DOCSLIB.ORG

Nota Bene Canadian Undergraduate Journal of Musicology

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nota Bene Canadian Undergraduate Journal of Musicology Nota Bene Canadian Undergraduate Journal of Musicology Summer 2019 EVELYN VANDERHOOF AND KAITLYN KASHA Editors Published by the Don Wright Faculty of Music at Western University Canada Western University Canada London, Ontario Nota Bene Canadian Undergraduate Journal of Musicology Edited by Evelyn Vanderhoof and Kaitlyn Kasha Copyright © 2019 Front and back cover by Ludwig Design: www.ludwigdesign.ca All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recorded or otherwise, without prior written permission from the editors in consultation with the author(s). The views expressed herein are not necessarily those of the editors. PRINTED IN CANADA Contents Foreword from the Editors v Review Panel vi Szymanowski’s Third Symphony: Tradition and the Orient 1 JOHN PIERCE O’REILLY Not Quite Romeo: Berlioz, Smithson and the Unspoken Truth 14 HOPE SALMONSON Magic and Enlightenment auf der Wieden: Der Stein der Weisen and Die Zauberflöte 30 MERCER GREENWALD Nipplegate and the Effects of Implied vs. Explicit Sexuality in Pop Music Performance 46 JESSICA MACISAAC NB Foreword On behalf of the Don Wright Faculty of Music at Western University Canada, it is our pleasure to present the twelfth volume of Nota Bene: Canadian Undergraduate Journal of Musicology. This issue highlights the breadth of interdisciplinary research being conducted by the international undergraduate community, with papers from the United Kingdom, the United States of America, and Canada. The essays that follow address topics such as the influence of the Orient on Szymanowski’s Third Symphony; the exclusion of Harriet Smithson in the principal scholarship on Hector Berlioz and his Symphonie Fantastique; a comparison of two operas, Der Stein der Weisen and Die Zauberflöte; and finally, an analysis of Janet Jackson’s Super Bowl XXXVIII halftime performance. These essays reflect the high standard of undergraduate musicological thought and discourse at institutions worldwide. We would like to extend our gratitude to Dr. Betty-Anne Younker, Dean of the Don Wright Faculty of Music, for her continued support and commitment to this project. Many thanks as well to our faculty advisors at Western University, Dr. Emily Abrams Ansari and Dr. Edmund Goehring, who offered advice and guidance throughout the year. In addition, it is our pleasure to acknowledge the support of the other members of the 2019 Nota Bene Review Panel: Dr. Andrew P. MacDonald from Bishop’s University; Dr. James Deaville from Carleton University; Dr. Jane Gosine from Memorial University; Dr. Walter Kreyszig from the University of Saskatchewan; Dr. James V. Maiello, Dr. Colette Simonot-Maiello from the University of Manitoba; and Dr. Norma Coates, Dr. Jonathan De Souza, Dr. Peter Franck, Dr. Kate Helsen, and Dr. Catherine Nolan from Western University. Finally, we would like to thank the authors for their hard work and dedication to this journal. We hope that this experience was as rewarding for you as it was for us. Evelyn Vanderhoof and Kaitlyn Kasha Editors-in-Chief v Review Panel Dr. Emily Abrams Ansari, Western University Canada Emily Abrams Ansari is an Associate Professor of Music History whose research examines music's political usages and engagements across the Americas during the Cold War period. In 2018 she published her first book, The Sound of a Superpower: Musical Americanism and the Cold War (OUP), which examines the effects of this ideological conflict on musical nationalism in the United States. She is now launching several new individual and collaborative projects, including a multidisciplinary collective history project documenting the musical experiences of refugees from El Salvador's Civil War during the 1980s. Her published articles have won her a number of prestigious accolades, including the Kurt Weill Prize and the ASCAP Deems Taylor- Virgil Thomson Award. Dr. Katharina Clausius, University of Victoria Katharina Clausius is an Assistant Professor of Musicology at the University of Victoria, BC. Her research focuses on intermedial exchanges between music, literature, and the visual arts. She is currently finishing a book, Mania in the Age of Reason: Tragic