Towers Start-Stop a NEWS PUBLICATION of the SOUTHERN BAPTIST THEOLOGICAL SEMINARY DON’T WASTE YOUR SUMMER Registration Still Open

Total Page:16

File Type:pdf, Size:1020Kb

Towers Start-Stop a NEWS PUBLICATION of the SOUTHERN BAPTIST THEOLOGICAL SEMINARY DON’T WASTE YOUR SUMMER Registration Still Open HIP-HOP ISSUE STEREO SIDE ONE 1. A CHRISTIAN HIP-HOP FORUM 2. SBTS EMBRACES THE MESHKHETIAN TURKS 3. GENTRY, WELLUM TALK ABOUT NEW BOOK VOLUME 10 10 JUNE-JULY 2012 Towers start-stop A NEWS PUBLICATION OF THE SOUTHERN BAPTIST THEOLOGICAL SEMINARY DON’T WASTE YOUR SUMMER Registration still open Make progress toward your degree without giving up your entire summer. Southern Seminary offers week-long intensive courses from May to August. Here are a few of the many course offerings: Contemporary Theology Building an Typical Problems in Resurrection of Jesus Dr. Gregory A. Thornbury Evangelistic Church Biblical Counseling Sean J. McDowell June 25 - June 29 Dr. Charles E. Lawless Jr. Dr. Stuart W. Scott July 30 - August 3 July 2 - July 6 July 9 - July 13 Visit www.sbts.edu/summer2012 to view the entire class list. Apply today and receive credit before the fall semester begins. FOR MORE InformatION GO TO:WWW.SBTS.EDU/APPLY OR CALL 1-800-626-5525 EXT. 4200 TO SPEAK WITH AN ADMISSIONS COUNSELOR JUNE/JULY 2012 Changed hearts, Our mission is 12 changed music to use our time, Christian hip-hop artists Lecrae, Trip Lee, FLAME The Office of Communications of The Southern resources and and Shai Linne participate in a forum. Baptist Theological Seminary publishes 10 issues talents to tell the Southern story in of "Towers" per year. an accurate, timely Staff Advertising Info and creative "Towers," the award-winning manner to the Executive Editor: HIP-HOP glory of God. Steve Watters campus publication of The ISSUE Mgr. of News and Info: Southern Baptist Theological Seminary, provides an excel- Josh Hayes STEREO SIDE ONE lent advertising opportunity Managing Editor: for businesses and ministries. 1. A CHRISTIAN HIP-HOP FORUM Aaron Cline Hanbury 2. SBTS EMBRACES THE MESHKHETIAN TURKS Rates for ads are available 3. GENTRY, WELLUM TALK ABOUT NEW BOOK Creative Director: upon request, by emailing VOLUME 10 Eric Rivier 10 JUNE-JULY 2012 [email protected] or calling Art Director: (502) 897-4310. All mate- Andrea Stember rial for the ads is subject to From the editor: Design/Layout: approval. The advertiser It’s hard to miss the Daniel Carroll SBTS joins IMB assumes full responsibility for impact Christian hip- 07 initiative, embraces hop has on the current Photographer: the accuracy of the content. generation of (especially the Meshkhetian Turks Jason Coobs Southern Seminary commits to reaching an younger, Reformed) Feedback evangelicals. What began as unengaged, unreached people group. Contact Info Send comments and ques- a marginalized movement Towers in the South, now finds Phone: (502) 897-4310 start-stop tions to [email protected] A NEWS PUBLICATION OF itself distributed by major A more glorious vision THE SOUTHERN BAPTIST THEOLOGICAL SEMINARY music sellers – Christian Fax: (502) 897-4880 10 Professors Peter Gentry and Stephen J. June-July, 2012, Vol. 10, No. 10. and secular – and among E-mail: [email protected] Wellum talk about their new book, Kingdom the most talked about and Copyright ©2012 The Southern energetic music scenes. This Web: news.sbts.edu through Covenant. issue of “Towers” offers a Baptist Theological Seminary. The Southern Baptist brief timeline of Christian Postage paid at Louisville, Ky. From the radio waves hip-hop, and a conversation Theological Seminary 18 to Twitter with rappers Lecrae, Trip Postmaster Lee, Shai Linne and FLAME. 