Major Events Calendar

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WHAT’S ON A non-stop calendar of cultural and sporting events in Brisbane ignites the senses, engages the mind and sets the heart racing. Choose from blockbuster performances, international exhibitions, sporting spectacles, open air festivals and more with both free and ticketed offerings. Attendance at our venues and events is guided by the Queensland Government’s COVID-19 business compliance regulations and social distancing protocols. For more information please contact individual venues or event organisers. 28 NOV 2020 28 NOV 2020 - 2 JAN 2021 - 26 APR 2021 Brisbane’s Summer of Racing The Motorcycle: Doomben & Eagle Farm Racecourses Design, Art, Desire Gallery of Modern Art (GOMA) 12-28 MAR 2021 24-28 MAR 2021 Curiocity Brisbane World Science Festival Brisbane City Botanic Gardens, CBD & Cultural Precinct, South Bank Cultural Precinct South Bank 24 MAR - 12 APR 2021 24 MAR - 9-12 JULY 2021 Brisbane Cycling Festival 10 APR 2021 Tour de Brisbane Brisbane Showgrounds & Track National Brisbane Showgrounds Anna Meares Velodrome Championships Anna Meares Velodrome 2-21 MAR 2021 31 MARCH - 14-16 MAY 2021 Shaun the 7 APRIL 2021 NRL Magic Round Sheep’s Circus Australian Water Polo Brisbane Show League Suncorp Stadium Lyric Theatre, Brisbane Aquatic Centre QPAC Stradbroke Season - Brisbane Brisbane Racing Carnival Brisbane Doomben & Eagle Farm Fashion Festival Riverstage, Brisbane Racecourses Brisbane CBD & BCEC King George Square, Brisbane City 23-24 OCT 2021 29 OCT - 20 NOV Nitro World Games 2021 Suncorp Stadium The Brisbane Ring Cycle QPAC Gallery of Modern Art (GOMA) 2-5 DEC 2021 4 DEC 2021 - 25 APR 2022 Australian PGA Championship Queensland Art Gallery | Gallery of Modern Art Royal (QAGOMA) Queensland Golf Club - Rembrandt / Flora (detail) c.1654 / Oil on canvas / 100 x 91.8cm / Gift of Archer M Huntington, in memory of his father, Collis Potter Huntington 1926 / 26.101.10 / Collection: The Metropolitan Museum of Art. Brisbane Fashion Festival – Getty Images. - Majestic c.1929 / Collection: Bobby Haas and Haas Moto Museum / © Haas Moto Galleries LLC / Photograph: Grant Schwingle. – PGA of Australia. – Lee Paje / The Stories that weren’t told 2019 - Water Polo Australia. Curiocity Brisbane - Courtesy of Tine Bech Studio. World Science Festival Brisbane - Queensland Museum Network. Brisbane Cycling Festival - Veloshotz - Veloshotz. - Daimler Truck & Bus Australia - NRL Imagery. The Brisbane Ring Cycle - Opera Australia. visitbrisbane.com.au.

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Queensland Art Gallery Board of Trustees Annual Report 2015–16
QUEENSLAND ART GALLERY GALLERY QUEENSLAND ART BOARD OF TRUSTEES ANNUAL REPORT 2015–16 REPORT ANNUAL OF TRUSTEES BOARD QUEENSLAND ART GALLERY | GALLERY OF MODERN ART QUEENSLAND ART GALLERY BOARD OF TRUSTEES ANNUAL REPORT 2015–16 REPORT OF THE QUEENSLAND ART GALLERY BOARD OF TRUSTEES 22 August 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to submit for presentation to the Parliament the Annual Report 2015–2016 and financial statements for the Queensland Art Gallery Board of Trustees. I certify that this annual report complies with: • the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and • the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found at page 70 of this annual report or accessed at qagoma.qld.gov.au/about/our-story/annual-reports. Yours sincerely Professor Susan Street, AO Chair Queensland Art Gallery Board of Trustees CONTENTS PART A 4 INTRODUCTION 4 Vision 4 Mission 4 Principles 4 Queensland Art Gallery | Gallery of Modern Art 5 Queensland Art Gallery Board of Trustees 6 CHAIR'S OVERVIEW 8 BACKGROUND 8 Government objectives for the community 8 Strategic Plan 2015–19 9 Operational Plan 2015–16 9 Operating environment 11 2015–16 AT A GLANCE 12 OUTCOMES 12 Performance measures 13 Strategic objectives 25 Acquisitions 46 Exhibitions, loans and publications 57 Statistical summary 58 GOVERNANCE 58 Management and structure 65 Risk management and accountability 66 Human resources 67 GLOSSARY 68 SUMMARY OF FINANCIAL PERFORMANCE 70 COMPLIANCE CHECKLIST PART B 71 FINANCIAL PERFORMANCE 04 Queensland Art Gallery Board of Trustees Annual Report 2015–16 INTRODUCTION INTRODUCTION Vision To be the leading institution for the contemporary art of Australia, Asia and the Pacific.
