February 2013 • Issue 1
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Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
The True Story of Mission to Hell Page 4
The newspaper for BBC pensioners – with highlights from Ariel online The true story of Mission to Hell Page 4 August 2015 • Issue 4 Trainee Oh! What operators a lovely reunite – Vietnam War TFS 1964 50 years on Page 6 Page 8 Page 12 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC Departments Annual report highlights ‘better’ for BBC challenge move to Salford The BBC faces a challenge to keep all parts of the audience happy at the same time as efficiency targets demand that it does less. said that certain segments of society were more than £150k and to trim the senior being underserved. manager population to around 1% of But this pressing need to deliver more and the workforce. in different ways comes with a warning that In March this year, 95 senior managers Delivering Quality First (DQF) is set to take a collected salaries of more than £150k against bigger bite of BBC services. a target of 72. The annual report reiterates that £484m ‘We continue to work towards these of DQF annual savings have already been targets but they have not yet been achieved,’ achieved, with the BBC on track to deliver its the BBC admitted, attributing this to ‘changes Staff ‘loved the move’ from London to target of £700m pa savings by 2016/17. in the external market’ and the consolidation Salford that took place in 2011 and The first four years of DQF have seen of senior roles into larger jobs. departments ‘are better for it’, believes Peter Salmon (pictured). a 25% reduction in the proportion of the More staff licence fee spent on overheads, with 93% of Speaking four years on from the biggest There may be too many at the top, but the the BBC’s ‘controllable spend’ now going on ever BBC migration, the director, BBC gap between average BBC earnings and Tony content and distribution. -
Issue 33 Summer-Autumn 2021
Issue 33 Summer – Autumn 2021 FREE Laura Dockrill Michael Ball Star mum BBC NEWSREADER KATE SILVERTON “There’s No Such Jon Batiste Thing As ‘Naughty” www.londonmumsmagazine.com THE BIG Editor’s letter INTERVIEW I emerged from this heck of a long year with an absolutely ‘craving’ for social interactions. This edition reflects my frenzy chatting activity of the past few months. Kate Silverton You’ll agree that star mum and Strictly Come Dancing contestant Kate Silverton is the Editorial loveliest newsreader in the world. With curlers London Mums magazine is produced by in her hair and a charming smile, she talked to London Mums Limited me about her first book There’s No Such Thing Photographer Simon Williams Simon Photographer Editor and publisher: Monica Costa As ‘Naughty’: The ground-breaking guide for parents with children [email protected] aged 0 to 5, in which she shares her new approach to parenting that Editorial Assistant: Carolina Kon helps to make family life so much easier and an awful lot more fun! [email protected] Award-winning author Laura Dockrill aka Zombiemum has told me Head of Partnerships: Laura Castelli about her mission to empower parents and why she wants to normalise Illustrators: Irene Gomez Granados (chief) the conversation about mental health and parenthood. Contributors: Emma Hammett, Multi-Platinum selling recording artist Michael Ball has cheered me up Rita Kobrak, Francesca Lombardo, with his larger than life personality and has explained me why during Julia Minchin, Carley Read, Diego Scintu the pandemic he has learnt that we are more than one. -
One Man's Personal Campaign to Save the Building – Page 8
The newspaper for BBC pensioners – with highlights from Ariel online Goodbye TVC One man’s personal campaign to save the building – page 8 April 2013 • Issue 2 bbC expenses regional dance band down television drama memories Page 2 Page 6 Page 7 NEWS • MEMoriES • ClaSSifiEdS • Your lEttErS • obituariES • CroSPEro 02 baCk at thE bbC Pollard Review findings On 22 February, acting director general Tim Davie sent the following email to all staff, in advance of the publication of the Nick Pollard. Pollard Review evidence: hen the Pollard Review was made clearer to ensure all entries meet BBC published back in December, Editorial standards. we said that we would The additional papers we’ve published Club gives tVC a great release all the evidence that today don’t add to Nick Pollard’s findings, send off WNick Pollard provided to us when he they explain the factual basis of how he (where a genuine and identifiable interest of delivered his report. Today we are publishing arrived at them. We’ve already accepted the BBC is at stake). Thank you to all the retired members and all the emails and documents that were the review in full and today’s publication There will inevitably be press interest and ex-staff who joined us for our ‘Goodbye to appended to the report together with the gives us no reason to revisit that decision as you would expect we’re offering support to TVC’ on 9 March. The day started with a transcripts of interviews given to the review. or the actions we are already taking. -
