“Richard Ist Leipziger”
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Waltz from the Sleeping Beauty
Teacher Workbook TABLE OF CONTENTS Letter from Jessica Nalbone .................................................................................2 Director of Education, North Carolina Symphony Information about the 2012/13 Education Concert Program ............................3 North Carolina Symphony Education Programs .................................................4 Author Biographies ..............................................................................................6 Carl Nielsen (1865-1931) .......................................................................................7 Oriental Festival March from Aladdin Suite, Op. 34 Wolfgang Amadeus Mozart (1756-1791) ..........................................................15 Symphony No. 39 in E-flat Major, K.543, Mvt. I or III (Movements will alternate throughout season) Claude Debussy (1862-1918) ..............................................................................28 “Golliwogg’s Cakewalk” from Children’s Corner, Suite for Orchestra Piotr Ilyich Tchaikovsky (1840-1893) ..................................................................33 Waltz from The Sleeping Beauty Igor Stravinsky (1882-1971) ...............................................................................44 “Dance of the Young Girls” from The Rite of Spring Loonis McGlohon (1921-2002) & Charles Kuralt (1924-1997) ..........................52 “North Carolina Is My Home” Richard Wagner (1813-1883) ..............................................................................61 Overture to Rienzi -
A World-Class City of Music Experience the Fascinating Power of Music
www.leipzig.travel Experience music Leipzig A World-Class City of Music Experience the fascinating power of music Gewandhaus concert hall Leipzig – where music calls the tune 3 Gewandhausorchester – a world-renowned ensemble 4 Leipzig Opera – a superlative artistic experience 5 Johann Sebastian Bach – his heirs, his followers 6 Mahler, Bach, Mendelssohn, Wagner. Music Festivals in 2021/22. 8 Experience authentic historic places 12 Leipzig Music Trail 14 Organ building and BurgenLandKlänge I Leipzig Region 16 Event highlights 18 Travel offer 20 Richard Wagner’s “The Ban on Love, or The Novice of Palermo” at the Leipzig Opera 2 Leipzig – where music calls the tune In Leipzig you can feel the fascinating power of music everywhere – in the streets and squares, in churches, concert halls and in the many authentic places where famous composers and musicians lived and worked. A long-standing tradition: over 500 composers have lived here over the centuries including the greatest names in music history – Johann Sebastian Bach, Felix Mendelssohn Bartholdy and the married couple Clara and Robert Schumann, as well as Richard Wagner, Edvard Grieg, Albert Lortzing, Gustav Mahler and Hanns Eisler. Music comes to life The city’s rich musical heritage also includes the Gewandhaus- orchester and the world-renowned St. Thomas Boys Choir, which can look back on over 800 years of history. Leipzig Opera, which has always sought to preserve Wagner’s heritage, is the third oldest civic venue for musical theatre in Europe. In the capital of music, outstanding ensembles and soloists delight audiences at concerts, ballets, the Summer Organ Festival and the world- famous Leipzig Bachfest. -
Spring 2015 CUES Internet at the Speed of Whoa
OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message. -
Gewandhausorchester Leipzig