2825 Lexington Rd. The June-July History Highlight column And, in the spirit of the Louisville, KY 40280 Send address changes to traces Southern Seminary's involvement in popu- theme, the cover represents Towers, 2825 Lexington Road, a Technics turntable, a lar media. widely used instrument Louisville, KY 40280 among producers, DJs and Bruce Ware rap MCs. 21 For Bruce Ware, the ministry of teaching is like a fish in the water: natural. news.sbts.edu June-July 2012 TOWERS 3 | Report Newslog Smith urges God-centered, trinitarian preaching during Mullins Lectures | By Alex Duke | Robert Smith addressed the trinitarian nature of preaching during the E.Y. Mullins Lectures on Christian Preaching at Southern Seminary, April 24-26. Smith, professor of Christian preaching at Beeson Divinity School in Birmingham, Ala., delivered his three-part address, “Preaching as Intra-Trinitarian Presence,” to a jam-packed Heritage Hall. Smith exhorted fellow pastors and students to preach about God the Father faith- fully, balancing both theological clarity and fear-filled adoration. He framed a robust biblical foundation for the Trinity throughout the totality of Scripture – from creation to redemption. He affirmed the Father’s trinitarian headship as tantamount to a correct understanding of authentically biblical theology. SWI shares the hope of Christ with “In creation, he elects the Son. At the cross, he rejects the Son. And on the third day, he resurrects the Son.” Henryville women Smith’s second address, “Theology of the HIMbook,” focused on the homiletical christocentricity. | By Emily Griffin | He encouraged his listeners to recover the art of preaching from the whole Bible – espe- cially the Old Testament – and warned against a functionally selective canon. A pastor’s On March 2, just as the school day came to a close, a F4 tornado descended on the obligation, according Smith, is to “dust for christological fingerprints” in any and every text. quiet township of Henryville, Ind. The twister generated 170-mph winds, turning most Smith’s final lecture, “The Neglected God,” dealt with the pastoral pitfall of neglecting of Henryville’s business and homes to rubble. the Holy Spirit in preaching. Here, he directed his statements at seminary students, urging News crews and disaster relief teams descended on Henryville in the hours and days them to resist the temptation of self-sufficient, Spirit-suffocated ministry. following the storm. Southern Seminary, located just 25 miles south of Henryville, sent “Don’t ever feel equal to the task,” he warned. “I feel inadequate [when I preach], and multiple student-led teams to help with the recovery efforts. Toby Jenkins, pastor of I hope you feel that way too.” First Baptist Church of Henryville and a student at Boyce College, opened his church to To close – with a rhythmic cadence and solemn eyes – Smith offered a humble call to become the official hub for volunteer efforts. preach with rooted intra-trinitarian presence. In the weeks following the storm, Southern Seminary’s Seminary Wives Institute (SWI) “The best we can do is squeal,” he said. “We need the roar of the Lion of the tribe of Judah.” closed in on its 15th year of operation. The SWI hospitality class was also beginning Video and audio of Smith's lectures are available at www.sbts.edu/resources preparations for SWI’s annual end-of-year party. SWI founder and director Mary Mohler and the SWI hospitality class – under Mohler’s direction – started to brainstorm ways in which the party might benefit and uplift women outside of SWI. Henryville’s proximity to Louisville, and the several SWI students living in and serving churches in and around Henryville, made reaching out to that community an easy decision. What developed was a brunch for the women of Henryville, hosted by the women of SWI on Saturday, April 28. Sonia Jenkins, wife to Henryville pastor Toby Jenkins and SWI student, arranged for the brunch to be held at First Baptist Church and gathered friends to spread tickets throughout the community. The hospitality class divided into committees, each tasked with an element of the event. The committees transformed the church gymnasium with dozens of donated floral centerpieces, compiled gift bags for each of the 140 women in attendance, assembled homemade dishes and collected food donations and cared for the attendees' children for the duration of the event. At the event, two Henryville residents shared their personal experiences from “that day,” focused on how God was and remains stronger than the storm and how they are choosing to view “that day” as a blessing rather than one of the worst days of their life. Kathy Chapman Sharp, author, speaker and former International Mission Board mission- ary, spoke to attendees about taking time to reflect on events of that day in order to see the bigger story and realize the connection between life events and faith. Sharp also presented the gospel message. 