Drug Education and Its Publics in 1980S Britain
International Journal of Drug Policy 88 (2021) 103029 Contents lists available at ScienceDirect International Journal of Drug Policy journal homepage: www.elsevier.com/locate/drugpo Policy Analysis Just say know: Drug education and its publics in 1980s Britain Alex Mold Centre for History in Public Health, London School of Hygiene & Tropical Medicine, 15-17 Tavistock Place, London, WC1H 9SH, United Kingdom ARTICLE INFO ABSTRACT Keywords: Until the 1980s, anti-drug education campaigns in the UK were rare. This article examines the reasons behind a Heroin policy shift that led to the introduction of mass media drug education in the mid 1980s. It focuses on two Drug education campaigns. ‘Heroin Screws You Up’ ran in England, and ‘Choose Life Not Drugs’ ran in Scotland. The campaigns Health education were different in tone, with ‘Heroin Screws You Up’ making use of fear and ‘shock horror’ tactics, whereas History of drug use ‘Choose Life Not Drugs’ attempted to deliver a more positive health message. ‘Heroin Screws You Up’ was criticised by many experts for its stigmatising approach. ‘Choose Life Not Drugs’ was more favourably received, but both campaigns ran into difficulties with the wider public. The messages of these campaigns were appro priated and deliberately subverted by some audiences. This historical policy analysis points towards a complex and nuanced relationship between drug education campaigns and their audiences, which raises wider questions about health education and its ‘publics’. In April 1986, the cast of teen TV soap, Grange Hill, released a song wanted to be seen to take action on drugs, leading to the introduction of titled ‘Just say no’. -
Radio 4 Listings for 12 – 18 January 2013 Page
Radio 4 Listings for 12 – 18 January 2013 Page 1 of 16 SATURDAY 12 JANUARY 2013 Grade 2 listed buildings but some have been destroyed by fire Dublin and others virtually abandoned by owners who can't afford the SAT 00:00 Midnight News (b01pp62f) development work. He helps assess one of the buildings with When the writer Joseph O'Connor was a child, his mother The latest national and international news from BBC Radio 4. experts from English Heritage who want to produce a database would take him for walks around their Dublin neighbourhood, Followed by Weather. on the state of Grade 2 listed buildings. and point out where James Joyce and John Synge had lived and Jules also explores nearby Middleton Hall which was so worked. neglected it was used as a motorbike track. Volunteers set up a SAT 00:30 Book of the Week (b01px4q3) trust and have spent 35 years bringing it back into use. "I grew up in Dun Laoghaire, a coastal town 8 miles south of The Examined Life However, they say their work is still not done. Dublin city where there was a pier and a waterfront, and the nightly entertainment in the summer when you were a teenager Episode 5 Produced by Anne-Marie Bullock. was to walk down the pier and look at the boats and the ferries leaving for London and wonder to yourself would you go to The world bedevils us. To make sense of it, we tell ourselves Manchester or Coventry. There was no notion that you'd stay in stories. -
The Copyright of This Recording Is Vested in the BECTU History Project
Yvonne Littlewood Tape 1 Side A This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015). COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. CITATION: Women’s Work in British Film and Television, Yvonne Littlewood, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed] By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be used solely for educational, research, scholarly and non-commercial purposes only. I understand that the transcript may be reproduced in part for these purposes under the Fair Dealing provisions of the 1988 Copyright, Designs and Patents Act. For the purposes of the Act, the use is subject to the following: The work must be used solely to illustrate a point The use must not be for commercial purposes The use must be fair dealing (meaning that only a limited part of work that is necessary for the research project can be used) The use must be accompanied by a sufficient acknowledgement. Guidelines for citation and proper acknowledgement must be followed (see above). -
Now for a Lampshade Solo: How the Radiophonic Workshop Built the Future of Sound