HOUSTON SYMPHONY PRESENTS Gewandhausorchester Leipzig Riccardo Chailly, Gewandhauskapellmeister Nikolaj Znaider, violin Monday, November 3, 2014 7:30pm I Jones Hall Mendelssohn Die Hebriden (The Hebrides), Opus 25 Mendelssohn Violin Concerto in E minor. Opus 64 I Allegro molto appassionato—Presto— II Andante— III Allegretto non troppo—Allegro molto vivace INTERMISSION Mendelssohn Symptiony No. 5 in D major, Opus 107 (Reformation) I Andante—Allegro con fuoco II Allegro vivace III Andante— IV Chorale, Ein teste Burg ist unser Gott!: Andante con moto- Allegro vivace—Allegro maestoso Tour Sponsor: Porsche Official Logistic Partner: DHL NOTE: All photography, video and audio recording of this performance are strictly prohibited. 2014-15 ANDRtS' INAUGURAL SEASON Come for the Parade, Houston Houstonf rst Stay for the Buffet! Symphony Music Director Launch Presenting Partner Andres Orozco-Estrada Music Director The Leipzig Gewandhaus Orchestra is presented by the Houston Symphony and the Houston-Leipzig Sister City Association in conjunction with the BIRRA City of Houston through the Houston Arts Alliance and the Consulate General of the Federal Republic of Germany Houston. PORETXrS Honorary Chairs President George H.W. Bush Secretary of State James A. Baker III Mayor Annise D. Parker, City of Houston Mayor Burkhard Jung, Leipzig Serving All Day Thanksgiving Starting at 10:30 am Underwriting Chairs Wolfgang Schmidt and Angelika Schmidt-Lange This performance is generously supported in part by: Reservations: 4' Partner Patron M.D. Anderson Foundation Anonymous ?i^7i3'224j9,494! Dr. Gary L. Hollingsworth & Dr Ken Hyde Timm & Meredith Bohnert Houston Saengerbund Stephen Braun Debbie & Frank Jones Supporter Sue Schwartz Eric S. Anderson WEH Technologies Inc. -
Curriculum Vitae Cornelia Entling Was Born in Weimar in 1967. She Gave
Curriculum vitae Cornelia Entling was born in Weimar in 1967. She gave her opera debut in 1994 in a concert production of Richard Wagner’s Rheingold with the Halle Philharmonic State Orchestra at the Halle Opera House. In 1998 she was given a firm engagement at the Leipzig Opera and was a member of its ensemble until the end of the 2001 season. Here she sang parts such as Cherubino (Le nozze di Figaro), Hänsel (Hänsel und Gretel), Olga (Eugen Onegin), Mercédès (Carmen), 2. Dame (The Magic Flute), Meg Page (Falstaff) and Maddalena (Rigoletto) in productions by John Dew, Peter Konwitschny, Alfred Kirchner, Andreas Homoki and Uwe Wand. Her parts also included that of Dorabella (Così fan tutte), Giacinta (La finta semplice), Lucretia (The Rape of Lucretia, Orlofsky (Die Fledermaus), as well as parts from the field of contemporary music. During her engagements at the Leipzig Opera she sang in several premieres such as the mezzo soprano part in the ballet Pax Questuosa by Udo Zimmermann (choreography by Uwe Scholz), Persephone (Persephone) by Günter Neubert and the Woman in Dmitri by Luca Lombardi. She was Aminta in the opera Sardakai by Ernst Krenek, performed with the Berlin Radio Symphony Orchestra at the Konzerthaus on Gendarmenmarkt square in Berlin. The CD under the music label Capriccio won Echo Klassik 2007 award. Guest engagements have taken her to the Leipzig Opera and Schauspielhaus Leipzig, to theatres in Bremen and Chemnitz and later to Teatro Nacional de São Carlos in Lisbon (Floßhilde in Rheingold), Teatro Carlo Felice in Genoa (Flower Maiden in Parsifal), Théâtre du Capitole in Toulouse (Maid in Elektra) and Teatro di San Carlo in Naples (Elektra, Parsifal). -
Wagner in Leipzig 2022 All Thirteen Operas in the Composer’S Birthplace
MARTIN RANDALL TRAVEL ART • ARCHITECTURE • GASTRONOMY • ARCHAEOLOGY • HISTORY • MUSIC • LITERATURE Wagner in Leipzig 2022 All thirteen operas in the composer’s birthplace 19–27 June 2022 (mi 402) 9 days • from £3,390 Lecturer: Barry Millington 29 June–4 July 2022 (mi 403) 6 days • from £2,360 Lecturer: Barry Millington 6–11 July 2022 (mi 404) 6 days • from £2,860 Lecturer: Barry Millington All of Wagner’s thirteen operas including the monumental Ring of the Nibelung cycle performed in the composer’s birthplace. We have packaged the festival into three tours which can be booked