4 TOWERS June-July 2012 news.sbts.edu Report | Boyce College SBTS hosts pureHOPE conference teacher education featuring Ware, Montgomery program prepares | By SBTS Communications | servant-leaders Southern Seminary hosted a pureHOPE conference, Pursuing Purity in a Sexual- | By Andrew Walker | ized Culture, May 4-5, 2012. PureHOPE is a non-profit organization committed to “providing Christian solutions in a sexualized culture.” Many people think of Boyce College, the The conference featured SBTS Professor of Christian Theology Bruce Ware and undergraduate school of Southern Seminary, Sojourn Community Church Lead Pastor Daniel Montgomery. as merely a Bible college. But within Boyce is a In Ware’s plenary session, he suggested that the impetus for human burgeoning elementary education certification holiness and purity is the holiness of God himself – God’s holiness leads to program that aims to use teaching as a means human holiness. for missionaries to enter foreign countries. “We must see God’s holiness to see rightly our sin,” said Ware, who speaks Alvin Hickey, associate professor of educa- around the world about the doctrine of God. “We must see our sin to appreci- tion and department chair of Boyce teacher ate rightly God’s forgiveness. We must see the beauty of God’s forgiveness to education, said that, “The best open door to live out an abiding love for him. And we must have that love for God if we’re the mission field in many foreign countries going to live in obedience and faithfulness and purity.” is for teachers to work in the schools of the For his plenary address, Montgomery, a graduate of Southern Seminary, country and at the same time be able to share traced human sexuality back to the Book of Genesis, arguing that God estab- the gospel.” lishes human sexuality as a life-giving and life-cultivating gift.
Recommended publications
  • Playing the Sacred Harp: Mennonite Literature As Confession (The
    Playing the Sacred Harp: Mennonite Literature as Confession Ann Hostetler Borrowed hymnal in hand, I walk into the one-room white clapboard church that vibrates with loud singing, past dozens of onlookers and would-be participants hovering at the doors like honeybees. My daughter and her partner and their two-week-old baby, and a friend of theirs, follow me as we squeeze into the standing room at the back of the sanctuary next to a row of Old Order Mennonites. Sacred Harp music is sung a cappella and needs a body of singers to come to life in a corporeal act of worship, creating what an alternative healer might call a highly-charged energy fi eld. One of my more worldly friends who is a Sacred Harp devotee describes it as a form of yoga, centered on breathing. Surrounded by the fi erce organ of many voices, I have visions of seraphim and cherubim vibrating with the music of the spheres. Someone less inclined to ecstatic merger might recall Huck Finn’s opinions of Aunt Polly’s heaven – that if the saints were singing for eternity, he would rather spend his time elsewhere. We have chosen to stay for the day. Sacred Harp singers travel. They come from many places, denominations, even faiths to gather at conventions or at singings in many parts of the country. They hold local sings and long-distance sings. The only rule is respect for the music and each other. The content of the songs, sung fi rst by rural Southerners and then Midwestern pioneers during the nineteenth-century singing school movement, is profoundly religious, focusing on death and salvation.