https://www.theguardian.com/tv-and-radio/2018/jul/18/lampshade-solo-radiophonic-workshop-built- future-of-sound-festivals Now for a lampshade solo: how the Radiophonic Workshop built the future of sound Pascal Wyse Wed 18 Jul 2018 They chased bees, raided junkyards and banged household objects. Now, half a century on, the Radiophonic Workshop are festival material. Meet the sound effect visionaries whose jobs came with a health warning. On a mission … a recording session in 1962. Photograph: BBC Photo Library In 1957, just before the broadcast of a radio show called Private Dreams and Public Nightmares, a warning was sent to BBC engineers. “Don’t attempt to alter anything that sounds strange,” it said. “It’s meant to sound that way.” The BBC was also worried about the public. Donald McWhinnie, the programme’s maker, made an explanatory statement, ending with the cheerful signoff: “One thought does occur – would it not be more illuminating to play the whole thing backwards?” Radiophonic sound was now in the public domain. A year later, to the bewilderment of many, the BBC dedicated a whole workshop to this avant-garde stuff, even giving it a home in an old ice rink: Maida Vale Studios. Years later, the Queen, shaking hands with the Workshop’s creator, Desmond Briscoe, would confirm its universal success with the words: “Ah yes, Doctor Who.” But what is radiophonic sound – and why did it need a workshop? Radiophonics owes everything to the invention of the tape recorder. Once you could capture sound, using a workable material, you could play with it: slow it down until it thundered, feed it back on itself until it shrieked and echoed, or simply slice bits out. -
Page 1 of 33 Everything Epping Forest 01/01/2012
Everything Epping Forest Page 1 of 33 everythingeppingforest.co.uk covers the Epping Forest district in Essex and features regularly updated news - in words and pictures - has a what's on listings section to highlight local events, a Local Business Directory and a section which allows clubs and organisations to publicise their activities free of charge Home | News | Sport | Your News Views | Events - What's On Diary | Clubs - Organisations | Local Business Directory | Jobs | Food & Drink Sunday, 1 January, 2012 News Archive click here Tell us your news... Publicise your event... Promote your business... Have your say... Buy copies of photos that appear here... email: [email protected] call: David Jackman on 07710 447868 What do you think? Have your say on the articles that appear on this page. Email [email protected] . Tools stolen from van 3.47pm - 29th November 2011 POLICE are appealing for information after various tools were stolen from a van in Loughton. The silver Renault van was parked in Warren Hill between 1.15pm and 1.35pm on Wednesday November 16, when the rear door was forced. A Makita 110v diamond drill, a Makita 18v pillar drill, Makita 18v skill saw, Makita 18v reciprocating saw, Makita 18v jigsaw, Ryobi 110v compressor, Dewalt SDS drill, KAN analyser, Toshiba laptop, Makita 110v skill saw, Makita 110v angle drill, Polyline freezer kit, First Fix plaslo gun, MAC 24v SDS drill, Makita 18v SDS drill, Makita radio, Makita 18v impact driver and various tool parts and accessories were stolen. Investigating officer PC Daniel Stevens said: "The vast majority of items stolen were heat stamped with the company details of 'SJD Mechanical Services' so should be easily recognisable." Anyone with any information should contact PC Stevens at Loughton Police Station on 0300 333 4444 or Crimestoppers on 0800 555 111. -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history -
CWG White Paper AJR 230215A X Compressed
Research & Development White Paper WHP 289 March 2015 Covering the Glasgow 2014 Commonwealth Games using IP Studio Alexander Rawcliffe BRITISH BROADCASTING CORPORATION White Paper WHP 289 Covering the Glasgow 2014 Commonwealth Games using IP Studio Alexander Rawcliffe Abstract BBC Research & Development’s IP Studio project is investigating the use of an IP-based infrastructure for live broadcasting, using a combination of theoretical design and experimental prototyping. During the Glasgow 2014 Commonwealth Games, IP Studio technology was used to produce a live ‘IP-end-to-end’ outside broadcast. Using network connectivity provided by Virgin Media, JANET and the BBC, live ultra-high definition video was captured from cameras in several competition venues, and delivered into a software-defined production system. Ancillary production facilities such as talkback and camera tally indicators were also implemented using the same IP network. This facilitated a highly distributed production workflow, with operational tasks being undertaken at several sites throughout the UK. Final programme output was delivered over IP using MPEG-DASH, and also broadcast from selected existing digital terrestrial television (DTT) transmitter locations using HEVC compression over DVB-T2. This paper describes the components and configuration of the IP Studio system used during the games, and explores the geographically distributed, collaborative workflows it enabled. Additional key words: Internet Protocol, Stagebox, RTP, Future Broadcast System, IP-end-to-end White Papers are distributed freely on request. Authorisation of the Chief Scientist or General Manager is required for publication. © BBC 2015. All rights reserved. Except as provided below, no part of this document may be reproduced in any material form (including photocopying or storing it in any medium by electronic means) without the prior written permission of BBC except in accordance with the provisions of the (UK) Copyright, Designs and Patents Act 1988. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy.