Queensland Art Gallery Board of Trustees Annual
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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
African American Female Law Enforcement Officers' Lived Experiences and Mentoring: a Thematic Narrative
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 12-2019 African American Female Law Enforcement Officers' Lived Experiences and Mentoring: A Thematic Narrative Harold Wilson Follow this and additional works at: https://repository.usfca.edu/diss Part of the Organizational Behavior and Theory Commons, and the Sociology Commons The University of San Francisco AFRICAN AMERICAN FEMALE LAW ENFORCEMENT OFFICERS’ LIVED EXPERIENCES AND MENTORING: A THEMATIC NARRATIVE A Dissertation Presented to The Faculty of the School of Education Department of Leadership Studies In Partial Fulfillment of the Requirements for the Degree Doctor of Education by Harold Wilson San Francisco December 2019 THE UNIVERSITY OF SAN FRANCISCO Dissertation Abstract African American Female Law Enforcement Officers’ Lived Experiences and Mentoring: A Thematic Narrative Black female officers are an underrepresented sub-group of the law-enforcement profession. The bulk of research on women’s policing has focused on the growth of women in law enforcement, barriers, sexual harassment, gender differences, why women are deterred from law enforcement, physical limitations, and instruments used during the recruitment process, and the stress endured after entry into the profession. When looking at Black female officers’ lived experience and perceptions around mentoring; research is lacking. Eight Black female officers from the San Francisco Bay Area participated in this study. Findings revealed that all of the women have faced a recurring sense of discrimination, based on their gender. Many participants also suggested a culture in which women are viewed as less capable and, are, at times, less valued. -
Queensland Art Gallery Board of Trustees Annual Report 2015–16
QUEENSLAND ART GALLERY GALLERY QUEENSLAND ART BOARD OF TRUSTEES ANNUAL REPORT 2015–16 REPORT ANNUAL OF TRUSTEES BOARD QUEENSLAND ART GALLERY | GALLERY OF MODERN ART QUEENSLAND ART GALLERY BOARD OF TRUSTEES ANNUAL REPORT 2015–16 REPORT OF THE QUEENSLAND ART GALLERY BOARD OF TRUSTEES 22 August 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to submit for presentation to the Parliament the Annual Report 2015–2016 and financial statements for the Queensland Art Gallery Board of Trustees. I certify that this annual report complies with: • the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and • the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found at page 70 of this annual report or accessed at qagoma.qld.gov.au/about/our-story/annual-reports. Yours sincerely Professor Susan Street, AO Chair Queensland Art Gallery Board of Trustees CONTENTS PART A 4 INTRODUCTION 4 Vision 4 Mission 4 Principles 4 Queensland Art Gallery | Gallery of Modern Art 5 Queensland Art Gallery Board of Trustees 6 CHAIR'S OVERVIEW 8 BACKGROUND 8 Government objectives for the community 8 Strategic Plan 2015–19 9 Operational Plan 2015–16 9 Operating environment 11 2015–16 AT A GLANCE 12 OUTCOMES 12 Performance measures 13 Strategic objectives 25 Acquisitions 46 Exhibitions, loans and publications 57 Statistical summary 58 GOVERNANCE 58 Management and structure 65 Risk management and accountability 66 Human resources 67 GLOSSARY 68 SUMMARY OF FINANCIAL PERFORMANCE 70 COMPLIANCE CHECKLIST PART B 71 FINANCIAL PERFORMANCE 04 Queensland Art Gallery Board of Trustees Annual Report 2015–16 INTRODUCTION INTRODUCTION Vision To be the leading institution for the contemporary art of Australia, Asia and the Pacific. -
Sebastian Di Mauro
Sebastian Di Mauro BORN Innisfail, Queensland, Australia ACADEMIC QUALIFICATIONS 2014-2015 Doctor of Philosophy, Griffith University 1993-1996 Master of Arts (Visual Arts), Monash University 1990-1991 Graduate Diploma of Arts, (Visual Arts), Monash University 1987 Bachelor of Arts, Queensland College of Art, Brisbane 1981-1983 Diploma of Teaching, Brisbane College of Advanced Education SOLO EXHIBITIONS 2019 GREENBACK MARS Gallery, Melbourne, Victoria 2019 GREENBACK, Onespace Gallery, Brisbane, Queensland 2014 Surf ‘n’ Turf, Gold Coast City Art Gallery, Gold Coast 2010 Scuta, Dianne Tanzer Gallery, Melbourne 2009 Footnotes of a verdurous tale, Sebastian Di Mauro 1987-2009, QUT Art Museum, Brisbane Scuta, Sullivan+Strumpf Fine Art, Sydney 2008 Evergreen, Dianne Tanzer Gallery, Melbourne 2007 Lasciare, Victorian Tapestry Workshop Gallery, Melbourne Archimedes’ Bath, Sullivan + Strumpf Fine Art, Sydney Suburban Abstractions 4, Mackay Artspace, Mackay Suburban Abstractions 3, Gladstone Regional Art Gallery, Gladstone 2006 Float, Dianne Tanzer Gallery, Melbourne 2005 Suburban Abstractions 2, Bundaberg Arts Centre, Bundaberg UAM Project Show: Catherine Brown, Denise Green, Sebastian Di Mauro and Tom Risley, University Art Museum, University of Queensland, Brisbane the grass is greener, Newcastle Regional Gallery, Newcastle 2004 Suburban Abstractions: Lifts Project, National Gallery of Australia, Canberra Suburban Abstractions: Roots, Dianne Tanzer Gallery, Melbourne Pivot, Umbrella Studios, Townsville Turf Sweet, Maroondah Art Gallery, Ringwood, -
Endangered Songs and Endangered Languages
Endangered Songs and Endangered Languages Allan Marett and Linda Barwick Music department, University of Sydney NSW 2006 Australia [[email protected], [email protected]] Abstract Without immediate action many Indigenous music and dance traditions are in danger of extinction with It is widely reported in Australia and elsewhere that songs are potentially destructive consequences for the fabric of considered by culture bearers to be the “crown jewels” of Indigenous society and culture. endangered cultural heritages whose knowledge systems have hitherto been maintained without the aid of writing. It is precisely these specialised repertoires of our intangible The recording and documenting of the remaining cultural heritage that are most endangered, even in a traditions is a matter of the highest priority both for comparatively healthy language. Only the older members of Indigenous and non-Indigenous Australians. Many of the community tend to have full command of the poetics of our foremost composers and singers have already song, even in cases where the language continues to be spoken passed away leaving little or no record. (Garma by younger people. Taking a number of case studies from Statement on Indigenous Music and Performance Australian repertories of public song (wangga, yawulyu, 2002) lirrga, and junba), we explore some of the characteristics of song language and the need to extend language documentation To close the Garma Symposium, Mandawuy Yunupingu to include musical and other dimensions of song and Witiyana Marika performed, without further performances. Productive engagements between researchers, comment, two djatpangarri songs—"Gapu" (a song performers and communities in documenting songs can lead to about the tide) and "Cora" (a song about an eponymous revitalisation of interest and their renewed circulation in contemporary media and contexts. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Queensland Museum Annual Report 2004–2005 Queensland Museum Annual Report 2004–2005 Directory
Queensland Museum Annual Report 2004–2005 Queensland Museum Annual Report 2004–2005 Directory Queensland Museum Queensland Museum Museum of Tropical Queensland PO Box 3300, Hendra Annexe 70 –102 Flinders Street SOUTH BRISBANE, QLD, 4101 122 Gerler Road TOWNSVILLE, QLD, 4810 Telephone: (07) 3840 7555 HENDRA, QLD, 4011 Telephone: (07) 4726 0600 Fax: (07) 3846 1918 Loans Service Fax: (07) 4721 2093 www.qm.qld.gov.au Telephone: (07) 3406 8344 www.mtq.qm.qld.gov.au Fax: (07) 3406 8355 The Workshops Rail Museum Geology Store North Street Telephone: (07) 3406 8344 PO Box 2234 Queensland Museum South Bank NORTH IPSWICH, QLD, 4305 Telephone: (07) 3432 5100 Corner Grey and Melbourne Streets Fax: (07) 3432 5114 PO Box 3300, www.theworkshops.qm.qld.gov.au SOUTH BRISBANE, QLD, 4101 Telephone: (07) 3840 7555 Cobb+Co Museum Fax: (07) 3846 1918 27 Lindsay Street www.southbank.qm.qld.gov.au TOOWOOMBA, QLD, 4350 Telephone: (07) 4639 1971 Fax: (07) 4638 5791 www.cobbandco.qm.qld.gov.au Lands, Mapping and Surveying Museum Corner Main and Vulture Streets PO Box 40 WOOLLOONGABBA, QLD, 