individually or in combination. Talks on the operas by Barry Millington, chief music critic for London’s Evening Standard and editor of The Wagner Journal. Guided walks with local guides to explore the architecture and museums of this historic Leipzig, Market Square & Old Town Hall, wood engraving c. 1890. and lively city as well as excursions to the surrounding area. it tells of political ambition and the abuse of In Renaud Doucet’s Die Feen a comfortable power, but also of humanity’s countervailing Biedermeier domestic scene is transformed capacity for love in all its sensual and into a literally enchanting fairyland; Aron compassionate manifestations, is unfolded Stiehl’s Das Liebesverbot celebrates the joys of In the summer of 2022, the eyes of the within a timeless, mythical framework and free love in Wagner’s inventive and engaging musical world will be on the Oper Leipzig: in abounds in soaring lyricism and luxuriant Shakespearian comedy; while Nicolas Joel’s Richard Wagner’s birthplace, all thirteen of harmonies. -
INTRODUCTION Gustav Mahler Was Early Recognized As One of the Greatest Conductors of His Time. Yet He Was Highly Controversial A
INTRODUCTION Gustav Mahler was early recognized as one of the greatest conductors of his time. Yet he was highly controversial as a composer, both during his life and in the years after his death. In 1933, because of his Jewish roots, the Nazis prohibited his music both in Germany and in the occupied countries. His last refuge was then the Anglo-Saxon world. It is only in the sixties that little by little his music found its rightful place in concert repertories, thanks largely to recordings. Mahler was long accused of being "banal" because of the heterogeneous nature of his melodic material and "sentimental" because of his expressiveness, which was thought to be self- indulgent. Today, his use of stylized folk material seems to be one of the most original and forward-looking aspects of his style. For us, he is an exceptional composer, not just because of the breadth and power of his ten symphonies, but also because of his place in history, right at the junction of two centuries and two eras—the romantic and the modern. His evolution is fascinating, from the First Symphony of his youth, which doesn’t resemble any other music of his time, all the way to the Ninth, which is very close to the future masterpieces of Berg and Webern. Theodor Adorno said that Mahler was the first musician since Beethoven to have a "late Portrait taken in New York (1910) style". [Centre Documentation Musicale-BGM] Today, Mahler is one of the most popular composers of our time. There are countless recordings of his works. -
Freedom and Belonging
FREEDOM AND BELONGING: The intertwining lives of Gustav Mahler and Alfons Mucha FEBRUARY 12, 2021 PETER DAVISON West Kirby, Wirral UK 1 2 “The mission of art is to express each nation’s aesthetic values in accordance with the beauty of its soul. The mission of the artist is to teach people to love that beauty.” Alphons Mucha “When I hear music...I hear quite definite answers to all my questions and am completely clear and sure. Or rather, I feel quite clearly that they are not questions at all.” Gustav Mahler 3 Freedom and Belonging: the intertwining lives of Gustav Mahler and Alfons Mucha Peter Davison Introduction: Identity For many people today identity has become a matter of choice, as if we may belong to any tribe, race, culture or religion we wish. Our background and upbringing are apparently cast aside in a superficial act of self-reinvention. Yet, in truth, identity is something deeply rooted in the unconscious of the individual and not so easy to erase. It is most often inherited from parents and close family, although inevitably framed by specific geographical, historical and cultural circumstances. To remove the roots of identity by force is therefore an act of psychic violence against the soul and the community to which it belongs. The French philosopher Simone Weill writes: To be rooted is perhaps the most important and least recognized need of the human soul. It is one of the hardest to define. A human being has roots by virtue of his real, active and natural participation in the life of a community which preserves in living shape certain particular treasures of the past and certain particular expectations for the future. -
