DOCSLIB.ORG

Flann Obrien the Complete Novels Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Flann Obrien the Complete Novels Pdf, Epub, Ebook FLANN OBRIEN THE COMPLETE NOVELS PDF, EPUB, EBOOK Flann OBrien | 778 pages | 07 Oct 2011 | Everyman | 9781841593098 | English | London, United Kingdom Flann OBrien The Complete Novels PDF Book Changing Places. Last name:. Read more Read less. Features Find your next read Join our mailing list. Scott Fitzgerald. Request a better price Seen a lower price for this product elsewhere? See details. Samuel Beckett. The anthology of 'Cruiskeen Lawn' was disposed throughout in two parallel columns in English and Irish, and it marked Myles's last attempt to juxtapose and counterpoint the Irish language of his youth with the English that helped expand his audience and refine his sense as a satirist of Dublin life and culture. Myles grew more cantankerous, and 'Cruiskeen Lawn' more overtly political. Condition: Neu. Contact us Contact us Offices Media contacts Catalogues. Interest free, with no additional fees if you pay on time. The Stories of Ray Bradbury. The Photograph. Analytics cookies help us to improve our website by collecting and reporting information on how you use it. Rheinberg-Buch Bergisch Gladbach, Germany. Seller Inventory ST This is a world where bicycles listen to conversations, inventors search for methods of 'diluting' water, and characters play truant while novelists sleep; a world where spiteful fairies wreak havoc and heroes from legend blunder into suburban sitting-rooms. Condition: Used; Good. On occasion, all three persons met in 'Cruiskeen Lawn,' such as this encounter in stimulated by the republication of At Swim-Two-Birds. Flann OBrien The Complete Novels Writer George Orwell Trilogy. Members save with free shipping everyday! Reader be warned though, Policeman is not an easy read, but well worth the effort. E-mail address:. William Trevor. Goldenfire The Darkhaven Novels, Book 2. Report incorrect product info. The narrator of The Third Policeman , who has forgotten his name, is a student of philosophy who has committed murder and wanders into a surreal hell where he encounters such oddities as the ghost of his victim, three policeman who experiment with space and time, and his own soul who is named "Joe". Used very good hardcover. Back to top. Sign in. All of it punctuated with rollicking conversations among the boyos, who discourse on pimples and boils, suicide and death by fire, Homer and blind beggars. Customise this page for easy reading Distraction-free reading mode. But now the problem strikes too close to home. But before he was either of those two fellows, Brian O'Nolan entered an English-speaking school at age eleven, and seven years later, in , began his studies at University College, Dublin. T Mann. The family led a peripatetic lifestyle before finally settling in Dublin proper in, where Brian was to spend the rest of his life. We also use third-party cookies that help us analyze and understand how you use this website. The Poor Mouth , a bleakly hilarious portrait of peasants in a village dominated by pigs, potatoes, and endless rain, is a giddy parody aimed at those who would romanticize Gaelic culture. Ford Madox Ford. England, England. And it is Joyce, ultimately, who suffers the worst in the novel, foiled in his heart's true desire to join the Jesuits. For the latest books, recommendations, offers and more. Samuel Beckett. These cookies may be set by us or by third-party providers whose services we have added to our pages. These slapstick cops also cherish their odd inventions: a mangle that stretches light and converts it into sound and an elevator to eternity. Learn how to enable JavaScript on your browser. Charlotte Bronte. Fyodor Dostoevsky. Extra safeguards coupled with extraordinary shipping volumes anticipated for the holiday season will impact delivery. And laced over all is the narrator's tale, his early introduction to the pleasures of alcohol, his slide to dissolution, and his uncle's regular refrain about the boy's study habits: 'Tell me this, do you ever open a book at all? Physical store location s that are open are taking steps to keep the environment safe and healthy by following the city, state and government public health protocols. Product Details. Become a Member Start earning points for buying books! To continue reading, please sign in or take out a subscription to the quarterly magazine for yourself or as a gift for a fellow booklover. They perform functions like preventing the same content from reappearing, ensuring ads are displayed and, in some cases, selecting content based on your interests. A brilliant writer who has never gotten the