    [Show full text]
  • Tara Barker Carnes, B.M
    3'79 NG f Ato.K7 HARTLEY WOOD DAY: INVENTOR OF NUMERAL NOTATION AND ADVERSARY OF LOWELL MASON THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS by Tara Barker Carnes, B.M. Denton, Texas December, 1991 Carnes, Tara Barker, Hartley Wood Day: Inventor of Numeral Notation and Adversar of Lowell Mason. Master of Arts (Music), December 1991, 128 p. 4 tables, bibli- ography, 47 titles. Ignorance of the basic principles of music reading was one of the primary obstacles to the improvement of congregational singing in nineteenth-century America. Six separate numeral notation systems arose to provide a simple way for the common man to learn the basic prin- ciples of music. Hartley Day developed his own numeral notation system and published six tune-books that enjoyed modest success in the New England area. This thesis exam- ines Day's numeral notation system as it appeared in the Boston Numeral Harmony (1845), and the One-Line Psalmist (1849). It also studies Day's periodical, The Musical Visitor, in which he continually attacked Lowell Mason, possibly leading to Mason's dismissal as Superintendent of Music of Boston's public schools. TABLE OF CONTENTS Page LIST OF TABLES . v .. ....... ..... vi LIST OF EXAMPLES . Chapter I. H.W. DAY . State of Research Census Records Overview II. NUMERAL NOTATION IN AMERICA. .. ... 5 State of Music in Eighteenth Century America Early Alternative Notational Systems Five Main Types of Numeral Notation Systems Decline of Alternative Notational Systems III. DAY'S NUMERAL NOTATION SYSTEM.
    [Show full text]
  • Shape-Note Singing Lesson Addresses the Following Teachers Bring to Their Students the Educational Power of Standards: Museums and Other Community Resources
    OCT 00 hape- ote inging esson GRADES 3-8 SUBJECTS I Music Publication of this issue of Smithsonian in Your I History Classroom is made possible through the gener- ous support of the Pacific Life Foundation. ontents 3 Essay 10 Lesson Plan Keeping the Spirit Alive The purpose of Smithsonian in Your Classroom is to help A Shape-Note Singing Lesson addresses the following teachers bring to their students the educational power of standards: museums and other community resources. It draws on the National Standards for Arts Education (Music Content Smithsonian’s exhibitions and programs—from art to zool- Standards) ogy—to create classroom-ready materials for grades 3–8. I Singing alone and with others, a varied repertoire of music Each of the four annual issues takes an interdisciplinary Reading and notating music approach to a single topic. The Smithsonian invites teach- Understanding relationships between music, the ers to duplicate the materials for educational purposes. other arts, and disciplines outside the arts Understanding music in relation to history and You may request an audiotape, large-print, culture braille, or disk version (Mac or PC) by writing to National Standard for History the address listed on the back cover or by faxing your I Regional folklore and culture contributions that name, school name, and address to 202-357-2116. Please helped to form our national heritage specify the issue you are requesting. Photo Credits: Cover: ©Miriam A. Kilmer Pages 4, 7, and 13: ©Miriam A. Kilmer Page 5: William L. Clements Library, University of Michigan Pages 6 and 8: ©Lauren Piperno/Kingston Page 9: Birthplace of Country Music Alliance Music in cover image used by kind permission of Hugh McGraw of the Sacred Harp Publishing Company.
    [Show full text]
  • Fact, Fiction Or Fantasy?
    Biblical Worldview Institute November 10-11 TRUTH- FACT, FICTION OR FANTASY? This year’s schedule: Thursday morning, November 10 8:30-11:30 a.m. - Prestonwood Baptist Church Worship Center Doors open at 8:00 a.m. How Do We Know What is True? Dr. Frank Turek is a dynamic speaker, explorer and co-author of two award- winning books: I Don’t have Enough Faith to be an Atheist and Legislating Morality. Do Science and the Bible Conflict? Dr. Michael Strauss is a physics professor at the University of Oklahoma as well as researcher at CERN in Geneva, Switzerland, where he is a collaborator on the ATLAS experiment, which uses data from the Large Hadron Collider (LHC). He lectures on the “scientific evidence for the existence of God.” Speaking Truth in the Age of Intolerance Jeremiah Johnston is President of the Christian Thinkers Society, Special Assistant to the President at Houston Baptist University and an Associate Professor of Early Christianity. Ethnic Conciliation DA Horton serves as Pastor of Reach Fellowship, a church plant in North Long To register for all or any Beach, CA and as Chief Evangelist for the Urban Youth Workers Institute (UYWI). part of the Institute visit: Thursday afternoon, November 10 - Visit Christian College booths www.prestonwoodchristian.org 11:30 a.m. - 2:00 p.m. - Prestonwood Baptist Church Worship Center Atrium Friday morning, November 11 8:30- 11:30 a.m. - Prestonwood Baptist Church Worship Center Doors open at 8:00 a.m. Speaking Truth at a Cost Gregory Thornbury, Ph.D. is President of The King’s College in Manhattan, NY.