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Sebastian Di Mauro
Sebastian Di Mauro BORN Innisfail, Queensland, Australia ACADEMIC QUALIFICATIONS 2014-2015 Doctor of Philosophy, Griffith University 1993-1996 Master of Arts (Visual Arts), Monash University 1990-1991 Graduate Diploma of Arts, (Visual Arts), Monash University 1987 Bachelor of Arts, Queensland College of Art, Brisbane 1981-1983 Diploma of Teaching, Brisbane College of Advanced Education SOLO EXHIBITIONS 2019 GREENBACK MARS Gallery, Melbourne, Victoria 2019 GREENBACK, Onespace Gallery, Brisbane, Queensland 2014 Surf ‘n’ Turf, Gold Coast City Art Gallery, Gold Coast 2010 Scuta, Dianne Tanzer Gallery, Melbourne 2009 Footnotes of a verdurous tale, Sebastian Di Mauro 1987-2009, QUT Art Museum, Brisbane Scuta, Sullivan+Strumpf Fine Art, Sydney 2008 Evergreen, Dianne Tanzer Gallery, Melbourne 2007 Lasciare, Victorian Tapestry Workshop Gallery, Melbourne Archimedes’ Bath, Sullivan + Strumpf Fine Art, Sydney Suburban Abstractions 4, Mackay Artspace, Mackay Suburban Abstractions 3, Gladstone Regional Art Gallery, Gladstone 2006 Float, Dianne Tanzer Gallery, Melbourne 2005 Suburban Abstractions 2, Bundaberg Arts Centre, Bundaberg UAM Project Show: Catherine Brown, Denise Green, Sebastian Di Mauro and Tom Risley, University Art Museum, University of Queensland, Brisbane the grass is greener, Newcastle Regional Gallery, Newcastle 2004 Suburban Abstractions: Lifts Project, National Gallery of Australia, Canberra Suburban Abstractions: Roots, Dianne Tanzer Gallery, Melbourne Pivot, Umbrella Studios, Townsville Turf Sweet, Maroondah Art Gallery, Ringwood,
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Thesis Title
Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art.
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CONTEMPORARY WEDDING PACKAGES We Welcome All Couples to Imagine a Reception As Unique As They Are
CONTEMPORARY WEDDING PACKAGES We welcome all couples to imagine a reception as unique as they are. Our wedding packages include everything you need for a memorable celebration. To ensure your reception feels effortless on the day, your wedding event specialist will guide you through every step of the planning process. The Gallery’s venues are some of the most sought-after for couples looking for a dynamic, modern and versatile space in the heart of Brisbane. The GOMA Roof Terrace offers unforgettable surroundings with breathtaking panoramic views of the Brisbane River, Kurilpa Bridge and the city; while the QAG Watermall provides an elegant and sophisticated setting amongst ever changing artworks, giving your wedding reception a truly unique backdrop that will not be replicated. The potential for your most creative styling designs is limitless. QAGOMA prides itself on being the only gallery in Queensland to prepare and deliver in-house restaurant and function catering. Our team’s extensive and specialist knowledge allows us to offer our clients outstanding culinary experiences with service tailored to every event. Executive Chef Douglas Innes-Will brings an invaluable wealth of experience to QAGOMA. He previously worked at Spicers Peak Lodge in Maryvale, Queensland, which was awarded two hats by the Brisbane Times Good Food Guide in 2016 and 2017. He was also Executive Chef of Hamilton Island’s 6-star offering, Qualia, where he enjoyed two years at the helm of the resort’s culinary operations. Innes-Will’s approach to food combines modern, Australian-inspired cuisine with contemporary ingredients and techniques, focusing on locally sourced produce.
