Californiske Faith No More Levede Op Til De to Sidste Ord I Bandnavnet I 1997, Da De Fem Medlemmer Besluttede at Opløse Bandet

Total Page:16

File Type:pdf, Size:1020Kb

Californiske Faith No More Levede Op Til De to Sidste Ord I Bandnavnet I 1997, Da De Fem Medlemmer Besluttede at Opløse Bandet Rock-dinosaur genopstået musik Californiske Faith No More levede op til de to sidste ord i bandnavnet i 1997, da de fem medlemmer besluttede at opløse bandet. Troen på en genforening levede frem til 2009, hvor bandet genopstod. I denne måned udkom gruppens første album i 18 år, hvilket gør koncerten på Tinderbox til juni til noget helt særligt - We will rise from the kil- handlet om ikke at ”fucke” ling floor like a matador, med arven fra 1990’erne, forkynder forsanger Mike hvor Faith No More hørte til Patton på sangen ”Matador” blandt de mest respekterede fra Faith No Mores aktuelle og eksperimenterende rock- album ”Sol Invictus”. Linjen bands. er en glimrende metafor for - Der er en plads i musikhi- bandet, der afgik ved døden storie-bøgerne, der tilhører i 1997, men genopstod 12 år Faith No More. Det er et ka- senere. pitel, vi sætter stor pris på og - Jeg har faktisk ikke tolket påskønner. Jeg tror, at mange teksten på den måde. Men fans værdsætter, hvad vi stod når du nævner det, kan jeg for. Derfor var det af signifi- godt se, at det er en slags kant betydning for bandet, ”opstigen fra dødsriget”- at vi ikke tilsmudsede vores metafor, der passer godt på arv. Af samme grund har vo- Faith No Mores genfødsel, res tilgang til ”Sol Invictus” konstaterer ét af bandets tre været yderst respektfuld i originale medlemmer, Roddy forhold til vores egen fortid, Bottum. forklarer Roddy Bottum. Siden opløsningen for 18 Bandmedlemmernes inspi- år siden har fans hungret ef- rationskilde har netop været ter nyt materiale fra bandet, dem selv i karrierens vår. der er blevet hyldet som en Dengang punk-attituderne markant inspirationskilde af sad helt uden på tøjet og gni- kolleger i prominente bands sterne føg rundt i øvelokalet som Metallica og Guns ’N under tilblivelsen af debut- Roses. albummet ”We Care a Lot” At kalde forventningerne fra 1985. enorme til ”Sol Invictus” er - Vi har søgt tilbage til ker- en underdrivelse af rang. nen af Faith No More i de Men det har ikke haft nogen første udgivelser i midtfirser- betydning for bandet, under- ne, hvor vi var en flok unge, streger keybordspilleren og ustyrlige knægte. Tilbage til pianisten, der har været med tiden, før Mike Patton kom i Faith No More siden begyn- med. Da vi tre oprindelige delsen i 1982. medlemmer eksperimente- - Helt ærligt, så har presset rede på livet løs i studiet i San på en skala fra 0 til 10 været et Francisco. Dengang, hvor stort rundt nul. Hele proces- vi prøvede det hele af for sen omkring ”Sol Invictus” første gang og gentog et riff har været enormt behagelig i en uendelighed. Det var en og rar. Lige fra sangskrivnin- besynderlig måde at skrive gen til indspilningerne har musik på, men det virkede det udelukkende været vi fem meget dystert og kraftfuldt bandmedlemmer, der har ar- dengang, så selv om det var bejdet sammen. Ingen andre en forholdsvis naiv tilgang, er blevet lukket indenfor. In- besluttede vi at genskabe gen andre har hørt sangene. den intensitet. Det føltes helt Faktisk gik der ekstremt rigtigt, konstaterer Roddy lang tid, før vi overhovedet Bottum. fortalte nogen, at vi indspil- lede et nyt album. Derfor har Kender smertegrænsen eksternt pres på ingen måde I den æra, han taler om, var været et emne, siger 51-årige det ikke utænkeligt, at Faith Roddy Bottum. No More gav 200 koncerter på et år. Kombineret med al- Ustyrlige knægte bumindspilninger var der så Faith No More fik sit bandnavn, da bandet Faith No Man med Billy