recognition he deserves. Flann OBrien The Complete Novels Reviews Flann O'Brien fell silent, giving way to the jests and barbs of Myles na gCopaleen. Private Detective Randall Stone tackles a case in which a young man allegedly attacked his girlfriend and is suspect in her murder. These characters, frustrated by Trellis's authority, set off on a quest to find his son - the product of his union with one of his own characters - whom they commission to write a novel designed to capture, torture, and try Trellis and thus win their freedom. Finn MacCool, the magical giant of pre-Christian Ireland, 'a better man than God,' an Ulsterman, Connachtman, Greek, Cuchulainn, Patrick, his own father and his own son, 'every hero from the crack of time,' becomes the slightly dim-witted storyteller who calls into being another figure from medieval Ireland, Mad Sweeny, who has been cursed to live as a madman in the trees. Seller Inventory PEN It begins quite conventionally with a confession of murder but quickly crosses into an alternate world, through the looking glass, or in this case, into a house with no roof or walls. These cookies may be set by us or by third-party providers whose services we have added to our pages. Fiction Books: More Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Used near fine hardcover. Clarice Lispector. Review this product Share your thoughts with other customers. Already own it? See All. Imprint Everyman's Library. Did you know that since , Biblio has used its profits to build 16 public libraries in rural villages of South America? When he did this much later in life, it led to his getting a position as a newspaper columnist with the Irish Times under the name Myles na gCopaleen. Previous Previous Post: The Reserve. The narrator meets up with some policeman investigating the murder who have some wacky theories of their own, including the notion that men and their bicycles eventually merge their atoms. Please try again later. Alternately wild and crazy or deep and philosophical but not ponderously so. The tension between English and Irish, the allure of civilization and the comfort of the primitive, has its final turn in this novel, and the burden of the truly tragic fades, never to reappear in his work. Holed up in his uncle's Dublin home for the academic year, an unnamed narrator intermittently works on a mock-heroic novel about a man named Dermot Trellis who is, in turn, writing a novel, in which he freely borrows and steals his characters from Irish mythology and folklore, cowboy novels, and whole cloth invention based on the plain people of Ireland, who become strangely more alive while Trellis is asleep. There are no Marketplace listings available for this product currently. There But For The. In , he took up a post with the Irish government, where he would remain for nearly eighteen years. In contrast to Joyce's mining of his own experience and fears to produce his representational human comedies, O'Nolan moves more toward self effacement. Customers also viewed Previous. What must have given Brian O'Nolan pause was the fact that The Third Policeman was rejected by Longmans and his agents could not find another publisher. Flann OBrien The Complete Novels Read Online Both gift givers and gift recipients receive access to the full online archive of articles along with many other benefits, such as preferential prices for all books and goods in our online shop and offers from a number of like-minded organizations. I'm fed up with writers who put a fictional gloss over their own squabbles and troubles. There But For The. Children's Children's 0 - 18 months 18 months - 3 years 3 - 5 years 5 - 7 years 7 - 9 years 9 - 12 years View all children's. Yet for almost any Irishman, the language calls up a primary culture, a lucid and devious state of mind to which only the language gives access. In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman. E-mail address:. Anita Brookner. For more on our cookies and changing your settings click here. When he did this much later in life, it led to his getting a position as a newspaper columnist with the Irish Times under the name Myles na gCopaleen. He entered the Irish civil service in and formally retired in Thomas Mann. Perelman who sang his praises , records the language of the ordinary folk and transforms it into lyric poetry, full of wild idioms and syntactical guffaws. This category only includes cookies that ensures basic functionalities and security features of the website. The novel opens, fittingly, in , the year of Parnell's downfall, and ends in , with the denouement in Rome. Somerset Maugham. Notes also explain some of the obscure puns. Hardcover —. My Uncle Oswald.
