Poetics of Relation
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Thinking Digital: Archives and Glissant Studies in the Twenty-First Century
1 1 Thinking Digital: Archives and Glissant Studies in the Twenty-First Century Jeanne Jégousso Emily O’Dell The Library of Glissant Studies, an open-access website, centralizes infor- mation by and on the work of Caribbean writer Édouard Glissant (Martinique, 1928–France, 2011). Endorsed by literary executors Sylvie and Mathieu Glissant, this multilingual, multimedia website provides bibliographic information, repro- duces rare sources, connects numerous institutions, and includes the works of both renowned and emerging scholars in order to stimulate further research.The library chronicles all forms of academic work devoted to Glissant’s writings, such as doctoral dissertations, MA theses, articles, books, and conference presenta- tions.In this article,Jeanne Jégousso and Emily O’Dell address the origin, the evolution, and the challenges of the digital platform that was launched in March 2018. Martinican author Édouard Glissant (1928–2011) revolutionized contemporary literary thought while providing new ways to theorize and understand transnational exchanges thanks to his key notions of Relation, developed in his 1990 Poétique de la Relation (Poetics of Relation), and the Tout-monde (Whole-World), which was also the title of his 1993 novel. Drawing from the diverse philosophical, poetic, and oral traditions of Europe, Africa, and the Americas, Glissant questioned and reconsidered the very notion of national boundaries and cultural legacies in order to create a dialogue among civilizations across time and geographic borders. Toward the end of his life, Glissant became particularly preoccupied with the continu- ation of the work that the Canadian scholar Alain Baudot had completed in his Bibliogra- phie annotée d’Édouard Glissant (Annotated Bibliography of Édouard Glissant), which contains more than thirteen hundred references and sixty illustrations pertaining to Glis- sant’s work and its criticism. -
The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million. -
Thank God/ They're Free by Ana Rodriguez God
LEAGUE for Catholic rights forming P3 WATERFRONT place for sailors marks 1st P3 DANCING priests spread The the Gospel PI 3 Archdiococese of Miami Volume XXIII No. 4 January 23,1981 Price 25<t 'Thank God/ they're free By Ana Rodriguez God. They're free.' But how many of us Voice Staff Writer have literally knelt down to thank God? Thanking Him is more than just Tuesday, January 20, 1981. A day an expression. Ifs supposed to be a that will live forever in the hearts and prayer." minds of all Americans. And that's exactly what South Florida Thank God. They're free. Catholics were doing. That was the heartfelt cry, born of 14 Meanwhile, across the United States, months of waiting, agonizing, and Catholic bishops and clergymen of hoping only to have hopes dashed, other faiths also offered thanks and that rose first as a whispered prayer prayers to God. Several praised the ef- and later in the form of churchbells forts of former President Carter in pealing, car horns honking and sirens bringing the lenghtly crisis to a screaming, from the depths of people peaceful conclusion. all over the United States on that Pope John Paull II, in Rome, declared Tuesday afternoon. he was "profoundly pleased" with the THE IRANIAN captors, after what success of the negotiations and the seemed like one final maneuver freedom for the 52. designed to humiliate the United THE POPE went on to bless the freed States and prolong a nation's agony, former hostages and their families "in had released the 52 hostages they had the years ahead." been holding since November 4,1979. -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
WHAT the F? Donald Glover Headlines Comedy Event
TAKE A DIP IN BATHS AT THE LOFT PAGE 7. VOLUME XLIII, ISSUE XXIV THURSDAY, JANUARY 13, 2011 WWW.UCSDGUARDIAN.ORG WHAT THE F? Donald Glover Headlines Comedy Event “Community” actor will perform at the first large-scale comedy festival, where “Last Comic Standing” first-season winner Dat Phan will also perform. By Jonathan Kaslow * Contributing Writer Illustration by Rebekah Hwang onald Glover, who performed the ballroom is at maximum capacity. As nizers will need to nd a new source of at the Sun God Festival last a result, the show will be oversold. ose funding. year, will be back on campus who cannot get into the main venue may WTF will not, unlike the Sun God Dnext month to headline the Winter be able to watch a live feed of the show Festival, feature student organizations Triton Festival comedy event. at the Lo. or vendors. Artist merchandise will be “Donald Glover was our rst choice,” “It’s called ‘festival’ because we also available for purchase. AVP of Concerts and Events Brian Wong have [programming at] the Lo on that e show represents a shi on the said. “It just worked out perfectly. He got night,” Wong said in an e-mail. “Cur- part of the A.S. Concerts and Events of- such a great response at Sun God. We re- rently, [it’s] an overow for the ballroom. ce, as the majority of the shows it puts ally wanted him back.” We are looking into a live feed so people on are concerts. Pham said that other He will be joined at the festival by who couldn’t get into the ballroom can shows were considered, but the council comedian Dat Phan, a San Diego native still enjoy the show.” decided a comedy show would be a good who won the rst season of NBC’s “Last e event is designed to be an an- event for Winter Quarter. -