Adventures in Poetry, Painting, and Opera, which challenges the longstanding segregation of Enlightenment tragic opera from its broader cultural contexts and proposes a new comparative approach that thrusts opera into the furious debates surrounding VI literature, spoken theatre, and painting throughout the eighteenth century. Her research has appeared in Philosophy Today, The Opera Quarterly, The Journal of Musicology, and Tempo. In September 2019, she will be joining the Département de langues et littératures du monde at the Université de Montréal. Dr. Norma Coates, Western University Canada Norma Coates, PhD, is an Associate Professor at the University of Western Ontario who focuses on popular music. An interdisciplinary scholar, she was among the first to theorize the role and relationship of women to popular music. Coates is a cultural historian whose work challenges and revises commonly held beliefs about popular music history. Her most recent work focuses on popular music on American television before the 1980s. Coates serves on the editorial board of the Journal of Popular Music Studies and Music, Sound, and the Moving Image and the executive boards of Console-ing Passions: International Conference on Television, Video, Audio, New Media and Feminism and the International Association for the Study of Popular Music, US Branch. Dr. Jonathan De Souza, Western University Canada Jonathan De Souza is an assistant professor of music theory at Western University. De Souza’s research combines music theory, cognitive science, and philosophy. His book, Music at Hand: Instruments, Bodies, and Cognition (Oxford University Press, VII 2017), examines how instrumental techniques and technologies shape music’s sounding organization and players’ experience. At Western, De Souza currently serves as Director for Music, Cognition, and the Brain, an initiative that brings together faculty members, postdoctoral scholars, and students from music theory and music education, cognitive neuroscience, audiology, and related fields. Dr. James Deaville, Carleton University James Deaville teaches music in the School for Studies in Art and Culture of Carleton University, Ottawa, Canada. He has edited Music in Television (Routledge, 2010) and with Christina Baade has co-edited Music and the Broadcast Experience. (Oxford, 2016). He is currently working on a study of music and sound in cinematic (and video game) trailers, a result of the Trailaurality research group that has been funded by the Social Sciences and Humanities Research Council of Canada. He has contributed a variety of articles and book chapters on music and its intersections with media, most recently an article for American Music on music at the political party conventions of 2016. With Ron Rodman and Siu-Lan Tan he is co-editing an anthology on music and advertising as one of the Oxford Handbooks. He is currently guest editing an issue of American Music on television music, and has just received four years of funding from SSHRC to study muteness/disability and music in screen representation. VIII Dr. Peter Franck, Western University Canada Peter Franck is Associate Professor of Music Theory at Western University, where he was appointed in 2007. His research focuses on invertible counterpoint and how it intersects with aspects of Schenkerian theory and musical form. His publications appear in Music Theory Spectrum, Indiana Theory Review, Theory and Practice, Intégral, Intersections: Canadian Journal of Music, and Gamut: Online Journal of the Music Theory Society of the Mid- Atlantic. Dr. Edmund J. Goehring, Western University Canada Edmund J. Goehring is Professor of Music History at The University of Western Ontario. He is the author of Coming to Terms with Our Musical Past: An Essay on Modernist Mozart Poetics (Rochester, 2018) and, along with a book and essays on the Mozart-Da Ponte operas, essays on Verdi’s Otello, Don Juan theater, and Martin McDonagh’s film In Bruges (for Film International). Dr. Jane Gosine, Memorial University Dr Jane Gosine is a professor in the School of Music at Memorial University where she teaches courses in musicology. She is engaged in research exploring the relationship between singing and wellbeing, as well as research into 17th-century French music, particularly the music of Marc-Antoine