4102 Telephone: (07) 3896 3000 Fax: (07) 3896 3275 WoodWorks: the Forestry and Timber Museum Corner Bruce Highway and Fraser Road Locked Bag 13, Fraser Road GYMPIE, QLD, 4570 Telephone: (07) 5483 7691 Fax: (07) 5482 1773 The Hon. Rod Welford, MP Minister for Education and Minister for the Arts Dear Minister, I take pleasure in presenting to you the Annual Report of the Board of the Queensland Museum for the year ending 30 June 2005. Anne Jones Chair Board of the Queensland Museum Presented to Parliament Queensland Museum Annual Report 2004–2005 Queensland Museum Our Vision The Queensland Museum is valued as an innovative, exciting and accessible museum of science, environment and human achievement, of international standing. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Contents What’S New
July / August, No. 4/2011 CONTENTS WHAT’S NEW Quandamooka Native Title Determination ............................... 2 Win a free registration to the Joint Management Workshop at the 2011 National Native 2012 Native Title Conference! Title Conference: ‘What helps? What harms?’ ........................ 4 Just take 5 minutes to complete our An extract from Mabo in the Courts: Islander Tradition to publications survey and you will go into the Native Title: A Memoir ............................................................... 5 draw to win a free registration to the 2012 QLD Regional PBC Meeting ...................................................... 6 Native Title Conference. Those who have What’s New ................................................................................. 6 already completed the survey will be automatically included. Recent Cases ............................................................................. 6 Legislation and Policy ............................................................. 12 Complete the survey at: Native Title Publications ......................................................... 13 http://www.tfaforms.com/208207 Native Title in the News ........................................................... 14 If you have any questions or concerns, please Indigenous Land Use Agreements (ILUAs) ........................... 20 contact Matt O’Rourke at the Native Title Research Unit on (02) 6246 1158 or Determinations ......................................................................... 21 [email protected] -
Thesis Title
Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art. -
CONTEMPORARY WEDDING PACKAGES We Welcome All Couples to Imagine a Reception As Unique As They Are
CONTEMPORARY WEDDING PACKAGES We welcome all couples to imagine a reception as unique as they are. Our wedding packages include everything you need for a memorable celebration. To ensure your reception feels effortless on the day, your wedding event specialist will guide you through every step of the planning process. The Gallery’s venues are some of the most sought-after for couples looking for a dynamic, modern and versatile space in the heart of Brisbane. The GOMA Roof Terrace offers unforgettable surroundings with breathtaking panoramic views of the Brisbane River, Kurilpa Bridge and the city; while the QAG Watermall provides an elegant and sophisticated setting amongst ever changing artworks, giving your wedding reception a truly unique backdrop that will not be replicated. The potential for your most creative styling designs is limitless. QAGOMA prides itself on being the only gallery in Queensland to prepare and deliver in-house restaurant and function catering. Our team’s extensive and specialist knowledge allows us to offer our clients outstanding culinary experiences with service tailored to every event. Executive Chef Douglas Innes-Will brings an invaluable wealth of experience to QAGOMA. He previously worked at Spicers Peak Lodge in Maryvale, Queensland, which was awarded two hats by the Brisbane Times Good Food Guide in 2016 and 2017. He was also Executive Chef of Hamilton Island’s 6-star offering, Qualia, where he enjoyed two years at the helm of the resort’s culinary operations. Innes-Will’s approach to food combines modern, Australian-inspired cuisine with contemporary ingredients and techniques, focusing on locally sourced produce.