On The Roof the Museum’s newly refurbished digital IMAX cinema. Saturday 17 October 09.50 A Bridge Too Far 14:30 Screen Talk: Leslie Caron + Gigi 19:30 How The West Was Won Sunday 18 October 09.30 The Best of Cinerama 12.30 Widescreen Aesthetics And New Wave Cinema 14:50 Cineramacana and Todd-AO National Media Museum Pictureville, Bradford, West Yorkshire. BD1 1NQ 18.00 Keynote Speech: Douglas Trumbull – The State of Cinema www.nationalmediamuseum.org.uk/widescreen-weekend 20.00 2001: A Space Odyssey Picturehouse Box Office 0871 902 5756 (calls charged at 13p per minute + your provider’s access charge) 20.00 The Making of The Magnificent Seven with Brian Hannan plus book signing and The Magnificent Seven (Cubby Broccoli) Facebook: widescreenweekend Twitter: @widescreenwknd All screenings and events in Pictureville Cinema unless otherwise stated Widescreen Weekend Since its inception, cinema has been exploring, challenging and Tickets expanding technological boundaries in its continuous quest to provide Tickets for individual screenings and events the most immersive, engaging and entertaining spectacle possible. can be purchased from the Picturehouse box office at the National Media Museum or by We are privileged to have an unrivalled collection of ground-breaking phoning 0871 902 5756. -
Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
''I've Got This Feeling That He's Everywhere, Watching Me'' - a Victim Speaks After the Trial
' ''I've got this feeling that he's everywhere, watching me'' - a victim speaks after the trial hooded rapist who inflicted a lack of repentance. r eign of terror on Leeds By Rosa Prince "There's times when I want to students was jailed for 12 take a knife to him and shout 'It's A my turn now'," she continued. "I years this week after a jury at Leeds Offenses such as these should be Crown Court convicted him of a punished by a substantial period of don't think there will ever be a man series of sexual assaults. imprisonment." I could trust now." David Martin Jackson, who over Jackson remained expressionless Jackson continues to deny he is the course of a year and a half came as, watched by family and friends,, the Moor rapist, and is backed by to be known as 'The Woodhouse be was found guilty of the rape and his family and friends who Moor Rapist', was described after series of assaults, four of which were supported him in court throughout the case as "evil" by one of the made on students from Leeds the fourteen day trial. Jennifer senior police officers in charge of the University and Leeds Metropolitan Jackson, who married the convicted man two weeks before the final hunt. University. David Jackson, who wore a Jackson, who taunted the police attack, provided her husband with balaclava as he attacked his victims, with a letter signed ' Jack the alibis for the nights of four of the targeted lone females as they walked Stripper', was later described by a five attacks. -
13Th BTM Film Festival Features World Cinema Previews, Industry
13th BTM Film Festival features World Cinema Previews, Industry Weekend, Special Guests, Slices of Mango, Focus on Partition, Documentaries www.bitethemango.org.uk CONTENT 4 Opening Night Gala: Partition 5 Closing Night: A Winter Tale This year the festival will again be bringing audiences an 6 Previews & Premieres eclectic mix of features, shorts and documentaries from 14 Kultur Cine Club Showcase: Iranian Cinema around the world and an action packed industry weekend 15 Kultur Cine Club Showcase: Latin American Cinema of seminars and masterclasses. 16 Retrospective: Jamil Dehlavi 18 TV Heaven Amongst the films from around the world, we take a 20 Events: Equity AGM. OurLives Project special look at the cinema of Iran and Latin America. With 21 Screen Yorkshire Talks a large number of submissions, Bite the Mango will be showcasing a large selection of short films in Slices of 22 Ousmane Sembene Tribute Screening Mango from countries as far flung as India, Japan and 23 Seminar on the Partition Mexico complemented by a section dedicated to the short 24 60th Anniversary of the Partition film industry of South East Asia. 26 Slices of Mango (+ South East Slices) 40 Industry Weekend Enjoy the festival! 42 Satyajit Ray Short Film Competition 2007 44 Acknowledgements/Thanks Addy Rutter, Festival Director 45 General Information 46 Diary & Index BOOKING The National Media Museum Bradford, West Yorkshire. BD1 1NQ Box Office 0870 70 10 200 10am – 8.30pm Tues–Sun (5pm – 8.30pm Monday) Calls taken 8:30am – 8:30pm daily (charged at national rate) or book online. www.bitethemango.org.uk 2 3 Friday 21 September 7.45pm Pictureville Cinema SPECIAL PRESENTATION SCREENING PARTITION OPENING Dir. -