Charpentier. She IX has served as a music consultant to ensembles in North America and Europe, and has prepared new editions of Charpentier’s music, as well as articles and chapters on French music. Jane has collaborated with music therapists on projects at Easter Seals Newfoundland and Labrador and at the East Anglia Children’s Hospice. With Kalen Thomson, she co-founded and directs the Better Breathing Choir, and is a team member with Lauda – a neuro-diverse children’s choir which is part of Shallaway Youth Choir. Dr. Kate Helsen, Western University Canada Before teaching Music History at Western University, Kate held a two-year post-doctoral fellowship from the Social Sciences and Humanities Research Council of Canada (SSHRC) at the University of Toronto, researching musical notation in the 12th and 13th centuries. Her doctoral research focused on Gregorian chant transmission, orally and through the earliest notated books. She has published
Load more

Recommended publications
  • Dmitri Novgorodsky, Piano Dmitri Novgorodsky
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-7-2013 Guest Recital: Dmitri Novgorodsky, piano Dmitri Novgorodsky Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Novgorodsky, Dmitri, "Guest Recital: Dmitri Novgorodsky, piano" (2013). All Concert & Recital Programs. 2314. https://digitalcommons.ithaca.edu/music_programs/2314 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Guest Recital: Dmitri Novgorodsky, piano Hockett Family Recital Hall Thursday November 7th, 2013 7:00 pm Program Jesu, Joy of Man's Desiring, BWV 147 J.S. Bach (1685-1750) trans. Dame Myra Hess (1890-1965) Partita No. 5 in G Major, BWV 829 J.S. Bach Praeambulum Allemande Corrente Sarabande Tempo di Minuetto Passepied Gigue Sonata in A-flat Major, Op. 110 Ludwig van Beethoven Moderato cantabile molto espressivo (1770-1827) Allegro molto Adagio ma non troppo--Arioso dolente--Fuga: Allegro ma non troppo--L'istesso tempo di Arioso--L'istesso tempo della Fuga Intermission Three Intermezzi, Op. 117 Johannes Brahms Andante moderato (1833-1897) Andante non troppo e con molto espressione Andante con moto Barcarolle, Op. 60 Frédéric Chopin (1810-1849) Symphonic Metamorphosis on "Wein, Weib Leopold Godowsky und Gesang," after Johann Strauss II (1870-1938) Biography Hailed by the press as a "breathtaking" and "stunning" pianist, Dmitri Novgorodsky was born to a musical family in Odessa, Ukraine. He began to play the piano at age five and was admitted into a special music school for gifted children a year later.
    [Show full text]
  • Duo Francois
    THE COLORADO COLLEGE MUSIC DEPARTMENT presents Duo Francois Ron Francois, violin Silvana Santinelli, piano Wednesday, October 9, 2013 7:30 p.m. Packard Hall Program One After One in Time: Fourth Sonata for Violin and Piano Op. 83 Andrew Paul MacDonald 1. Bounce – Agitato (b. 1958) 2. Beatitudes – Adagio 3. Variation Choruses – Maestoso – Allegro Vivace Commissioned by the Duo Francois Intermission Sonata #1 in D Minor Op. 75 Camille Saint-Saens 1. Allegro Agitato – Adagio (1835-1921) 2. Allegretto Moderato 3. Allegro Molto Please refrain from using electronic devices during the concert About the Artists Ron Francois, violin Ron Francois' performances as a soloist, recitalist and chamber musician has consistently won the acclaim of notable musicians. “...A fantastic violinist...a big talent” said Abram Shtern concertmaster of the Kiev state Opera and professor at the Kiev Conservatory. Others proclaim Francois' playing as “...extremely musical...Francois plays with great sensitivity and warmth” said Concert violinist Daniel Heifetz”... “A wonderful musician...sensitive ensemble player and a brilliant violinist,” said Michael Tree from the Guarneri String Quartet. A recipient of the Quebec Arts Council Grant, Francois began his career under the tutelage of concert violinist Daniel Heifetz. Francois concertized with Heifetz as soloist and as a member of his “Classical Band”. Consequently, Francois has performed several major solo works with orchestras in Canada and throughout the United States. As a Chamber musician Ron Francois' experience is far reaching. As a former member of the internationally acclaimed chamber Ensemble” I Musici” de Montreal, Francois toured extensively and recorded two CD's with this ensemble on the Naxos Label.