MAHLER SYMPHONY NO. 2 Grant Park Orchestra and Chorus Carlos Kalmar Conductor Christopher Bell Chorus Director Amanda Majeski Soprano J’Nai Bridges Mezzo-Soprano
GRANT PARK ORCHESTRA AND CHORUS Carlos Kalmar Artistic Director and Principal Conductor Christopher Bell Chorus Director Friday, August 16, 2019 at 6:30 p.m. Saturday, August 17, 2019 at 7:30 p.m. Jay Pritzker Pavilion MAHLER SYMPHONY NO. 2 Grant Park Orchestra and Chorus Carlos Kalmar Conductor Christopher Bell Chorus Director Amanda Majeski Soprano J’Nai Bridges Mezzo-Soprano Gustav Mahler Symphony No. 2 in C minor, “Resurrection” Allegro maestoso Andante moderato In ruhig fliessender Bewegung — “Urlicht” Im tempo des scherzos AMANDA MAJESKI J’NAI BRIDGES This evening’s concert is performed without intermission. This concert is presented with generous support from Classic Series Sponsor William Blair and from ComEd Organ provided by Triune Music/S.B. Smith & Associates The Friday concert is being broadcast live on 98.7WFMT and streamed live at wfmt.com Week 10 25 American soprano Amanda Majeski makes her Royal Opera House, Covent Garden debut in the title role in Káťa Kabanová during the 2018-2019 season and also appears at the Stuttgart Opera in Iphigénie en Tauride and Santa Fe Opera in Così fan tutte. In concert, she is heard with the Sydney Symphony, Music of the Baroque, and Colorado Symphony. Ms. Majeski made her Metropolitan Opera debut on opening night of the 2014-2015 season as Countess Almaviva in Le Nozze di Figaro, which was broadcast in HD internationally and on PBS across the United States. She has returned to the Met for revivals of Le Nozze di Figaro and Don Giovanni and a new production of Così fan tutte, featured in the 2017-2018 HD broadcast season. -
Gewandhaus Orchestra of Leipzig
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Gewandhaus Orchestra of Leipzig KURT MASUR Music Director and Conductor KARL SUSKE, Violinist SUNDAY EVENING, NOVEMBER 14, 1982, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Concerto in D major, Op. 61, for Violin and Orchestra ............ BEETHOVEN Allegro ma non troppo Larghetto Rondo: allegretto KARL SUSKE INTERMISSION Symphony No. 1 in D major ...................................... MAHLER Langsam, schleppend wie ein Naturlaut (Slowly, drawn out like a sound of nature) Kraftig bewegt, doch nicht zu snell (Strongly agitated, but not too fast) Feierlich und gemessen, ohnc zu schleppend (Solemn and measured, without dragging) Stiirmisch bewegt (Stormily agitated) Philips, Vanguard, Angel, Deutsche Grammophon, CBS Masterworks, Seraphim, Varese-Sarabande, and Eurodisc Records. Fifteenth Concert of the 104th Season 104th Annual Choral Union Series About the Artists Since its inception, the Gewandhaus Orchestra of Leipzig has been closely associated with some of the world's revered musicians and composers. It was founded in 1743 by a group of merchants and noblemen with Johann Sebastian Bach as its leader. Originally called the Collegium Musicum, the ensemble received its present name in 1781 when the concerts moved to the Gewandhaus, the building that housed the linen merchants of Leipzig. When Felix Mendelssohn became conductor in 1835, he ushered in a new era in the orchestra's history. He was the first Gewandhaus conductor to mold the ensemble's members into a cohesive unit, and embarked on a program that revived compositions of past composers as well as contemporary works, a tradition continued to the present day. As one might guess, Mendelssohn also presented new compositions of his own, including the Scottish Symphony and his Violin Concerto. -