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Proceedings of the Society of Architectural Historians Australia and New Zealand Vol
Proceedings of the Society of Architectural Historians Australia and New Zealand Vol. 32 Edited by Paul Hogben and Judith O’Callaghan Published in Sydney, Australia, by SAHANZ, 2015 ISBN: 978 0 646 94298 8 The bibliographic citation for this paper is: Micheli, Silvia. “Brisbane, Australia’s New World City: The Making of Public and Institutional Spaces in South Bank from Expo ’88 to the G20.” In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 32, Architecture, Institutions and Change, edited by Paul Hogben and Judith O’Callaghan, 402-412. Sydney: SAHANZ, 2015. All efforts have been undertaken to ensure that authors have secured appropriate permissions to reproduce the images illustrating individual contributions. Interested parties may contact the editors. Silvia Micheli, University of Queensland Brisbane, Australia’s New World City: The Making of Public and Institutional Spaces in South Bank from Expo ’88 to the G20 In 1988 Brisbane hosted the Expo as part of its Australian Bicentenary celebrations. Organised at South Bank, it was an international event that proved a turning point in the city’s development. Positioned on the Brisbane River, in front of the CBD and next to the Queensland Performing Arts Centre, the area became an urban experiment, testing how Brisbane would respond to a central area dedicated to recreation and mass consumption. South Bank Parklands has grown in concert with the adjacent institutional precinct of South Brisbane dominated by the Queensland Cultural Centre, to an extent that today the two areas are recognised under the unifying name of South Bank. Its complexity is generated by the alternation of institutional buildings, leisure structures and public spaces aligned along the river with excellent infrastructure connections.
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Brochure.Pdf
A rare offering of large, exquisitely presented residences in an intimate, elevated setting. 1 Location Vista on Riverview is a stylish new luxury apartment development that sits atop the highest elevated point of Riverview Terrace at Indooroopilly. It provides an exceptional opportunity for refined living for those who demand the very best. Sit back and indulge in the river vistas and breezes of this leafy suburban setting, or enjoy the exciting array of shopping, dining and recreational attractions right on your doorstep. With an exclusive offering of just 24 residences, comprising mostly of large three-bedroom apartments and two stunning penthouses, this project is specifically designed for the discerning owner-occupier to live in and enjoy everything the Indooroopilly lifestyle has to offer. Vista on Riverview maximises its prime elevated position with sweeping views across the Brisbane River and to the city beyond. A vibrant collection of fashion, food, restaurants, bars and cinemas are all within walking distance, while a range of high quality schools, sporting and recreational facilities are also within close proximity. Nestled between the prestige blue-chip suburbs of St Lucia and Chelmer, Indooroopilly is a maturing hub for Brisbane’s sought after inner-west and provides a unique combination of quiet, convenient and modern urban living, just over 7kms from the CBD. It provides easy access to multiple public transport links and the recently completed $1.5 billion Legacy Way Tunnel effortlessly connects local residents to all parts of the city, airport and beyond. The exclusive Vista on Riverview apartments provide the space and style for residents to relax and fully immerse themselves in this unique lifestyle setting.
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Regulatory Strategies for Managing Noise from Outdoor Music Concerts
Proceedings of ACOUSTICS 2016 9-11 November 2016, Brisbane, Australia Regulatory Strategies for Managing Noise from Outdoor Music Concerts Alex Marchuk 1 and Frank Henry 1 1City Planning and Sustainability Division, Brisbane City Council, Brisbane, Australia ABSTRACT Government authorities are faced with a number of challenges when attempting to regulate noise from outdoor concerts. A key difficulty is the ability of an authority to meaningfully influence the behaviour of a concert operator during the concert itself. In many jurisdictions, penalties for environmental noise nuisance are an insufficient deterrent – resulting in permit conditions and noise limits being routinely exceeded or ignored. Authorities can also face a regulatory burden where noise conditions are technically difficult to measure, difficult to determine compliance, and require specialised equipment and staff to be available outside standard business hours. Noise regulations need to be carefully determined with the aim of motivating good noise self-regulation without being prohibitively punitive or impractical. Noise limits need to consider the realistic sound levels that are needed to hold a successful concert, while still preventing unreasonable behaviour. This strategy has been implemented by setting noise measurement locations at the sound mixing desk. Mixing desk staff can then monitor their own levels with immediate feedback and corrections where required. Self-monitoring provides industry with the ability to clearly demonstrate responsible behaviour to authorities and the community and it provides certainty and security for future use of the venue. 1. INTRODUCTION Outdoor music concert noise creates a unique regulatory challenge for authorities. Most noise regulation considers noise over long term periods with fixed and relatively predictable sources e.g.