Gould (nummer to fra venstre) og Mike Bordin Hans egne forventninger (nummer fire fra venstre) blev opløst i1982. Samme år kom Roddy Bottum (yderst til højre) med. Forsanger Mike til albummet har i høj grad fortsættes side 14 Patton er nummer tre fra venstre, mens guitarist Jon Hudson er yderst til venstre. Foto: Dustin Rabin side 12 side 13 Rock-dinosaur genopstået Rock-reunion med fortsat fra side 12 det tunge skyts godt som ingen tid til at puste på tammerne. Og forsanger ud og lade op. musik Mike Patton har stadig vild- - Det var én lang cyklus, skab og styrke i stemmen, hvor vi aldrig nåede at trække uanset om han synger, skri- vejret. I dag forholder det sig rock/heavy ger eller taler som i versene helt anderledes, hvor vi aldrig på titelnummeret. planlægger mere end tre-fire ####¤¤ Også ”Cone of Shame”, ugers sammenhængende ”Motherfucker” og ”Mata- turné. Det er der, smerte- Faith No More: dor” hører til i den tungere grænsen går. Vi beskytter ”Sol Invictus” ende af rocken og indbyder bevidst os selv, da vi ved, hvor til headbanging. Rock-stor- meget vi kan kapere. Det gør Reclamation Recordings men buldrer, men Faith No også vores koncerter mere More har hele tiden et melo- interessante, når der som i Af Lars Krejberg disk udgangspunkt midt i den forbindelse med koncerten [email protected] aggressive, sønderrivende dy- i Odense ikke er andre kon- namik. Karakteristisk er også certer i umiddelbar nærhed, bandets alsidighed og små, siger Roddy Bottum. Det var lidt af en overraskel- genremæssige afveje. Faith No More optræder se, da Faith No More sidste Bandet ser flere gange på Tinderbox Festival søndag efterår afslørede, at de havde stort på traditionel struktur 28. juni. Om fredagen står et nyt album på vej. Nu er og lader sangene flyde med bandet på scenen i Norr- ”Sol Invictus” her - 18 år efter formmæssige afstikkere, der köping til Bråvalla Festival seneste udspil ”Album of the gennem hele pladen sikrer, i Sverige, lørdag gælder det Year” fra 1997. Bassist Bill at overraskelsesmomentet er Provinssirock i finske Seina- Gould udtalte sidste år, at intakt. Det gør ”Sol Invictus” joki. han håbede, bandet ikke ville til et spændende album at ud- - Som jeg nævnte, spillede lyde som en flok 50-årige forske, men det genforenede vi i en årrække 200 koncerter mænd - hvilket de jo er. band ofrer dermed også gen- om året. Det danske publi- Den bekymring var ube- kendelige hooks og omkvæd kum skal ikke frygte, at det grundet. Faith No More på alsidighedens alter. Når er et udkørt band, der går på er energiske som aldrig før den knap 40 minutter lange scenen. Jeg har aldrig - i mere og sætter ind med det helt intensive storm er drevet end 30 år - oplevet, at vi gik tunge skyts på det potente over, smuldrer melodierne på kompromis med vores comeback. Andenskæringen bort fra lytterens hukom- energiudladning på scenen. ”Superhero” sparker fra sig melse - uanset hvor ihærdigt Selvfølgelig er der forskel på lige fra starten, hvor crash- man forsøger at genkalde sig hver eneste koncert og publi- bækkenets smælden i ledtog dem. kum, men Faith No More gi- med brutale powerakkorder Uforudsigeligheden er der- ver alt hver eneste gang. Det fra guitarist John Hudson for både en styrke og svag- skal nok blive et fedt show, flænser stilheden, inden hed, men intensiteten og den lover Roddy Bottum. trommeslager Mike Bordin frådende vildskab kan ingen får stikkerne til at galoppere tage fra Faith No More. Klaverets stemme På albummet ”Sol Invictus” spiller Roddy Bottum en mere fremtrædende rolle samlet trådene som band de andre medlemmer, tør end på tidligere udspil. Den for at tjene penge. Teksten jeg godt sige. Eftersom der indledningsvis nævnte ”Ma- beskriver også, hvordan vi er gået 18 år siden forrige tador” er