Richard Ist Leipziger …
Richard ist Leipziger … Richard-Wagner-Verband Leipzig International Congrès Richard-Wagner- International Internationaler Congress Richard Wagner Richard-Wagner- 2013 2013 Kongress 2013 Leipzig 18 – 22 Mai May Mai 200. Geburtstag 200th Birthday 200e Anniversaire GROSSES CONCERT Inhalt Content Gewandhausorchester Sommaire James Conlon 4 – 15 Grußworte Welcome Mot de bienvenue Stanislaw Tillich Dr. Reiner Haseloff Christine Lieberknecht Burkhard Jung Prof. Eva Märtson Thomas Krakow 16 Programm Program Programme 22 Oper Leipzig Thomaskirche Neues Rathaus Alte Nikolaischule 26 Allgemeine Informationen General Information Informations générales 27 Impressum Impress Mentions légales DO/FR 15./16. November 2012, 20 Uhr | Großer Saal 28 Hinweise Notes Notes Richard Wagner Vorspiel zur Oper „Die Meistersinger von Nürnberg“ Franz Schreker Kammersinfonie für 23 Soloinstrumente Internationaler Richard-Wagner-Kongress Unter Schirmherrschaft von Alexander Zemlinsky Under the patronage of Sous les auspices de Die Seejungfrau – Sinfonische Dichtung Konzerteinführung um 19.15 Uhr Stanislaw Tillich im Schumann-Eck Ministerpräsident des Freistaates Sachsen Prime Minister of the Freestate of Saxony Minstre President de l‘ État libre de Saxe 0341.1270-280 | www.gewandhaus.de 2012_11_15-16_GC_Conlon.indd 1 07.05.12 11:36 Grußwort Welcome Mot de bienvenue Liebe Wagner- und Musikfreunde The prime minister’s welcoming speech Mot d’accueil du Ministre Président to the 2013 Richard Wagner Congress in pour le Congrès Richard Wagner 2013 à aus aller Welt, Leipzig Leipzig welcher Ort würde sich besser als Austragungsstätte des Internationalen Richard-Wagner-Kongresses eig- Dear Wagner friends Chers amis nen als der Geburtsort des großen Musikdramatikers? Besonders im Jubiläumsjahr 2013, wenn die Stadt den and music friends wagneriens du 200. -
Leipzig Music Trail
Leipzig Music Trail Leipziger Notenspur – A step-by-step discovery I am Toni Leipziger Notenspur - Leipzig Music Trail Notenspur for Children The Little Leipzig Music Trail (“Kleine Leipziger Notenspur”) invi- The Leipziger Notenspur Initiative tes children to explore the city’s music routes with the mascot Toni and a Notenspur Discovery Pass (“Entdeckerpass”), which Leipzig offers a unique spatial density of the originally preser- can be obtained at the Leipzig Tourist Information Office ( ) at ved homes and workplaces of renowned composers. Many of Katharinenstraße 8. these composers can be encountered on the music routes of the Leipziger Notenspur, e.g.: G. Ph. Telemann, J.S. Bach, A. Lortzing, Route and Audio Guidance Systems F. Mendelssohn Bartholdy and R. Schumann, as well as R. Wagner, E. Grieg, L. Janáček, G. Mahler, M. Reger and E. Schulhoff. The route guidance system consists of the in-ground stainless The Leipziger Notenspur Initiative provides opportunities to dis- steel inlays that mark the way from station to station. Every No- cover this musical and cultural heritage and to combine an explo- tenspur station has an information board. Since music can be ration of the city with a musical experience. mainly experienced through hearing, an audio guidance system was developed for Notenspur visitors as well. You can listen to the The Leipziger Notenspur: Rendezvous with Music Geniuses audio samples via phone (local call). A Notenspur-app for smart- phones and i-Phones is available for download. The Leipziger Notenspur is a 5 km long route in the centre of Leipzig that connects the most important authentic sites, pri- The European Heritage Label marily composers’ homes and performance locations from the baroque and romantic eras.