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Inspire with a Conference to Remember
Inspire with a conference to remember Image courtesy of Cookoo Photography Conferences at Mantra South Bank Mantra South Bank offers premium accommodation and flexible conference spaces in cosmopolitan Brisbane City, ideal for your next business event or corporate stay. Expect a contemporary hotel experience Discover Brisbane Based in the heart of Brisbane’s vibrant cultural precinct on the southern Brisbane offers the best of everything. Whether you’re looking for an bank of the Brisbane River, Mantra South Bank is the perfect location exciting event, cultural activities, green spaces, natural wonders or world- for your next Brisbane conference or event. The property is conveniently class exhibitions, you’ll find the lot in Brisbane. Savour the food and wine, located adjacent to the Brisbane Convention and Exhibition Centre discover a country pub, delve into a little art or history, it’s all laid on for you. and withineasy walking distance of South Brisbane railway station,the Queensland Performing Arts Complex, the State Art Gallery and Brisbane’s South Bank is just the perfect spot to be near the cafés, restaurants, CBD. boutiques and cultural experiences that have come to characterise Brisbane’s inner-city lifestyle. Go exploring right on your doorstep at South Bank Parklands. Lush foliage, public beach, lagoons and picnic areas are all Mantra South Bank offers a variety of Hotel Rooms, Studios, and self- waitingto be discovered, and afterwards Little Stanley Street’s cosmopolitan contained One and Two Bedroom Apartments, some with fantastic water strip of restaurants, bars and boutiques beckons. views. Delegates can also enjoy leisure facilities such as a heated lap pool, fully-equipped gym, and popular on-site Stone Restaurant and Bar.
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Queensland Art Gallery
Publisher National Library of Australia Cataloguing-in- Cover (including back cover and inside gatefold details): Queensland Art Gallery Publication data: Kohei Nawa Stanley Place, South Bank, Brisbane Author: Asia Pacific Triennial of Contemporary Japan b.1975 PO Box 3686, South Brisbane Art (6th : 2009 : Brisbane, Qld.) PixCell-Elk#2 2009 Taxidermied elk, glass, acrylic, crystal beads / Queensland 4101 Australia Title: The 6th Asia Pacific Triennial 240 x 249.5 x 198cm / Work created with the support www.qag.qld.gov.au of Contemporary Art. of the Fondation d’enterprise Hermės / Image courtesy: ISBN: 9781921503085 (pbk.) The artist and SCAI, Tokyo / Photograph: Seiji Toyonaga Published for ‘The 6th Asia Pacific Triennial of Subjects: Art, Asian--21st century--Exhibitions. Contemporary Art’, organised by the Queensland Art, Pacific Island--21st century--Exhibitions. Page 6–7: Art Gallery and held at the Gallery of Modern Other Authors/Contributors: Queensland Subodh Gupta Art and the Queensland Art Gallery, Brisbane, Art Gallery. India b.1964 Australia, 5 December 2009 – 5 April 2010. Dewey Number: 709.50905 Line of Control (1) (detail) 2008 Stainless steel and steel structure, brass and copper utensils / 500 x 500 x 500cm / Image courtesy: The artist © Queensland Art Gallery, 2009 ISBN 978 1 921503 08 5 and Arario Gallery, Beijing This work is copyright. Apart from any use as Notes on the publication Page 8–9: permitted under the Copyright Act 1968, no The order of the artists’ family names and given Rudi Mantofani part may be reproduced without prior written names varies depending on the conventions used Indonesia b.1973 permission from the publisher.