Load more

Recommended publications
  • Myles Na Gcopaleen and the Emergency
    International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes ‘One does not take sides in these neutral latitudes’: Myles na gCopaleen and The Emergency GERMÁN ASENSIO PERAL* Universidad de Almería (Spain) Received: 06/02/2017. Accepted: 06/10/2017. ABSTRACT The years of the Second World War (1939-1945), a period known as The Emergency in Ireland, were pivotal for the development of the nation. Immediately after the outburst of the war in the continent, the Fianna Fáil cabinet led by Éamon de Valera declared the state of emergency and adopted a neutrality policy. Brian O’Nolan (1911- 1966), better known as Flann O’Brien or Myles na gCopaleen, wrote a comic and satirical column in The Irish Times entitled Cruiskeen Lawn (1940-1966). In his column, O’Brien commented on varied problems affecting Dublin and Ireland as a whole. One of the many topics he began discussing was precisely Ireland’s neutral position in the war. Therefore, this paper aims at examining Ireland’s neutral position in the war as seen through a selection of columns from Cruiskeen Lawn, devoting special attention to the oppression of censorship and the distracting measures developed by de Valera’s government. KEYWORDS: Brian O’Nolan, Flann O’Brien, Myles na gCopaleen, Cruiskeen Lawn, Second World War, Ireland, censorship, propaganda. 1. INTRODUCTION The years of the Second World War (1939-1945), a period officially known as The Emergency in Ireland, were of crucial importance both for the country itself and for one of its most prominent emerging writers, Brian O’Nolan (1911-1966)—better known as Flann O’Brien, and Myles na gCopaleen, among many other pseudonyms.1 On the one hand, for Ireland, it meant a real turning point in its history, or a watershed, as Brown (1981) puts it.
    [Show full text]
  • View: Journal of Flann O’Brien Studies 4.1
    The Bildung Subject & Modernist Autobiography in An Béal Bocht (Beyond An tOileánach) Brian Ó Conchubhair University of Notre Dame The Irish Bildungsroman, because it employs the defamiliarising techniques of parody and mimicry, thus functions like the radical modern art that Theodor Adorno describes, which is hated ‘because it reminds us of missed chances, but also because by its sheer existence it reveals the dubiousness of the heteronomous structural ideal.’1 An Béal Bocht can be, and usually is, read as a parody of 20th-century Irish language texts. But it is, in equal measure, an homage to them and an appropriation of their stylistic conventions, motifs, and attitudes. The novel’s building blocks were assuredly those cannibalised texts, and from them O’Nolan creates a dissonant, hyperreal, but easily recognisable world. No less fundamental, however, is an outdated, hyper- masculine sense of Irishness and a fabricated sense of the cultural nationalist-inspired depiction of lived Gaeltacht experience. This mocking, ironic book is driven by vitriolic enmity to any external prescriptive account of Gaeltacht life and any attempt to stereotype or generalise Irish speakers’ experience. As Joseph Brooker observes, its ‘greatest significance is not as a rewriting of a particular book, but rather a reinscription of a genre.’2 As a synthesis of literary conceits, cultural motifs, and nationalist tropes, it marks a cultural moment in Irish literary and cultural history. It remains undimmed by the passage of time, but for all its allusions, parodies, and references, it continues to amuse, entertain, and instruct global readers with little or no Irish, as well as those with even less awareness of the texts from which An Béal Bocht is drawn.
    [Show full text]
  • Flann O'brien's the Hard Life
    Colby Quarterly Volume 25 Issue 4 December Article 8 December 1989 The Craft of Seeming Pedestrian: Flann O'Brien's the Hard Life Thomas F. Shea Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 25, no.4, December 1989, p.258-267 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Shea: The Craft of Seeming Pedestrian: Flann O'Brien's the Hard Life The Craft of Seeming Pedestrian: Flann O'Brien's The Hard Life by THOMAS F. SHEA I considered it desirable that he should know nothing about me but it was even better ifhe knew several things which were quite wrong. The Third Policeman N 1961 Flann O'Brien's long awaited "second" novel, The Hard Life, I finally appeared in print. Since The Third Policeman remained lan­ guishing in a drawer and An Beal Bocht was cast in Gaelic, The Hard Life was greeted by most as the second book by the author of At Swim-Two­ Birds. The twenty-odd-year wait seems to have whetted the enthusiasm of readers and critics alike. The novel sold out in Dublin within two days, and reviewers, especially in England, praised it with gusto.! Since then, however, we have seen an about-face in the ranks of com­ mentators. The critical line, nowadays, is that O'Brien spent his talent and played himself out writing his Myles na Gopaleen column for the Irish Times.