    [Show full text]
  • TMS 3-1 Pages Couleurs
    ISSUE 08 www.scena.org Spring 2005 • Vol. 3.3 $4.95 Peter Oundjian & Gary Kulesha on New Creations Will Crutchfield on Bel Canto Classical Concert Spring Picks Southern Ontario Winnipeg Calgary Edmonton Vancouver Victoria Valery Gergiev Maestro in Motion Youth: Canada’s Rising Stars • Music Camps • Careers The Music Scene Spring 2005 Vol. 3.3 La Version PDF is made available free of charge to visitors of This low resolution PDF<http://www.scena.org>. version As a web magazine, this version is Scena Musicale Online not printable. is available on yearly subscription for A high resolution printable PDF version $15 CDN (10 issues of La Scena Musicale PDF and The Music Scene PDF). Every month PDF paid subscribers will be sent by email the link to the high resolution ver- sion. Contact [email protected] to subscribe. http://www.scena.org TMS3-3cover4 2005-03-15 12:05 Page 1 ISSUE 08 www.scena.org Spring 2005 • Vol. 3.3 $4.95 Peter Oundjian & Gary Kulesha on New Creations Will Crutchfield on Bel Canto Classical Concert Spring Picks Southern Ontario Winnipeg Calgary Edmonton Vancouver Victoria Valery Gergiev Maestro in Motion Youth: Canada’s Rising Stars • Music Camps • Careers TMS3-3cover4 2005-03-15 13:32 Page 2 tms3-3_AC p03-11 3/11/05 10:07 PM Page 3 tms3-3_AC p03-11 3/11/05 10:11 PM Page 4 tms3-3_AC p03-11c 2005-03-16 14:17 Page 5 Help Promote Classical Music in Canada. Make a Donation to La Scena Musicale / The Music Scene Support Direct your gift: _____ General operations “I believe in The Music Scene and _____ Circle of Friends _____ Website La Scena Musicale's mission to promote classical music; that is All donations of $10 and above will be gratefully acknowledged, and a tax receipt will be issued.
    [Show full text]
  • Canadian Music for Chamber Orchestra Macdonald · Eckhardt-Gramatté · Matthews
    CANADIAN MUSIC FOR CHAMBER ORCHESTRA MACDONALD · ECKHARDT-GRAMATTÉ · MATTHEWS MANITOBA CHAMBER ORCHESTRA/SIMON STREATFEILD David Stewart violin · Vincent Ellin bassoon MacDONALD, Andrew Paul (b.1958) Concerto for Violin and Orchestra (1991) (Manuscript) 27'23 1 Adagio – Allegro 13'04 2 Tranquillo 8'17 3 Animato 6'01 David Stewart violin ECKHARDT-GRAMATTÉ, Sophie-Carmen (1899–1974) Concerto for Bassoon and Orchestra 14'10 (1950) (Eckhardt-Gramatté Foundation) 4 Entschieden, rhythmisch 5'21 5 Ausdrucksvoll, ohne zu schleppen 3'59 6 Entschieden, rhythmisch 4'44 Vincent Ellin bassoon MATTHEWS, Michael (b.1950) 7 Between the Wings of the Earth (1993) (SOCAN) 18'41 TT: 61'20 Manitoba Chamber Orchestra Simon Streatfeild conductor 3 he three orchestral works recorded here for the first time represent, in their own individual ways, a cross-section of contemporary Canadian composition. TTwo of the composers on this disc, Andrew Paul MacDonald and Michael Matthews, are native born, both having begun their musical studies in Canada and gone on to more advanced studies in the USA. Both exhibit sophisticated technical powers and resources, together with a vitality and assuredness in their work that appre ciably adds to Canada’s emerging musical identity. The third composer represented on this disc, Sophie-Carmen Eckhardt-Gramatté, is part of another Canadian tradition – that based on the work of immigrant composers, usually European in training and outlook, who have become part of the creative Canadian mosaic. Many personalities come to mind, Healey Willan (Eng - land) being among the most notable. Their creative gifts have made an indel ible impression on the musical scene.