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Newstead Teneriffe Hawthorne Fortitude Valley Spring Hill
76 Royal Childrens Hospital EXHIBITION 64 Red Hill VERNON TCE SKYRING TCE BULIMBA Fortitude Waterfront FERRY TERMINAL Park OXFORD ST TENERIFFE Valley FERRY TERMINAL Ithaca GREGORY TCE 61 Newstead MURRI WAY 63 Memorial Park BROOKES ST 67 Victoria Park 60 66 Golf Course 62 COMMERCIAL RD B JUBILEE TCE Spring R 56 U CONSTANCE ST McCaskie Hill N S Park W IC 68 Victoria K 65 Bardon KELVIN GROVE RD ST 57 Park FLORENCE ST M FORTITUDE 58 U S G VALLEY 69 R 55 AV 59 E MACQUARIE ST RD 51 Teneriffe WICKHAM ST ANN ST HARCOURT ST INNER CITY BYPASS 52 54 Victoria KENT ST Park 77 RIDING RD HAWTHORNE RD 50 LACHLAN ST TCE Chinatown c ORY M EG GIPPS ST 70 R ST PAULS TCE G JAMES ST 49 ROBERTSON ST Paddington BEESTON ST 48 BOUNDARY ST Centenary 78 71 Hardcastle St Andrews 47 Park War Memorial Place BRUNSWICK ST Hawthorne Hospital 53 75 HAWTHORNE 46 FERRY TERMINAL BOWEN TCE BOUNDARY RD Roma Street 45 Parkland BRIDGESTORY Cathedral 44 Square 79 74 CAXTON ST 41 Hawthorne Brisbane BROWNE ST Park Paddington Private 39 42 Hospital Captain 80 Suncorp 40 WHARF ST Stadium 43 Burke (Lang Park) Customs Park Rosalie HALE ST House 73 ROMA ST 38 CENTRAL 89 BRUNSWICK ST Norman 37 HOLMAN 81 Buchan 36 35 2 QUEEN ST STREET FERRY Park TERMINAL HOLMAN LAMINGTON ST Milton 33 ADELAIDE ST ST 34 Post Office Gregory WICKHAM ST RIVERSIDE Park ROMA ST Square CREEK ST Rainworth UPPER ROMA ST FERRY TERMINAL B WILLIAM JOLLY BRIDGE 3 O ANN ST Park 31 EAGLE ST 82 O 1 EDWARD ST 132 M 30 72 E MAKERSTON ST 10 R 11 A 32 Morningside N G QUEEN ST 4 83 MILTON RD S 134 T 12 133 29 King 13 MERTHYR
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Sebastian Di Mauro Greenback
SEBASTIAN DI MAURO GREENBACK 7 NOVEMBER – 7 DECEMBER 2019 My maternal grandparents immigrated to Australia at the turn of the 20th century. Whilst my paternal grandparents and father arrived in Australia in the 1920s. I grew up on a continent far from where they had immigrated–Sicily. My upbringing was a rich experience living between two very different cultures. At four I was bilingual speaking Italian and English. It must have been difficult for my grandparents to comprehend the political incarnations of their new land. Much of their understanding would have come from their children. We lived in tropical far north Queensland until I was 13 when my family moved to Brisbane which is ironically in the same location as Delaware is on the Eastern Seaboard of the United States. I have recently immigrated to the USA and am reflecting on my experience of being an immigrant from a country thousands of miles away. I am married to a US citizen who was born and raised in Wilmington Delaware and so I have some understanding of the country I am now living in. During my childhood I watched copious television series from America and these created an image of a country similar to Australia. But the reality is very different. Nothing really prepares you for a new life in a completely different land. Subtleties become exaggerated, loss of self becomes exacerbated with no immediate family or lifelong friends to support and nurture you. Blankets have been part of my artistic lexicon since 1996 where I used electric blankets splayed on the wall of the gallery.
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Robyn Stacey | Curriculum Vitae B
Robyn Stacey | Curriculum Vitae b. 1952, Brisbane. Lives and works in Sydney Education Bachelor of Fine Arts, University of Queensland Master of Fine Arts, College of Fine Arts, University of New South Wales. Solo Exhibitions 2021 Just Light, Darren Knight Gallery, Sydney Nothing to see here, Jan Manton Gallery, Brisbane 2019 Nothing to see here, Darren Knight Gallery, Sydney 2018-20 Ray of Light, Art Gallery of South Australia, Adelaide; touring regional SA 2018 As Still as Life, Monash Gallery of Art, Melbourne 2017 Double Take, commissioned by Deutsche Bank Australia for Sydney Contemporary, Carriageworks, Sydney 2016 Dark Wonder, Stills Gallery, Sydney 2015-16 Cloud Land, Museum of Brisbane, Brisbane 2014 Guest Relations Brisbane, Jan Manton Art, Brisbane 2013 Guest Relations, Stills Gallery, Sydney Guest Relations, Sofitel Melbourne on Collins, Melbourne Robyn Stacey, Adelaide Perry Gallery, PLC Sydney, Sydney 2011-12 house, Museum of Sydney, Sydney 2011 House to House, Jan Manton Gallery, Brisbane Tall Tales and True, Stills Gallery, Sydney 2009 Empire Line, Stills Gallery, Sydney 2008 The Great and the Good, Stills Gallery, Sydney 2007 museum, Elizabeth Bay House, Sydney Museum: The Macleays, their Collections and the Search for Order, Macleay Museum, Sydney 2006 Beau Monde, Stills Gallery, Sydney 2005 Supermodels, Stills Gallery, Sydney 2004 The Macleay Revisited, Macleay Museum, University of Sydney Robyn Stacey’s herbarium, Stills South, Sydney 2003 The Collectors Nature, Stills Gallery, Sydney 2002-03 Cabinet of Curiosities,
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