    [Show full text]
  • Barbara Allen
    120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor­ porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad­ mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow­ ledged that there are enough resemblances between the two to allow both to be called by the same name.
    [Show full text]
  • 74TH SEASON of CONCERTS April 10, 2016 • National Gallery of Art PROGRAM
    74TH SEASON OF CONCERTS april 10, 2016 • national gallery of art PROGRAM 3:30 • West Building, West Garden Court The Rose Ensemble Jordan Sramek, founder and artistic director, tenor Elizabeth Windnagel and Kim Sueoka, ‘ukulele, sopranos Alyssa Anderson and Natalie Nowytski, altos Andrew Kane, ‘ukulele, tenor Mark Dietrich, guitar, Native American flute, and Jake Endres, basses David Burk, guitar, mandolin, and gourd banjo Josh Schwalbach, bass Ginna Watson, fiddle Special guest Dan Chouinard, accordion Mark Dietrich (b. 1967) Traditional Irish dance tunes Improvisation in Honor of the First Inhabitants “Mile of Dublin,” “Boys of Malin,” and “Maids of Castlebar” Anonymous From The Southern Harmony (1854) Niel Gow (1727 – 1807) “Bozrah” “Niel Gow’s Lament on the Death of His Second Wife” Anonymous From Original Shaker Music (1893) Anonymous “Pure Love” and “Give Good Gifts” From Shaker Music (1875) “Morning Dawn” Traditional Appalachian “Christmas Eve” “Over the Waterfall” John Playford (1623 – 1686) Thomas Hastings Arr. The Rose Ensemble From A Selection of Spiritual Songs (1878) “Scotch Cap” “Still Water” “Juice of Barley” (tune: “Stingo” or “Oyle of Barly”) Traditional Acadian dance tunes “La Bastringu” and “A San Malo a Anonymous American Bord de Mer” Arr. C. Patton “New England’s Annoyances” (1630) Anonymous From Original Shaker Music (1893) Traditional American “Peace and Joy” Arr. The Rose Ensemble “Goin’ across the Sea” 2 • National Gallery of Art The Hutchinson Family Singers Walter Kittredge (1834 – 1905) Arr. Kachelmeier “Tenting on the Old Camp Ground” “Get Off the Track” (tune: “Old Dan Tucker”) William J. Kirkpatrick (1838 – 1921) “Help Just a Little” Hutchinson’s Republican Songster (1860) Arr.