en af de sange, han blev behandlet af musikin- udspil, giver det næsten sig er særlig tilfreds med. dustrien, da vi var yngre. Es- selv, at vi på alle parametre er - Jeg synes i al beskeden- sensen i teksten er, at vi vil forandret i forhold til, hvem hed, at akkorderne i den genvinde æren og respekten. vi var dengang, så vi er ikke sang er rigtig gode. Titel- og Derfor blev sangen på mange kørt fast endnu, understreger åbningssangen samt afslut- måder fundamentet for vores Roddy Bottum. ningsangen ”From the Dead” comeback, fortæller Roddy Modsat albumindspil- har også dejlige pianostykker, Bottum. ningerne i 1980’erne og og det glæder mig, at netop 1990’erne har Faith No More klaver har fået en mere frem- Dyrker spørgsmålene i 2010’erne været hyggelige trædende rolle. Instrumentet Da bandet optrådte på Ros- og afslappende. har en særlig emotionel tone, kilde Festival i 2009, virkede - Alle er blevet bedre til der taler tydeligt til mig. Kla- Faith No Mores fem medlemmer de de, som om medlemmer- give hinanden plads. Vi er verets historie betyder også, er mellem 47 og 52 år, men de ne stadig forsøgte at genfinde mere åbne for de andres in- at dets ”stemme” i musikken lyder som en flok teenagere på balancen efter det lange hi. put og har en anden respekt, er ret markant, forklarer den nye plade. - Jeg vil mene, at det er end vi havde for 18 år siden. Roddy Bottum. Foto: Dustin Rabin positivt for ethvert band, Dengang var det utænkeligt, I den 18 år lange periode hvis det aldrig helt ved, hvil- at man ville træde et skridt mellem det nye og gruppens ket ben det skal stå på. Hvis tilbage og overlade føringen seneste album fra 1997, har man bliver for magelig og til en anden. Der handlede han kastet sig over filmmu- konsistent, mister man mo- det om at kaste sig ind i klyn- sik og været en del af bandet tivationen. I Faith No More gen og skrige så højt, man Imperial Teen. Den erfaring forsøger vi stadig at finde ud overhovedet kunne, for at få drager han nu nytte af i Faith af, hvem og hvad vi er. Forhå- sin vilje. At vi har en anden No More.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
    I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties.
    [Show full text]
  • Krist Novoselic
    OVERNMENT G & E GRUNG KRIST NOVOSELIC THE ORAL HISTORY OF A WASHINGTON ROCKER WITH A CIVIC MISSION LEGACY PROJECT History through the people who lived it Krist Novoselic Research by John Hughes and Lori Larson Transcripti on by Lori Larson Interviews by John Hughes October 14, 2008 John Hughes: This is October 14, 2008. I’m John Hughes, Chief Oral Historian for the Washington State Legacy Project, with the Offi ce of the Secretary of State. We’re in Deep River, Wash., at the home of Krist Novoselic, a 1984 graduate of Aberdeen High School; a founding member of the band Nirvana with his good friend Kurt Cobain; politi cal acti vist, chairman of the Wahkiakum County Democrati c Party, author, fi lmmaker, photographer, blogger, part-ti me radio host, While doing reseach at the State Archives in 2005, Novoselic volunteer disc jockey, worthy master of the Grays points to Grays River in Wahkiakum County, where he lives. Courtesy Washington State Archives River Grange, gentleman farmer, private pilot, former commercial painter, ex-fast food worker, proud son of Croati a, and an amateur Volkswagen mechanic. Does that prett y well cover it, Krist? Novoselic: And chairman of FairVote to change our democracy. Hughes: You know if you ever decide to run for politi cal offi ce, your life is prett y much an open book. And half of it’s on YouTube, like when you tried for the Guinness Book of World Records bass toss on stage with Nirvana and it hits you on the head, and then Kurt (Cobain) kicked you in the butt .
