Terminator Movies in Chronological Order
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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films -
For Gale Anne Hurd
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA637539 Filing date: 11/06/2014 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91204259 Party Plaintiff Valhalla Motion Pictures, Inc. Correspondence MICHAEL K GRACE Address GRACE GRACE LLP 790 E COLORADO BLVD, SUITE 797 PASADENA, CA 91101 UNITED STATES [email protected] Submission Plaintiff's Notice of Reliance Filer's Name Pamela D. Deitchle Filer's e-mail [email protected], [email protected], [email protected] Signature /Pamela D. Deitchle/ Date 11/06/2014 Attachments 20141106 VMP Third Notice of Reliance.pdf(4025091 bytes ) IN THE UNITED STATES TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In Re: Serial Nos. 77/948,333; 77/948,895; 85/310,089 Applicant’s Marks: VALHALLA GAME STUDIOS; VALHALLA GAME STUDIOS and Design; VALHALLA ENTERTAINMENT VALHALLA MOTION PICTURES, INC., Opposer; v. Opposition No. 91204259 (parent case) VALHALLA GAME STUDIOS CO. LTD., Applicant. VALHALLA GAME STUDIOS CO. LTD., Opposer; v. Opposition No. 91206662 VALHALLA MOTION PICTURES, INC, Applicant. THIRD NOTICE OF RELIANCE Pursuant to TMBP § 704.03(b)(1)(A), Opposer hereby serves notice that it will rely upon the following online publications: 1. Screenshot of http://twitter.com/valhallapics, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 1. 1 2. Screenshot of http://www.valhallaentertainment.com, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 2. 3. Screenshot of http://www.valhallaentertainment.com/films.html, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 3. -
Meet the Buyer 2015 Screen Forever Conference, Melbourne Australia
MEDIA RELEASE: Friday 23 October MEET THE BUYER 2015 SCREEN FOREVER CONFERENCE, MELBOURNE AUSTRALIA Australian producers have the opportunity to hear first hand from 21 leading local and international Development Executives, Commissioning Editors, Programmers and Controllers in Meet The Buyer, a highlight event of SCREEN FOREVER 2015, the premier conference for the screen industry in Australia. The invaluable three-day Partnership Event invites leading executives from significant media platforms and channels to outline their programming priorities, production schedules and target audiences, and to articulate how Australian producers may best facilitate collaborations. Screen Producers Australia is delighted to confirm the 21 Network Executives from SBS Television, ABC Television, NetworK Ten, NetworK Seven, Foxtel and STAN, who will participate in Meet The Buyer and link up with Australian producers. "The importance for producers and creators of screen content to understand the key programming needs of media platforms in Australia and overseas cannot be overstated. We are delighted to have 21 key representatives join us for Meet The Buyer at SCREEN FOREVER 2015, bringing potential partners together and facilitating successful productions,” said Matthew Deaner, CEO, Screen Producers Australia. The representatives confirmed for Meet the Buyer include the following executives: ABC TELEVISION Adrian Swift Head of Content Jon Casimir Head of Entertainment Carole Sklan Head of Fiction Kath Earle Acting Head of Arts Rick Kalowski Head of Comedy -
Read It Here
1 Ronald J. Nessim - State Bar No. 94208 com 2 Thomas V - State BarNo. 171299 J^ F 7584 om 4 David - State Bar No. 273953 irdmarella.com 5 BIRD, BOXER, WOLPERT, NESSIM, DROOKS, LINCENBERG & RHOW, P.C. 6 1875 Century Park East,23rd Floor Los Angeles, California 90067 -25 6I 7 Telephone: (3 I 0) 201-2100 Facsimile: (3 10) 201-2110 I Attorneys for Plaintiffs 9 SUPERIOR COURT OF THE STATE OF CALIFORIIIA 10 COUNTY OF LOS ANGELES, CENTRAL DISTRICT 1t l2 Robert Kirkman, an individual; Robert CASE NO. l3 Kirkman, LLC, a Kentucky limited liability company; Glen Mazzara, an COMPLAINT for: t4 individual; 44 Strong Productions, Inc., a California corporation; David Alpert, an (1) Breach of Contract, including the 15 individual; Circle of Confusion Implied Covenant of Good Faith Productions, LLC, a California limited and Fair Dealing; t6 liability company; New Circle of (2) Inducing Breach of Contract; Confusion Pioductions, Inc., a California (3) Violation of Cal. Bus. & Prof. Code t7 corporation; Gale Anne Hurd, an $ 17200 individual; and Valhalla Entertainment, (4) Secondary Liabitify for Violation of 18 Inc. flkla Valhalla Motion Pictures, Inc., a Cal. Bus. & Prof. Code $ 17200 California corporation; 19 DEMAND FOR JURY TRIAL Plaintiffs, 20 Deadline VS 2t AMC Film Holdings, LLC, a Delaware 22 limited liability corporation; AMC Network Entertainment, LLC, a Delaware 23 limited liability corporation; AMC Networks Inc., a Delaware corporation; Stu 24 Segall Productions, Inc., a California corporation; Stalwart Films, LLC, a 25 Delaware limited liability corporation; TWD Productions LLC, a Delaware 26 limited liability corporation; Striker Entertainment, LLC, a California limited 27 liability corporation; Five Moons Productions I LLC, a Delaware limited 28 3409823.1 COMPLAINT 1 LLC, a Delaware limited liability corporation, flW a AMC Television 2 Productions LLC; Crossed Pens Development LLC, a Delaware limited a J liability corporation; and DOES 1 through 40, 4 Defendants. -
Terminator and Philosophy
ftoc.indd viii 3/2/09 10:29:19 AM TERMINATOR AND PHILOSOPHY ffirs.indd i 3/2/09 10:23:40 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Richard Davis, Jennifer Hart Weed, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Offi ce and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski ffirs.indd ii 3/2/09 10:23:40 AM TERMINATOR AND PHILOSOPHY I'LL BE BACK, THEREFORE I AM Edited by Richard Brown and Kevin S. Decker John Wiley & Sons, Inc. ffirs.indd iii 3/2/09 10:23:41 AM This book is printed on acid-free paper. Copyright © 2009 by John Wiley & Sons. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or trans- mitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. -
Aliens” (1986) – Superior Sequel to the Original Source
“Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Night of the Living Dead
FIRST RUN FEATURES PRESENTS a definitive look at niGHt of tHe livinG dead tHe filM tHat spaWned tHe ZoMBie industry “Birth of the Living Dead has the horror community buzzing, and there’s good reason.” - Matt Molgaard, Best Horror Movies “If you’re a fan of zombies in any way, shape, or form, you need to watch this movie – one of the most extensive, informative, and even entertaining looks at Night of the Living Dead. Very highly recommended.” - Brian M. Sammons, Hell Notes “Fascinating, hugely entertaining documentary chronicles the making of the classic horror film while also tracing its lineage, its colossal influence on the zombie sub-genre, and analysis of its cultural import. And kudos to director Rob Kuhns; he’s crafted a spot-on, ingratiating, informative film that should appeal to the died-in-the-wool horror fanatic as well as the interested newbie. This is easily one of my favorites of 2013 so far.” - Dean Galanis, Forces of Geek “Mesmerizing...I finally understand why I was not only scared out of my wits, but was simultaneously In 1968 a young college drop-out named watching a cinematic breakthrough and cultural George A. Romero directed Night of the phenomenon. Birth of the Living Dead is immensely Living Dead, a low budget horror film that watchable and abundantly enlightening, shocked the world, became an icon of the counterculture, and spawned a zombie with one ah-hah moment after another.” industry worth billions of dollars that contin- - Bill Moyers ues to this day. FEATURING INTERVIEWS WITH Birth of the Living Dead shows how Romero GEORGE A. -
James Mase, C.A.S
JAMES MASE, C.A.S. Production Sound Mixer Member IATSE 695 & 479 James Mase has worked in sound his entire adult life in production, post production and music. No surprise, he has a deep understanding of the process and of the technical and engineering side. Starting out in music in Boston, James helped engineer the first New Edition album. He then moved to New York and worked in music engineering for artists like Run-DMC, Chaka Kahn and others. Another move back to Boston introduced James to video production and post work including commercial work and his first experience with sound for picture. Three years were spent on projects taking him to Europe, Russia and South America. James is based in Atlanta, Georgia. Television (Selected Credits); Production Director/Producer/Company/Network 61st STREET (Season 1) Various / Michael B. Jordan, Hilary Salmon / AMC THE WALKING DEAD (Season 11, 3 Episodes) Various / Gale Anne Hurd, David Alpert / AMC DISPATCHES FROM ELSEWHERE (Season 1) Various / Scott Rudin, Eli Bush / AMC Studios / AMC THE PASSAGE (Full Season) Various / Ridley Scott / Scott Free / Fox LODGE 49 (Seasons 1 & 2) Various / Paul Giamatti / Touchy Feely / AMC CHAMPAIGN, ILL (Season 1) Various / Jamie Tarses / Sony TV / YouTube LOVE IS … (Season 1, 6 eps) Salim Akil / Oprah Winfrey / Warner Horzizon / OWN SURVIVOR’S REMORSE (Season 4) Various / LeBron James, Tom Werner / Starz DAYTIME DIVAS (Full season) Various / Josh Berman, Star Jones / Sony TV / VH1 NOTORIOUS (2016 pilot) Michael Engler / Jeff Kratinetz / Sony TV / ABC POWERS -
Leading Us Film & Broadway Producer Paula Wagner
MEDIA RELEASE: Thursday 8 October 2015 LEADING US FILM & BROADWAY PRODUCER PAULA WAGNER CONFIRMED FOR 2015 SCREEN FOREVER CONFERENCE Screen Producers Australia is delighted to announce that Paula Wagner— co-founder of Cruise/Wagner Productions with Tom Cruise and producer of more than 20 films including the Mission: Impossible trilogy, The Last Samurai, Vanilla Sky, The Others and War of the Worlds—is confirmed to speak at SCREEN FOREVER 2015, the premier conference for the screen industry in Australia. "We are honoured to have such a highly respected producer as Paula Wagner participating in this year’s SCREEN FOREVER conference,” said Matthew Deaner, CEO, Screen Producers Australia. “Paula’s leadership, outstanding experience, and creative vision inspire producers and film executives around the world.” Paula Wagner is a film and theatre producer who has worked in the top ranks of the American entertainment industry, and whose many Academy Award-nominated films shatter box-office records. After commencing as a prominent agent at Creative Artists Agency, representing top Hollywood talent such as Tom Cruise, Sean Penn, Oliver Stone, Val Kilmer, Demi Moore and Liam Neeson, Wagner launched Cruise/Wagner Productions with her former client Tom Cruise in 1993. Over the next 13 years, Wagner and Cruise produced a wide range of films that earned numerous prestigious awards, critical praise, and more than $3 billion in worldwide box-office receipts for films such as the Mission: Impossible trilogy, The Last Samurai, Vanilla Sky, and The Others. The Mission: Impossible trilogy is a series of action spy thriller films based on the television series of the same name, starring Tom Cruise.