    [Show full text]
  • Square Notes and Shapes St. Augustine Schola Cantorae With
    Square Notes and Shapes St. Augustine Schola Cantorae With Organist Shannon McKay August 7, 2009, 6 p.m. Cathedral-Basilica of St. Augustine, St. Augustine, Florida The audience is kindly requested to turn off cell phones, and to refrain from applause until the end of the program. Thank you! Part One From the Vespers of the Blessed Virgin Mary Lucernarium - O Gladsome Light , Phos Hilaron, 4 th c. ( Igor Dvoretsky/arr. M. J. Ballou) This hymn was traditionally sung at the lighting of lamps as vespers began in the Eastern Churches as well as the Ambrosian Rite of Milan. Found in the Apostolic Constitutions, “Phos Hilaron” praises Christ as the “light of the holy glory of the Immortal Father.” It is the earliest known Christian hymn outside the Bible that is still in use today. Some believed it was composed by St. Athenogenes on the way to his martyrdom, his executioner’s arm miraculously unable to move until the song was completed. In the 4 th century, St. Basil the Great referred to it as an ancient hymn. This setting by Dvoretsky is one of the most popular in the Russian Church. Hymn – Ave maris stella, Gregorian Chant with organ versets by Jehan Titelouze This 8th century hymn is always sung at Vespers of the Blessed Virgin Mary. Both the author and composer are unknown. Hailing Mary as “the star of the sea” and “happy gate of heaven,” this was one of the most popular hymns in medieval Europe as devotion to the Virgin blossomed. Its supple melody and metrical text have been the inspiration of composers as varied as Josquin, Palestrina, Byrd, Victoria, Grieg, Liszt, and 20th century composers Chan Ka Nin and Peter Maxwell Davies.
    [Show full text]
  • Blood Bought Radio Worldwide Report Dates from 8/30/2020 - 9/5/2020
    BROADCASTER RAW DATA DRT SUMMARY REPORT BLOOD BOUGHT RADIO WORLDWIDE REPORT DATES FROM 8/30/2020 - 9/5/2020 ARTIST SONG TITLE LABEL TOTAL SPINS BRIDGING THE GAP VISIT TODAY AT MOVEMENT LLC WWWBRIDGINGTHGAPMOVEMENTLLCCOM UNKNOWN 64 BLOOD BOUGHT PRODUCTIONSWHERE SCHEDULE AN APPOINTMENT TODAY AT HARMONY MEETS QUALITY WWWBRIDGINGTHEGAPMOVEMENTLLC UNKNOWN 61 BLOOD BOUGHT RADIO BBR INTRO 1 UNKNOWN 59 TUNE INTO THE OFFICIAL STATION 4 CHH X RHYTHM BLOOD BOUGHT RADIO & PRAISE UNKNOWN 49 TUNE INTO WORD OF KNOWEDGE RADIO SHOW BRIDGING THE GAP EVERY SUNDAY AT 6PM EST ON BLOOD BOUGHT MOVEMEMENT LLC RADIO UNKNOWN 42 BLOOD BOUGHT RADIO BBR INTRO 2 UNKNOWN 40 BLOOD BOUGHT RADIO BBR PROMO 6 UNKNOWN 25 BLOOD BOUGHT RADIO BBR THROWBACK INTRO 2 UNKNOWN 25 CLEAR VISION IMAGING SCHEDULE AN APPOINTMENT TODAY AT & MEDIA WWWBRIDGINGTHEGAPMOVEMENTLLC UNKNOWN 24 D ROAD BBR HIS HOP RADIO SHOW PROMO UNKNOWN 23 BLOOD BOUGHT RADIO BBR PROMO 10 UNKNOWN 22 BLOOD BOUGHT RADIO BBR PROMO 4 UNKNOWN 22 HOSTED BY @KNOWTHELEDGE415 X@MOSESBOYMUSIC - WORD OF KNOWLEDGE RADIO SHOW (2020 S8 EP19) UNKNOWN 21 BLOOD BOUGHT RADIO BBR PROMO 3 UNKNOWN 20 BLOOD BOUGHT RADIO BBR PROMO 2 UNKNOWN 19 BLOOD BOUGHT RADIO BBR PROMO 5 UNKNOWN 19 BLOOD BOUGHT RADIO BBR PROMO 9 UNKNOWN 19 BLOOD BOUGHT RADIO BBR PROMO 1 UNKNOWN 18 BLOOD BOUGHT RADIO BBR PROMO 7 UNKNOWN 18 BLOOD BOUGHT RADIO BBR PROMO 8 UNKNOWN 18 2ND SAMUEL 151 BLOOD BOUGHT RADIO DROP UNKNOWN 11 KEYA SMITH BBR DROP UNKNOWN 11 DR HOWARD ROBERTS BBR DROP DO YOURSELF A FAVOR AND KEEP IT LOCKED UNKNOWN 9 BLOOD BOUGHT RADIO BBR