    [Show full text]
  • Flawed to Start : the Inconsequence of Action in the Novels of Brian Oâ
    Montclair State University Montclair State University Digital Commons Theses, Dissertations and Culminating Projects 5-2018 Flawed to Start : The nconsequeI nce of Action in the Novels of Brian O’Nolan Christopher M. Mitchell Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/etd Part of the English Language and Literature Commons Recommended Citation Mitchell, Christopher M., "Flawed to Start : The ncI onsequence of Action in the Novels of Brian O’Nolan" (2018). Theses, Dissertations and Culminating Projects. 145. https://digitalcommons.montclair.edu/etd/145 This Thesis is brought to you for free and open access by Montclair State University Digital Commons. It has been accepted for inclusion in Theses, Dissertations and Culminating Projects by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Abstract Brian O’Nolan’s novels At Swim-Two-Birds, The Poor Mouth, and The Third Policeman present worlds where character actions are largely inconsequential. This discussion will focus on reflexive metanarrative elements, criticism of the Irish revivalist movements and authorship and creation as a means to survive these worlds. O’Nolan’s novels will be shown to be largely optimistic in their confrontation of nihilistic concerns. Much of his writing is comedic and playful even when dealing with serious topics. Repetition through both language and story structure are key components of the futility O’Nolan constructs for his characters and readers. This thesis examines the interplay between futility and creativity in O’Nolan’s works. FLAWED TO START: THE INCONSEQUENCE OF ACTION IN THE NOVELS OF BRIAN O’NOLAN A THESIS Submitted in partial fulfillment of the requirements For the degree of Master of Arts by CHRISTOPHER M.
    [Show full text]
  • (Cloth). Reviewed by Joseph Brooker, Birkbeck, University of London
    The Collected Letters of Flann O’Brien. Edited by Maebh Long. Victoria, TX: Dalkey Archive, 2018. Pp. 603 (cloth). Reviewed by Joseph Brooker, Birkbeck, University of London. Meanwhile I’m once again entering hospital for blood transfusions and other boons. With kind regards, Yours sincerely, These are the last words written by Flann O’Brien in this book, concluding a letter from 15 March 1966, two weeks before his death.1 No name or signature follows. The reason is mundane and material: many of the hundreds of letters in the volume are reproduced not from originals posted to recipients but from carbon copies retained by the author, and these contain his typewritten text but not the handwritten signature that he added before posting. Yet it is curious and poignant to see him disappear at the last from his own life story. With a blank space where his name might be, he is gone, after 557 frequently extraordinary pages. Few books have offered more Flann O’Brien. On the very first page of letters, an editor’s footnote records the Irish poet Donagh MacDonagh’s 1941 comment that Flann O’Brien was “a menace with a pen. Give him any book and he will sign it with any signature” (4, n.3). This is a neat bookend to the present book’s lack of any final signature, but more immediately may have responded to the author’s tendency to play games with other authors’ names, imagining a book-handling service which for a fee would insert fake annotations from Bernard Shaw or Joseph Conrad into one’s personal library.2 To talk of multiple signatures also invokes a question rarely avoidable in discussion of Flann O’Brien: his multiplication of names and, to an extent, authorial identities.
    [Show full text]
  • Pink Paper and the Composition of Flann O'brien's At-Swim-Two-Birds
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Pink paper and the composition of Flann O'Brien's At-Swim-Two-Birds Samuel Kauffman Anderson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the English Language and Literature Commons Recommended Citation Anderson, Samuel Kauffman, "Pink paper and the composition of Flann O'Brien's At-Swim-Two-Birds" (2002). LSU Master's Theses. 3989. https://digitalcommons.lsu.edu/gradschool_theses/3989 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PINK PAPER AND THE COMPOSITION OF FLANN O’BRIEN’S AT SWIM-TWO-BIRDS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of English by Samuel Anderson B.A., Louisiana State University, 2000 December 2002 “Tout texte se construit comme mosaïque de citations, tout texte est absorption et transformation d’un autre texte.” — Julia Kristeva “I proffered a wad of my precise transcript, bent in double, pink-tinted.” — AS2B TS1 ii ACKNOWLEDGMENTS First I would like to thank the members of my thesis committee: Anne Coldiron, who got this whole thing started by making bibliography seem exciting, then loaned me her prodigious enthusiasm whenever I needed it; Lisi Oliver, with her quick sense of humor and mastery of all things ancient and Irish; Malcolm Richardson, who stepped in on very short notice and saved me from a self-inflicted scheduling disaster; and finally James Olney, who directed my research and assured me many times, in his gentle way, that my project was not as boring as it so often seemed.