Leeds Students' Outrage at Mp's Remarks
~:T# 1194 28thJanuaiy1994 sairi LEEDS STUDENTS' OUTRAGE AT MP'S REMARKS MP'S LETTER SPARKS ROW "I do not think it remotely sensible to give up the protection we now have for children of 16, 17 and 18 against the seductive influence of older men, whose main concern may well be simply to have anal intercourse with youngsters and to turn them into homosexuals. - Sir Ivan Lawrence, QC, MP Leeds tnisersity student He went on: "I do not think it claimed this week that her NIP tip David Smith remotely sensible to give up the Ais a "bigot'. after he refused her protection we now have for children of plea to vote in favour of lowering the Bradbury had written urging her 16. 17 and 1$ against the seductive age of homosexual consent. MP to support the forthcoming motion influence of older men, whose main Teresa Bradbury, a third year in the Commons to reduce the age of concern may well be simply to have Leeds I. niversity Biology student, who consent. The swift response dismissed anal intercourse with youngsters and is not herself gay, was shocked when her arguments and confidently stated: to turn them into homosexuaLs. Sir Ivan Lawrence, her MP. declared ''I believe that the majority of my "I do not we youngsters in this age that the spread of homosexuality is constituents will agree with me.' group clamouring to have the shackles "dangerous not only for young boys "I was really pissed off." said of the law taken from them, but I do but fur society. -
Music DVD Review: Steve Hogarth - H - Naked in the Chapel
http://blogcritics.org/music/article/music-dvd-review-steve-hogarth-h/ Music DVD Review: Steve Hogarth - H - Naked in the Chapel For those who are not already in the know, Steve Hogarth -- or "H" as he is known to hardcore fans -- is the lead vocalist for British progressive rock band Marillion. Faced with the rather daunting task of taking over the reins from Marillion's original vocalist -- the highly theatrical Fish -- Hogarth not only rose to it, but actually helped reinvent Marillion in the process. With his far more personally engaging style, Hogarth in fact took Marillion from their one-time status as a sort of baby Peter Gabriel-era Genesis knockoff to a band who has long since re-established a unique identity for themselves with latter day progressive-pop masterpieces like Marbles . The bottom line is that Marillion now enjoys a smaller, but more devoted fan base than they ever did in the Fish days. And those same fans absolutely love them their boy "H". Which is why a concert DVD like H - Naked in the Chapel presents the sort of problem many a lesser band would actually love to have. For those faithful hardcore Marillion fans, it offers a rare and intimate audience -- think VH1's Storytellers series for the best point of reference here -- with the Marillion frontman. It is, in fact, billed as an "intimate evening of music, rock n' roll diaries, lyrics and conversation" with one and the same. On the other hand, for those living outside of that particular universe, H - Naked in the Chapel could well leave you scratching your heads. -
Widescreen Weekend 2010 Brochure (PDF)