    [Show full text]
  • Download Free TOTO MULTITRACK Best Free Multitrack Recording Software for Mac/Windows
    download free TOTO MULTITRACK Best Free Multitrack Recording Software for Mac/Windows. Are you looking for the best free multitrack recording software for Mac/Windows? Actually, there are many free multitrack recording tools for you to make use of. Whether you want to edit or record your own compositions or just desire to start your own podcasts, you can take advantage of the free multitrack audio recorder to make it. This guidance will introduce some of them and take one for instance to teach you the steps to record one multitrack audio. You will also learn the solution to add music tags to the recordings in this tutorial. Part 1: Top 5 Best Free Multitrack Recording Software for Mac/Windows Part 2: How to Record Multitrack Audio via MultitrackStudio Extension: How to Add Music Tags to the Recordings Automatically. Part 1: Top 5 Best Free Multitrack Recording Software for Mac/Windows. The free multitrack recording software reviews can reflect the quality of the tool directly. Different multitrack recording tools have diverse features. You can compare them one by one, but this will take you much time. In order to save you time, you can read this part to get rid of this issue perfectly. Here I would like to recommend you the top 5 best free multitrack music recording software for your computer. Each tool is convenient for you to make use. Before your downloading and installing, you need to pay attention to the system that the multitrack recording software can be applied to. 1. Garageband. This free multitrack recording software is released in 2004, which is one popular DAW.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • The Use of Modelling Technology and Its Effects on the Music Industry
    The Use of Modelling Technology and Its Effects on the Music Industry Viljami Wenttola Bachelor’s thesis May 2017 Degree Programme in Media and Arts Music Production ABSTRACT Tampereen ammattikorkeakoulu Tampere University of Applied Sciences Degree Programme in Media and Arts Music Production VILJAMI WENTTOLA The Use of Modelling Technology and Its Effects on the Music Industry Bachelor's thesis 43 pages, appendices 15 pages May 2017 Modelling technology has revolutionized the music production industry in a big way. It has affected everyone in the field of music production from the live side to the studio, both commercial and private. Even though modelling technology has been around in one form or another for twenty years or so, the last ten have possibly brought the great- est advancements. In this thesis, the goal was to map out some of these changes from several different points of view by interviewing four music production industry profes- sionals and researching literature. The thesis project is a full-length album that was rec- orded almost entirely with modelling technology with the purpose of educating peers and people interested in music production of the possibilities that technology can bring. The research yielded many compelling insights and points-of-view into the matter and gives a contemporary picture of a rapidly changing and growing industry. The inter- views of four established professionals in the field of music production and their differ- ing careers each give a unique perspective on the matter. They’re all transcribed and translated in the appendices and they make for very interesting reading.