    [Show full text]
  • The Dalkey Archive & Pierre Teilhard De Selby
    The Dalkey Archive & Pierre Teilhard de Selby Roibeard Ó Cadhla Birkbeck, University of London There are several technical oddities in Flann O’Brien’s last novel, The Dalkey Archive. For instance, from the first page there is a suggestion that the third-person narrative is being focalised through Sergeant Fottrell. After a brief description of a granite hill covered in furze and bracken, the text descends into alliterative repetition: ‘vert, verdant, vertical, verticillate, vertiginous, in the shade of branches even vespertine. Heavens, has something escaped from the lexicon of Sergeant Fottrell?’1 This narrative intrusion is particularly odd since we do not meet Fottrell for some time, and most of the novel was changed from the first-person perspective of Mick Shaughnessy to the third-person at a late stage in its composition, hence the overwhelming focalisation through Mick. This is only one of the burrs that might justify Maebh Long’s observation that The Dalkey Archive ‘reads with all the random noise, inconsistencies and disorder of the archive.’2 The recent publication of an inventory of Brian O’Nolan’s library is an occasion for us to explore some more overtones between the archive and the ‘random noise’ in this novel, and to examine the author’s intellectual engagements. One such engagement is O’Nolan’s apparent interest in the French philosopher and Jesuit priest, Pierre Teilhard de Chardin, for the Irish writer’s library at Boston College contains copies of Teilhard de Chardin’s The Phenomenon of Man (T. W. Moody’s 1959 English translation) and The Future of Man (Norman Denny’s 1964 translation).3 Many aspects of the later incarnation of De Selby in The Dalkey Archive, plundered from the draft of The Third Policeman (1967; written 1939–40), find parallels in the work of Teilhard de Chardin.
    [Show full text]
  • Flann O'brien Papers 1880-1997, Undated (Bulk 1930-1966) MS.1997.027
    Flann O'Brien Papers 1880-1997, undated (bulk 1930-1966) MS.1997.027 http://hdl.handle.net/2345/1136 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note: Flann O'Brien .................................................................................................................. 5 Biographical Note: Evelyn O'Nolan .............................................................................................................. 6 Biographical note: Micheál Ó Nualláin ......................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 7 Collection Inventory ......................................................................................................................................
    [Show full text]
  • JOURNEY PLANET Issue 43
    JOURNEY PLANET Issue 43 Table of Contents Introduction by Pádraig Ó Méalóid..............................................................3 Introduction by James Bacon.......................................................................5 Mise agus Myles..........................................................................................6 Extractum Ó Bhark i bPrágrais...................................................................11 Object Found in a Book I:...........................................................................23 Flannland................................................................................................... 25 The Case for John Shamus O’Donnell........................................................28 Off the Rails – Flann on Track.....................................................................39 Object Found in a Book II:..........................................................................53 Single Narrow Gold Band: Flann’s Pen.......................................................62 The Cardinal and/or the Corpse:................................................................65 Miscellanea................................................................................................ 77 Selected Bibliography................................................................................79 Editors: James Bacon, Michael Carroll, Chris Garcia, Pádraig Ó Méalóid Letters of Comment? [email protected] 2 Introduction by Pádraig Ó Méalóid Don’t get me wrong now, it’s not that I’m ungrateful,
    [Show full text]
  • James Joyce and His Other Language: the "Abnihilization of the Etym" Lisa J
    College of the Holy Cross CrossWorks Fenwick Scholar Program Honors Projects 4-30-1996 James Joyce and His Other Language: the "abnihilization of the etym" Lisa J. Fluet '96 College of the Holy Cross, [email protected] Follow this and additional works at: http://crossworks.holycross.edu/fenwick_scholar Part of the Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Fluet, Lisa J. '96, "James Joyce and His Other Language: the "abnihilization of the etym"" (1996). Fenwick Scholar Program. 13. http://crossworks.holycross.edu/fenwick_scholar/13 This Thesis is brought to you for free and open access by the Honors Projects at CrossWorks. It has been accepted for inclusion in Fenwick Scholar Program by an authorized administrator of CrossWorks. .. ' James Joyce and His Other Language: the "abnihilization of the etym" (FW 353:22) Fenwick Scholar Project April 30, 1996 Lisa]. Fluet, '96 Primary Advisors: Prof. John T. Mayer, English Prof. Susan Elizabeth Sweeney, English Readers: Prof. Margo Griffin-Wilson, English Prof. Kenneth Happe, Classics Prof. John T. Mayer • Prof. Sarah Stanbury, English Prof. Susan Elizabeth Sweeney Prof. Steve Vineberg, Theatre Table of Contents I. Acknowledgments II. Preface Ill. List of Joyce texts N. Introduction V. "Her image came between me and the page I strove to read": Female Disruption in Hawthorne's "The Birthmark" and Joyce's "A Painful Case" VI. "Derevaun Seraun": the Open Wound Upon Joyce's "Eveline" VII. Julia Morkan's Final Performance: "Arrayed for the Bridal" in Joyce's and Huston's "The Dead" VIIL Molly and Penelope: Weaving and Unraveling the 1lT]Vtov IX.