52 widescreen weekend widescreen weekend 53 2001: A SPACE ODYSSEY (70MM) REMASTERING A WIDESCREEN CLASSIC: Saturday 27 March, Pictureville Cinema WINDJAMMER GETS A MAJOR FACELIFT Dir. Stanley Kubrick GB/USA 1968 149 mins plus intermission (U) Saturday 27 March, Pictureville Cinema WIDESCREEN Keir Dullea, Gary Lockwood, William Sylvester, Leonard Rossiter, Ed Presented by David Strohmaier and Randy Gitsch Bishop and Douglas Rain as Hal The producer and director team behind Cinerama Adventure offer WEEKEND During the stone age, a mysterious black monolith of alien origination a fascinating behind-the-scenes look at how the Cinemiracle epic, influences the birth of intelligence amongst mankind. Thousands Now in its 17th year, the Widescreen Weekend Windjammer, was restored for High Definition. Several new and of years later scientists discover the monolith hidden on the moon continues to welcome all those fans of large format and innovative software restoration techniques were employed and the re- which subsequently lures them on a dangerous mission to Mars... widescreen films – CinemaScope, VistaVision, 70mm, mastering and preservation process has been documented in HD video. Regarded as one of the milestones in science-fiction filmmaking, Cinerama and IMAX – and presents an array of past A brief question and answer session will follow this event. Stanley Kubrick’s 2001: A Space Odyssey not only fascinated audiences classics from the vaults of the National Media Museum. This event is enerously sponsored by Cinerama, Inc., all around the world but also left many puzzled during its initial A weekend to wallow in the nostalgic best of cinema. release. More than four decades later it has lost none of its impact. -
Widescreen Weekend 2014 Brochure
WIDESCREEN WEEKEND 10-13 APRIL 2014 2OTH BRADFORD INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH NATIONAL MEDIA MUSEUM Bradford BD1 1NQ Box Office 0844 856 3797 www.nationalmediamuseum.org.uk www.bradfordfilmfestival.org.uk 20TH BRADFORD INTERNATIONAL FILM FESTIVAL 27 MARCH - 6 APRIL 2014 WIDESCREEN WEEKEND 1 ................................................................................................................. INTRODUCTION TH TICKETS 2O In 1954 the movie industry was facing fierce competition from television, and investing heavily in offering the best possible experience in the cinema. Quality counted, and that year Tickets for individual screenings and events can be a new widescreen process was launched. The words “Paramount proudly presents the first purchased from the National Media Museum Box picture in VistaVision” appeared on screen and the letter V came flying towards the audience, Office (open 10am-9pm during the festival), on the BRADFORD creating a startling 3D effect. And with this introduction yet another widescreen process was phone 0844 856 3797 (8.30am-8.30pm), or via the presented to the public, the third in as many years. Each was designed to ensure that the only website www.bradfordfilmfestival.org.uk INTERNATIONAL place you could witness vivid, exciting, detailed imagery, was in cinemas. For details of how to book a widescreen FILM FESTIVAL Hollywood had to strive continually in the 1950s to offer something which could not be weekend pass, please see the festival website 27 MARCH - 6 APRIL 2O14 rivalled in the home. Television had started gaining a foothold in American homes from 1948 www.bradfordfilmfestival.org.uk and just like today – with large screen HD TVs, home cinema and uncompressed audio – the battle between the two media was intense. -
Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search
IndieLondon: Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search Going Out Marillion - Somewhere Else Related Links ACCORDING to their PR, Marillion are one of » Film z Music Archives the UK music scene’s “best kept secrets”, z A/V Room » Theatre not to mention “purveyors of soulful, powerful and often deeply moving music”. z IndieLondon Gig » Music Guide » Events It’s a claim that’s hard to justify on the z Singles of the evidence of current album Somewhere Else, Week » Food their 14th studio offering. » Travel z Website Musically accomplished, for sure, the album Review by Jack Foley z Buy it » Tickets is also fairly bland. It may hold some appeal IndieLondon Rating: 2.5 out of 5 for fans of acts such as Embrace or even Staying In Crowded House but for all its endeavour, Somewhere Else lacks any real spark. » A/V Room Marillion are, of course, probably still best known for their ’80s hit Kayleigh when » Books Fish was their lead singer. Jon Bon Jovi Jon Bon Jovi concert » DVD But he left the band in 1988 after four albums and was replaced by Steve Hogarth London Tickets now www.epassage24.de » Competitions who helped to redefine the Marillion sound with the help of long-term band members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass) » Galleries and Ian Mosley (drums). Shopping They even launched their own record company, marillion.com, in 1999, taking away any of the pressure of record companies. Watch Fish Videos » Features Your Favorite Artists Unfortunately, Somewhere Else isn’t the LP that’s going to catapult them to the On-Demand. -
Intactcd11 Progressi
Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer. -
Marillion.Htm
http://www.altatensione.it/marillion.htm MARILLION Abbiamo incontrato a Milano una band in salute, che ha fatto la storia del prog, ma che ora cerca di allontanarsi dal solito "clichè", per approdare ad altri lidi...lontano dalle major e con l'aiuto del web e dei fans. Articolo e reportage di Lory Lorena, foto e filmato di John Lorena. La storia dei Marillion inizia nel 1978, un anno durante il quale la scena musicale internazionale vive una rivoluzione clamorosa, con la nascita di fenomeni effimeri tra i quali spicca il movimento punk. E' il periodo in cui tramonta più o meno definitivamente un particolare discorso musicale intrapreso da diversi anni e denominato "rock progressivo" o, in taluni casi, "rock romantico". Nonostante la confusione e il cambiamento che pervade il panorama internazionale, nasce in Inghilterra un gruppo chiamato Silmarillion, il fondatore di questo nucleo di "avventurieri nostalgici", è Mick Pointer, batterista proveniente da Bicks e attualmente leader del gruppo new-progressive Arena. L'intento iniziale è costituire una band strumentale. Dopo un inizio stentato, Pointer e il bassista Doug Irvine devono già ricominciare a cercare nuovi musicisti, in quanto il chitarrista e il tastierista precedenti decidono di andarsene quasi immediatamente. Ai tanti annunci pubblicati sui comuni giornali musicali risulta particolarmente interessato un certo Steven Thomas Rothery, chitarrista originario dello Yorkshire, nato il 25 novembre 1959 e proveniente da esperienze con i Dark Horse e i Purple Haze. L'arrivo di Rothery, insieme all'ingaggio di tale Brian Jelliman alle tastiere, apporta nuova linfa vitale alla rischiosa attività intrapresa e i quattro decidono di continuare. -
FAME Review: Marillion
Somewhere in London Marillion MDV Entertainment Group - MVDV4766 Available from Marillion's web site . A review written for the Folk & Acoustic Music Exchange by Mark S. Tucker ([email protected] ). The more idiotic of the progressive music critic circle, the oiks you'll find at the Progression and Expose magazines, for instance, refer to this group as 'neoprog', and that's where the great band's troubles all begin: a meaningless attribution indicative of second-rate work endowed by inaesthetic maladepts. Marillion was first deemed, back in 1983, as the second coming of Genesis, especially because of Fish, their powerful lead singer, and his blatant Gabrielesque masquing on-stage. A moody gent, he went off on his own for a string of marvelous solos (and killer "bootlegs"), and in walked a guy, Steve Hogarth, who became prog's Steve Perry, possessed off a voice rarely experienced in the realm. The first two releases, Season's End and Holiday in Eden , were beautiful examples of how well progrock could display intelligence in melody while still rebelling from norms. The Fish Era had greatly reinvigorated the genre but it was time to move on, especially as Marillion was no longer the same band. With Hogarth, a long line of experimentation ensued, blending two lines of convention (prog, mainstream) with subtle innovation, kind of like Saga was also embarked upon but more so, much more so. Despite prophecies of doom from the old hard-liners, Marillion has since done well, thank you very much, though it wasn't easy and didn't require the cracking of the Earth or the raising of Satan for it, as the temper of the previous band might have.