    [Show full text]
  • Church Music United States
    Church Music in the United States 1760–1901 essays by David W. Music and Paul Westermeyer Published in partnership with the Center for Church Music, Concordia University Chicago MorningStar Music Publishers, Inc. 1727 Larkin Williams Road, Saint Louis, Missouri 63026-2024 morningstarmusic.com © 2014 by MorningStar Music Publishers, Inc. All rights reserved. Published 2014 Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, mechanical, electronic, recording, photocopying or otherwise, anywhere in the world, including public perfor- mance for profit, without the prior written permission of the above publisher of this book. ISBN 978-0-944529-63-8 Library of Congress Cataloging-in-Publication Data Church music in the United States : 1760-1901 / essays by David W. Music and Paul Westermeyer. pages cm Includes bibliographical references and index. ISBN 978-0-944529-63-8 (alk. paper) 1. Church music--United States--19th century. 2. Church music--United States--18th century. I. Music, David W., 1949- author. II. Westermeyer, Paul, 1940- author. ML2911.4.C38 2014 781.700973--dc23 2014032347 vii TABLE OF CONTENTS Foreword xi Preface xiii Abbreviations xv Part I: 1760–1861—David W. Music Essay 1 American Psalmody in the Northeastern States and Canada 3 British Elaborate Psalmody 3 The Introduction of Elaborate Psalmody into America 5 William Billings 7 Later American Composers and Collections of Psalmody 10 Psalmody in Canada 13 Church Music
    [Show full text]
  • Mason's Sacred Harp" May Be Justly Entitled " the Beauties of Vntsic.'''' Hal^'Del, Ai\I> HAY]I>R¥ Colliectiorv of Church Music
    4^,^ Ai-M y//// , 4^^^' MAS6"]^S' SACREIV'HAJ^P: OR ECLECTIC HARMONY ^ COLLECTION OF CHURCH MUSJC. *'" IN ^T -; NT NOTES. Arran^eti nud Composed bjf i'iO\reIl Mason and T. II. "luson, PROFESSORS OF MUS^C AN E^OilGANIS tS. EW EDITIO-^. <:nNClNNATI: r- FU$IJSIiED .,BY TIUJMAN A?^D SMITH. 1835. J 1 i ^ y<5 6^^^ * jc*/-^ zz^^ j^ ^^/i.S^^-i/K-Ai- THE BENSON LIBRARY OP HYMNOLOGY Endowed by the Reverend Louis Fitzgerald Benson, d.d. ^-.^. /y~ ^^X ^ ^'/'- ^-T- i-/- k^HJaULU LIBRARY OF THE THEOLOGICAL SEMINARY PRINCETON, NEW JERSEY V ^Wliaei ^4 f^», • /^^_ : ; MARTVIVJ *fs.(J>o^b\c) different dej/.Ma-rJ, 'to th^y^iioi^rstomt-, HiS-tci a.!" tlie cirlg Aiwaj J^pVct sktl-roiioVitT V ..co-tiet W.famt BlJ WvaLorJL ike.l<)\l Zcl Ka.cL crone- I ; » Anthems, 3 -^ . 5 , -ra ju..t7#H g^tfffff^J>fi7pj | jjffr|ffffl4j.irjPf[' ^^s " I.I— l.t_il,I, _. ,_ . ^1 cithlimfi an ., 1—.^ ^ . ^^^^ -.<=^ We have^ ^1 rl J tTfffrTi(7'ifrf-f f44J4^,HeiTi-J p-r ^ scst harmony of 1 Fori-wLU jhe li,lo--'rin^^rooA, degi'ee, tint FUl'cUvi+k 6orrow^6url,rist;T-envlrUM-^k.t*<vJ.ryjt«.l flood., T.^i^eA-fronxlTr^' \tte/v.rvo ev-i -^ -^ tt I devotional /"> '.-V •p'. '^ - I p :l j^ pre- 1'.* i> - tunes of \ I I I I ^ 6 (» p » l I I J I P-P ^1 P » P i> I I =F= \ OP ^\ P0Q I - > * P -T=^1 I o-<?^l » volume.