Fall 2005 of Rifle Magazine
Table of Contents Welcome to the fall edition 3-RiFLe-Fall 2005 of RiFLe Magazine. Blogging 3 Blogging Down the House WRFL 88.1 fm is excited to host another semester of great In the days before the Fox News Channel, Americans Down the House programming to further accommodate the listening needs of were forced to receive their information through non-corpo- Matt Jordan 4 Music Reviews campus and the community. Bringing quality radio to Lexing- rate-sponsored outlets. It was the town crier who broke the and a band interview. Through a little bit of searching through blogs, 7 All Age Venue Round-up ton is a top priority for the WRFL staff and volunteers and we story of England’s invasion, and he did so without taking a one should be able to find a wealth of information on even the tiniest August hope you are satisfied with the experience known as Radio break for live coverage of a celebrity trial. In the music in- of bands. 8 Free Lexington. dustry, we find ourselves torn between two similar options Another important factor to consider when becoming 10 We eat small children!!! This issue of RiFLe has an awesome interview with Sufjan Ste- - the corporate and slick, or the amateur, but heartfelt. a frequent blog patron is that you find one that fits your personal taste. 11 Outside the Spotlight vens as well as tons of record reviews, comics, show reviews While magazines such as Rolling Stone and Spin Because most focus on a very specialized area of music, it’s key to find and more. -
Hiv Alliance Event Featuring Piksix
K k NOVEMBER 2018 K g VOL. 30 #10 H WOWHALL.ORGk carols that still haunted us. We included a few original tunes and called our wintry mix The Darkest Night Of The Year. We played a special “darkest night” release concert on winter solstice in an old theater in Cincinnati. Folks began snatching up copies and seemed to agree that they hadn’t heard anything quite like it. “We began playing concerts around the Midwest every December and found that the rooms were usually packed full of people who had bundled in out of the cold with prized compatriots. Hats and scarves abounded. If you stepped outside during intermission, you could make ghosts with your breath in the crisp night air. And it was dark – oh so dark: a time of year with its own music. “A decade later, in 2006, we released our first full collection of original Christmas/holiday songs called Snow Angels. What is it OVER THE RHINE CHRISTMAS SHOW about Christmas music and the On Sunday, December 2, the originals, which invoke hard times public radio station in Cincinnati. the radio broadcast, because we undeniable gravitational pull it Community Center for the and celebrate the survival of the It was Christmastime and began receiving inquiries as to exerts on some songwriters? So Performing Arts proudly welcome’s least fit.” apparently they thought we were whether we had recorded any of many Christmas songs had already Over The Rhine’s Christmas Show Over the Rhine will return to up to the task. We worked up a our Christmas songs. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Edouard Glissant and the African Roots of Creolization
Edouard Glissant and the African Roots of Creolization Sanyu Ruth Mulira Abstract This paper examines Edouard Glissant’s Creolization theory as it pertains to the African roots of Antillean culture. Although the discussion of Glissant’s creolization theory may not be particularly innovative, this paper attempts to employ the notion of the cultural rhizome to place Glissant’s theories within the trajectory of Antil- lean intellectual history. This paper also makes use of Glissant’s poetry, which is greatly informed by his theoretical oeuvre. KEYWORDS: Glissant, Les Antilles, creolization, rhizome, négritude, diaspora. In his theoretical works, Edouard Glissant, attempts to create an epistemology with which to understand the complex nature of African diasporic culture. In the majority of his writings, Glissant uses his own island of Martinique and its sister island of Guade- loupe as case studies for Creolized cultures. Although it is his aim to aid in the comprehension of diasporic cultural complexities, he retains a distinct devotion to his home. Of this choice he has said: “The Caribbean, as far as I am concerned, may be held up as one of the places in the world where Relation (his own theory of historical culture collision) presents itself most visibly.”1 Although the concept of Africa is ubiquitous in the oeuvre of Glissant, it is his ultimate motivation to place the Caribbean at the center of its own discourse. Thus, he uses imagery of Africa with a precise intention. In his theoretical work, Glissant fights against notions of identity that are essentialist and reductionist in nature. In their place, he proposes ways to understand cultural formation that promote plurality. -
Creolising Cultures: a Caribbean Perspective