    [Show full text]
  • Liug Under Gh%Oijni)
    L,I LIUG UNDER GH%OIJNI) day 1990 2 SLUG May -h CHICASAW MUD PUPPIES BOXCAR KIDS FRACTAL METHOD iHE RHJE UPS %=-m~--=2zz!z--------w---w--ww, FATES THURSDAY, MAY 10 SANCTUARY -THE STENCH THE ST&H ~wooo~ommoo~~~~m ----------------mm~oo~ommoo~~~~~ FRIDAY, MAY 11 mwwwwwww~4 mooooooo~ -----------~~~00000004 [DAY, MAY 20 JUNE 2 - LOvE/HArn JUNE 6 - FUGAZI JUNE 9 - IVIDC, GUILT PARADE, BASIC BLACK 3 JUNE 13 - SOCIAL DISTORTION and GANG GREEN TOOTS & THE MAYTALS SLUG May 3 credits & shit portraits -. Editor/mblisher J.R. Ruppel Copy Editor Rick Ruppel Photographs Steve Midgley .- JohnZeile Layout - Alisa ~unsakir Sales - Paul Maritsas 'Il~eoplnloihd tiem expremd La thh rap ue tbore dthe writen and are not necuaulty thow d the ldiotr abo put thL rhlt bgehr-ao back otfnun! 8AUM.W.IWQ SLUG is prlnted on the first ol each month and Is free to the publk. The wrftten material Is provided by YOU. Your oplnions are vital!! Please feel free to send what you have-letters, Artidea, Art work, Reviews, Poetry, Photos, Conce? and Event Information to us by the2Otb of each month to,.. P.O. Box 1061 Salt Lake City, Utah 84110-1061 . -.. ,. ,. .. - +-.* ..;.ar I- dial .5321$?33 , or Wn:te4tbP.O. Box 561, Salt Lake Ciiy Utah, 84110-561 lREN W;NG,! DUSTRIAUUNDERGROUND . DANCE MUSIC I NERY TUESDAY, 9PM TO 1AM I ATJOHNNY B'S BACK STAGE - I 65 NORTH UNIVERSITY AVE. PROVO I, DEAR DICKHEADS..... BLAH, BLAH, BLAH bear Dickheads, is better than receiving false and Due to media influeyes which is Theendof eachmonthholdsmuch Ed.Note:Dear Mr.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
    Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.
    [Show full text]
  • Current, November 13, 2017 University of Missouri-St
    University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 11-13-2017 Current, November 13, 2017 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, November 13, 2017" (2017). Current (2010s). 285. https://irl.umsl.edu/current2010s/285 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Vol. 51 Issue 1547 The Current November 13, 2017 UMSL’S INDEPENDENT STUDENT NEWS UMSL Students Take First Place for Civic Engagement Nationally KAT RIDDLER of eligible UMSL students voted last nor’s office where students can learn with Associated Students of Univer- planning for voter registration and Managing Editor November. more about how to serve on state sity of Missouri to host lunch-and- education efforts in fall 2018. UMSL students voted at a 17 per- boards and commissions, working learns for local elected officials, and atricia Zahn, Director of Com- cent higher rate than students na- Pmunity Outreach & Engage- tionally when controlled for factors ment, was a guest speaker at the such as the age of the school’s stu- Student Government Association dent population according to UMSL General Assembly Meeting on No- Daily. vember 10. Zahn carried two awards Zahn was pleased to share that up with her to the podium to speak UMSL also competed in the All about student voting.
    [Show full text]
  • Fan Q & a with JIM MARTIN, Formerly of FAITH NO MORE
    For Immediate Release November 13, 2012 Fan Q & A with JIM MARTIN, Formerly of FAITH NO MORE After a silence of over a decade, Jim Martin agreed to a Q&A session with fans via a British based fan site. A set of 15 questions were selected by administrators of the fan site from over 500 submissions by fans eager to hear from Jim. What follows is a Q&A session with Jim Martin, former Faith No More guitar player, songwriter, and producer, and fans of Faith No More. Some weeks ago, the FNM “fan club guy” was asking about how to contact me, he wanted to talk to me about the fan page.. After several exchanges via email, he and I decided to do a Q&A thing for the fans. My departure from FNM in 1993 was controversial; I left while the band was still at the peak of its success. I am proud of my contributions to the success and legacy of FNM. I appreciate the time and effort it took to put these questions together. Thank you for the opportunity 1. Nefertiti Malaty Q: What do you consider the highlight of your career? A: Performing with Bo Diddly, Klaus Mein, Metallica, Gary Rossington, Pepper Keenan Sean Kinney Jerry Cantrell John Popper Jason Newstead, singing Misfits songs with Metallica live during our tour with them and GNR. 2. Eric Land Q: You are an influence to many younger guitarists today, but who were your biggest influences and what do you remember about how those people helped to craft your sound and play style? A: My influences to a greater extent were Jimmy Page, Jimi Hendrix, and David Gilmore.
    [Show full text]