    HAY]I>R¥ Colliectiorv of Church Music" class="panel-rg color-a">[Show full text]
  • Camp Bahamas 2013 Real Talk Playlist 60 Songs, 4.5 Hours, 551 MB
    Page 1 of 2 Camp Bahamas 2013 Real Talk Playlist 60 songs, 4.5 hours, 551 MB Name Time Album Artist 1 Breathe In Breathe Out 3:08 Life Is Beautiful The Afters 2 Love Is In The Air 4:15 Life Is Beautiful The Afters 3 Ayo! 4:04 Heroes For Sale Andy Mineo 4 Uno Uno Seis (Feat. Lecrae) 4:34 Heroes For Sale Andy Mineo 5 The Saints Gentlemen Remix 4:01 Remixx Fixx Vol. 1 Andy Mineo 6 Grizz ft. God's Servant & Canon 3:39 Single - Grizz Benjah 7 Hands Up (feat. JMartyr & Tran… 3:52 Black Knight's World Black Knight 8 Swerv (feat. KIDD, Jor'Dan Arm… 3:41 Black Knight's World Black Knight 9 Bibles In The Air (feat. Jesus G… 3:35 Black Knight's World Black Knight 10 One One Six (feat. Derek Minor) 2:27 #ItsTheBlackKnight Black Knight 11 Inferno 3:51 #ItsTheBlackKnight Black Knight 12 The Saints Remix (feat. Andy M… 4:02 #ItsTheBlackKnight Black Knight 13 I Know Remix (feat. Lecrae) 4:19 #ItsTheBlackKnight Black Knight 14 Turn Me Up (feat. X-Ellentz & JG) 3:50 #ItsTheBlackKnight Black Knight 15 Amazing Life (Capital Kings Re… 3:08 Gold Britt Nicole 16 You'll Never Be Alone 3:18 Capital Kings Capital Kings 17 Ready For Home 2:57 Capital Kings Capital Kings 18 Born To Love (Feat. Britt Nicole) 4:12 Capital Kings Capital Kings 19 Lecrae ft. Mali Music - Tell The… 3:05 Cardec Drums 20 Silence 3:27 Cliff Stanley - Single Cliff Stanley 21 Look Up (Live Mix) 27:54 Concert Mix DJ Triune 22 HardStep Mix 26:06 DJ Triune 23 Pharaoh (Feat.
    [Show full text]
  • First Time at a Sacred Harp Singing?
    First time at a Sacred Harp singing? The Sacred Harp is the name of the tunebook we use, originally published 165 years ago in a tradition older still. The “sacred harp” refers to the human voice! This music is also called shape-note music — check out the expla- nation below, and be sure to look at the songs in the book to see what we mean. The first thing you might notice if you’re just listening is that we are not professional singers (although a few trained voices occasionally find their way to us). Sacred Harp recalls the days when church music was intended to be sung by the congregation rather than the choir. We sing for the joy of it. And while listeners are always wel- come, we singers don’t think of this event as a performance. Everyone is welcome to join in. Voice parts Where should I sit? in Ida Noyes Hall Sacred Harp music is divided into four parts: treble, alto, tenor (melody, or lead), and bass. STAGE Singers sit in a “hollow square” with each voice part taking one of the four sides and facing the center. (As you walk into the room, spot the all-male bass section to get oriented.) Alto 2nd line in music Depending on inclinations of temperament, timbre, or necessity, women and men double on both the treble and tenor parts, with women usually (but not always) singing an octave WS above the men. Any type, quality, and range of voice should find a comfortable and impor- eble DO tant place within its harmonies.
    [Show full text]