    [Show full text]
  • Myles Na Gcopaleen's “Cruiskeen Lawn”
    Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2017 In conversation with readers and their Times: Myles na gCopaleen’s “Cruiskeen Lawn” https://hdl.handle.net/2144/24107 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation IN CONVERSATION WITH READERS AND THEIR TIMES: MYLES NA GCOPALEEN’S “CRUISKEEN LAWN” by CATHERINE OFELIA AHEARN B.A., Middlebury College, 2011 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2017 © Copyright by CATHERINE O. AHEARN 2017 Approved by First Reader ____________________________________________________ Christopher Ricks William M. and Sara B. Warren Professor of the Humanities Second Reader ____________________________________________________ Archie Burnett, D.Phil Professor of English Third Reader ____________________________________________________ Joseph Nugent, Ph.D Associate Professor of the Practice of English, Boston College Acknowledgements All of my thanks and gratitude to Christopher Ricks, Archie Burnett, and Marilyn Gaull for their kindness, generosity, and mentorship. They have made the Editorial Institute community a source of inspiration. Thank you to Professors Joseph Nugent and Thomas O’Grady, members of my defense committee, for their careful readings of my work. Thank you to the staff at the Boston College John J. Burns Library and the Southern Illinois University Special Collections Research Center at the Morris Library, namely Justine Sundaram, Andrew Isidoro, and Aaron M. Lisec. Their assistance navigating through Brian O’Nolan’s papers (and offers to waive a few copy fees) was invaluable to this project. My thanks also to the staff at the National Library of Ireland and the Harvard University Harry Elkins Widener Memorial Library for their aid as I availed myself of the newspaper archives there.
    [Show full text]
  • View: Journal of Flann O’Brien Studies 1.1
    Report 100 Myles: The International Flann O’Brien Centenary Conference Vienna Centre for Irish Studies, 24–27 July 2011. Erika Mihálycsa Babes-Bolyai University, Cluj Having occupied my seat in a shady room of the Centre for Irish Studies at the University of Vienna, among a throng of high-spirited Flanneurs on the morning of 25 July 2011, I reflected on the subject of our common full-time paraliterary activities. One beginning and one ending for a literary conference was a thing I could not agree with. A Flann O’Brien conference worth its salt may have three openings entirely dissimilar and, for that matter, a hundred times as many endings. Example of an opening, first: Werner Huber (University of Vienna), host and co- organiser introduced us to the DeSelbian (dis)connections between the city of Vienna and a smallish man called Brian O’Nolan, whom the world reveres under the twin names Flann O’Brien/Myles na gCopaleen. He guided us around the premises – which appropriately included the nearby Narrenturm, continental Europe’s oldest building for the accommodation of mental patients – through very reverend figures of Irish history, such as the Field Marshal O’Donnell, who saved the life of the emperor Franz Josef; Oliver St John Gogarty (aka Buck Mulligan), a medical student who in 1907 learned the subtleties of surgical savagery on this very campus; and a cockshy young man by the name of Samuel Beckett, who pined after a cousin of the female sex being initiated in the art of dancing at the nearby Schloss Hellerau-Laxenburg (where group activities included naked sun-bathing, to the major delight of god-fearing Austrian Bürgers).
    [Show full text]