Changing cultures in Europe C o u r s e M o d u l e Creolising cultures: a Caribbean perspective Kristian Van Haesendonck Centre for Comparative Studies - University of Lisbon E-mail: [email protected] November 11, 2011 Objectives • introduction in the concept of and the debate on creolisation, in the context of postcolonial theory • To shed light on the Caribbean background of the concept • In how far is the concept useful to describe the changing cultures in “Europe”? 2 Preparatory reading • Benitez-Rojo, “Creolisation and Nation-building in the Hispanic Caribbean” • Gyssels, “The world wide web and rhizomatic identity: Traité du tout-monde by Édouard Glissant” • Schwieger Hiepko, “Europe and the Antilles. An Interview with Edouard Glissant” [version in French here] • Van Haesendonck, “From Atavism to Creolisation” 3 Structure 1. Postcolonialism and postcolonial theory 2. From Creole to Creolisation 3. Edouard Glissant and Benítez Rojo: rhizomatic identity and chaos 4. Creolising “Europe”? [ THE LINKS IN THIS PRESENTATION WILL TAKE YOU TO SOME RELEVANT WEBSITES, IN CASE YOU WOULD LIKE TO LEARN MORE. SOME IMAGES INCLUDE LINKS ] 4 When ? . Implication of time: refers to the period after colonialism . Problem: Post-colonialism does not propose a new term . What´s next: post-post-colonialism? . Other terms with Post- as prefix: Postmodernity, Postmodern, Postmodernism Postnationalism, Poststructuralism, … 5 When ? We use the term ‘post-colonial’…to cover all the culture affected by the imperial process from the moment of colonisation to the present day. This is because there is a continuity of preoccupation throughout the historical process initiated by European imperial aggression. -
The Great Western Railway and the Celebration of Englishness
THE GREAT WESTERN RAILWAY AND THE CELEBRATION OF ENGLISHNESS D.Phil. RAILWAY STUDIES I.R.S. OCTOBER 2000 THE GREAT WESTERN RAILWAY AND THE CELEBRATION OF ENGLISHNESS ALAN DAVID BENNETT M.A. D.Phil. RAILWAY STUDIES UNIVERSITY OF YORK INSTITUTE OF RAILWAY STUDIES OCTOBER 2000 ABSTRACT This thesis identifies the literary work of the Great Western Railway as marking a significant contribution to the discourse of cultural representation over the first four decades of the twentieth century and particularly so for the inter-war era. The compa- ny's work is considered in the context of definitive and invariably complex cultural per- spectives of its day, as mediated through the examination of the primary literature, com- pany works and other related sources, together with the historiographical focus of latter- day analysis. G.W.R. literary perspectives - historical, political, commercial-industrial and aesthetic - are thus compared and contrasted with both rival and convergent repre- sentations and contextualised within the process of historical development and ideolog- ical differentiations. Within this perspective of inter-war society, the G.W.R. literature is considered according to four principal themes: the rural-traditional representation and related his- torical-cultural identification in the perceived sense of inheritance and providential mis- sion; the company's extensive industrial interests, wherein regional, national and inter- national perspectives engaged a commercial-cultural construction of Empire; the 'Ocean Coast' imagery - the cultural formulation of the seashore in terms of a taxonomy of landscapes and resorts according to the structural principles of protocol, expectation and clientele and, finally, that of Anglo-Saxon-Celtic cultural characterisations with its agenda of ethnicity and gender, central in the context of this work to the definition of Englishness and community. -
Western Americana
CATALOGUE THREE HUNDRED NINETEEN Western Americana WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue is our annual rendition of new material in Western Americana accumu- lated over the last year. It begins with French and Spanish incursions into the Southwest and California, with some important items listed by Wagner in his Spanish Southwest bibliography (see Venegas, Villavicencio, and Sales in particular), and such voyages as Marchand and Vancouver. There is a strong representation of classic Western Americana of the Wagner-Camp period from 1800 to 1865, including a great Sam Houston letter, the Gifford and Muybridge panoramas of San Francisco, the Mormon 1846 announce- ment of the proposed move to Utah, the Kendall and Whiting portfolios of Mexican- American War views, and a series of important Texas items. Post-1865 there is the famous Russell “Golden Spike” photograph (see catalogue cover) and other interesting albums and photographically illustrated books (Hayden, [Alaska] Dobbs), a number of Alaska items, and many pieces on the Army in the West. Overall, a broad sample of the story of the American West. Available on request or via our website are our recent catalogues 315 The Only Copy For Sale, 317 The Crucible of War: Conflict in North America 1757-1792, and 318 The Carib- bean, as well as Bulletins 34 Adams & Jefferson, 35 American Travel, 36 American Views & Cartography, 37 Flat: Single Significant Sheets, and many more topical lists. Some of our catalogues, as well as some recent topical lists, are now posted on the internet at www.reeseco.com.