    [Show full text]
  • A Canadian Opera Aria Anthology for Soprano
    A CANADIAN OPERA ARIA ANTHOLOGY FOR SOPRANO by Stephanie Eiko Nakagawa M.M., Indiana University, 2011 B.Mus., The University of British Columbia, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2017 © Stephanie Eiko Nakagawa, 2017 Abstract A problem that Canadian opera faces is that once works are premiered, they rarely receive any further performances. Singers must overcome numerous barriers to sing these works due to limited score accessibility and lack of aria adaptations and recordings. Even if singers feel passionately about Canadian opera, such obstacles may impede their motivation to perform Canadian repertoire. This thesis aims to increase the awareness and accessibility of Canadian opera through the creation of a “Canadian Opera Aria Anthology for Soprano.” The anthology includes background information about the operas, composer and librettist biographies, opera synopses, and aria adaptations. In addition, performance and interpretive guides have been formed from the author’s own research in performing these works, available recordings, and from information gathered from the author’s interviews with the composers and librettists. Hopefully the arias within this anthology will not only provide singers with useful arias for auditions, but also give them and their audience a lens through which they may better understand Canadian opera and culture. Ultimately, this research aims to increase the recognition of Canadian opera and to develop a greater interest and appreciation for these works so that one day, they may become a part of the standard operatic repertoire and reach both Canadian and international stages.
    [Show full text]
  • Catalogue of Works to 2020 Solo And
    Andrew Paul MacDonald: Catalogue of Works to 2020 Solo and Chamber Instrumental Music: Trio, op. 1 (1979), 15 min., for flute, clarinet and guitar; world premiere given by the Fischlin Trio at Concordia University, Montréal on May 5, 1981; Quartet, op. 2 (1980), 10 min., for flute, oboe, viola and guitar; world premiere given by the MacDonald Quartet at Eastern Michigan University, Ypsilanti, Michigan on March 22, 1984; Excursions for Flute Alone, op. 6 (1983), 7 min., for solo flute; world premiere given by Jill Felber at the University of Michigan, Ann Arbor, Michigan on February 7, 1983; Quartet for Reeds and Piano, op. 7 (1983), 14 min., for oboe, clarinet, bassoon and piano; world premiere given by Stephen Caplan, oboe, Nancy Leckie, clarinet, Greg Youtz, bassoon and Robert Conway, piano at the University of Michigan, Ann Arbor on January 30, 1984; String Quartet No. 1, op. 8 (1983), 16 min.; world premiere given by the University of Michigan Graduate String Quartet at the University of Michigan, Ann Arbor on April 16, 1984; Fantasy Sonata, op. 10 (1984), 11 min., for solo guitar; world premiere given by Andrew MacDonald at the University of Michigan, Ann Arbor on March 25, 1984; Kittlin’ Hair on Thairms, op. 13 (1986), 15 min., for solo violin; world premiere given by David Stewart at the Centre Culterel Canadien, Paris on May 6, 1986; Emerald Mirrors: First Sonata for Violin and Piano, op. 14 (1986), 19 min.; world premiere given by Giselle Dalbec, violin and Mary-Jo Carrabré, piano at Muriel Richardson Auditorium, Winnipeg Art Gallery, Winnipeg, Manitoba on May 19, 1988; A Dancing Sphere, op.
    [Show full text]
  • Upcoming Events Virtuoso Series Recital
    Upcoming Events Virtuoso Series Recital Creative Writing Reading Series Collaboration: Uncanny Valley by John Gibson 11/5 Organ Recital Hall 7:30 p.m. Contemporary Artist Music Series: Shilo Stroman 11/6 Organ Recital Hall 7:30 p.m. Duo Francois Carnero String Quartet 11/7 Organ Recital Hall 7:30 p.m. November 4, 2013 Opera: Patience by Gilbert and Sullivan 11/8, 11/9, 11/15 Griffin Concert Hall 7:30 p.m. 7:30 P.M. Organ Recital Hall Early Music Chamber Recital 11/11 Organ Recital Hall 7:30 p.m. University Art Museum Gallery Talk: "Arts of the North: Arctic & Pacific Northwest Coast Native Arts in Nature Inspired" by Dr. Emily Moore 11/12 University Art Museum 2 p.m. Jazz Combos Concert 11/12 Griffin Concert Hall 7:30 p.m. Virtuoso Series Concert, Special Guests Jun Qian, Clarinet & Kae Hosoda Sonatensatz (Scherzo) Op. Posth. J. Brahms -Ayer,Piano 11/12 Organ Recital Hall 7:30 p.m. (1833-1897) Creative Writing Reading Series: 4x4 - Regional Creative Writing Pro- grams 11/14 University Art Museum 7:30 p.m. Sonata No. 1 in D Minor Op. 75 Camille Saint-Saens (1835-1921) Avenir Museum Third Thursday Lecture: "Luxurious Embellishment - A Allegro Agitato - Adagio Brief History of Lace" with Dr. Susan J. Torntore, Avenir Curator 11/14 136 UCA Annex, 7 p.m. Allegretto Moderato Allegro Molto Dance: Fall Dance Concert 11/15, 11/16 University Dance Theatre 8 p.m. -- Intermission -- event calendar • e-newsletter registration One After One in Time: Fourth Sonata for Violin and Piano Op.
    [Show full text]
  • Program Fiscal Year Applicant Artist/Project Applicant Province Artist Province Offer Artist Development 2020-2021 Aaron Dolman
    Program Fiscal Year Applicant Artist/Project Applicant Province Artist Province Offer Artist Development 2020-2021 Aaron Dolman Aaron Dolman Québec Québec $ 2,000.00 Artist Development 2020-2021 Abdullah Nazim No Tourists Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Adam Basterfield Spaceport Union British Columbia British Columbia $ 2,000.00 Artist Development 2020-2021 Adam Beer-Colacino Adam Beer-Colacino Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Adam Lutz Cowbo Morsche Manitoba Manitoba $ 2,000.00 Artist Development 2020-2021 Adrian Cernea IN Veil Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Adrian Underhill Adrian Underhill Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Ajay Parikh-Friese Ajay Friese British Columbia British Columbia $ 2,000.00 Artist Development 2020-2021 Alan Laskow Every Hour Kills Alberta Alberta $ 2,000.00 Artist Development 2020-2021 Aleks Schürmer Aleks Schürmer Québec Québec $ 2,000.00 Artist Development 2020-2021 Alex Fecioru Passport Radio Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Alex Mundy Alex Mundy Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Alexander Betancur Osorio Ramon Chicharron Québec Québec $ 2,000.00 Artist Development 2020-2021 Alexander Lioubimenko Algorhythm Québec Québec $ 2,000.00 Artist Development 2020-2021 Alexandra Overing The Leanover Québec Québec $ 2,000.00 Artist Development 2020-2021 Allysha Bureyko Ajaye Jardine British Columbia British Columbia $ 2,000.00 Artist Development 2020-2021 alyssa holmes The Drifts Ontario Ontario $ 2,000.00 Artist Development 2020-2021 Amanda Gibeau Amanda Gibeau Québec Québec $ 2,000.00 Artist Development 2020-2021 Amanda Keesmaat Amanda Keesmaat Québec Québec $ 2,000.00 Artist Development 2020-2021 Amanda Lowe Amanda Lowe W.
    [Show full text]
  • MUSC 2013.10.20 Ariesfestprog.Pdf (4.858Mb)
    Upcoming Events University Dance 7:30 p.m. & Theatre & Dance Halloween Special 10/26 Theatre 10:30 p.m. Virtuoso Series Concert, CSU Faculty Peter Sommer 10/28 Organ Recital Hall 7:30 p.m. Halloween Organ Extravaganza 10/31 Organ Recital Hall 7, 9, 11 p.m. Guest Artist Series: John Patrick Shanely 11/3 University Theatre 7:30 p.m. Virtuoso Series Concert, Duo Francois 11/4 Organ Recital Hall 7:30 p.m. Creative Writing Reading Series Collaboration: Uncanny Valley by John Gib- son 11/5 Organ Recital Hall 7:30 p.m. Contemporary Artist Music Series: Shilo Stroman 11/6 Organ Recital Hall 7:30 p.m. Carnero String Quartet 11/7 Organ Recital Hall 7:30 p.m. Opera: Patience by Gilbert and Sullivan 11/8, 11/9, 11/15 Griffin Concert Hall 7:30 p.m. Early Music Chamber Recital 11/11 Organ Recital Hall 7:30 p.m. Jazz Combos Concert 11/12 Griffin Concert Hall 7:30 p.m. Virtuoso Series Concert, Special Guests Jun Qian, Clarinet & Kae Hosoda- Ayer,Piano 11/12 Organ Recital Hall 7:30 p.m. event calendar • e-newsletter registration www.uca.colostate.edu General information: (970) 491-5529 Tickets: (970) 491-ARTS (2787) www.CSUArtsTickets.com Meet Me at the UCA Season “Green” Sponsor Thank you for your continued support Aries Composers Festival 2013 New Music at Colorado State University Master Schedule Sunday, October 20 2:00-3:30 PM Concert I: CSU Percussion Ensemble, Vasanta Quartet, and Oasis Quartet (Griffin Concert Hall) 4:00-6:00 PM Workshop by Michael Colgrass “The Key to Creativity: Think Like a Kid” (UCA Room 158) 6:00 PM Dinner Break 7:30-9:00
    [Show full text]
  • Concert: Ithaca College Symphony Orchestra Ithaca College Symphony Orchestra
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-5-2016 Concert: Ithaca College Symphony Orchestra Ithaca College Symphony Orchestra Michael Hall Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Symphony Orchestra and Hall, Michael, "Concert: Ithaca College Symphony Orchestra" (2016). All Concert & Recital Programs. 1401. http://digitalcommons.ithaca.edu/music_programs/1401 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Symphony Orchestra Michael Hall, conductor Dmitri Novgorodsky, piano Ford Hall Saturday, November 5th, 2016 8:15 pm Program Κρούσεις – Krouseis for Large Orchestra Evis Sammoutis (b. 1979) Piano Concerto in A minor, op. 16 Edvard Grieg (1843-1907) Dmitri Novgorodsky, piano I. Allegro molto moderato II. Adagio III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso Intermission Symphony No. 1 in D Major Gustav Mahler (1860-1911) I. Eternal Spring II. Under Full Sail III. Shipwrecked (A Funeral march in the Style of Jacques Callot) IV. Dall' Inferno al Paradiso ("From Hell to Paradise") Biographies Dmitri Novgorodsky Hailed by the press as a "breathtaking" and "stunning" pianist, Dmitri Novgorodsky was born to a musical family in Odessa, Ukraine. He began to play the piano at age five and was admitted into a special music school for gifted children a year later. By the age of 16, he had won the First Prize at the Kazakhstan National Piano Competition, and later the Gold Medal of the National Festival of the Arts.
    [Show full text]
  • Back Log of Items - Compact Discs Rupert Edwards Library Current As of 02/03/2016
    Back log of items - Compact discs Rupert Edwards Library Current as of 02/03/2016 Conductor Major Performers Title Publisher Publisher No. Year Genre Notes Metropolitan Opera Great Operas at the Met: Rigoletto MET MET 518 CD 1993 2 discs Metropolitan Opera Great Operas at the Met: Il Barbiere Di Siviglia MET MET 508 CD 1990 2 discs Metropolitan Opera Great Operas at the Met: Faust MET MET 518 CD 1991 2 discs Metropolitan Opera Great Operas at the Met: Il Trovatore MET MET 509 CD 1990 2 discs Metropolitan Opera Great Operas at the Met: Aida MET MET 503 CD 1988 2 discs Metropolitan Opera Great Operas at the Met: Der Rosenkavalier MET MET 515 CD 1992 2 discs Metropolitan Opera Great Operas at the Met: Die Zauberflote MET MET 517 CD 1992 2 discs Gardiner, John Elliot The Monteverdi Choir, English Baroque Soloists Idomeneo Archiv Produktion 431 675-2 1991 3 discs Bohm, Karl Wiener Philharmoniker Johann Strauss - Die Fledermaus Decca 475 6216 2004 2 discs Margaret Price Mozart - Opera & Concert Arias RCA Red Seal 82876-65841-2 2005 Schippers, Thomas Beverly Sills Donizetti - Lucia di Lammermoor Westminster The Legacy 471 250-2 1970 2 discs Renata Tebaldi Renata Tebaldi; Il trovatore - Otello - Tosca - Madama Butterfly - La Wally London 421 312-2 1969 Arias Conchita Supervia; Airs d'Operas; Rossini: Il Barbiere di Siviglia, La Cenerentola, L'Italiana in Conchita Supervia Algeri; Bizet: Carmen EMI 7 63499 2 1990 Arias Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Roger Soyer, James Morris, Margreta Bonynge, Richard Elkins Grand Opera;
    [Show full text]
  • Ithaca College Symphony Orchestra Octavio Más-Arocas
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 10-13-2019 Concert: Ithaca College Symphony Orchestra Octavio Más-Arocas Susan Waterbury Elizabeth Simkin Dmitri Novgorodsky Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Más-Arocas, Octavio; Waterbury, Susan; Simkin, Elizabeth; and Novgorodsky, Dmitri, "Concert: Ithaca College Symphony Orchestra" (2019). All Concert & Recital Programs. 6270. https://digitalcommons.ithaca.edu/music_programs/6270 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Symphony Orchestra Octavio Más-Arocas, music director and conductor Susan Waterbury, violin Elizabeth Simkin, cello Dmitri Novgorodsky, piano Ford Hall Sunday, October 13th, 2019 4:00 pm Program Tiger Escape Keeghan Fountain (b. 1998) World Premiere — IC Orchestras Fanfare Project Gravitações Jorge Villavicencio Grossmann (b. 1973) Concerto for Violin, Cello, Piano, Ludwig van Beethoven and Orchestra in C Major, op. 56 (1770-1827) "Triple Concerto" Allegro Largo Rondo alla polacca Susan Waterbury, violin Elizabeth Simkin, cello Dmitri Novgorodsky, piano Intermission Symphony No. 5 in D Minor, op. 47 Dmitri Shostakovich (1906-1975) Moderato – Allegro non troppo Allegretto Largo Allegro non troppo Program Notes Villavicencio Grossmann: Gravitações My musical language, although inherently atonal, values harmonic motion and pitch “centricity.” Centricity has been described an alternate method to common practice tonality in which a particular pitch is given a higher hierarchical value therefore acting as a harmonic “gravitational” center.
    [Show full text]